Written by
Maya Angelou |
(also referred to as The Rock Cries Out To Us Today)
A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spelling words
Armed for slaughter.
The rock cries out today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A river sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more.
Come, clad in peace and I will sing the songs
The Creator gave to me when I
And the tree and stone were one.
Before cynicism was a bloody sear across your brow
And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to
The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew,
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek,
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the teacher.
They hear. They all hear
The speaking of the tree.
Today, the first and last of every tree
Speaks to humankind. Come to me, here beside the river.
Plant yourself beside me, here beside the river.
Each of you, descendant of some passed on
Traveller, has been paid for.
You, who gave me my first name,
You Pawnee, Apache and Seneca,
You Cherokee Nation, who rested with me,
Then forced on bloody feet,
Left me to the employment of other seekers--
Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot...
You the Ashanti, the Yoruba, the Kru,
Bought, sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river,
Which will not be moved.
I, the rock, I the river, I the tree
I am yours--your passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced with courage,
Need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts.
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me,
The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes,
Into your brother's face, your country
And say simply
Very simply
With hope
Good morning.
|
Written by
Maya Angelou |
A Rock, A River, A Tree
Hosts to species long since departed,
Marked the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no more hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spilling words
Armed for slaughter.
The Rock cries out today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A River sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more. Come,
Clad in peace and I will sing the songs
The Creator gave to me when I and the
Tree and the stone were one.
Before cynicism was a bloody sear across your
Brow and when you yet knew you still
Knew nothing.
The River sings and sings on.
There is a true yearning to respond to
The singing River and the wise Rock.
So say the Asian, the Hispanic, the Jew
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the Teacher.
They hear. They all hear
The speaking of the Tree.
Today, the first and last of every Tree
Speaks to humankind. Come to me, here beside the River.
Plant yourself beside me, here beside the River.
Each of you, descendant of some passed
On traveller, has been paid for.
You, who gave me my first name, you
Pawnee, Apache and Seneca, you
Cherokee Nation, who rested with me, then
Forced on bloody feet, left me to the employment of
Other seekers--desperate for gain,
Starving for gold.
You, the Turk, the Swede, the German, the Scot ...
You the Ashanti, the Yoruba, the Kru, bought
Sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am the Tree planted by the River,
Which will not be moved.
I, the Rock, I the River, I the Tree
I am yours--your Passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced
With courage, need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me, the
Rock, the River, the Tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes, into
Your brother's face, your country
And say simply
Very simply
With hope
Good morning.
|
Written by
Maya Angelou |
A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spelling words
Armed for slaughter.
The rock cries out today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A river sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more.
Come, clad in peace and I will sing the songs
The Creator gave to me when I
And the tree and stone were one.
Before cynicism was a bloody sear across your brow
And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to
The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew,
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek,
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the teacher.
They hear. They all hear
The speaking of the tree.
Today, the first and last of every tree
Speaks to humankind. Come to me, here beside the river.
Plant yourself beside me, here beside the river.
Each of you, descendant of some passed on
Traveller, has been paid for.
You, who gave me my first name,
You Pawnee, Apache and Seneca,
You Cherokee Nation, who rested with me,
Then forced on bloody feet,
Left me to the employment of other seekers--
Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot...
You the Ashanti, the Yoruba, the Kru,
Bought, sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river,
Which will not be moved.
I, the rock, I the river, I the tree
I am yours--your passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced with courage,
Need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts.
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me,
The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes,
Into your brother's face, your country
And say simply
Very simply
With hope
Good morning.
|
Written by
Walt Whitman |
O MATER! O fils!
O brood continental!
O flowers of the prairies!
O space boundless! O hum of mighty products!
O you teeming cities! O so invincible, turbulent, proud!
O race of the future! O women!
O fathers! O you men of passion and the storm!
O native power only! O beauty!
O yourself! O God! O divine average!
O you bearded roughs! O bards! O all those slumberers!
O arouse! the dawn bird’s throat sounds shrill! Do you not hear the cock crowing?
O, as I walk’d the beach, I heard the mournful notes foreboding a tempest—the
low,
oft-repeated shriek of the diver, the long-lived loon;
O I heard, and yet hear, angry thunder;—O you sailors! O ships! make quick
preparation!
O from his masterful sweep, the warning cry of the eagle!
(Give way there, all! It is useless! Give up your spoils;)
O sarcasms! Propositions! (O if the whole world should prove indeed a sham, a sell!)
O I believe there is nothing real but America and freedom!
O to sternly reject all except Democracy!
O imperator! O who dare confront you and me?
O to promulgate our own! O to build for that which builds for mankind!
O feuillage! O North! O the slope drained by the Mexican sea!
O all, all inseparable—ages, ages, ages!
O a curse on him that would dissever this Union for any reason whatever!
O climates, labors! O good and evil! O death!
O you strong with iron and wood! O Personality!
O the village or place which has the greatest man or woman! even if it be only a few
ragged
huts;
O the city where women walk in public processions in the streets, the same as the men;
O a wan and terrible emblem, by me adopted!
O shapes arising! shapes of the future centuries!
O muscle and pluck forever for me!
O workmen and workwomen forever for me!
O farmers and sailors! O drivers of horses forever for me!
O I will make the new bardic list of trades and tools!
O you coarse and wilful! I love you!
O South! O longings for my dear home! O soft and sunny airs!
O pensive! O I must return where the palm grows and the mocking-bird sings, or else I die!
O equality! O organic compacts! I am come to be your born poet!
O whirl, contest, sounding and resounding! I am your poet, because I am part of you;
O days by-gone! Enthusiasts! Antecedents!
O vast preparations for These States! O years!
O what is now being sent forward thousands of years to come!
O mediums! O to teach! to convey the invisible faith!
To promulge real things! to journey through all The States!
O creation! O to-day! O laws! O unmitigated adoration!
O for mightier broods of orators, artists, and singers!
O for native songs! carpenter’s, boatman’s, ploughman’s songs!
shoemaker’s
songs!
O haughtiest growth of time! O free and extatic!
O what I, here, preparing, warble for!
O you hastening light! O the sun of the world will ascend, dazzling, and take his
height—and you too will ascend;
O so amazing and so broad! up there resplendent, darting and burning;
O prophetic! O vision staggered with weight of light! with pouring glories!
O copious! O hitherto unequalled!
O Libertad! O compact! O union impossible to dissever!
O my Soul! O lips becoming tremulous, powerless!
O centuries, centuries yet ahead!
O voices of greater orators! I pause—I listen for you
O you States! Cities! defiant of all outside authority! I spring at once into your arms!
you I
most love!
O you grand Presidentiads! I wait for you!
New history! New heroes! I project you!
Visions of poets! only you really last! O sweep on! sweep on!
O Death! O you striding there! O I cannot yet!
O heights! O infinitely too swift and dizzy yet!
O purged lumine! you threaten me more than I can stand!
O present! I return while yet I may to you!
O poets to come, I depend upon you!
|
Written by
Kahlil Gibran |
The gold-hoarder walked in his palace park and with him walked his troubles. And over his head hovered worries as a vulture hovers over a carcass, until he reached a beautiful lake surrounded by magnificent marble statuary.
He sat there pondering the water which poured from the mouths of the statues like thoughts flowing freely from a lover's imagination, and contemplating heavily his palace which stood upon a knoll like a birth-mark upon the cheek of a maiden. His fancy revealed to him the pages of his life's drama which he read with falling tears that veiled his eyes and prevented him from viewing man's feeble additions to Nature.
He looked back with piercing regret to the images of his early life, woven into pattern by the gods, until he could no longer control his anguish. He said aloud, "Yesterday I was grazing my sheep in the green valley, enjoying my existence, sounding my flute, and holding my head high. Today I am a prisoner of greed. Gold leads into gold, then into restlessness and finally into crushing misery.
"Yesterday I was like a singing bird, soaring freely here and there in the fields. Today I am a slave to fickle wealth, society's rules, and city's customs, and purchased friends, pleasing the people by conforming to the strange and narrow laws of man. I was born to be free and enjoy the bounty of life, but I find myself like a beast of burden so heavily laden with gold that his back is breaking.
"Where are the spacious plains, the singing brooks, the pure breeze, the closeness of Nature? Where is my deity? I have lost all! Naught remains save loneliness that saddens me, gold that ridicules me, slaves who curse to my back, and a palace that I have erected as a tomb for my happiness, and in whose greatness I have lost my heart.
"Yesterday I roamed the prairies and the hills together with the Bedouin's daughter; Virtue was our companion, Love our delight, and the moon our guardian. Today I am among women with shallow beauty who sell themselves for gold and diamonds.
"Yesterday I was carefree, sharing with the shepherds all the joy of life; eating, playing, working, singing, and dancing together to the music of the heart's truth. Today I find myself among the people like a frightened lamb among the wolves. As I walk in the roads, they gaze at me with hateful eyes and point at me with scorn and jealousy, and as I steal through the park I see frowning faces all about me.
"Yesterday I was rich in happiness and today I am poor in gold.
"Yesterday I was a happy shepherd looking upon his head as a merciful king looks with pleasure upon his contented subjects. Today I am a slave standing before my wealth, my wealth which robbed me of the beauty of life I once knew.
"Forgive me, my Judge! I did not know that riches would put my life in fragments and lead me into the dungeons of harshness and stupidity. What I thought was glory is naught but an eternal inferno."
He gathered himself wearily and walked slowly toward the palace, sighing and repeating, "Is this what people call wealth? Is this the god I am serving and worshipping? Is this what I seek of the earth? Why can I not trade it for one particle of contentment? Who would sell me one beautiful thought for a ton of gold? Who would give me one moment of love for a handful of gems? Who would grant me an eye that can see others' hearts, and take all my coffers in barter?"
As he reached the palace gates he turned and looked toward the city as Jeremiah gazed toward Jerusalem. He raised his arms in woeful lament and shouted, "Oh people of the noisome city, who are living in darkness, hastening toward misery, preaching falsehood, and speaking with stupidity...until when shall you remain ignorant? Unit when shall you abide in the filth of life and continue to desert its gardens? Why wear you tattered robes of narrowness while the silk raiment of Nature's beauty is fashioned for you? The lamp of wisdom is dimming; it is time to furnish it with oil. The house of true fortune is being destroyed; it is time to rebuild it and guard it. The thieves of ignorance have stolen the treasure of your peace; it is time to retake it!"
At that moment a poor man stood before him and stretched forth his hand for alms. As he looked at the beggar, his lips parted, his eyes brightened with a softness, and his face radiated kindness. It was as if the yesterday he had lamented by the lake had come to greet him. He embraced the pauper with affection and filled his hands with gold, and with a voice sincere with the sweetness of love he said, "Come back tomorrow and bring with you your fellow sufferers. All your possessions will be restored."
He entered his palace saying, "Everything in life is good; even gold, for it teaches a lesson. Money is like a stringed instrument; he who does not know how to use it properly will hear only discordant music. Money is like love; it kills slowly and painfully the one who withholds it, and it enlivens the other who turns it upon his fellow man."
|
Written by
Walt Whitman |
WHILE my wife at my side lies slumbering, and the wars are over long,
And my head on the pillow rests at home, and the vacant midnight passes,
And through the stillness, through the dark, I hear, just hear, the breath of my infant,
There in the room, as I wake from sleep, this vision presses upon me:
The engagement opens there and then, in fantasy unreal;
The skirmishers begin—they crawl cautiously ahead—I hear the irregular snap!
snap!
I hear the sounds of the different missiles—the short t-h-t! t-h-t! of the
rifle
balls;
I see the shells exploding, leaving small white clouds—I hear the great shells
shrieking
as
they pass;
The grape, like the hum and whirr of wind through the trees, (quick, tumultuous, now the
contest
rages!)
All the scenes at the batteries themselves rise in detail before me again;
The crashing and smoking—the pride of the men in their pieces;
The chief gunner ranges and sights his piece, and selects a fuse of the right time;
After firing, I see him lean aside, and look eagerly off to note the effect;
—Elsewhere I hear the cry of a regiment charging—(the young colonel leads
himself
this
time, with brandish’d sword;)
I see the gaps cut by the enemy’s volleys, (quickly fill’d up, no delay;)
I breathe the suffocating smoke—then the flat clouds hover low, concealing all;
Now a strange lull comes for a few seconds, not a shot fired on either side;
Then resumed, the chaos louder than ever, with eager calls, and orders of officers;
While from some distant part of the field the wind wafts to my ears a shout of applause,
(some
special success;)
And ever the sound of the cannon, far or near, (rousing, even in dreams, a devilish
exultation,
and
all the old mad joy, in the depths of my soul;)
And ever the hastening of infantry shifting positions—batteries, cavalry, moving
hither
and
thither;
(The falling, dying, I heed not—the wounded, dripping and red, I heed not—some
to the
rear
are hobbling;)
Grime, heat, rush—aid-de-camps galloping by, or on a full run;
With the patter of small arms, the warning s-s-t of the rifles, (these in my vision
I
hear or
see,)
And bombs busting in air, and at night the vari-color’d rockets.
|
Written by
Walt Whitman |
FROM pent-up, aching rivers;
From that of myself, without which I were nothing;
From what I am determin’d to make illustrious, even if I stand sole among men;
From my own voice resonant—singing the phallus,
Singing the song of procreation,
Singing the need of superb children, and therein superb grown people,
Singing the muscular urge and the blending,
Singing the bedfellow’s song, (O resistless yearning!
O for any and each, the body correlative attracting!
O for you, whoever you are, your correlative body! O it, more than all else, you
delighting!)
—From the hungry gnaw that eats me night and day;
From native moments—from bashful pains—singing them;
Singing something yet unfound, though I have diligently sought it, many a long year;
Singing the true song of the Soul, fitful, at random;
Singing what, to the Soul, entirely redeem’d her, the faithful one, even the
prostitute, who detain’d me when I went to the city;
Singing the song of prostitutes;
Renascent with grossest Nature, or among animals;
Of that—of them, and what goes with them, my poems informing;
Of the smell of apples and lemons—of the pairing of birds,
Of the wet of woods—of the lapping of waves,
Of the mad pushes of waves upon the land—I them chanting;
The overture lightly sounding—the strain anticipating;
The welcome nearness—the sight of the perfect body;
The swimmer swimming naked in the bath, or motionless on his back lying and floating;
The female form approaching—I, pensive, love-flesh tremulous, aching;
The divine list, for myself or you, or for any one, making;
The face—the limbs—the index from head to foot, and what it arouses;
The mystic deliria—the madness amorous—the utter abandonment;
(Hark close, and still, what I now whisper to you,
I love you—-O you entirely possess me,
O I wish that you and I escape from the rest, and go utterly off—O free and lawless,
Two hawks in the air—two fishes swimming in the sea not more lawless than we;)
—The furious storm through me careering—I passionately trembling;
The oath of the inseparableness of two together—of the woman that loves me, and whom
I love more than my life—that oath swearing;
(O I willingly stake all, for you!
O let me be lost, if it must be so!
O you and I—what is it to us what the rest do or think?
What is all else to us? only that we enjoy each other, and exhaust each other, if it must
be so:)
—From the master—the pilot I yield the vessel to;
The general commanding me, commanding all—from him permission taking;
From time the programme hastening, (I have loiter’d too long, as it is;)
From sex—From the warp and from the woof;
(To talk to the perfect girl who understands me,
To waft to her these from my own lips—to effuse them from my own body;)
From privacy—from frequent repinings alone;
From plenty of persons near, and yet the right person not near;
From the soft sliding of hands over me, and thrusting of fingers through my hair and
beard;
From the long sustain’d kiss upon the mouth or bosom;
From the close pressure that makes me or any man drunk, fainting with excess;
From what the divine husband knows—from the work of fatherhood;
From exultation, victory, and relief—from the bedfellow’s embrace in the night;
From the act-poems of eyes, hands, hips, and bosoms,
From the cling of the trembling arm,
From the bending curve and the clinch,
From side by side, the pliant coverlid off-throwing,
From the one so unwilling to have me leave—and me just as unwilling to leave,
(Yet a moment, O tender waiter, and I return;)
—From the hour of shining stars and dropping dews,
From the night, a moment, I, emerging, flitting out,
Celebrate you, act divine—and you, children prepared for,
And you, stalwart loins.
|
Written by
Walt Whitman |
GIVE me your hand, old Revolutionary;
The hill-top is nigh—but a few steps, (make room, gentlemen;)
Up the path you have follow’d me well, spite of your hundred and extra years;
You can walk, old man, though your eyes are almost done;
Your faculties serve you, and presently I must have them serve me.
Rest, while I tell what the crowd around us means;
On the plain below, recruits are drilling and exercising;
There is the camp—one regiment departs to-morrow;
Do you hear the officers giving the orders?
Do you hear the clank of the muskets?
Why, what comes over you now, old man?
Why do you tremble, and clutch my hand so convulsively?
The troops are but drilling—they are yet surrounded with smiles;
Around them, at hand, the well-drest friends, and the women;
While splendid and warm the afternoon sun shines down;
Green the midsummer verdure, and fresh blows the dallying breeze,
O’er proud and peaceful cities, and arm of the sea between.
But drill and parade are over—they march back to quarters;
Only hear that approval of hands! hear what a clapping!
As wending, the crowds now part and disperse—but we, old man,
Not for nothing have I brought you hither—we must remain;
You to speak in your turn, and I to listen and tell.
THE CENTENARIAN.
When I clutch’d your hand, it was not with terror;
But suddenly, pouring about me here, on every side,
And below there where the boys were drilling, and up the slopes they ran,
And where tents are pitch’d, and wherever you see, south and south-east and
south-west,
Over hills, across lowlands, and in the skirts of woods,
And along the shores, in mire (now fill’d over), came again, and suddenly raged,
As eighty-five years agone, no mere parade receiv’d with applause of friends,
But a battle, which I took part in myself—aye, long ago as it is, I took part in it,
Walking then this hill-top, this same ground.
Aye, this is the ground;
My blind eyes, even as I speak, behold it re-peopled from graves;
The years recede, pavements and stately houses disappear;
Rude forts appear again, the old hoop’d guns are mounted;
I see the lines of rais’d earth stretching from river to bay;
I mark the vista of waters, I mark the uplands and slopes:
Here we lay encamp’d—it was this time in summer also.
As I talk, I remember all—I remember the Declaration;
It was read here—the whole army paraded—it was read to us here;
By his staff surrounded, the General stood in the middle—he held up his
unsheath’d
sword,
It glitter’d in the sun in full sight of the army.
’Twas a bold act then;
The English war-ships had just arrived—the king had sent them from over the sea;
We could watch down the lower bay where they lay at anchor,
And the transports, swarming with soldiers.
A few days more, and they landed—and then the battle.
Twenty thousand were brought against us,
A veteran force, furnish’d with good artillery.
I tell not now the whole of the battle;
But one brigade, early in the forenoon, order’d forward to engage the red-coats;
Of that brigade I tell, and how steadily it march’d,
And how long and how well it stood, confronting death.
Who do you think that was, marching steadily, sternly confronting death?
It was the brigade of the youngest men, two thousand strong,
Rais’d in Virginia and Maryland, and many of them known personally to the General.
Jauntily forward they went with quick step toward Gowanus’ waters;
Till of a sudden, unlook’d for, by defiles through the woods, gain’d at night,
The British advancing, wedging in from the east, fiercely playing their guns,
That brigade of the youngest was cut off, and at the enemy’s mercy.
The General watch’d them from this hill;
They made repeated desperate attempts to burst their environment;
Then drew close together, very compact, their flag flying in the middle;
But O from the hills how the cannon were thinning and thinning them!
It sickens me yet, that slaughter!
I saw the moisture gather in drops on the face of the General;
I saw how he wrung his hands in anguish.
Meanwhile the British maneuver’d to draw us out for a pitch’d battle;
But we dared not trust the chances of a pitch’d battle.
We fought the fight in detachments;
Sallying forth, we fought at several points—but in each the luck was against us;
Our foe advancing, steadily getting the best of it, push’d us back to the works on
this
hill;
Till we turn’d, menacing, here, and then he left us.
That was the going out of the brigade of the youngest men, two thousand strong;
Few return’d—nearly all remain in Brooklyn.
That, and here, my General’s first battle;
No women looking on, nor sunshine to bask in—it did not conclude with applause;
Nobody clapp’d hands here then.
But in darkness, in mist, on the ground, under a chill rain,
Wearied that night we lay, foil’d and sullen;
While scornfully laugh’d many an arrogant lord, off against us encamp’d,
Quite within hearing, feasting, klinking wine-glasses together over their victory.
So, dull and damp, and another day;
But the night of that, mist lifting, rain ceasing,
Silent as a ghost, while they thought they were sure of him, my General retreated.
I saw him at the river-side,
Down by the ferry, lit by torches, hastening the embarcation;
My General waited till the soldiers and wounded were all pass’d over;
And then, (it was just ere sunrise,) these eyes rested on him for the last time.
Every one else seem’d fill’d with gloom;
Many no doubt thought of capitulation.
But when my General pass’d me,
As he stood in his boat, and look’d toward the coming sun,
I saw something different from capitulation.
TERMINUS.
Enough—the Centenarian’s story ends;
The two, the past and present, have interchanged;
I myself, as connecter, as chansonnier of a great future, am now speaking.
And is this the ground Washington trod?
And these waters I listlessly daily cross, are these the waters he cross’d,
As resolute in defeat, as other generals in their proudest triumphs?
It is well—a lesson like that, always comes good;
I must copy the story, and send it eastward and westward;
I must preserve that look, as it beam’d on you, rivers of Brooklyn.
See! as the annual round returns, the phantoms return;
It is the 27th of August, and the British have landed;
The battle begins, and goes against us—behold! through the smoke, Washington’s
face;
The brigade of Virginia and Maryland have march’d forth to intercept the enemy;
They are cut off—murderous artillery from the hills plays upon them;
Rank after rank falls, while over them silently droops the flag,
Baptized that day in many a young man’s bloody wounds,
In death, defeat, and sisters’, mothers’ tears.
Ah, hills and slopes of Brooklyn! I perceive you are more valuable than your owners
supposed;
Ah, river! henceforth you will be illumin’d to me at sunrise with something besides
the
sun.
Encampments new! in the midst of you stands an encampment very old;
Stands forever the camp of the dead brigade.
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Written by
Walt Whitman |
AFTER the Sea-Ship—after the whistling winds;
After the white-gray sails, taut to their spars and ropes,
Below, a myriad, myriad waves, hastening, lifting up their necks,
Tending in ceaseless flow toward the track of the ship:
Waves of the ocean, bubbling and gurgling, blithely prying,
Waves, undulating waves—liquid, uneven, emulous waves,
Toward that whirling current, laughing and buoyant, with curves,
Where the great Vessel, sailing and tacking, displaced the surface;
Larger and smaller waves, in the spread of the ocean, yearnfully flowing;
The wake of the Sea-Ship, after she passes—flashing and frolicsome, under the sun,
A motley procession, with many a fleck of foam, and many fragments,
Following the stately and rapid Ship—in the wake following.
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Written by
William Topaz McGonagall |
Near the village of Udorf, on the banks of the Rhine,
There lived a miller and his family, once on a time;
And there yet stands the mill in a state of decay,
And concerning the miller and his family, attend to my lay.
The miller and his family went to Church one Sunday morn,
Leaving behind their darling child, the youngest born,
In charge of brave Hanchen, the servant maid,
A kind-hearted girl and not the least afraid.
As Hanchen was engaged preparing dinner for the family
She chanced to turn round, and there she did see
Heinrich Bottler, her lover, and she sincerely loved him,
Then she instantly got him something to eat and bade him begin.
And in the midst of her business she sat down beside him,
While he did justice to the meat and thought it no sin,
But while he was eating he let fall his knife,
Then he commanded Hanchen to pick it up or else he'd take her life.
Then as she stooped down to pick up the knife,
The villain caught her by the throat, and swore he'd take her life,
Then he drew a dagger from under his coat,
Crying, tell me where your master's money is, or I'll cut your throat.
And still he threatened to kill her with the dagger in his hand,
If the poor girl didn't comply with his demand,
While in his choking grasp her breath was fleeting faster and faster,
Therefore she had no other choice but to die or betray her master.
Then she cried, mercy, for Heaven's sake let go thy hold.
And I'll tell thee where my master keeps his gold;
Then he let go his hold without delay,
And she unto him thus boldly did say.
Here, take this axe and use it, while I run upstairs,
To gather all my money, besides all my wares,
Because I'm resolved to fly along with you,
When you've robbed my master of his gold and bid France adieu.
Then deceived by her plan he allowed her to leave the room,
Telling her to make haste and come back very soon,
Then to her master's bedroom she led the way,
And showed him the coffer where her master's money lay
Then Heinrich with the axe broke the coffer very soon,
While Hanchen instead of going upstairs to her room,
Bolted all the doors upon him without dismay,
While Heinrich was busy preparing to carry her master's money away.
Then she rushed to the mill to give the alarm,
Resolved to protect her master's money, while she could wield an arm;
And the only being in sight was her master's boy of five years old,
Then she cried, run! run! and tell father there's a robber taking his gold.
Then the boy did as she bid him without any doubt,
And set off, running on the road she pointed out;
But at this moment, a shrill whistle made her stand aghast,
When she heard Heinrich, crying, catch that child that's running so fast.
But still the boy ran on with might and main,
Until a ruffian sprang up from the bed of a natural drain;
And snatching the boy in his arms, and hastening towards the mill,
While brave Hanchen was afraid the boy would he kill.
Then the villain came rushing with the boy towards the mill,
Crying, open the door, or the child I'll kill;
But she cried, never will I open the door to thee,
No! I will put my trust in God, and He'll save the child and me.
Then the ruffian set down the child, for a moment to look about,
Crying, open the door, or I'll fire the mill without doubt;
And while searching for combustibles, he discovered an inlet to the mill,
Saying, my pretty maid, once I get in, it's you I will kill.
Then he tied the hands and feet of the poor child,
Which caused it to scream with fear, very wild;
Then he stole back to the aperture to effect an entrance,
And when Hanchen saw him, she said now is my chance.
So the ruffian got safely in the great drum wheel,
Then Hanchen set on the engine, which made the ruffian reel;
And as he was whirled about, he screamed aloud,
And when Hanchen saw him like a rat in a trap, she felt very proud.
At length the master arrived and his family,
And when she heard his kindly voice her heart was full of glee,
Then she opened the mill door and let him in,
While her eyes with tears of joy were full to the brim.
Then the master set off the engine without delay,
And the ruffian was dragged forth while he shook with dismay,
And Heinrich and he were bound together under a strong escort,
And conveyed to Bonn Prison where villains resort.
So thus ends the story of Hanchen, a heroine brave,
That tried hard her master's gold to save,
And for her bravery she got married to the miller's eldest son,
And Hanchen on her marriage night cried Heaven's will be done.
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