by
Lewis Carroll
I
There was an ancient City, stricken down
With a strange frenzy, and for many a day
They paced from morn to eve the crowded town,
And danced the night away.
I asked the cause: the aged man grew sad:
They pointed to a building gray and tall,
And hoarsely answered "Step inside, my lad,
And then you'll see it all."
Yet what are all such gaieties to me
Whose thoughts are full of indices and surds?
x*x + 7x + 53 = 11/3
But something whispered "It will soon be done:
Bands cannot always play, nor ladies smile:
Endure with patience the distasteful fun
For just a little while!"
A change came o'er my Vision - it was night:
We clove a pathway through a frantic throng:
The steeds, wild-plunging, filled us with affright:
The chariots whirled along.
Within a marble hall a river ran -
A living tide, half muslin and half cloth:
And here one mourned a broken wreath or fan,
Yet swallowed down her wrath;
And here one offered to a thirsty fair
(His words half-drowned amid those thunders tuneful)
Some frozen viand (there were many there),
A tooth-ache in each spoonful.
There comes a happy pause, for human strength
Will not endure to dance without cessation;
And every one must reach the point at length
Of absolute prostration.
At such a moment ladies learn to give,
To partners who would urge them over-much,
A flat and yet decided negative -
Photographers love such.
There comes a welcome summons - hope revives,
And fading eyes grow bright, and pulses quicken:
Incessant pop the corks, and busy knives
Dispense the tongue and chicken.
Flushed with new life, the crowd flows back again:
And all is tangled talk and mazy motion -
Much like a waving field of golden grain,
Or a tempestuous ocean.
And thus they give the time, that Nature meant
For peaceful sleep and meditative snores,
To ceaseless din and mindless merriment
And waste of shoes and floors.
And One (we name him not) that flies the flowers,
That dreads the dances, and that shuns the salads,
They doom to pass in solitude the hours,
Writing acrostic-ballads.
How late it grows! The hour is surely past
That should have warned us with its double knock?
The twilight wanes, and morning comes at last -
"Oh, Uncle, what's o'clock?"
The Uncle gravely nods, and wisely winks.
It MAY mean much, but how is one to know?
He opens his mouth - yet out of it, methinks,
No words of wisdom flow.
II
Empress of Art, for thee I twine
This wreath with all too slender skill.
Forgive my Muse each halting line,
And for the deed accept the will!
O day of tears! Whence comes this spectre grim,
Parting, like Death's cold river, souls that love?
Is not he bound to thee, as thou to him,
By vows, unwhispered here, yet heard above?
And still it lives, that keen and heavenward flame,
Lives in his eye, and trembles in his tone:
And these wild words of fury but proclaim
A heart that beats for thee, for thee alone!
But all is lost: that mighty mind o'erthrown,
Like sweet bells jangled, piteous sight to see!
"Doubt that the stars are fire," so runs his moan,
"Doubt Truth herself, but not my love for thee!"
A sadder vision yet: thine aged sire
Shaming his hoary locks with treacherous wile!
And dost thou now doubt Truth to be a liar?
And wilt thou die, that hast forgot to smile?
Nay, get thee hence! Leave all thy winsome ways
And the faint fragrance of thy scattered flowers:
In holy silence wait the appointed days,
And weep away the leaden-footed hours.
III.
The air is bright with hues of light
And rich with laughter and with singing:
Young hearts beat high in ecstasy,
And banners wave, and bells are ringing:
But silence falls with fading day,
And there's an end to mirth and play.
Ah, well-a-day
Rest your old bones, ye wrinkled crones!
The kettle sings, the firelight dances.
Deep be it quaffed, the magic draught
That fills the soul with golden fancies!
For Youth and Pleasance will not stay,
And ye are withered, worn, and gray.
Ah, well-a-day!
O fair cold face! O form of grace,
For human passion madly yearning!
O weary air of dumb despair,
From marble won, to marble turning!
"Leave us not thus!" we fondly pray.
"We cannot let thee pass away!"
Ah, well-a-day!
IV.
My First is singular at best:
More plural is my Second:
My Third is far the pluralest -
So plural-plural, I protest
It scarcely can be reckoned!
My First is followed by a bird:
My Second by believers
In magic art: my simple Third
Follows, too often, hopes absurd
And plausible deceivers.
My First to get at wisdom tries -
A failure melancholy!
My Second men revered as wise:
My Third from heights of wisdom flies
To depths of frantic folly.
My First is ageing day by day:
My Second's age is ended:
My Third enjoys an age, they say,
That never seems to fade away,
Through centuries extended.
My Whole? I need a poet's pen
To paint her myriad phases:
The monarch, and the slave, of men -
A mountain-summit, and a den
Of dark and deadly mazes -
A flashing light - a fleeting shade -
Beginning, end, and middle
Of all that human art hath made
Or wit devised! Go, seek HER aid,
If you would read my riddle!
|
by
Matthew Arnold
Who prop, thou ask'st in these bad days, my mind?--
He much, the old man, who, clearest-souled of men,
Saw The Wide Prospect, and the Asian Fen,
And Tmolus hill, and Smyrna bay, though blind.
Much he, whose friendship I not long since won,
That halting slave, who in Nicopolis
Taught Arrian, when Vespasian's brutal son
Cleared Rome of what most shamed him. But be his
My special thanks, whose even-balanced soul,
From first youth tested up to extreme old age,
Business could not make dull, nor passion wild;
Who saw life steadily, and saw it whole;
The mellow glory of the Attic stage,
Singer of sweet Colonus, and its child.
|
by
Anne Bradstreet
Thou ill-formed offspring of my feeble brain,
Who after birth didst by my side remain,
Till snatched from thence by friends, less wise than true,
Who thee abroad, exposed to public view,
Made thee in rags, halting to th' press to trudge,
Where errors were not lessened (all may judge).
At thy return my blushing was not small,
My rambling brat (in print) should mother call,
I cast thee by as one unfit for light,
Thy visage was so irksome in my sight;
Yet being mine own, at length affection would
Thy blemishes amend, if so I could:
I washed thy face, but more defects I saw,
And rubbing off a spot still made a flaw.
I stretched thy joints to make thee even feet,
Yet still thou run'st more hobbling than is meet;
In better dress to trim thee was my mind,
But nought save homespun cloth i' th' house I find.
In this array 'mongst vulgars may'st thou roam.
In critic's hands beware thou dost not come,
And take thy way where yet thou art not known;
If for thy father asked, say thou hadst none;
And for thy mother, she alas is poor,
Which caused her thus to send thee out of door.
|
by
Edith Wharton
I
Leaguered in fire
The wild black promontories of the coast extend
Their savage silhouettes;
The sun in universal carnage sets,
And, halting higher,
The motionless storm-clouds mass their sullen threats,
Like an advancing mob in sword-points penned,
That, balked, yet stands at bay.
Mid-zenith hangs the fascinated day
In wind-lustrated hollows crystalline,
A wan Valkyrie whose wide pinions shine
Across the ensanguined ruins of the fray,
And in her hand swings high o'erhead,
Above the waste of war,
The silver torch-light of the evening star
Wherewith to search the faces of the dead.
II
Lagooned in gold,
Seem not those jetty promontories rather
The outposts of some ancient land forlorn,
Uncomforted of morn, Where old oblivions gather,
The melancholy unconsoling fold
Of all things that go utterly to death
And mix no more, no more
With life's perpetually awakening breath?
Shall Time not ferry me to such a shore,
Over such sailless seas,
To walk with hope's slain importunities
In miserable marriage? Nay, shall not
All things be there forgot,
Save the sea's golden barrier and the black
Close-crouching promontories?
Dead to all shames, forgotten of all glories,
Shall I not wander there, a shadow's shade,
A spectre self-destroyed,
So purged of all remembrance and sucked back
Into the primal void,
That should we on that shore phantasmal meet
I should not know the coming of your feet?
|
by
Galway Kinnell
1
You scream, waking from a nightmare.
When I sleepwalk
into your room, and pick you up,
and hold you up in the moonlight, you cling to me
hard,
as if clinging could save us. I think
you think
I will never die, I think I exude
to you the permanence of smoke or stars,
even as
my broken arms heal themselves around you.
2
I have heard you tell
the sun, don't go down, I have stood by
as you told the flower, don't grow old,
don't die. Little Maud,
I would blow the flame out of your silver cup,
I would suck the rot from your fingernail,
I would brush your sprouting hair of the dying light,
I would scrape the rust off your ivory bones,
I would help death escape through the little ribs of your body,
I would alchemize the ashes of your cradle back into wood,
I would let nothing of you go, ever,
until washerwomen
feel the clothes fall asleep in their hands,
and hens scratch their spell across hatchet blades,
and rats walk away from the cultures of the plague,
and iron twists weapons toward the true north,
and grease refuses to slide in the machinery of progress,
and men feel as free on earth as fleas on the bodies of men,
and lovers no longer whisper to the presence beside them in the
dark, O corpse-to-be ...
And yet perhaps this is the reason you cry,
this the nightmare you wake screaming from:
being forever
in the pre-trembling of a house that falls.
3
In a restaurant once, everyone
quietly eating, you clambered up
on my lap: to all
the mouthfuls rising toward
all the mouths, at the top of your voice
you cried
your one word, caca! caca! caca!
and each spoonful
stopped, a moment, in midair, in its withering
steam.
Yes,
you cling because
I, like you, only sooner
than you, will go down
the path of vanished alphabets,
the roadlessness
to the other side of the darkness,
your arms
like the shoes left behind,
like the adjectives in the halting speech
of old men,
which once could call up the lost nouns.
4
And you yourself,
some impossible Tuesday
in the year Two Thousand and Nine, will walk out
among the black stones
of the field, in the rain,
and the stones saying
over their one word, ci-g?t, ci-g?t, ci-g?t,
and the raindrops
hitting you on the fontanel
over and over, and you standing there
unable to let them in.
5
If one day it happens
you find yourself with someone you love
in a caf¨¦ at one end
of the Pont Mirabeau, at the zinc bar
where white wine stands in upward opening glasses,
and if you commit then, as we did, the error
of thinking,
one day all this will only be memory,
learn,
as you stand
at this end of the bridge which arcs,
from love, you think, into enduring love,
learn to reach deeper
into the sorrows
to come ¨C to touch
the almost imaginary bones
under the face, to hear under the laughter
the wind crying across the black stones. Kiss
the mouth
which tells you, here,
here is the world. This mouth. This laughter. These temple bones.
The still undanced cadence of vanishing.
6
In the light the moon
sends back, I can see in your eyes
the hand that waved once
in my father's eyes, a tiny kite
wobbling far up in the twilight of his last look:
and the angel
of all mortal things lets go the string.
7
Back you go, into your crib.
The last blackbird lights up his gold wings: farewell.
Your eyes close inside your head,
in sleep. Already
in your dreams the hours begin to sing.
Little sleep's-head sprouting hair in the moonlight,
when I come back
we will go out together,
we will walk out together among
the ten thousand things,
each scratched too late with such knowledge, the wages
of dying is love.
|
by
Kahlil Gibran
And one of the elders of the city said, "Speak to us of Good and Evil."
And he answered:
Of the good in you I can speak, but not of the evil.
For what is evil but good tortured by its own hunger and thirst?
Verily when good is hungry it seeks food even in dark caves, and when it thirsts, it drinks even of dead waters.
You are good when you are one with yourself.
Yet when you are not one with yourself you are not evil.
For a divided house is not a den of thieves; it is only a divided house.
And a ship without rudder may wander aimlessly among perilous isles yet sink not to the bottom.
You are good when you strive to give of yourself.
Yet you are not evil when you seek gain for yourself.
For when you strive for gain you are but a root that clings to the earth and sucks at her breast.
Surely the fruit cannot say to the root, "Be like me, ripe and full and ever giving of your abundance."
For to the fruit giving is a need, as receiving is a need to the root.
You are good when you are fully awake in your speech,
Yet you are not evil when you sleep while your tongue staggers without purpose.
And even stumbling speech may strengthen a weak tongue.
You are good when you walk to your goal firmly and with bold steps.
Yet you are not evil when you go thither limping.
Even those who limp go not backward.
But you who are strong and swift, see that you do not limp before the lame, deeming it kindness.
You are good in countless ways, and you are not evil when you are not good,
You are only loitering and sluggard.
Pity that the stags cannot teach swiftness to the turtles.
In your longing for your giant self lies your goodness: and that longing is in all of you.
But in some of you that longing is a torrent rushing with might to the sea, carrying the secrets of the hillsides and the songs of the forest.
And in others it is a flat stream that loses itself in angles and bends and lingers before it reaches the shore.
But let not him who longs much say to him who longs little, "Wherefore are you slow and halting?"
For the truly good ask not the naked, "Where is your garment?" nor the houseless, "What has befallen your house?"
|
by
Robert William Service
Now Fireman Flynn met Hank the Finn where lights of Lust-land glow;
"Let's leave," says he, "the lousy sea, and give the land a show.
I'm fed up to the molar mark with wallopin' the brine;
I feel the bloody barnacles a-carkin' on me spine.
Let's hit the hard-boiled North a crack, where creeks are paved with gold."
"You count me in," says Hank the Finn. "Ay do as Ay ban told."
And so they sought the Lonely Land and drifted down its stream,
Where sunny silence round them spanned, as dopey as a dream.
But to the spell of flood and fell their gold-grimed eyes were blind;
By pine and peak they paused to seek, but nothing did they find;
No yellow glint of dust to mint, just mud and mocking sand,
And a hateful hush that seemed to crush them down on every hand.
Till Fireman Flynn grew mean as sin, and cursed his comrade cold,
But Hank the Finn would only grin, and . . . do as he was told.
Now Fireman Flynn had pieces ten of yellow Yankee gold,
Which every night he would invite his partner to behold.
"Look hard," says he; "It's all you'll see in this god-blasted land;
But you fret, I'm gonna let you hold them i your hand.
Yeah! Watch 'em gleam, then go and dream they're yours to have and hold."
Then Hank the Finn would scratch his chin and . . . do as he was told.
But every night by camp-fire light, he'd incubate his woes,
And fan the hate of mate for mate, the evil Artic knows.
In dreams the Lapland withes gloomed like gargoyles overhead,
While the devils three of Helsinkee came cowering by his bed.
"Go take," said they, "the yellow loot he's clinking in his belt,
And leave the sneaking wolverines to snout around his pelt.
Last night he called you Swedish scum, from out the glory-hole;
To-day he said you were a bum, and damned your mother's soul.
Go, plug with lead his scurvy head, and grab his greasy gold . . ."
Then Hank the Finn saw red within, and . . . did as he was told.
So in due course the famous Force of Men Who Get Their Man,
Swooped down on sleeping Hank the Finn, and popped him in the can.
And in due time his grievous crime was judged without a plea,
And he was dated up to swing upon the gallows tree.
Then Sheriff gave a party in the Law's almighty name,
He gave a neck-tie party, and he asked me to the same.
There was no hooch a-flowin' and his party wasn't gay,
For O our hearts were heavy at the dawning of the day.
There was no band a-playin' and the only dancin' there
Was Hank the Fin interpretin' his solo in the air.
We climbed the scaffold steps and stood beside the knotted rope.
We watched the hooded hangman and his eyes were dazed with dope.
The Sheriff was in evening dress; a bell began to toll,
A beastly bell that struck a knell of horror to the soul.
As if the doomed one was myself, I shuddered, waiting there.
I spoke no word, then . . . then I heard his step upon the stair;
His halting foot, moccasin clad . . . and then I saw him stand
Between a weeping warder and a priest with Cross in hand.
And at the sight a murmur rose of terror and of awe,
And all them hardened gallows fans were sick at what they saw:
For as he towered above the mob, his limbs with leather triced,
By all that's wonderful, I swear, his face was that of Christ.
Now I ain't no blaspheming cuss, so don't you start to shout.
You see, his beard had grown so long it framed his face about.
His rippling hair was long and fair, his cheeks were spirit-pale,
His face was bright with holy light that made us wince and quail.
He looked at us with eyes a-shine, and sore were we confused,
As if he were the Judge divine, and we were the accused.
Aye, as serene he stood between the hangman and the cord,
You would have sworn, with anguish torn, he was the Blessed Lord.
The priest was wet with icy sweat, the Sheriff's lips were dry,
And we were staring starkly at the man who had to die.
"Lo! I am raised above you all," his pale lips seemed to say,
"For in a moment I shall leap to God's Eternal Day.
Am I not happy! I forgive you each for what you do;
Redeemed and penitent I go, with heart of love for you."
So there he stood in mystic mood, with scorn sublime of death.
I saw him gently kiss the Cross, and then I held by breath.
That blessed smile was blotted out; they dropped the hood of black;
They fixed the noose around his neck, the rope was hanging slack.
I heard him pray, I saw him sway, then . . . then he was not there;
A rope, a ghastly yellow rope was jerking in the air;
A jigging rope that soon was still; a hush as of the tomb,
And Hank the Finn, that man of sin, had met his rightful doom.
His rightful doom! Now that's the point. I'm wondering, because
I hold a man is what he is, and never what he was.
You see, the priest had filled that guy so full of holy dope,
That at the last he came to die as pious as the Pope.
A gentle ray of sunshine made a halo round his head.
I thought to see a sinner - lo! I saw a Saint instead.
Aye, as he stood as martyrs stand, clean-cleansed of mortal dross,
I think he might have gloried had . . . WE NAILED HIM TO A CROSS.
|
by
Adela Florence Cory Nicolson
Just as the dawn of Love was breaking
Across the weary world of grey,
Just as my life once more was waking
As roses waken late in May,
Fate, blindly cruel and havoc-making,
Stepped in and carried you away.
Memories have I none in keeping
Of times I held you near my heart,
Of dreams when we were near to weeping
That dawn should bid us rise and part;
Never, alas, I saw you sleeping
With soft closed eyes and lips apart,
Breathing my name still through your dreaming.—
Ah! had you stayed, such things had been!
But Fate, unheeding human scheming,
Serenely reckless came between—
Fate with her cold eyes hard and gleaming
Unseared by all the sorrow seen.
Ah! well-beloved, I never told you,
I did not show in speech or song,
How at the end I longed to fold you
Close in my arms; so fierce and strong
The longing grew to have and hold you,
You, and you only, all life long.
They who know nothing call me fickle,
Keen to pursue and loth to keep.
Ah, could they see these tears that trickle
From eyes erstwhile too proud to weep.
Could see me, prone, beneath the sickle,
While pain and sorrow stand and reap!
Unopened scarce, yet overblown, lie
The hopes that rose-like round me grew,
The lights are low, and more than lonely
This life I lead apart from you.
Come back, come back! I want you only,
And you who loved me never knew.
You loved me, pleaded for compassion
On all the pain I would not share;
And I in weary, halting fashion
Was loth to listen, long to care;
But now, dear God! I faint with passion
For your far eyes and distant hair.
Yes, I am faint with love, and broken
With sleepless nights and empty days;
I want your soft words fiercely spoken,
Your tender looks and wayward ways—
Want that strange smile that gave me token
Of many things that no man says.
Cold was I, weary, slow to waken
Till, startled by your ardent eyes,
I felt the soul within me shaken
And long-forgotten senses rise;
But in that moment you were taken,
And thus we lost our Paradise!
Farewell, we may not now recover
That golden "Then" misspent, passed by,
We shall not meet as loved and lover
Here, or hereafter, you and I.
My time for loving you is over,
Love has no future, but to die.
And thus we part, with no believing
In any chance of future years.
We have no idle self-deceiving,
No half-consoling hopes and fears;
We know the Gods grant no retrieving
A wasted chance. Fate knows no tears.
|
by
Sir Philip Sidney
Loving in truth, and fain in verse my love to show,
That she (dear She) might take some pleasure of my pain:
Pleasure might cause her read, reading might make her know,
Knowledge might pity win, and pity grace obtain;
I sought fit words to paint the blackest face of woe,
Studying inventions fine, her wits to entertain:
Oft turning others' leaves, to see if thence would flow
Some fresh and fruitful showers upon my sun-burn'd brain.
But words came halting forth, wanting Invention's stay,
Invention, Nature's child, fled step-dame Study's blows,
And others' feet still seem'd but strangers in my way.
Thus, great with child to speak, and helpless in my throes,
Biting my truant pen, beating myself for spite--
"Fool," said my Muse to me, "look in thy heart and write."
|
by
Thomas Hardy
'TWAS a death-bed summons, and forth I went
By the way of the Western Wall, so drear
On that winter night, and sought a gate--
The home, by Fate,
Of one I had long held dear.
And there, as I paused by her tenement,
And the trees shed on me their rime and hoar,
I thought of the man who had left her lone--
Him who made her his own
When I loved her, long before.
The rooms within had the piteous shine
The home-things wear which the housewife miss;
From the stairway floated the rise and fall
Of an infant's call,
Whose birth had brought her to this.
Her life was the price she would pay for that whine--
For a child by the man she did not love.
"But let that rest forever," I said,
And bent my tread
To the chamber up above.
She took my hand in her thin white own,
And smiled her thanks--though nigh too weak--
And made them a sign to leave us there;
Then faltered, ere
She could bring herself to speak.
"'Twas to see you before I go--he'll condone
Such a natural thing now my time's not much--
When Death is so near it hustles hence
All passioned sense
Between woman and man as such!
"My husband is absent. As heretofore
The City detains him. But, in truth,
He has not been kind.... I will speak no blame,
But--the child is lame;
O, I pray she may reach his ruth!
"Forgive past days--I can say no more--
Maybe if we'd wedded you'd now repine!...
But I treated you ill. I was punished. Farewell!
--Truth shall I tell?
Would the child were yours and mine!
"As a wife I was true. But, such my unease
That, could I insert a deed back in Time,
I'd make her yours, to secure your care;
And the scandal bear,
And the penalty for the crime!"
--When I had left, and the swinging trees
Rang above me, as lauding her candid say,
Another was I. Her words were enough:
Came smooth, came rough,
I felt I could live my day.
Next night she died; and her obsequies
In the Field of Tombs, by the Via renowned,
Had her husband's heed. His tendance spent,
I often went
And pondered by her mound.
All that year and the next year whiled,
And I still went thitherward in the gloam;
But the Town forgot her and her nook,
And her husband took
Another Love to his home.
And the rumor flew that the lame lone child
Whom she wished for its safety child of mine,
Was treated ill when offspring came
Of the new-made dame,
And marked a more vigorous line.
A smarter grief within me wrought
Than even at loss of her so dear;
Dead the being whose soul my soul suffused,
Her child ill-used,
I helpless to interfere!
One eve as I stood at my spot of thought
In the white-stoned Garth, brooding thus her wrong,
Her husband neared; and to shun his view
By her hallowed mew
I went from the tombs among
To the Cirque of the Gladiators which faced--
That haggard mark of Imperial Rome,
Whose Pagan echoes mock the chime
Of our Christian time:
It was void, and I inward clomb.
Scarce had night the sun's gold touch displaced
From the vast Rotund and the neighboring dead
When her husband followed; bowed; half-passed,
With lip upcast;
Then, halting, sullenly said:
"It is noised that you visit my first wife's tomb.
Now, I gave her an honored name to bear
While living, when dead. So I've claim to ask
By what right you task
My patience by vigiling there?
"There's decency even in death, I assume;
Preserve it, sir, and keep away;
For the mother of my first-born you
Show mind undue!
--Sir, I've nothing more to say."
A desperate stroke discerned I then--
God pardon--or pardon not--the lie;
She had sighed that she wished (lest the child should pine
Of slights) 'twere mine,
So I said: "But the father I.
"That you thought it yours is the way of men;
But I won her troth long ere your day:
You learnt how, in dying, she summoned me?
'Twas in fealty.
--Sir, I've nothing more to say,
"Save that, if you'll hand me my little maid,
I'll take her, and rear her, and spare you toil.
Think it more than a friendly act none can;
I'm a lonely man,
While you've a large pot to boil.
"If not, and you'll put it to ball or blade--
To-night, to-morrow night, anywhen--
I'll meet you here.... But think of it,
And in season fit
Let me hear from you again."
--Well, I went away, hoping; but nought I heard
Of my stroke for the child, till there greeted me
A little voice that one day came
To my window-frame
And babbled innocently:
"My father who's not my own, sends word
I'm to stay here, sir, where I belong!"
Next a writing came: "Since the child was the fruit
Of your passions brute,
Pray take her, to right a wrong."
And I did. And I gave the child my love,
And the child loved me, and estranged us none.
But compunctions loomed; for I'd harmed the dead
By what I'd said
For the good of the living one.
--Yet though, God wot, I am sinner enough,
And unworthy the woman who drew me so,
Perhaps this wrong for her darling's good
She forgives, or would,
If only she could know!
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