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Best Famous Gush Poems

Here is a collection of the all-time best famous Gush poems. This is a select list of the best famous Gush poetry. Reading, writing, and enjoying famous Gush poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of gush poems.

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Written by Edgar Allan Poe | Create an image from this poem

The Bells

 I

Hear the sledges with the bells-
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells-
From the jingling and the tinkling of the bells.
II Hear the mellow wedding bells, Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! From the molten-golden notes, And an in tune, What a liquid ditty floats To the turtle-dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the Future! how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells, Of the bells, bells, bells,bells, Bells, bells, bells- To the rhyming and the chiming of the bells! III Hear the loud alarum bells- Brazen bells! What a tale of terror, now, their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire, Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor, Now- now to sit or never, By the side of the pale-faced moon.
Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash, and roar! What a horror they outpour On the bosom of the palpitating air! Yet the ear it fully knows, By the twanging, And the clanging, How the danger ebbs and flows: Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells- Of the bells- Of the bells, bells, bells,bells, Bells, bells, bells- In the clamor and the clangor of the bells! IV Hear the tolling of the bells- Iron Bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan.
And the people- ah, the people- They that dwell up in the steeple, All Alone And who, tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone- They are neither man nor woman- They are neither brute nor human- They are Ghouls: And their king it is who tolls; And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry bosom swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells- Of the bells: Keeping time, time, time, In a sort of Runic rhyme, To the throbbing of the bells- Of the bells, bells, bells- To the sobbing of the bells; Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells- Of the bells, bells, bells: To the tolling of the bells, Of the bells, bells, bells, bells- Bells, bells, bells- To the moaning and the groaning of the bells.


Written by Thomas Campbell | Create an image from this poem

Love And Madness

 Hark ! from the battlements of yonder tower
The solemn bell has tolled the midnight hour !
Roused from drear visions of distempered sleep,
Poor Broderick wakes—in solitude to weep !

"Cease, Memory; cease (the friendless mourner cried)
To probe the bosom too severely tried !
Oh ! ever cease, my pensive thoughts, to stray
Through tie bright fields of Fortune's better day,
When youthful Hope, the music of the mind,
Tuned all its charms, and Errington was kind !

Yet, can I cease, while glows this trembling frame,
In sighs to speak thy melancholy name !
I hear thy spirit wail in every storm !
In midniglit shades I view thy passing form !
Pale as in that sad hour when doomed to feel !
Deep in thy perjured heart, the bloody steel !

Demons of Vengeance ! ye, at whose command
I grasped the sword with more than woman's hand
Say ye, did Pity's trembling voice control,
Or horror damp the purpose of my soul ? 
No ! my wild heart sat smiling o'er the plan,
'Till Hate fulfilled what baffled love began !

Yes ; let the clay-cold breast that never knew 
One tender pang to generous nature true,
Half-mingling pity with the gall of scorn,
Condemn this heart, that bled in love forlorn !

And ye, proud fair, whose soul no gladness warms,
Save Rapture's homage to your conscious charms !
Delighted idols of a gaudy train,
Ill can your blunter feelings guess the pain,
When the fond, faithful heart, inspired to prove
Friendship refined, the calm delight of Love,
Feels all its tender strings with anguish torn,
And bleeds at perjured Pride's inhuman scorn.
Say, then, did pitying Heaven condemn the deed, When Vengeance bade thee, faithless lover! bleed ? Long had I watched thy dark foreboding brow, What time thy bosom scorned its dearest vow ! Sad, though I wept the friend, the lover changed, Still thy cold look was scornful and estranged, Till from thy pity, love, and shelter thrown, I wandered hopeless, friendless, and alone ! Oh ! righteous Heaven ! 't was then my tortured soul First gave to wrath unlimited control ! Adieu the silent look ! the streaming eye ! The murmured plaint ! the deep heart-heaving sigh ! Long-slumbering Vengeance wakes to better deeds ; He shrieks, he falls, the perjured lover bleeds ! Now the last laugh of agony is o'er, And pale in blood he sleeps, to wake no more ! 'T is done ! the flame of hate no longer burns : Nature relents, but, ah! too late returns! Why does my soul this gush of fondness feel ? Trembling and faint, I drop the guilty steel ! Cold on my heart the hand of terror lies, And shades of horror close my languid eyes ! Oh ! 't was a deed of Murder's deepest grain ! Could Broderick's soul so true to wrath remain ? A friend long true, a once fond lover fell ? Where Love was fostered could not Pity dwell ? Unhappy youth ! while you pale cresscent glows To watch on silent Nature's deep repose, Thy sleepless spirit, breathing from the tomb , Foretells my fate, and summons me to come ! Once more I see thy sheeted spectre stand , Roll the dim eye, and wave the paly hand ! Soon may this fluttering spark of vital flame Forsake its languid melancholy frame ! Soon may these eyes their trembling lustre close, Welcome the dreamless night of long repose ! Soon may this woe-worn spirit seek the bourne Where, lulled to slumber, Grief forgets to mourn !"
Written by D. H. Lawrence | Create an image from this poem

Craving for Spring

 I wish it were spring in the world.
Let it be spring! Come, bubbling, surging tide of sap! Come, rush of creation! Come, life! surge through this mass of mortification! Come, sweep away these exquisite, ghastly first-flowers, which are rather last-flowers! Come, thaw down their cool portentousness, dissolve them: snowdrops, straight, death-veined exhalations of white and purple crocuses, flowers of the penumbra, issue of corruption, nourished in mortification, jets of exquisite finality; Come, spring, make havoc of them! I trample on the snowdrops, it gives me pleasure to tread down the jonquils, to destroy the chill Lent lilies; for I am sick of them, their faint-bloodedness, slow-blooded, icy-fleshed, portentous.
I want the fine, kindling wine-sap of spring, gold, and of inconceivably fine, quintessential brightness, rare almost as beams, yet overwhelmingly potent, strong like the greatest force of world-balancing.
This is the same that picks up the harvest of wheat and rocks it, tons of grain, on the ripening wind; the same that dangles the globe-shaped pleiads of fruit temptingly in mid-air, between a playful thumb and finger; oh, and suddenly, from out of nowhere, whirls the pear-bloom, upon us, and apple- and almond- and apricot- and quince-blossom, storms and cumulus clouds of all imaginable blossom about our bewildered faces, though we do not worship.
I wish it were spring cunningly blowing on the fallen sparks, odds and ends of the old, scattered fire, and kindling shapely little conflagrations curious long-legged foals, and wide-eared calves, and naked sparrow-bubs.
I wish that spring would start the thundering traffic of feet new feet on the earth, beating with impatience.
I wish it were spring, thundering delicate, tender spring.
I wish these brittle, frost-lovely flowers of passionate, mysterious corruption were not yet to come still more from the still-flickering discontent.
Oh, in the spring, the bluebell bows him down for very exuberance, exulting with secret warm excess, bowed down with his inner magnificence! Oh, yes, the gush of spring is strong enough to toss the globe of earth like a ball on a water-jet dancing sportfully; as you see a tiny celluloid ball tossing on a squirt of water for men to shoot at, penny-a-time, in a booth at a fair.
The gush of spring is strong enough to play with the globe of earth like a ball on a fountain; At the same time it opens the tiny hands of the hazel with such infinite patience.
The power of the rising, golden, all-creative sap could take the earth and heave it off among the stars, into the invisible; the same sets the throstle at sunset on a bough singing against the blackbird; comes out in the hesitating tremor of the primrose, and betrays its candour in the round white strawberry flower, is dignified in the foxglove, like a Red-Indian brave.
Ah come, come quickly, spring! come and lift us towards our culmination, we myriads; we who have never flowered, like patient cactuses.
Come and lift us to our end, to blossom, bring us to our summer we who are winter-weary in the winter of the of the world.
Come making the chaffinch nests hollow and cosy, come and soften the willow buds till they are puffed and furred, then blow them over with gold.
Coma and cajole the gawky colt’s-foot flowers.
Come quickly, and vindicate us.
against too much death.
Come quickly, and stir the rotten globe of the world from within, burst it with germination, with world anew.
Come now, to us, your adherents, who cannot flower from the ice.
All the world gleams with the lilies of death the Unconquerable, but come, give us our turn.
Enough of the virgins and lilies, of passionate, suffocating perfume of corruption, no more narcissus perfume, lily harlots, the blades of sensation piercing the flesh to blossom of death.
Have done, have done with this shuddering, delicious business of thrilling ruin in the flesh, of pungent passion, of rare, death-edged ecstasy.
Give us our turn, give us a chance, let our hour strike, O soon, soon! Let the darkness turn violet with rich dawn.
Let the darkness be warmed, warmed through to a ruddy violet, incipient purpling towards summer in the world of the heart of man.
Are the violets already here! Show me! I tremble so much to hear it, that even now on the threshold of spring, I fear I shall die.
Show me the violets that are out.
Oh, if it be true, and the living darkness of the blood of man is purpling with violets, if the violets are coming out from under the rack of men, winter-rotten and fallen, we shall have spring.
Pray not to die on this Pisgah blossoming with violets.
Pray to live through.
If you catch a whiff of violets from the darkness of the shadow of man it will be spring in the world, it will be spring in the world of the living; wonderment organising itself, heralding itself with the violets, stirring of new seasons.
Ah, do not let me die on the brink of such anticipation! Worse, let me not deceive myself.
Written by Gregory Corso | Create an image from this poem

Gregory Corso

 Budger of history Brake of time You Bomb
 Toy of universe Grandest of all snatched sky I cannot hate you
 Do I hate the mischievous thunderbolt the jawbone of an ass
 The bumpy club of One Million B.
C.
the mace the flail the axe Catapult Da Vinci tomahawk Cochise flintlock Kidd dagger Rathbone Ah and the sad desparate gun of Verlaine Pushkin Dillinger Bogart And hath not St.
Michael a burning sword St.
George a lance David a sling Bomb you are as cruel as man makes you and you're no crueller than cancer All Man hates you they'd rather die by car-crash lightning drowning Falling off a roof electric-chair heart-attack old age old age O Bomb They'd rather die by anything but you Death's finger is free-lance Not up to man whether you boom or not Death has long since distributed its categorical blue I sing thee Bomb Death's extravagance Death's jubilee Gem of Death's supremest blue The flyer will crash his death will differ with the climbor who'll fall to die by cobra is not to die by bad pork Some die by swamp some by sea and some by the bushy-haired man in the night O there are deaths like witches of Arc Scarey deaths like Boris Karloff No-feeling deaths like birth-death sadless deaths like old pain Bowery Abandoned deaths like Capital Punishment stately deaths like senators And unthinkable deaths like Harpo Marx girls on Vogue covers my own I do not know just how horrible Bombdeath is I can only imagine Yet no other death I know has so laughable a preview I scope a city New York City streaming starkeyed subway shelter Scores and scores A fumble of humanity High heels bend Hats whelming away Youth forgetting their combs Ladies not knowing what to do with their shopping bags Unperturbed gum machines Yet dangerous 3rd rail Ritz Brothers from the Bronx caught in the A train The smiling Schenley poster will always smile Impish death Satyr Bomb Bombdeath Turtles exploding over Istanbul The jaguar's flying foot soon to sink in arctic snow Penguins plunged against the Sphinx The top of the Empire state arrowed in a broccoli field in Sicily Eiffel shaped like a C in Magnolia Gardens St.
Sophia peeling over Sudan O athletic Death Sportive Bomb the temples of ancient times their grand ruin ceased Electrons Protons Neutrons gathering Hersperean hair walking the dolorous gulf of Arcady joining marble helmsmen entering the final ampitheater with a hymnody feeling of all Troys heralding cypressean torches racing plumes and banners and yet knowing Homer with a step of grace Lo the visiting team of Present the home team of Past Lyre and tube together joined Hark the hotdog soda olive grape gala galaxy robed and uniformed commissary O the happy stands Ethereal root and cheer and boo The billioned all-time attendance The Zeusian pandemonium Hermes racing Owens The Spitball of Buddha Christ striking out Luther stealing third Planeterium Death Hosannah Bomb Gush the final rose O Spring Bomb Come with thy gown of dynamite green unmenace Nature's inviolate eye Before you the wimpled Past behind you the hallooing Future O Bomb Bound in the grassy clarion air like the fox of the tally-ho thy field the universe thy hedge the geo Leap Bomb bound Bomb frolic zig and zag The stars a swarm of bees in thy binging bag Stick angels on your jubilee feet wheels of rainlight on your bunky seat You are due and behold you are due and the heavens are with you hosanna incalescent glorious liaison BOMB O havoc antiphony molten cleft BOOM Bomb mark infinity a sudden furnace spread thy multitudinous encompassed Sweep set forth awful agenda Carrion stars charnel planets carcass elements Corpse the universe tee-hee finger-in-the-mouth hop over its long long dead Nor From thy nimbled matted spastic eye exhaust deluges of celestial ghouls From thy appellational womb spew birth-gusts of of great worms Rip open your belly Bomb from your belly outflock vulturic salutations Battle forth your spangled hyena finger stumps along the brink of Paradise O Bomb O final Pied Piper both sun and firefly behind your shock waltz God abandoned mock-nude beneath His thin false-talc's apocalypse He cannot hear thy flute's happy-the-day profanations He is spilled deaf into the Silencer's warty ear His Kingdom an eternity of crude wax Clogged clarions untrumpet Him Sealed angels unsing Him A thunderless God A dead God O Bomb thy BOOM His tomb That I lean forward on a desk of science an astrologer dabbling in dragon prose half-smart about wars bombs especially bombs That I am unable to hate what is necessary to love That I can't exist in a world that consents a child in a park a man dying in an electric-chair That I am able to laugh at all things all that I know and do not know thus to conceal my pain That I say I am a poet and therefore love all man knowing my words to be the acquainted prophecy of all men and my unwords no less an acquaintanceship That I am manifold a man pursuing the big lies of gold or a poet roaming in bright ashes or that which I imagine myself to be a shark-toothed sleep a man-eater of dreams I need not then be all-smart about bombs Happily so for if I felt bombs were caterpillars I'd doubt not they'd become butterflies There is a hell for bombs They're there I see them there They sit in bits and sing songs mostly German songs And two very long American songs and they wish there were more songs especially Russian and Chinese songs and some more very long American songs Poor little Bomb that'll never be an Eskimo song I love thee I want to put a lollipop in thy furcal mouth A wig of Goldilocks on thy baldy bean and have you skip with me Hansel and Gretel along the Hollywoodian screen O Bomb in which all lovely things moral and physical anxiously participate O fairylike plucked from the grandest universe tree O piece of heaven which gives both mountain and anthill a sun I am standing before your fantastic lily door I bring you Midgardian roses Arcadian musk Reputed cosmetics from the girls of heaven Welcome me fear not thy opened door nor thy cold ghost's grey memory nor the pimps of indefinite weather their cruel terrestial thaw Oppenheimer is seated in the dark pocket of Light Fermi is dry in Death's Mozambique Einstein his mythmouth a barnacled wreath on the moon-squid's head Let me in Bomb rise from that pregnant-rat corner nor fear the raised-broom nations of the world O Bomb I love you I want to kiss your clank eat your boom You are a paean an acme of scream a lyric hat of Mister Thunder O resound thy tanky knees BOOM BOOM BOOM BOOM BOOM BOOM ye skies and BOOM ye suns BOOM BOOM ye moons ye stars BOOM nights ye BOOM ye days ye BOOM BOOM BOOM ye winds ye clouds ye rains go BANG ye lakes ye oceans BING Barracuda BOOM and cougar BOOM Ubangi BOOM orangutang BING BANG BONG BOOM bee bear baboon ye BANG ye BONG ye BING the tail the fin the wing Yes Yes into our midst a bomb will fall Flowers will leap in joy their roots aching Fields will kneel proud beneath the halleluyahs of the wind Pinkbombs will blossom Elkbombs will perk their ears Ah many a bomb that day will awe the bird a gentle look Yet not enough to say a bomb will fall or even contend celestial fire goes out Know that the earth will madonna the Bomb that in the hearts of men to come more bombs will be born magisterial bombs wrapped in ermine all beautiful and they'll sit plunk on earth's grumpy empires fierce with moustaches of gold
Written by Robert William Service | Create an image from this poem

Sunshine

 I

Flat as a drum-head stretch the haggard snows;
The mighty skies are palisades of light;
The stars are blurred; the silence grows and grows;
Vaster and vaster vaults the icy night.
Here in my sleeping-bag I cower and pray: "Silence and night, have pity! stoop and slay.
" I have not slept for many, many days.
I close my eyes with weariness -- that's all.
I still have strength to feed the drift-wood blaze, That flickers weirdly on the icy wall.
I still have strength to pray: "God rest her soul, Here in the awful shadow of the Pole.
" There in the cabin's alcove low she lies, Still candles gleaming at her head and feet; All snow-drop white, ash-cold, with closed eyes, Lips smiling, hands at rest -- O God, how sweet! How all unutterably sweet she seems.
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.
Not dead, not dead indeed -- she dreams, she dreams.
II "Sunshine", I called her, and she brought, I vow, God's blessed sunshine to this life of mine.
I was a rover, of the breed who plough Life's furrow in a far-flung, lonely line; The wilderness my home, my fortune cast In a wild land of dearth, barbaric, vast.
When did I see her first? Long had I lain Groping my way to life through fevered gloom.
Sudden the cloud of darkness left my brain; A velvet bar of sunshine pierced the room, And in that mellow glory aureoled She stood, she stood, all golden in its gold.
Sunshine! O miracle! the earth grew glad; Radiant each blade of grass, each living thing.
What a huge strength, high hope, proud will I had! All the wide world with rapture seemed to ring.
Would she but wed me? YES: then fared we forth Into the vast, unvintageable North.
III In Muskrat Land the conies leap, The wavies linger in their flight; The jewelled, snakelike rivers creep; The sun, sad rogue, is out all night; The great wood bison paws the sand, In Muskrat Land, in Muskrat Land.
In Muskrat Land dim streams divide The tundras belted by the sky.
How sweet in slim canoe to glide, And dream, and let the world go by! Build gay camp-fires on greening strand! In Muskrat Land, in Muskrat Land.
IV And so we dreamed and drifted, she and I; And how she loved that free, unfathomed life! There in the peach-bloom of the midnight sky, The silence welded us, true man and wife.
Then North and North invincibly we pressed Beyond the Circle, to the world's white crest.
And on the wind-flailed Arctic waste we stayed, Dwelt with the Huskies by the Polar sea.
Fur had they, white fox, marten, mink to trade, And we had food-stuff, bacon, flour and tea.
So we made snug, chummed up with all the band: Sudden the Winter swooped on Husky Land.
V What was that ill so sinister and dread, Smiting the tribe with sickness to the bone? So that we waked one morn to find them fled; So that we stood and stared, alone, alone.
Bravely she smiled and looked into my eyes; Laughed at their troubled, stern, foreboding pain; Gaily she mocked the menace of the skies, Turned to our cheery cabin once again, Saying: "'Twill soon be over, dearest one, The long, long night: then O the sun, the sun!" VI God made a heart of gold, of gold, Shining and sweet and true; Gave it a home of fairest mould, Blest it, and called it -- You.
God gave the rose its grace of glow, And the lark its radiant glee; But, better than all, I know, I know God gave you, Heart, to me.
VII She was all sunshine in those dubious days; Our cabin beaconed with defiant light; We chattered by the friendly drift-wood blaze; Closer and closer cowered the hag-like night.
A wolf-howl would have been a welcome sound, And there was none in all that stricken land; Yet with such silence, darkness, death around, Learned we to love as few can understand.
Spirit with spirit fused, and soul with soul, There in the sullen shadow of the Pole.
VIII What was that haunting horror of the night? Brave was she; buoyant, full of sunny cheer.
Why was her face so small, so strangely white? Then did I turn from her, heart-sick with fear; Sought in my agony the outcast snows; Prayed in my pain to that insensate sky; Grovelled and sobbed and cursed, and then arose: "Sunshine! O heart of gold! to die! to die!" IX She died on Christmas day -- it seems so sad That one you love should die on Christmas day.
Head-bowed I knelt by her; O God! I had No tears to shed, no moan, no prayer to pray.
I heard her whisper: "Call me, will you, dear? They say Death parts, but I won't go away.
I will be with you in the cabin here; Oh I will plead with God to let me stay! Stay till the Night is gone, till Spring is nigh, Till sunshine comes .
.
.
be brave .
.
.
I'm tired .
.
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good-bye.
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.
" X For weeks, for months I have not seen the sun; The minatory dawns are leprous pale; The felon days malinger one by one; How like a dream Life is! how vain! how stale! I, too, am faint; that vampire-like disease Has fallen on me; weak and cold am I, Hugging a tiny fire in fear I freeze: The cabin must be cold, and so I try To bear the frost, the frost that fights decay, The frost that keeps her beautiful alway.
XI She lies within an icy vault; It glitters like a cave of salt.
All marble-pure and angel-sweet With candles at her head and feet, Under an ermine robe she lies.
I kiss her hands, I kiss her eyes: "Come back, come back, O Love, I pray, Into this house, this house of clay! Answer my kisses soft and warm; Nestle again within my arm.
Come! for I know that you are near; Open your eyes and look, my dear.
Just for a moment break the mesh; Back from the spirit leap to flesh.
Weary I wait; the night is black; Love of my life, come back, come back!" XII Last night maybe I was a little mad, For as I prayed despairful by her side, Such a strange, antic visioning I had: Lo! it did seem her eyes were open wide.
Surely I must have dreamed! I stared once more.
.
.
.
No, 'twas a candle's trick, a shadow cast.
There were her lashes locking as before.
(Oh, but it filled me with a joy so vast!) No, 'twas a freak, a fancy of the brain, (Oh, but to-night I'll try again, again!) XIII It was no dream; now do I know that Love Leapt from the starry battlements of Death; For in my vigil as I bent above, Calling her name with eager, burning breath, Sudden there came a change: again I saw The radiance of the rose-leaf stain her cheek; Rivers of rapture thrilled in sunny thaw; Cleft were her coral lips as if to speak; Curved were her tender arms as if to cling; Open the flower-like eyes of lucent blue, Looking at me with love so pitying That I could fancy Heaven shining through.
"Sunshine," I faltered, "stay with me, oh, stay!" Yet ere I finished, in a moment's flight, There in her angel purity she lay -- Ah! but I know she'll come again to-night.
Even as radiant sword leaps from the sheath Soul from the body leaps--we call it Death.
XIV Even as this line I write, Do I know that she is near; Happy am I, every night Comes she back to bid me cheer; Kissing her, I hold her fast; Win her into life at last.
Did I dream that yesterday On yon mountain ridge a glow Soft as moonstone paled away, Leaving less forlorn the snow? Could it be the sun? Oh, fain Would I see the sun again! Oh, to see a coral dawn Gladden to a crocus glow! Day's a spectre dim and wan, Dancing on the furtive snow; Night's a cloud upon my brain: Oh, to see the sun again! You who find us in this place, Have you pity in your breast; Let us in our last embrace, Under earth sun-hallowed rest.
Night's a claw upon my brain: Oh, to see the sun again! XV The Sun! at last the Sun! I write these lines, Here on my knees, with feeble, fumbling hand.
Look! in yon mountain cleft a radiance shines, Gleam of a primrose -- see it thrill, expand, Grow glorious.
Dear God be praised! it streams Into the cabin in a gush of gold.
Look! there she stands, the angel of my dreams, All in the radiant shimmer aureoled; First as I saw her from my bed of pain; First as I loved her when the darkness passed.
Now do I know that Life is not in vain; Now do I know God cares, at last, at last! Light outlives dark, joy grief, and Love's the sum: Heart of my heart! Sunshine! I come .
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I come.
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Written by Thom Gunn | Create an image from this poem

On The Move Man You Gotta Go

 The blue jay scuffling in the bushes follows 
Some hidden purpose, and the gush of birds 
That spurts across the field, the wheeling swallows, 
Have nested in the trees and undergrowth.
Seeking their instinct, or their pose, or both, One moves with an uncertain violence Under the dust thrown by a baffled sense Or the dull thunder of approximate words.
On motorcycles, up the road, they come: Small, black, as flies hanging in heat, the Boy, Until the distance throws them forth, their hum Bulges to thunder held by calf and thigh.
In goggles, donned impersonality, In gleaming jackets trophied with the dust, They strap in doubt--by hiding it, robust-- And almost hear a meaning in their noise.
Exact conclusion of their hardiness Has no shape yet, but from known whereabouts They ride, directions where the tires press.
They scare a flight of birds across the field: Much that is natural, to the will must yield.
Men manufacture both machine and soul, And use what they imperfectly control To dare a future from the taken routes.
It is part solution, after all.
One is not necessarily discord On Earth; or damned because, half animal, One lacks direct instinct, because one wakes Afloat on movement that divides and breaks.
One joins the movement in a valueless world, Crossing it, till, both hurler and the hurled, One moves as well, always toward, toward.
A minute holds them, who have come to go: The self-denied, astride the created will.
They burst away; the towns they travel through Are home for neither birds nor holiness, For birds and saints complete their purposes.
At worse, one is in motion; and at best, Reaching no absolute, in which to rest, One is always nearer by not keeping still.
Written by Edward Estlin (E E) Cummings | Create an image from this poem

all which isnt singing is mere talking

all which isn't singing is mere talking

and all talking's talking to oneself
(whether that oneself be sought or seeking
master or disciple sheep or wolf)

gush to it as diety or devil
-toss in sobs and reasons threats and smiles
name it cruel fair or blessed evil-
it is you (ne i)nobody else

drive dumb mankind dizzy with haranguing
-you are deafened every mother's son-
all is merely talk which isn't singing
and all talking's to oneself alone

but the very song of(as mountains
feel and lovers)singing is silence

Written by Tony Hoagland | Create an image from this poem

Jet

 Sometimes I wish I were still out
on the back porch, drinking jet fuel
with the boys, getting louder and louder
as the empty cans drop out of our paws
like booster rockets falling back to Earth

and we soar up into the summer stars.
Summer.
The big sky river rushes overhead, bearing asteroids and mist, blind fish and old space suits with skeletons inside.
On Earth, men celebrate their hairiness, and it is good, a way of letting life out of the box, uncapping the bottle to let the effervescence gush through the narrow, usually constricted neck.
And now the crickets plug in their appliances in unison, and then the fireflies flash dots and dashes in the grass, like punctuation for the labyrinthine, untrue tales of sex someone is telling in the dark, though no one really hears.
We gaze into the night as if remembering the bright unbroken planet we once came from, to which we will never be permitted to return.
We are amazed how hurt we are.
We would give anything for what we have.
Written by C K Williams | Create an image from this poem

Tar

 The first morning of Three Mile Island: those first disquieting, uncertain, 
mystifying hours.
All morning a crew of workmen have been tearing the old decrepit roof off our building, and all morning, trying to distract myself, I've been wandering out to watch them as they hack away the leaden layers of asbestos paper and disassemble the disintegrating drains.
After half a night of listening to the news, wondering how to know a hundred miles downwind if and when to make a run for it and where, then a coming bolt awake at seven when the roofers we've been waiting for since winter sent their ladders shrieking up our wall, we still know less than nothing: the utility company continues making little of the accident, the slick federal spokesmen still have their evasions in some semblance of order.
Surely we suspect now we're being lied to, but in the meantime, there are the roofers, setting winch-frames, sledging rounds of tar apart, and there I am, on the curb across, gawking.
I never realized what brutal work it is, how matter-of-factly and harrow- ingly dangerous.
The ladders flex and quiver, things skid from the edge, the materials are bulky and recalcitrant.
When the rusty, antique nails are levered out, their heads pull off; the underroofing crumbles.
Even the battered little furnace, roaring along as patient as a donkey, chokes and clogs, a dense, malignant smoke shoots up, and someone has to fiddle with a cock, then hammer it, before the gush and stench will deintensify, the dark, Dantean broth wearily subside.
In its crucible, the stuff looks bland, like licorice, spill it, though, on your boots or coveralls, it sears, and everything is permeated with it, the furnace gunked with burst and half-burst bubbles, the men themselves so completely slashed and mucked they seem almost from another realm, like trolls.
When they take their break, they leave their brooms standing at attention in the asphalt pails, work gloves clinging like Br'er Rabbit to the bitten shafts, and they slouch along the precipitous lip, the enormous sky behind them, the heavy noontime air alive with shim- mers and mirages.
Sometime in the afternoon I had to go inside: the advent of our vigil was upon us.
However much we didn't want to, however little we would do about it, we'd understood: we were going to perish of all this, if not now, then soon, if not soon, then someday.
Someday, some final generation, hysterically aswarm beneath an at- mosphere as unrelenting as rock, would rue us all, anathematize our earthly comforts, curse our surfeits and submissions.
I think I know, though I might rather not, why my roofers stay so clear to me and why the rest, the terror of that time, the reflexive disbelief and distancing, all we should hold on to, dims so.
I remember the president in his absurd protective booties, looking absolutely unafraid, the fool.
I remember a woman on the front page glaring across the misty Sus- quehanna at those looming stacks.
But, more vividly, the men, silvered with glitter from the shingles, cling- ing like starlings beneath the eaves.
Even the leftover carats of tar in the gutter, so black they seemed to suck the light out of the air.
By nightfall kids had come across them: every sidewalk on the block was scribbled with obscenities and hearts.
Written by Thomas Moore | Create an image from this poem

Ive a Secret to Tell Thee

 I've a secret to tell thee, but hush! not here -- 
Oh! not where the world its vigil keeps: 
I'll seek, to whisper it in thine ear, 
Some shore where the Spirit of Silence sleeps; 
Where Summer's wave unmurmuring dies, 
Nor fay can hear the fountain's gush; 
Where, if but a note her night-bird sighs, 
The rose saith, chidingly, "Hush, sweet, hush!" 

There, amid the deep silence of that hour, 
When stars can be heard in ocean dip, 
Thyself shall, under some rosy bower, 
Sit mute, with thy finger on thy lip: 
Like him, the boy, who born among 
The flowers that on the Nile-stream blush, 
Sits ever thus -- his only song 
To earth and heaven, "Hush, all, hush!"

Book: Reflection on the Important Things