Written by
Langston Hughes |
When a man starts out with nothing,
When a man starts out with his hands
Empty, but clean,
When a man starts to build a world,
He starts first with himself
And the faith that is in his heart-
The strength there,
The will there to build.
First in the heart is the dream-
Then the mind starts seeking a way.
His eyes look out on the world,
On the great wooded world,
On the rich soil of the world,
On the rivers of the world.
The eyes see there materials for building,
See the difficulties, too, and the obstacles.
The mind seeks a way to overcome these obstacles.
The hand seeks tools to cut the wood,
To till the soil, and harness the power of the waters.
Then the hand seeks other hands to help,
A community of hands to help-
Thus the dream becomes not one man's dream alone,
But a community dream.
Not my dream alone, but our dream.
Not my world alone,
But your world and my world,
Belonging to all the hands who build.
A long time ago, but not too long ago,
Ships came from across the sea
Bringing the Pilgrims and prayer-makers,
Adventurers and booty seekers,
Free men and indentured servants,
Slave men and slave masters, all new-
To a new world, America!
With billowing sails the galleons came
Bringing men and dreams, women and dreams.
In little bands together,
Heart reaching out to heart,
Hand reaching out to hand,
They began to build our land.
Some were free hands
Seeking a greater freedom,
Some were indentured hands
Hoping to find their freedom,
Some were slave hands
Guarding in their hearts the seed of freedom,
But the word was there always:
Freedom.
Down into the earth went the plow
In the free hands and the slave hands,
In indentured hands and adventurous hands,
Turning the rich soil went the plow in many hands
That planted and harvested the food that fed
And the cotton that clothed America.
Clang against the trees went the ax into many hands
That hewed and shaped the rooftops of America.
Splash into the rivers and the seas went the boat-hulls
That moved and transported America.
Crack went the whips that drove the horses
Across the plains of America.
Free hands and slave hands,
Indentured hands, adventurous hands,
White hands and black hands
Held the plow handles,
Ax handles, hammer handles,
Launched the boats and whipped the horses
That fed and housed and moved America.
Thus together through labor,
All these hands made America.
Labor! Out of labor came villages
And the towns that grew cities.
Labor! Out of labor came the rowboats
And the sailboats and the steamboats,
Came the wagons, and the coaches,
Covered wagons, stage coaches,
Out of labor came the factories,
Came the foundries, came the railroads.
Came the marts and markets, shops and stores,
Came the mighty products moulded, manufactured,
Sold in shops, piled in warehouses,
Shipped the wide world over:
Out of labor-white hands and black hands-
Came the dream, the strength, the will,
And the way to build America.
Now it is Me here, and You there.
Now it's Manhattan, Chicago,
Seattle, New Orleans,
Boston and El Paso-
Now it's the U.
S.
A.
A long time ago, but not too long ago, a man said:
ALL MEN ARE CREATED EQUAL--
ENDOWED BY THEIR CREATOR
WITH CERTAIN UNALIENABLE RIGHTS--
AMONG THESE LIFE, LIBERTY
AND THE PURSUIT OF HAPPINESS.
His name was Jefferson.
There were slaves then,
But in their hearts the slaves believed him, too,
And silently too for granted
That what he said was also meant for them.
It was a long time ago,
But not so long ago at that, Lincoln said:
NO MAN IS GOOD ENOUGH
TO GOVERN ANOTHER MAN
WITHOUT THAT OTHER'S CONSENT.
There were slaves then, too,
But in their hearts the slaves knew
What he said must be meant for every human being-
Else it had no meaning for anyone.
Then a man said:
BETTER TO DIE FREE
THAN TO LIVE SLAVES
He was a colored man who had been a slave
But had run away to freedom.
And the slaves knew
What Frederick Douglass said was true.
With John Brown at Harper's Ferry, ******* died.
John Brown was hung.
Before the Civil War, days were dark,
And nobody knew for sure
When freedom would triumph
"Or if it would," thought some.
But others new it had to triumph.
In those dark days of slavery,
Guarding in their hearts the seed of freedom,
The slaves made up a song:
Keep Your Hand On The Plow! Hold On!
That song meant just what it said: Hold On!
Freedom will come!
Keep Your Hand On The Plow! Hold On!
Out of war it came, bloody and terrible!
But it came!
Some there were, as always,
Who doubted that the war would end right,
That the slaves would be free,
Or that the union would stand,
But now we know how it all came out.
Out of the darkest days for people and a nation,
We know now how it came out.
There was light when the battle clouds rolled away.
There was a great wooded land,
And men united as a nation.
America is a dream.
The poet says it was promises.
The people say it is promises-that will come true.
The people do not always say things out loud,
Nor write them down on paper.
The people often hold
Great thoughts in their deepest hearts
And sometimes only blunderingly express them,
Haltingly and stumblingly say them,
And faultily put them into practice.
The people do not always understand each other.
But there is, somewhere there,
Always the trying to understand,
And the trying to say,
"You are a man.
Together we are building our land.
"
America!
Land created in common,
Dream nourished in common,
Keep your hand on the plow! Hold on!
If the house is not yet finished,
Don't be discouraged, builder!
If the fight is not yet won,
Don't be weary, soldier!
The plan and the pattern is here,
Woven from the beginning
Into the warp and woof of America:
ALL MEN ARE CREATED EQUAL.
NO MAN IS GOOD ENOUGH
TO GOVERN ANOTHER MAN
WITHOUT HIS CONSENT.
BETTER DIE FREE,
THAN TO LIVE SLAVES.
Who said those things? Americans!
Who owns those words? America!
Who is America? You, me!
We are America!
To the enemy who would conquer us from without,
We say, NO!
To the enemy who would divide
And conquer us from within,
We say, NO!
FREEDOM!
BROTHERHOOD!
DEMOCRACY!
To all the enemies of these great words:
We say, NO!
A long time ago,
An enslaved people heading toward freedom
Made up a song:
Keep Your Hand On The Plow! Hold On!
The plow plowed a new furrow
Across the field of history.
Into that furrow the freedom seed was dropped.
From that seed a tree grew, is growing, will ever grow.
That tree is for everybody,
For all America, for all the world.
May its branches spread and shelter grow
Until all races and all peoples know its shade.
KEEP YOUR HAND ON THE PLOW! HOLD ON!
|
Written by
Lucy Maud Montgomery |
Come, for the dusk is our own; let us fare forth together,
With a quiet delight in our hearts for the ripe, still, autumn weather,
Through the rustling valley and wood and over the crisping meadow,
Under a high-sprung sky, winnowed of mist and shadow.
Sharp is the frosty air, and through the far hill-gaps showing
Lucent sunset lakes of crocus and green are glowing;
'Tis the hour to walk at will in a wayward, unfettered roaming,
Caring for naught save the charm, elusive and swift, of the gloaming.
Watchful and stirless the fields as if not unkindly holding
Harvested joys in their clasp, and to their broad bosoms folding
Baby hopes of a Spring, trusted to motherly keeping,
Thus to be cherished and happed through the long months of their sleeping.
Silent the woods are and gray; but the firs than ever are greener,
Nipped by the frost till the tang of their loosened balsam is keener;
And one little wind in their boughs, eerily swaying and swinging,
Very soft and low, like a wandering minstrel is singing.
Beautiful is the year, but not as the springlike maiden
Garlanded with her hopesrather the woman laden
With wealth of joy and grief, worthily won through living,
Wearing her sorrow now like a garment of praise and thanksgiving.
Gently the dark comes down over the wild, fair places,
The whispering glens in the hills, the open, starry spaces;
Rich with the gifts of the night, sated with questing and dreaming,
We turn to the dearest of paths where the star of the homelight is gleaming.
|
Written by
Wendell Berry |
Love the quick profit, the annual raise,
vacation with pay.
Want more
of everything ready-made.
Be afraid
to know your neighbors and to die.
And you will have a window in your head.
Not even your future will be a mystery
any more.
Your mind will be punched in a card
and shut away in a little drawer.
When they want you to buy something
they will call you.
When they want you
to die for profit they will let you know.
So, friends, every day do something
that won't compute.
Love the Lord.
Love the world.
Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.
Denounce the government and embrace
the flag.
Hope to live in that free
republic for which it stands.
Give your approval to all you cannot
understand.
Praise ignorance, for what man
has not encountered he has not destroyed.
Ask the questions that have no answers.
Invest in the millenium.
Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.
Say that the leaves are harvested
when they have rotted into the mold.
Call that profit.
Prophesy such returns.
Put your faith in the two inches of humus
that will build under the trees
every thousand years.
Listen to carrion -- put your ear
close, and hear the faint chattering
of the songs that are to come.
Expect the end of the world.
Laugh.
Laughter is immeasurable.
Be joyful
though you have considered all the facts.
So long as women do not go cheap
for power, please women more than men.
Ask yourself: Will this satisfy
a woman satisfied to bear a child?
Will this disturb the sleep
of a woman near to giving birth?
Go with your love to the fields.
Lie down in the shade.
Rest your head
in her lap.
Swear allegiance
to what is nighest your thoughts.
As soon as the generals and the politicos
can predict the motions of your mind,
lose it.
Leave it as a sign
to mark the false trail, the way
you didn't go.
Be like the fox
who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.
|
Written by
Robert Hayden |
I
Jesús, Estrella, Esperanza, Mercy:
Sails flashing to the wind like weapons,
sharks following the moans the fever and the dying;
horror the corposant and compass rose.
Middle Passage:
voyage through death
to life upon these shores.
"10 April 1800--
Blacks rebellious.
Crew uneasy.
Our linguist says
their moaning is a prayer for death,
our and their own.
Some try to starve themselves.
Lost three this morning leaped with crazy laughter
to the waiting sharks, sang as they went under.
"
Desire, Adventure, Tartar, Ann:
Standing to America, bringing home
black gold, black ivory, black seed.
Deep in the festering hold thy father lies, of his bones
New England pews are made, those are altar lights that were his eyes.
Jesus Saviour Pilot Me
Over Life's Tempestuous Sea
We pray that Thou wilt grant, O Lord,
safe passage to our vessels bringing
heathen souls unto Thy chastening.
Jesus Saviour
"8 bells.
I cannot sleep, for I am sick
with fear, but writing eases fear a little
since still my eyes can see these words take shape
upon the page & so I write, as one
would turn to exorcism.
4 days scudding,
but now the sea is calm again.
Misfortune
follows in our wake like sharks (our grinning
tutelary gods).
Which one of us
has killed an albatross? A plague among
our blacks--Ophthalmia: blindness--& we
have jettisoned the blind to no avail.
It spreads, the terrifying sickness spreads.
Its claws have scratched sight from the Capt.
's eyes
& there is blindness in the fo'c'sle
& we must sail 3 weeks before we come
to port.
"
What port awaits us, Davy Jones' or home? I've
heard of slavers drifting, drifting, playthings of wind and storm and
chance, their crews gone blind, the jungle hatred crawling
up on deck.
Thou Who Walked On Galilee
"Deponent further sayeth The Bella J
left the Guinea Coast
with cargo of five hundred blacks and odd
for the barracoons of Florida:
"That there was hardly room 'tween-decks for half
the sweltering cattle stowed spoon-fashion there;
that some went mad of thirst and tore their flesh
and sucked the blood:
"That Crew and Captain lusted with the comeliest
of the savage girls kept naked in the cabins;
that there was one they called The Guinea Rose
and they cast lots and fought to lie with her:
"That when the Bo's'n piped all hands, the flames
spreading from starboard already were beyond
control, the ******* howling and their chains
entangled with the flames:
"That the burning blacks could not be reached,
that the Crew abandoned ship,
leaving their shrieking negresses behind,
that the Captain perished drunken with the wenches:
"Further Deponent sayeth not.
"
Pilot Oh Pilot Me
II
Aye, lad, and I have seen those factories,
Gambia, Rio Pongo, Calabar;
have watched the artful mongos baiting traps
of war wherein the victor and the vanquished
Were caught as prizes for our barracoons.
Have seen the ****** kings whose vanity
and greed turned wild black hides of Fellatah,
Mandingo, Ibo, Kru to gold for us.
And there was one--King Anthracite we named him--
fetish face beneath French parasols
of brass and orange velvet, impudent mouth
whose cups were carven skulls of enemies:
He'd honor us with drum and feast and conjo
and palm-oil-glistening wenches deft in love,
and for tin crowns that shone with paste,
red calico and German-silver trinkets
Would have the drums talk war and send
his warriors to burn the sleeping villages
and kill the sick and old and lead the young
in coffles to our factories.
Twenty years a trader, twenty years,
for there was wealth aplenty to be harvested
from those black fields, and I'd be trading still
but for the fevers melting down my bones.
III
Shuttles in the rocking loom of history,
the dark ships move, the dark ships move,
their bright ironical names
like jests of kindness on a murderer's mouth;
plough through thrashing glister toward
fata morgana's lucent melting shore,
weave toward New World littorals that are
mirage and myth and actual shore.
Voyage through death,
voyage whose chartings are unlove.
A charnel stench, effluvium of living death
spreads outward from the hold,
where the living and the dead, the horribly dying,
lie interlocked, lie foul with blood and excrement.
Deep in the festering hold thy father lies, the corpse of mercy
rots with him, rats eat love's rotten gelid eyes.
But, oh, the
living look at you with human eyes whose suffering accuses you, whose
hatred reaches through the swill of dark to strike you like a leper's
claw.
You cannot stare that hatred down or chain the fear that stalks
the watches and breathes on you its fetid scorching breath; cannot
kill the deep immortal human wish, the timeless will.
"But for the storm that flung up barriers
of wind and wave, The Amistad, señores,
would have reached the port of Príncipe in two,
three days at most; but for the storm we should
have been prepared for what befell.
Swift as a puma's leap it came.
There was
that interval of moonless calm filled only
with the water's and the rigging's usual sounds,
then sudden movement, blows and snarling cries
and they had fallen on us with machete
and marlinspike.
It was as though the very
air, the night itself were striking us.
Exhausted by the rigors of the storm,
we were no match for them.
Our men went down
before the murderous Africans.
Our loyal
Celestino ran from below with gun
and lantern and I saw, before the cane-
knife's wounding flash, Cinquez,
that surly brute who calls himself a prince,
directing, urging on the ghastly work.
He hacked the poor mulatto down, and then
he turned on me.
The decks were slippery
when daylight finally came.
It sickens me
to think of what I saw, of how these apes
threw overboard the butchered bodies of
our men, true Christians all, like so much jetsam.
Enough, enough.
The rest is quickly told:
Cinquez was forced to spare the two of us
you see to steer the ship to Africa,
and we like phantoms doomed to rove the sea
voyaged east by day and west by night,
deceiving them, hoping for rescue,
prisoners on our own vessel, till
at length we drifted to the shores of this
your land, America, where we were freed
from our unspeakable misery.
Now we
demand, good sirs, the extradition of
Cinquez and his accomplices to La
Havana.
And it distresses us to know
there are so many here who seem inclined
to justify the mutiny of these blacks.
We find it paradoxical indeed
that you whose wealth, whose tree of liberty
are rooted in the labor of your slaves
should suffer the august John Quincey Adams
to speak with so much passion of the right
of chattel slaves to kill their lawful masters
and with his Roman rhetoric weave a hero's
garland for Cinquez.
I tell you that
we are determined to return to Cuba
with our slaves and there see justice done.
Cinquez--
or let us say 'the Prince'--Cinquez shall die.
"
The deep immortal human wish,
the timeless will:
Cinquez its deathless primaveral image,
life that transfigures many lives.
Voyage through death
to life upon these shores.
|
Written by
Galway Kinnell |
I eat oatmeal for breakfast.
I make it on the hot plate and put skimmed milk on it.
I eat it alone.
I am aware it is not good to eat oatmeal alone.
Its consistency is such that is better for your mental health
if somebody eats it with you.
That is why I often think up an imaginary companion to have
breakfast with.
Possibly it is even worse to eat oatmeal with an imaginary
companion.
Nevertheless, yesterday morning, I ate my oatmeal porridge,
as he called it with John Keats.
Keats said I was absolutely right to invite him:
due to its glutinous texture, gluey lumpishness, hint of slime,
and unsual willingness to disintigrate, oatmeal should
not be eaten alone.
He said that in his opinion, however, it is perfectly OK to eat
it with an imaginary companion, and that he himself had
enjoyed memorable porridges with Edmund Spenser and John
Milton.
Even if eating oatmeal with an imaginary companion is not as
wholesome as Keats claims, still, you can learn something
from it.
Yesterday morning, for instance, Keats told me about writing the
"Ode to a Nightingale.
"
He had a heck of a time finishing it those were his words "Oi 'ad
a 'eck of a toime," he said, more or less, speaking through
his porridge.
He wrote it quickly, on scraps of paper, which he then stuck in his
pocket,
but when he got home he couldn't figure out the order of the stanzas,
and he and a friend spread the papers on a table, and they
made some sense of them, but he isn't sure to this day if
they got it right.
An entire stanza may have slipped into the lining of his jacket
through a hole in his pocket.
He still wonders about the occasional sense of drift between stanzas,
and the way here and there a line will go into the
configuration of a Moslem at prayer, then raise itself up
and peer about, and then lay itself down slightly off the mark,
causing the poem to move forward with a reckless, shining wobble.
He said someone told him that later in life Wordsworth heard about
the scraps of paper on the table, and tried shuffling some
stanzas of his own, but only made matters worse.
I would not have known any of this but for my reluctance to eat oatmeal
alone.
When breakfast was over, John recited "To Autumn.
"
He recited it slowly, with much feeling, and he articulated the words
lovingly, and his odd accent sounded sweet.
He didn't offer the story of writing "To Autumn," I doubt if there
is much of one.
But he did say the sight of a just-harvested oat field go thim started
on it, and two of the lines, "For Summer has o'er-brimmed their
clammy cells" and "Thou watchest the last oozings hours by hours,"
came to him while eating oatmeal alone.
I can see him drawing a spoon through the stuff, gazing into the glimmering
furrows, muttering.
Maybe there is no sublime; only the shining of the amnion's tatters.
For supper tonight I am going to have a baked potato left over from lunch.
I am aware that a leftover baked potato is damp, slippery, and simultaneaously
gummy and crumbly, and therefore I'm going to invite Patrick Kavanagh
to join me.
|
Written by
Rudyard Kipling |
'T was Fultah Fisher's boarding-house,
Where sailor-men reside,
And there were men of all the ports
From Mississip to Clyde,
And regally they spat and smoked,
And fearsomely they lied.
They lied about the purple Sea
That gave them scanty bread,
They lied about the Earth beneath,
The Heavens overhead,
For they had looked too often on
Black rum when that was red.
They told their tales of wreck and wrong,
Of shame and lust and fraud,
They backed their toughest statements with
The Brimstone of the Lord,
And crackling oaths went to and fro
Across the fist-banged board.
And there was Hans the blue-eyed Dane,
Bull-throated, bare of arm,
Who carried on his hairy chest
The maid Ultruda's charm --
The little silver crucifix
That keeps a man from harm.
And there was Jake Withouth-the-Ears,
And Pamba the Malay,
And Carboy Gin the Guinea cook,
And Luz from Vigo Bay,
And Honest Jack who sold them slops
And harvested their pay.
And there was Salem Hardieker,
A lean Bostonian he --
Russ, German, English, Halfbreed, Finn,
Yank, Dane, and Portuguee,
At Fultah Fisher's boarding-house
The rested from the sea.
Now Anne of Austria shared their drinks,
Collinga knew her fame,
From Tarnau in Galicia
To Juan Bazaar she came,
To eat the bread of infamy
And take the wage of shame.
She held a dozen men to heel --
Rich spoil of war was hers,
In hose and gown and ring and chain,
From twenty mariners,
And, by Port Law, that week, men called
her Salem Hardieker's.
But seamen learnt -- what landsmen know --
That neither gifts nor gain
Can hold a winking Light o' Love
Or Fancy's flight restrain,
When Anne of Austria rolled her eyes
On Hans the blue-eyed Dane.
Since Life is strife, and strife means knife,
From Howrah to the Bay,
And he may die before the dawn
Who liquored out the day,
In Fultah Fisher's boarding-house
We woo while yet we may.
But cold was Hans the blue-eyed Dane,
Bull-throated, bare of arm,
And laughter shook the chest beneath
The maid Ultruda's charm --
The little silver crucifix
That keeps a man from harm.
"You speak to Salem Hardieker;
"You was his girl, I know.
"I ship mineselfs to-morrow, see,
"Und round the Skaw we go,
"South, down the Cattegat, by Hjelm,
"To Besser in Saro.
"
When love rejected turns to hate,
All ill betide the man.
"You speak to Salem Hardieker" --
She spoke as woman can.
A scream -- a sob -- "He called me -- names!"
And then the fray began.
An oath from Salem Hardieker,
A shriek upon the stairs,
A dance of shadows on the wall,
A knife-thrust unawares --
And Hans came down, as cattle drop,
Across the broken chairs.
.
.
.
.
.
.
In Anne of Austria's trembling hands
The weary head fell low: --
"I ship mineselfs to-morrow, straight
"For Besser in Saro;
"Und there Ultruda comes to me
"At Easter, und I go
"South, down the Cattegat -- What's here?
"There -- are -- no -- lights -- to guide!"
The mutter ceased, the spirit passed,
And Anne of Austria cried
In Fultah Fisher's boarding-house
When Hans the mighty died.
Thus slew they Hans the blue-eyed Dane,
Bull-throated, bare of arm,
But Anne of Austria looted first
The maid Ultruda's charm --
The little silver crucifix
That keeps a man from harm.
|
Written by
Galway Kinnell |
At intermission I find her backstage
still practicing the piece coming up next.
She calls it the "solo in high dreary.
"
Her bow niggles at the string like a hand
stroking skin it never wanted to touch.
Probably under her scorn she is sick
that she can't do better by it.
As I am,
at the dreary in me, such as the disparity
between all the tenderness I've received
and the amount I've given, and the way
I used to shrug off the imbalance
simply as how things are, as if the male
were constituted like those coffeemakers
that produce less black bitter than the quantity
of sweet clear you poured in--forgetting about
how much I spilled through unsteady walking,
and that lot I threw on the ground
in suspicion, and for fear I wasn't worthy,
and all I poured out for reasons I don't understand yet.
"Break a leg!" somebody tells her.
Back in my seat, I can see she is nervous
when she comes out; her hand shakes as she
re-dog-ears the top corners of the big pages
that look about to flop over on their own.
Now she raises the bow--its flat bundle of hair
harvested from the rear ends of horses--like a whetted
scimitar she is about to draw across a throat,
and attacks.
In a back alley a cat opens
her pink-ceilinged mouth, gets netted
in full yowl, clubbed, bagged, bicycled off, haggled open,
gutted, the gut squeezed down to its highest pitch,
washed, sliced into cello strings, which bring
an ancient screaming into this duet of hair and gut.
Now she is flying--tossing back the goblets
of Saint-Amour standing empty,
half-empty, or full on the tablecloth-
like sheet music.
Her knees tighten
and loosen around the big-hipped creature
wailing and groaning between them
as if in elemental amplexus.
The music seems to rise from the crater left
when heaven was torn up and taken off the earth;
more likely it comes up through her priest's dress,
up from that clump of hair which by now
may be so wet with its waters, like the waters
the fishes multiplied in at Galilee, that
each wick draws a portion all the way out
to its tip and fattens a droplet on the bush
of half notes now glittering in that dark.
At last she lifts off the bow and sits back.
Her face shines with the unselfconsciousness of a cat
screaming at night and the teary radiance of one
who gives everything no matter what has been given.
|
Written by
Anne Sexton |
I was wrapped in black
fur and white fur and
you undid me and then
you placed me in gold light
and then you crowned me,
while snow fell outside
the door in diagonal darts.
While a ten-inch snow
came down like stars
in small calcium fragments,
we were in our own bodies
(that room that will bury us)
and you were in my body
(that room that will outlive us)
and at first I rubbed your
feet dry with a towel
becuase I was your slave
and then you called me princess.
Princess!
Oh then
I stood up in my gold skin
and I beat down the psalms
and I beat down the clothes
and you undid the bridle
and you undid the reins
and I undid the buttons,
the bones, the confusions,
the New England postcards,
the January ten o’clcik night,
and we rose up like wheat,
acre after acre of gold,
and we harvested,
we harvested.
|
Written by
George William Russell |
THE WONDER of the world is o’er:
The magic from the sea is gone:
There is no unimagined shore,
No islet yet to venture on.
The Sacred Hazels’ blooms are shed,
The Nuts of Knowledge harvested.
Oh, what is worth this lore of age
If time shall never bring us back
Our battle with the gods to wage
Reeling along the starry track.
The battle rapture here goes by
In warring upon things that die.
Let be the tale of him whose love
Was sighed between white Deirdre’s breasts,
It will not lift the heart above
The sodden clay on which it rests.
Love once had power the gods to bring
All rapt on its wild wandering.
We shiver in the falling dew,
And seek a shelter from the storm:
When man these elder brothers knew
He found the mother nature warm,
A hearth fire blazing through it all,
A home without a circling wall.
We dwindle down beneath the skies,
And from ourselves we pass away:
The paradise of memories
Grows ever fainter day by day.
The shepherd stars have shrunk within,
The world’s great night will soon begin.
Will no one, ere it is too late,
Ere fades the last memorial gleam,
Recall for us our earlier state?
For nothing but so vast a dream
That it would scale the steeps of air
Could rouse us from so vast despair.
The power is ours to make or mar
Our fate as on the earliest morn,
The Darkness and the Radiance are
Creatures within the spirit born.
Yet, bathed in gloom too long, we might
Forget how we imagined light.
Not yet are fixed the prison bars;
The hidden light the spirit owns
If blown to flame would dim the stars
And they who rule them from their thrones:
And the proud sceptred spirits thence
Would bow to pay us reverence.
Oh, while the glory sinks within
Let us not wait on earth behind,
But follow where it flies, and win
The glow again, and we may find
Beyond the Gateways of the Day
Dominion and ancestral sway.
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