Written by
Galway Kinnell |
I eat oatmeal for breakfast.
I make it on the hot plate and put skimmed milk on it.
I eat it alone.
I am aware it is not good to eat oatmeal alone.
Its consistency is such that is better for your mental health
if somebody eats it with you.
That is why I often think up an imaginary companion to have
breakfast with.
Possibly it is even worse to eat oatmeal with an imaginary
companion.
Nevertheless, yesterday morning, I ate my oatmeal porridge,
as he called it with John Keats.
Keats said I was absolutely right to invite him:
due to its glutinous texture, gluey lumpishness, hint of slime,
and unsual willingness to disintigrate, oatmeal should
not be eaten alone.
He said that in his opinion, however, it is perfectly OK to eat
it with an imaginary companion, and that he himself had
enjoyed memorable porridges with Edmund Spenser and John
Milton.
Even if eating oatmeal with an imaginary companion is not as
wholesome as Keats claims, still, you can learn something
from it.
Yesterday morning, for instance, Keats told me about writing the
"Ode to a Nightingale."
He had a heck of a time finishing it those were his words "Oi 'ad
a 'eck of a toime," he said, more or less, speaking through
his porridge.
He wrote it quickly, on scraps of paper, which he then stuck in his
pocket,
but when he got home he couldn't figure out the order of the stanzas,
and he and a friend spread the papers on a table, and they
made some sense of them, but he isn't sure to this day if
they got it right.
An entire stanza may have slipped into the lining of his jacket
through a hole in his pocket.
He still wonders about the occasional sense of drift between stanzas,
and the way here and there a line will go into the
configuration of a Moslem at prayer, then raise itself up
and peer about, and then lay itself down slightly off the mark,
causing the poem to move forward with a reckless, shining wobble.
He said someone told him that later in life Wordsworth heard about
the scraps of paper on the table, and tried shuffling some
stanzas of his own, but only made matters worse.
I would not have known any of this but for my reluctance to eat oatmeal
alone.
When breakfast was over, John recited "To Autumn."
He recited it slowly, with much feeling, and he articulated the words
lovingly, and his odd accent sounded sweet.
He didn't offer the story of writing "To Autumn," I doubt if there
is much of one.
But he did say the sight of a just-harvested oat field go thim started
on it, and two of the lines, "For Summer has o'er-brimmed their
clammy cells" and "Thou watchest the last oozings hours by hours,"
came to him while eating oatmeal alone.
I can see him drawing a spoon through the stuff, gazing into the glimmering
furrows, muttering.
Maybe there is no sublime; only the shining of the amnion's tatters.
For supper tonight I am going to have a baked potato left over from lunch.
I am aware that a leftover baked potato is damp, slippery, and simultaneaously
gummy and crumbly, and therefore I'm going to invite Patrick Kavanagh
to join me.
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Written by
Robert William Service |
Heed me, feed me, I am hungry, I am red-tongued with desire;
Boughs of balsam, slabs of cedar, gummy fagots of the pine,
Heap them on me, let me hug them to my eager heart of fire,
Roaring, soaring up to heaven as a symbol and a sign.
Bring me knots of sunny maple, silver birch and tamarack;
Leaping, sweeping, I will lap them with my ardent wings of flame;
I will kindle them to glory, I will beat the darkness back;
Streaming, gleaming, I will goad them to my glory and my fame.
Bring me gnarly limbs of live-oak, aid me in my frenzied fight;
Strips of iron-wood, scaly blue-gum, writhing redly in my hold;
With my lunge of lurid lances, with my whips that flail the night,
They will burgeon into beauty, they will foliate in gold.
Let me star the dim sierras, stab with light the inland seas;
Roaming wind and roaring darkness! seek no mercy at my hands;
I will mock the marly heavens, lamp the purple prairies,
I will flaunt my deathless banners down the far, unhouseled lands.
In the vast and vaulted pine-gloom where the pillared forests frown,
By the sullen, bestial rivers running where God only knows,
On the starlit coral beaches when the combers thunder down,
In the death-spell of the barrens, in the shudder of the snows;
In a blazing belt of triumph from the palm-leaf to the pine,
As a symbol of defiance lo! the wilderness I span;
And my beacons burn exultant as an everlasting sign
Of unending domination, of the mastery of Man;
I, the Life, the fierce Uplifter, I that weaned him from the mire;
I, the angel and the devil, I, the tyrant and the slave;
I, the Spirit of the Struggle; I, the mighty God of Fire;
I, the Maker and Destroyer; I, the Giver and the Grave.
II
Gather round me, boy and grey-beard, frontiersman of every kind.
Few are you, and far and lonely, yet an army forms behind:
By your camp-fires shall they know you, ashes scattered to the wind.
Peer into my heart of solace, break your bannock at my blaze;
Smoking, stretched in lazy shelter, build your castles as you gaze;
Or, it may be, deep in dreaming, think of dim, unhappy days.
Let my warmth and glow caress you, for your trails are grim and hard;
Let my arms of comfort press you, hunger-hewn and battle-scarred:
O my lovers! how I bless you with your lives so madly marred!
For you seek the silent spaces, and their secret lore you glean:
For you win the savage races, and the brutish Wild you wean;
And I gladden desert places, where camp-fire has never been.
From the Pole unto the Tropics is there trail ye have not dared?
And because you hold death lightly, so by death shall you be spared,
(As the sages of the ages in their pages have declared).
On the roaring Arkilinik in a leaky bark canoe;
Up the cloud of Mount McKinley, where the avalanche leaps through;
In the furnace of Death Valley, when the mirage glimmers blue.
Now a smudge of wiry willows on the weary Kuskoquim;
Now a flare of gummy pine-knots where Vancouver's scaur is grim;
Now a gleam of sunny ceiba, when the Cuban beaches dim.
Always, always God's Great Open: lo! I burn with keener light
In the corridors of silence, in the vestibules of night;
'Mid the ferns and grasses gleaming, was there ever gem so bright?
Not for weaklings, not for women, like my brother of the hearth;
Ring your songs of wrath around me, I was made for manful mirth,
In the lusty, gusty greatness, on the bald spots of the earth.
Men, my masters! men, my lovers! ye have fought and ye have bled;
Gather round my ruddy embers, softly glowing is my bed;
By my heart of solace dreaming, rest ye and be comforted!
III
I am dying, O my masters! by my fitful flame ye sleep;
My purple plumes of glory droop forlorn.
Grey ashes choke and cloak me, and above the pines there creep
The stealthy silver moccasins of morn.
There comes a countless army, it's the Legion of the Light;
It tramps in gleaming triumph round the world;
And before its jewelled lances all the shadows of the night
Back in to abysmal darknesses are hurled.
Leap to life again, my lovers! ye must toil and never tire;
The day of daring, doing, brightens clear,
When the bed of spicy cedar and the jovial camp-fire
Must only be a memory of cheer.
There is hope and golden promise in the vast portentous dawn;
There is glamour in the glad, effluent sky:
Go and leave me; I will dream of you and love you when you're gone;
I have served you, O my masters! let me die.
A little heap of ashes, grey and sodden by the rain,
Wind-scattered, blurred and blotted by the snow:
Let that be all to tell of me, and glorious again,
Ye things of greening gladness, leap and glow!
A black scar in the sunshine by the palm-leaf or the pine,
Blind to the night and dead to all desire;
Yet oh, of life and uplift what a symbol and a sign!
Yet oh, of power and conquest what a destiny is mine!
A little heap of ashes -- Yea! a miracle divine,
The foot-print of a god, all-radiant Fire.
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Written by
Rupert Brooke |
I
Hot through Troy's ruin Menelaus broke
To Priam's palace, sword in hand, to sate
On that adulterous whore a ten years' hate
And a king's honour. Through red death, and smoke,
And cries, and then by quieter ways he strode,
Till the still innermost chamber fronted him.
He swung his sword, and crashed into the dim
Luxurious bower, flaming like a god.
High sat white Helen, lonely and serene.
He had not remembered that she was so fair,
And that her neck curved down in such a way;
And he felt tired. He flung the sword away,
And kissed her feet, and knelt before her there,
The perfect Knight before the perfect Queen.
II
So far the poet. How should he behold
That journey home, the long connubial years?
He does not tell you how white Helen bears
Child on legitimate child, becomes a scold,
Haggard with virtue. Menelaus bold
Waxed garrulous, and sacked a hundred Troys
'Twixt noon and supper. And her golden voice
Got shrill as he grew deafer. And both were old.
Often he wonders why on earth he went
Troyward, or why poor Paris ever came.
Oft she weeps, gummy-eyed and impotent;
Her dry shanks twitch at Paris' mumbled name.
So Menelaus nagged; and Helen cried;
And Paris slept on by Scamander side.
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