Written by
Du Fu |
Country damaged mountains rivers here City spring grass trees deep Feel moment flower splash tears Regret parting bird startle heart Beacon fires join three months Family letters worth ten thousand metal White head scratch become thin Virtually about to not bear hairpin The country is broken, though hills and rivers remain, In the city in spring, grass and trees are thick. Moved by the moment, a flower's splashed with tears, Mourning parting, a bird startles the heart. The beacon fires have joined for three months now, Family letters are worth ten thousand pieces. I scratch my head, its white hairs growing thinner, And barely able now to hold a hairpin.
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Written by
Carl Sandburg |
“The past is a bucket of ashes.”
1
THE WOMAN named To-morrow
sits with a hairpin in her teeth
and takes her time
and does her hair the way she wants it
and fastens at last the last braid and coil
and puts the hairpin where it belongs
and turns and drawls: Well, what of it?
My grandmother, Yesterday, is gone.
What of it? Let the dead be dead.
2
The doors were cedar
and the panels strips of gold
and the girls were golden girls
and the panels read and the girls chanted:
We are the greatest city,
the greatest nation:
nothing like us ever was.
The doors are twisted on broken hinges.
Sheets of rain swish through on the wind
where the golden girls ran and the panels read:
We are the greatest city,
the greatest nation,
nothing like us ever was.
3
It has happened before.
Strong men put up a city and got
a nation together,
And paid singers to sing and women
to warble: We are the greatest city,
the greatest nation,
nothing like us ever was.
And while the singers sang
and the strong men listened
and paid the singers well
and felt good about it all,
there were rats and lizards who listened
… and the only listeners left now
… are … the rats … and the lizards.
And there are black crows
crying, “Caw, caw,”
bringing mud and sticks
building a nest
over the words carved
on the doors where the panels were cedar
and the strips on the panels were gold
and the golden girls came singing:
We are the greatest city,
the greatest nation:
nothing like us ever was.
The only singers now are crows crying, “Caw, caw,”
And the sheets of rain whine in the wind and doorways.
And the only listeners now are … the rats … and the lizards.
4
The feet of the rats
scribble on the door sills;
the hieroglyphs of the rat footprints
chatter the pedigrees of the rats
and babble of the blood
and gabble of the breed
of the grandfathers and the great-grandfathers
of the rats.
And the wind shifts
and the dust on a door sill shifts
and even the writing of the rat footprints
tells us nothing, nothing at all
about the greatest city, the greatest nation
where the strong men listened
and the women warbled: Nothing like us ever was.
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Written by
Ellis Parker Butler |
The great millennium is at hand.
Redder apples grow on the tree.
A saxophone is in ev’ry band.
Brandy no longer taints our tea.
Dimples smile in the red-rouged knee.
The dowagers are no longer fat.
Radio now makes safe the sea—
And the Turk has bought him a derby hat.
Even our sauerkraut now is canned.
Verse is a dangsight more than free.
A “highboy” now is the old dish stand.
Ev’ry flapper has her night key.
Chopin is jazzed into melody.
A child is a “kiddie” and not a “brat.”
Bosses and miners at last agree—
And the Turk has bought him a derby hat.
All firewaters are bravely banned.
There is a ballot for every she.
The hairpin now is a contraband.
A New York mayor gets some sympathy.
My dealer brings some coal to me.
The plumber is an aristocrat.
In Miami all millionaires may be—
And the Turk has bought him a derby hat.
Son, the millennium is at hand!
What though Armenians be mashed flat?
The world is getting just perfectly grand,
For the Turk has bought him a derby hat.
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