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Best Famous Harlot Poems

Here is a collection of the all-time best famous Harlot poems. This is a select list of the best famous Harlot poetry. Reading, writing, and enjoying famous Harlot poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of harlot poems.

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Written by William Blake | Create an image from this poem

Silent Silent Night

 Silent, silent night,
Quench the holy light
Of thy torches bright;

For possessed of Day
Thousand spirits stray
That sweet joys betray.
Why should joys be sweet Used with deceit, Nor with sorrows meet? But an honest joy Does itself destroy For a harlot coy.


Written by Claude McKay | Create an image from this poem

Africa

 The sun sought thy dim bed and brought forth light, 
The sciences were sucklings at thy breast; 
When all the world was young in pregnant night 
Thy slaves toiled at thy monumental best.
Thou ancient treasure-land, thou modern prize, New peoples marvel at thy pyramids! The years roll on, thy sphinx of riddle eyes Watches the mad world with immobile lids.
The Hebrews humbled them at Pharaoh's name.
Cradle of Power! Yet all things were in vain! Honor and Glory, Arrogance and Fame! They went.
The darkness swallowed thee again.
Thou art the harlot, now thy time is done, Of all the mighty nations of the sun.
Written by Katherine Mansfield | Create an image from this poem

Night-Scented Stock

 White, white in the milky night
The moon danced over a tree.
"Wouldn't it be lovely to swim in the lake!" Someone whispered to me.
"Oh, do-do-do!" cooed someone else, And clasped her hands to her chin.
"I should so love to see the white bodies-- All the white bodies jump in!" The big dark house hid secretly Behind the magnolia and the spreading pear-tree; But there was a sound of music--music rippled and ran Like a lady laughing behind her fan, Laughing and mocking and running away.
.
.
"Come into the garden--it's as light as day!" "I can't dance to that Hungarian stuff, The rhythm in it is not passionate enough," Said somebody.
"I absolutely refuse.
.
.
.
" But he took off his socks and his shoes And round he spun.
"It's like Hungarian fruit dishes Hard and bright--a mechanical blue!" His white feet flicked in the grass like fishes.
.
.
Someone cried: "I want to dance, too!" But one with a ***** Russian ballet head Curled up on a blue wooden bench instead.
And another, shadowy--shadowy and tall-- Walked in the shadow of the dark house wall, Someone beside her.
It shone in the gloom, His round grey hat, like a wet mushroom.
"Don't you think perhaps.
.
.
" piped someone's flute.
"How sweet the flowers smell!" I heard the other say.
Somebody picked a wet, wet pink, Smelled it and threw it away.
"Is the moon a virgin or is she a harlot?" Asked somebody.
Nobody would tell.
The faces and the hands moved in a pattern As the music rose and fell, In a dancing, mysterious, moon-bright pattern Like flowers nodding under the sea.
.
.
The music stopped and there was nothing left of them But the moon dancing over the tree.
Written by Conrad Aiken | Create an image from this poem

The House Of Dust: Part 03: 01: As evening falls

 As evening falls,
And the yellow lights leap one by one
Along high walls;
And along black streets that glisten as if with rain,
The muted city seems
Like one in a restless sleep, who lies and dreams
Of vague desires, and memories, and half-forgotten pain .
.
.
Along dark veins, like lights the quick dreams run, Flash, are extinguished, flash again, To mingle and glow at last in the enormous brain And die away .
.
.
As evening falls, A dream dissolves these insubstantial walls,— A myriad secretly gliding lights lie bare .
.
.
The lovers rise, the harlot combs her hair, The dead man's face grows blue in the dizzy lamplight, The watchman climbs the stair .
.
.
The bank defaulter leers at a chaos of figures, And runs among them, and is beaten down; The sick man coughs and hears the chisels ringing; The tired clown Sees the enormous crowd, a million faces, Motionless in their places, Ready to laugh, and seize, and crush and tear .
.
.
The dancer smooths her hair, Laces her golden slippers, and runs through the door To dance once more, Hearing swift music like an enchantment rise, Feeling the praise of a thousand eyes.
As darkness falls The walls grow luminous and warm, the walls Tremble and glow with the lives within them moving, Moving like music, secret and rich and warm.
How shall we live tonight? Where shall we turn? To what new light or darkness yearn? A thousand winding stairs lead down before us; And one by one in myriads we descend By lamplit flowered walls, long balustrades, Through half-lit halls which reach no end.
Written by William Ernest Henley | Create an image from this poem

London Voluntaries IV: Out of the Poisonous East

 Out of the poisonous East,
Over a continent of blight,
Like a maleficent Influence released
From the most squalid cellerage of hell,
The Wind-Fiend, the abominable--
The Hangman Wind that tortures temper and light--
Comes slouching, sullen and obscene,
Hard on the skirts of the embittered night;
And in a cloud unclean
Of excremental humours, roused to strife
By the operation of some ruinous change,
Wherever his evil mandate run and range,
Into a dire intensity of life,
A craftsman at his bench, he settles down
To the grim job of throttling London Town.
So, by a jealous lightlessness beset That might have oppressed the dragons of old time Crunching and groping in the abysmal slime, A cave of cut-throat thoughts and villainous dreams, Hag-rid and crying with cold and dirt and wet, The afflicted City.
prone from mark to mark In shameful occultation, seems A nightmare labryrinthine, dim and drifting, With wavering gulfs and antic heights, and shifting, Rent in the stuff of a material dark, Wherein the lamplight, scattered and sick and pale, Shows like the leper's living blotch of bale: Uncoiling monstrous into street on street Paven with perils, teeming with mischance, Where man and beast go blindfold and in dread, Working with oaths and threats and faltering feet Somewhither in the hideousness ahead; Working through wicked airs and deadly dews That make the laden robber grin askance At the good places in his black romance, And the poor, loitering harlot rather choose Go pinched and pined to bed Than lurk and shiver and curse her wretched way From arch to arch, scouting some threepenny prey.
Forgot his dawns and far-flushed afterglows, His green garlands and windy eyots forgot, The old Father-River flows, His watchfires cores of menace in the gloom, As he came oozing from the Pit, and bore, Sunk in his filthily transfigured sides, Shoals of dishonoured dead to tumble and rot In the squalor of the universal shore: His voices sounding through the gruesome air As from the Ferry where the Boat of Doom With her blaspheming cargo reels and rides: The while his children, the brave ships, No more adventurous and fair, Nor tripping it light of heel as home-bound brides, But infamously enchanted, Huddle together in the foul eclipse, Or feel their course by inches desperately, As through a tangle of alleys murder-haunted, From sinister reach to reach out -- out -- to sea.
And Death the while -- Death with his well-worn, lean, professional smile, Death in his threadbare working trim-- Comes to your bedside, unannounced and bland, And with expert, inevitable hand Feels at your windpipe, fingers you in the lung, Or flicks the clot well into the labouring heart: Thus signifying unto old and young, However hard of mouth or wild of whim, 'Tis time -- 'tis time by his ancient watch -- to part From books and women and talk and drink and art.
And you go humbly after him To a mean suburban lodging: on the way To what or where Not Death, who is old and very wise, can say: And you -- how should you care So long as, unreclaimed of hell, The Wind-Fiend, the insufferable, Thus vicious and thus patient, sits him down To the black job of burking London Town?


Written by Edna St Vincent Millay | Create an image from this poem

The Singing-Woman From The Woods Edge

 What should I be but a prophet and a liar,
Whose mother was a leprechaun, whose father was a friar?
Teethed on a crucifix and cradled under water,
What should I be but the fiend's god-daughter?

And who should be my playmates but the adder and the frog,
That was got beneath a furze-bush and born in a bog?
And what should be my singing, that was christened at an altar,
But Aves and Credos and Psalms out of the Psalter?

You will see such webs on the wet grass, maybe,
As a pixie-mother weaves for her baby,
You will find such flame at the wave's weedy ebb
As flashes in the meshes of a mer-mother's web,

But there comes to birth no common spawn
From the love a a priest for a leprechaun,
And you never have seen and you never will see
Such things as the things that swaddled me!

After all's said and after all's done,
What should I be but a harlot and a nun?

In through the bushes, on any foggy day,
My Da would come a-swishing of the drops away,
With a prayer for my death and a groan for my birth,
A-mumbling of his beads for all that he was worth.
And there'd sit my Ma, with her knees beneath her chin, A-looking in his face and a-drinking of it in, And a-marking in the moss some funny little saying That would mean just the opposite of all that he was praying! He taught me the holy-talk of Vesper and of Matin, He heard me my Greek and he heard me my Latin, He blessed me and crossed me to keep my soul from evil, And we watched him out of sight, and we conjured up the devil! Oh, the things I haven't seen and the things I haven't known, What with hedges and ditches till after I was grown, And yanked both way by my mother and my father, With a "Which would you better?" and a " Which would you rather?" With him for a sire and her for a dam, What should I be but just what I am?
Written by Aleister Crowley | Create an image from this poem

The Priestess of Panormita

 Hear me, Lord of the Stars!
For thee I have worshipped ever
With stains and sorrows and scars,
With joyful, joyful endeavour.
Hear me, O lily-white goat! O crisp as a thicket of thorns, With a collar of gold for Thy throat, A scarlet bow for Thy horns! Here, in the dusty air, I build Thee a shrine of yew.
All green is the garland I wear, But I feed it with blood for dew! After the orange bars That ribbed the green west dying Are dead, O Lord of the Stars, I come to Thee, come to Thee crying.
The ambrosial moon that arose With breasts slow heaving in splendour Drops wine from her infinite snows.
Ineffably, utterly, tender.
O moon! ambrosial moon! Arise on my desert of sorrow That the Magical eyes of me swoon With lust of rain to-morrow! Ages and ages ago I stood on the bank of a river Holy and Holy and holy, I know, For ever and ever and ever! A priest in the mystical shrine I muttered a redeless rune, Till the waters were redder than wine In the blush of the harlot moon.
I and my brother priests Worshipped a wonderful woman With a body lithe as a beast's Subtly, horribly human.
Deep in the pit of her eyes I saw the image of death, And I drew the water of sighs From the well of her lullaby breath.
She sitteth veiled for ever Brooding over the waste.
She hath stirred or spoken never.
She is fiercely, manly chaste! What madness made me awake From the silence of utmost eld The grey cold slime of the snake That her poisonous body held? By night I ravished a maid From her father's camp to the cave.
I bared the beautiful blade; I dipped her thrice i' the wave; I slit her throat as a lamb's, That the fount of blood leapt high With my clamorous dithyrambs Like a stain on the shield of the sky.
With blood and censer and song I rent the mysterious veil: My eyes gaze long and long On the deep of that blissful bale.
My cold grey kisses awake From the silence of utmost eld The grey cold slime of the snake That her beautiful body held.
But --- God! I was not content With the blasphemous secret of years; The veil is hardly rent While the eyes rain stones for tears.
So I clung to the lips and laughed As the storms of death abated, The storms of the grevious graft By the swing of her soul unsated.
Wherefore reborn as I am By a stream profane and foul In the reign of a Tortured Lamb, In the realm of a sexless Owl, I am set apart from the rest By meed of the mystic rune That reads in peril and pest The ambrosial moon --- the moon! For under the tawny star That shines in the Bull above I can rein the riotous car Of galloping, galloping Love; And straight to the steady ray Of the Lion-heart Lord I career, Pointing my flaming way With the spasm of night for a spear! O moon! O secret sweet! Chalcedony clouds of caresses About the flame of our feet, The night of our terrible tresses! Is it a wonder, then, If the people are mad with blindness, And nothing is stranger to men Than silence, and wisdom, and kindness? Nay! let him fashion an arrow Whose heart is sober and stout! Let him pierce his God to the marrow! Let the soul of his God flow out! Whether a snake or a sun In his horoscope Heaven hath cast, It is nothing; every one Shall win to the moon at last.
The mage hath wrought by his art A billion shapes in the sun.
Look through to the heart of his heart, And the many are shapes of one! An end to the art of the mage, And the cold grey blank of the prison! An end to the adamant age! The ambrosial moon is arisen.
I have bought a lily-white goat For the price of a crown of thorns, A collar of gold for its throat, A scarlet bow for its horns.
I have bought a lark in the lift For the price of a butt of sherry: With these, and God for a gift, It needs no wine to be merry! I have bought for a wafer of bread A garden of poppies and clover; For a water bitter and dead A foam of fire flowing over.
From the Lamb and his prison fare And the owl's blind stupor, arise Be ye wise, and strong, and fair, And the nectar afloat in your eyes! Arise, O ambrosial moon By the strong immemorial spell, By the subtle veridical rune That is mighty in heaven and hell! Drip thy mystical dews On the tongues of the tender fauns In the shade of initiate yews Remote from the desert dawns! Satyrs and Fauns, I call.
Bring your beauty to man! I am the mate for ye all' I am the passionate Pan.
Come, O come to the dance Leaping with wonderful whips, Life on the stroke of a glance, Death in the stroke of the lips! I am hidden beyond, Shed in a secret sinew Smitten through by the fond Folly of wisdom in you! Come, while the moon (the moon!) Sheds her ambrosial splendour, Reels in the redeless rune Ineffably, utterly, tender! Hark! the appealing cry Of deadly hurt in the hollow: --- Hyacinth! Hyacinth! Ay! Smitten to death by Apollo.
Swift, O maiden moon, Send thy ray-dews after; Turn the dolorous tune To soft ambiguous laughter! Mourn, O Maenads, mourn! Surely your comfort is over: All we laugh at you lorn.
Ours are the poppies and clover! O that mouth and eyes, Mischevious, male, alluring! O that twitch of the thighs Dorian past enduring! Where is wisdom now? Where the sage and his doubt? Surely the sweat of the brow Hath driven the demon out.
Surely the scented sleep That crowns the equal war Is wiser than only to weep --- To weep for evermore! Now, at the crown of the year, The decadent days of October, I come to thee, God, without fear; Pious, chaste, and sober.
I solemnly sacrifice This first-fruit flower of wine For a vehicle of thy vice As I am Thine to be mine.
For five in the year gone by I pray Thee give to me one; A love stronger than I, A moon to swallow the sun! May he be like a lily-white goat Crisp as a thicket of thorns, With a collar of gold for his throat, A scarlet bow for his horns!
Written by William Blake | Create an image from this poem

To The Accuser Who is The God of This World

 Truly My Satan thou art but a Dunce
And dost not know the Garment from the Man
Every Harlot was a Virgin once
Nor canst thou ever change Kate into Nan

Tho thou art Worship'd by the Names Divine 
Of Jesus & Jehovah thou art still
The Son of Morn in weary Nights decline
The lost Travellers Dream under the Hill
Written by Edna St Vincent Millay | Create an image from this poem

The Singing-Woman from the Woods Edge

 What should I be but a prophet and a liar,
Whose mother was a leprechaun, whose father was a friar?
Teethed on a crucifix and cradled under water,
What should I be but the fiend's god-daughter?

And who should be my playmates but the adder and the frog,
That was got beneath a furze-bush and born in a bog?
And what should be my singing, that was christened at an altar,
But Aves and Credos and Psalms out of the Psalter?

You will see such webs on the wet grass, maybe,
As a pixie-mother weaves for her baby,
You will find such flame at the wave's weedy ebb
As flashes in the meshes of a mer-mother's web,

But there comes to birth no common spawn
From the love a a priest for a leprechaun,
And you never have seen and you never will see
Such things as the things that swaddled me!

After all's said and after all's done,
What should I be but a harlot and a nun?

In through the bushes, on any foggy day,
My Da would come a-swishing of the drops away,
With a prayer for my death and a groan for my birth,
A-mumbling of his beads for all that he was worth.
And there'd sit my Ma, with her knees beneath her chin, A-looking in his face and a-drinking of it in, And a-marking in the moss some funny little saying That would mean just the opposite of all that he was praying! He taught me the holy-talk of Vesper and of Matin, He heard me my Greek and he heard me my Latin, He blessed me and crossed me to keep my soul from evil, And we watched him out of sight, and we conjured up the devil! Oh, the things I haven't seen and the things I haven't known, What with hedges and ditches till after I was grown, And yanked both way by my mother and my father, With a "Which would you better?" and a " Which would you rather?" With him for a sire and her for a dam, What should I be but just what I am?
Written by Edgar Lee Masters | Create an image from this poem

Georgine Sand Miner

 A step-mother drove me from home, embittering me.
A squaw-man, a flaneur and dilettante took my virtue.
For years I was his mistress -- no one knew.
I learned from him the parasite cunning With which I moved with the bluffs, like a flea on a dog.
All the time I was nothing but "very private" with different men.
Then Daniel, the radical, had me for years.
His sister called me his mistress; And Daniel wrote me: "Shameful word, soiling our beautiful love!" But my anger coiled, preparing its fangs.
My Lesbian friend next took a hand.
She hated Daniel's sister.
And Daniel despised her midget husband.
And she saw a chance for a poisonous thrust: I must complain to the wife of Daniel's pursuit! But before I did that I begged him to fly to London with me.
"Why not stay in the city just as we have?" he asked.
Then I turned submarine and revenged his repulse In the arms of my dilettante friend.
Then up to the surface, Bearing the letter that Daniel wrote me, To prove my honor was all intact, showing it to his wife, My Lesbian friend and everyone.
If Daniel had only shot me dead! Instead of stripping me naked of lies, A harlot in body and soul.

Book: Shattered Sighs