Written by
Federico García Lorca |
The moon came into the forge
in her bustle of flowering nard.
The little boy stares at her, stares.
The boy is staring hard.
In the shaken air
the moon moves her amrs,
and shows lubricious and pure,
her breasts of hard tin.
"Moon, moon, moon, run!
If the gypsies come,
they will use your heart
to make white necklaces and rings."
"Let me dance, my little one.
When the gypsies come,
they'll find you on the anvil
with your lively eyes closed tight.
"Moon, moon, moon, run!
I can feelheir horses come."
"Let me be, my little one,
don't step on me, all starched and white!"
Closer comes the the horseman,
drumming on the plain.
The boy is in the forge;
his eyes are closed.
Through the olive grove
come the gypsies, dream and bronze,
their heads held high,
their hooded eyes.
Oh, how the night owl calls,
calling, calling from its tree!
The moon is climbing through the sky
with the child by the hand.
They are crying in the forge,
all the gypsies, shouting, crying.
The air is veiwing all, views all.
The air is at the viewing.
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Written by
Richard Wilbur |
It is a cramped little state with no foreign policy,
Save to be thought inoffensive. The grammar of the language
Has never been fathomed, owing to the national habit
Of allowing each sentence to trail off in confusion.
Those who have visited Scusi, the capital city,
Report that the railway-route from Schuldig passes
Through country best described as unrelieved.
Sheep are the national product. The faint inscription
Over the city gates may perhaps be rendered,
"I'm afraid you won't find much of interest here."
Census-reports which give the population
As zero are, of course, not to be trusted,
Save as reflecting the natives' flustered insistence
That they do not count, as well as their modest horror
Of letting one's sex be known in so many words.
The uniform grey of the nondescript buildings, the absence
Of churches or comfort-stations, have given observers
An odd impression of ostentatious meanness,
And it must be said of the citizens (muttering by
In their ratty sheepskins, shying at cracks in the sidewalk)
That they lack the peace of mind of the truly humble.
The tenor of life is careful, even in the stiff
Unsmiling carelessness of the border-guards
And douaniers, who admit, whenever they can,
Not merely the usual carloads of deodorant
But gypsies, g-strings, hasheesh, and contraband pigments.
Their complete negligence is reserved, however,
For the hoped-for invasion, at which time the happy people
(Sniggering, ruddily naked, and shamelessly drunk)
Will stun the foe by their overwhelming submission,
Corrupt the generals, infiltrate the staff,
Usurp the throne, proclaim themselves to be sun-gods,
And bring about the collapse of the whole empire.
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Written by
Federico García Lorca |
Playing her parchment moon
Precosia comes
along a watery path of laurels and crystal lights.
The starless silence, fleeing
from her rhythmic tambourine,
falls where the sea whips and sings,
his night filled with silvery swarms.
High atop the mountain peaks
the sentinels are weeping;
they guard the tall white towers
of the English consulate.
And gypsies of the water
for their pleasure erect
little castles of conch shells
and arbors of greening pine.
Playing her parchment moon
Precosia comes.
The wind sees her and rises,
the wind that never slumbers.
Naked Saint Christopher swells,
watching the girl as he plays
with tongues of celestial bells
on an invisible bagpipe.
Gypsy, let me lift your skirt
and have a look at you.
Open in my ancient fingers
the blue rose of your womb.
Precosia throws the tambourine
and runs away in terror.
But the virile wind pursues her
with his breathing and burning sword.
The sea darkens and roars,
while the olive trees turn pale.
The flutes of darkness sound,
and a muted gong of the snow.
Precosia, run, Precosia!
Or the green wind will catch you!
Precosia, run, Precosia!
And look how fast he comes!
A satyr of low-born stars
with their long and glistening tongues.
Precosia, filled with fear,
now makes her way to that house
beyond the tall green pines
where the English consul lives.
Alarmed by the anguished cries,
three riflemen come running,
their black capes tightly drawn,
and berets down over their brow.
The Englishman gives the gypsy
a glass of tepid milk
and a shot of Holland gin
which Precosia does not drink.
And while she tells them, weeping,
of her strange adventure,
the wind furiously gnashes
against the slate roof tiles.
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Written by
Robert Burns |
LONG life, my Lord, an’ health be yours,
Unskaithed by hunger’d Highland boors;
Lord grant me nae duddie, desperate beggar,
Wi’ dirk, claymore, and rusty trigger,
May twin auld Scotland o’ a life
She likes—as butchers like a knife.
Faith you and Applecross were right
To keep the Highland hounds in sight:
I doubt na! they wad bid nae better,
Than let them ance out owre the water,
Then up among thae lakes and seas,
They’ll mak what rules and laws they please:
Some daring Hancocke, or a Franklin,
May set their Highland bluid a-ranklin;
Some Washington again may head them,
Or some Montgomery, fearless, lead them,
Till (God knows what may be effected
When by such heads and hearts directed),
Poor dunghill sons of dirt and mire
May to Patrician rights aspire!
Nae sage North now, nor sager Sackville,
To watch and premier o’er the pack vile,—
An’ whare will ye get Howes and Clintons
To bring them to a right repentance—
To cowe the rebel generation,
An’ save the honour o’ the nation?
They, an’ be d—d! what right hae they
To meat, or sleep, or light o’ day?
Far less—to riches, pow’r, or freedom,
But what your lordship likes to gie them?
But hear, my lord! Glengarry, hear!
Your hand’s owre light to them, I fear;
Your factors, grieves, trustees, and bailies,
I canna say but they do gaylies;
They lay aside a’ tender mercies,
An’ tirl the hallions to the birses;
Yet while they’re only poind’t and herriet,
They’ll keep their stubborn Highland spirit:
But smash them! crash them a’ to spails,
An’ rot the dyvors i’ the jails!
The young dogs, swinge them to the labour;
Let wark an’ hunger mak them sober!
The hizzies, if they’re aughtlins fawsont,
Let them in Drury-lane be lesson’d!
An’ if the wives an’ dirty brats
Come thiggin at your doors an’ yetts,
Flaffin wi’ duds, an’ grey wi’ beas’,
Frightin away your ducks an’ geese;
Get out a horsewhip or a jowler,
The langest thong, the fiercest growler,
An’ gar the tatter’d gypsies pack
Wi’ a’ their bastards on their back!
Go on, my Lord! I lang to meet you,
An’ in my house at hame to greet you;
Wi’ common lords ye shanna mingle,
The benmost neuk beside the ingle,
At my right han’ assigned your seat,
’Tween Herod’s hip an’ Polycrate:
Or (if you on your station tarrow),
Between Almagro and Pizarro,
A seat, I’m sure ye’re well deservin’t;
An’ till ye come—your humble servant,BEELZEBUB.June 1st, Anno Mundi 5790.
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Written by
Audre Lorde |
I
is the total black, being spoken
from the earth's inside.
There are many kinds of open
how a diamond comes into a knot of flame
how sound comes into a words, coloured
by who pays what for speaking.
Some words are open like a diamond
on glass windows
singing out within the crash of sun
Then there are words like stapled wagers
in a perforated book—buy and sign and tear apart—
and come whatever will all chances
the stub remains
an ill-pulled tooth with a ragged edge.
Some words live in my throat
breeding like adders. Other know sun
seeking like gypsies over my tongue
to explode through my lips
like young sparrows bursting from shell.
Some words
bedevil me
Love is word, another kind of open.
As the diamond comes into a knot of flame
I am Black because I come from the earth's inside
Now take my word for jewel in the open light.
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Written by
Ben Jonson |
The fairy beam upon you,
The stars to glister on you;
A moon of light
In the noon of night,
Till the fire-drake hath o'ergone you.
The wheel of fortune guide you
The boy with the bow beside you;
Run aye in the way
Till the bird of day,
And the luckier lot betide you.
To the old, long life and treasure,
To the young, all health and pleasure;
To the fair, their face
With eternal grace,
And the foul to be lov'd at leisure.
To the witty, all clear mirrors,
To the foolish, their dark errors;
To the loving sprite,
A secure delight;
To the jealous, his own false terrors.
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Written by
Vachel Lindsay |
(A Poem Game.)
The King of Yellow Butterflies,
The King of Yellow Butterflies,
The King of Yellow Butterflies,
Now orders forth his men.
He says "The time is almost here
When violets bloom again."
Adown the road the fickle rout
Goes flashing proud and bold,
A down the road the fickle rout
Goes flashing proud and bold,
Adown the road the fickle rout
Goes flashing proud and bold,
They shiver by the shallow pools,
They shiver by the shallow pools,
They shiver by the shallow pools,
And whimper of the cold.
They drink and drink. A frail pretense!
They love to pose and preen.
Each pool is but a looking glass,
Where their sweet wings are seen.
Each pool is but a looking glass,
Where their sweet wings are seen.
Each pool is but a looking glass,
Where their sweet wings are seen.
Gentlemen adventurers! Gypsies every whit!
They live on what they steal. Their wings
By briars are frayed a bit.
Their loves are light. They have no house.
And if it rains today,
They'll climb into your cattle-shed,
They'll climb into your cattle-shed,
They'll climb into your cattle-shed,
And hide them in the hay,
And hide them in the hay,
And hide them in the hay,
And hide them in the hay.
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Written by
Victor Hugo |
("Ma Regina, cette noble figure.")
{LES BURGRAVES, Part II.}
Thy noble face, Regina, calls to mind
My poor lost little one, my latest born.
He was a gift from God—a sign of pardon—
That child vouchsafed me in my eightieth year!
I to his little cradle went, and went,
And even while 'twas sleeping, talked to it.
For when one's very old, one is a child!
Then took it up and placed it on my knees,
And with both hands stroked down its soft, light hair—
Thou wert not born then—and he would stammer
Those pretty little sounds that make one smile!
And though not twelve months old, he had a mind.
He recognized me—nay, knew me right well,
And in my face would laugh—and that child-laugh,
Oh, poor old man! 'twas sunlight to my heart.
I meant him for a soldier, ay, a conqueror,
And named him George. One day—oh, bitter thought!
The child played in the fields. When thou art mother,
Ne'er let thy children out of sight to play!
The gypsies took him from me—oh, for what?
Perhaps to kill him at a witch's rite.
I weep!—now, after twenty years—I weep
As if 'twere yesterday. I loved him so!
I used to call him "my own little king!"
I was intoxicated with my joy
When o'er my white beard ran his rosy hands,
Thrilling me all through.
Foreign Quarterly Review.
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