Written by
Margaret Atwood |
In the burned house I am eating breakfast.
You understand: there is no house, there is no breakfast,
yet here I am.
The spoon which was melted scrapes against
the bowl which was melted also.
No one else is around.
Where have they gone to, brother and sister,
mother and father? Off along the shore,
perhaps. Their clothes are still on the hangers,
their dishes piled beside the sink,
which is beside the woodstove
with its grate and sooty kettle,
every detail clear,
tin cup and rippled mirror.
The day is bright and songless,
the lake is blue, the forest watchful.
In the east a bank of cloud
rises up silently like dark bread.
I can see the swirls in the oilcloth,
I can see the flaws in the glass,
those flares where the sun hits them.
I can't see my own arms and legs
or know if this is a trap or blessing,
finding myself back here, where everything
in this house has long been over,
kettle and mirror, spoon and bowl,
including my own body,
including the body I had then,
including the body I have now
as I sit at this morning table, alone and happy,
bare child's feet on the scorched floorboards
(I can almost see)
in my burning clothes, the thin green shorts
and grubby yellow T-shirt
holding my cindery, non-existent,
radiant flesh. Incandescent.
|
Written by
Rudyard Kipling |
By the old Moulmein Pagoda, lookin' eastward to the sea,
There's a Burma girl a-settin', and I know she thinks o' me;
For the wind is in the palm-trees, and the temple-bells they say:
"Come you back, you British soldier; come you back to Mandalay!"
Come you back to Mandalay,
Where the old Flotilla lay:
Can't you 'ear their paddles chunkin' from Rangoon to Mandalay?
On the road to Mandalay,
Where the flyin'-fishes play,
An' the dawn comes up like thunder outer China 'crost the Bay!
'Er petticoat was yaller an' 'er little cap was green,
An' 'er name was Supi-yaw-lat -- jes' the same as Theebaw's Queen,
An' I seed her first a-smokin' of a whackin' white cheroot,
An' a-wastin' Christian kisses on an 'eathen idol's foot:
Bloomin' idol made o'mud --
Wot they called the Great Gawd Budd --
Plucky lot she cared for idols when I kissed 'er where she stud!
On the road to Mandalay . . .
When the mist was on the rice-fields an' the sun was droppin' slow,
She'd git 'er little banjo an' she'd sing "Kulla-lo-lo!"
With 'er arm upon my shoulder an' 'er cheek agin' my cheek
We useter watch the steamers an' the hathis pilin' teak.
Elephints a-pilin' teak
In the sludgy, squdgy creek,
Where the silence 'ung that 'eavy you was 'arf afraid to speak!
On the road to Mandalay . . .
But that's all shove be'ind me -- long ago an' fur away,
An' there ain't no 'busses runnin' from the Bank to Mandalay;
An' I'm learnin' 'ere in London what the ten-year soldier tells:
"If you've 'eard the East a-callin', you won't never 'eed naught else."
No! you won't 'eed nothin' else
But them spicy garlic smells,
An' the sunshine an' the palm-trees an' the tinkly temple-bells;
On the road to Mandalay . . .
I am sick o' wastin' leather on these gritty pavin'-stones,
An' the blasted Henglish drizzle wakes the fever in my bones;
Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand,
An' they talks a lot o' lovin', but wot do they understand?
Beefy face an' grubby 'and --
Law! wot do they understand?
I've a neater, sweeter maiden in a cleaner, greener land!
On the road to Mandalay . . .
Ship me somewheres east of Suez, where the best is like the worst,
Where there aren't no Ten Commandments an' a man can raise a thirst;
For the temple-bells are callin', an' it's there that I would be --
By the old Moulmein Pagoda, looking lazy at the sea;
On the road to Mandalay,
Where the old Flotilla lay,
With our sick beneath the awnings when we went to Mandalay!
On the road to Mandalay,
Where the flyin'-fishes play,
An' the dawn comes up like thunder outer China 'crost the Bay!
|
Written by
James Tate |
After the burial
we returned to our units
and assumed our poses.
Our posture was the new posture
and not the old sick posture.
When we left our stations
it was just to prove we could,
not a serious departure
or a search for yet another beginning.
We were done with all that.
We were settled in, as they say,
though it might have been otherwise.
What a story!
After the burial we returned to our units
and here is where I am experiencing
that lag kicking syndrome thing.
My leg, for no apparent reason,
flies around the room kicking stuff,
well, whatever is in its way,
like a screen or a watering can.
Those are just two examples
and indeed I could give many more.
I could construct a catalogue
of the things it kicks,
perhaps I will do that later.
We'll just have to see if it's really wanted.
Or I could do a little now
and then return to listing later.
It kicked the scrimshaw collection,
yes it did. It kicked the ocelot,
which was rude and uncalled for,
and yes hurtful. It kicked
the guacamole right out of its bowl,
which made for a grubby
and potentially dangerous workplace.
I was out testing the new speed bump
when it kicked the Viscountess,
which she probably deserved,
and I was happy, needless to say,
to not be a witness.
The kicking subsided for a while,
nobody was keeping track of time
at that time so it is impossible
to fill out the forms accurately.
Suffice it to say we remained
at our units on constant alert.
And then it kicked over the little cow town
we had set up for punching and that sort of thing,
a covered wagon filled with cover girls.
But now it was kicked over
and we had a moment of silence,
but it was clear to me
that many of our minions
were getting tetchy
and some of them were getting tetchier.
And then it kicked a particularly treasured snuff box
which, legend has it, once belonged to somebody
named Bob Mackey, so we were understandably
saddened and returned to our units rather weary.
No one seemed to think I was in the least bit culpable.
It was my leg, of course, that was doing the actual kicking,
of that I am almost certain.
At any rate, we decided to bury it.
After the burial we returned to our units
and assumed our poses.
A little bit of time passed, not much,
and then John's leg started acting suspicious.
It looked like it wanted to kick the replica
of the White House we keep on hand
just for situations such as this.
And then, sure enough, it did.
|
Written by
Vachel Lindsay |
I asked the old *****, "What is that bird that sings so well?" He answered: "That is the Rachel-Jane." "Hasn't it another name, lark, or thrush, or the like?" "No. Jus' Rachel-Jane."
I. IN WHICH A RACING AUTO COMES FROM THE EAST
This is the order of the music of the morning: —
First, from the far East comes but a crooning.
The crooning turns to a sunrise singing.
Hark to the calm -horn, balm -horn, psalm -horn.
Hark to the faint -horn, quaint -horn, saint -horn. . . .
Hark to the pace -horn, chase -horn, race -horn.
And the holy veil of the dawn has gone.
Swiftly the brazen ear comes on.
It burns in the East as the sunrise burns.
I see great flashes where the far trail turns.
Its eyes are lamps like the eyes of dragons.
It drinks gasoline from big red flagons.
Butting through the delicate mists of the morning,
It comes like lightning, goes past roaring.
It will hail all the wind-mills, taunting, ringing,
Dodge the cyclones,
Count the milestones,
On through the ranges the prairie-dog tills—
Scooting past the cattle on the thousand hills. . . .
Ho for the tear-horn, scare-horn, dare-horn,
Ho for the gay -horn, bark -horn, bay -horn.
Ho for Kansas, land that restores us
When houses choke us, and great books bore us!
Sunrise Kansas, harvester's Kansas,
A million men have found you before us.
II. IN WHICH MANY AUTOS PASS WESTWARD
I want live things in their pride to remain.
I will not kill one grasshopper vain
Though he eats a hole in my shirt like a door.
I let him out, give him one chance more.
Perhaps, while he gnaws my hat in his whim,
Grasshopper lyrics occur to him.
I am a tramp by the long trail's border,
Given to squalor, rags and disorder.
I nap and amble and yawn and look,
Write fool-thoughts in my grubby book,
Recite to the children, explore at my ease,
Work when I work, beg when I please,
Give crank-drawings, that make folks stare
To the half-grown boys in the sunset glare,
And get me a place to sleep in the hay
At the end of a live-and-let-live day.
I find in the stubble of the new-cut weeds
A whisper and a feasting, all one needs:
The whisper of the strawberries, white and red
Here where the new-cut weeds lie dead.
But I would not walk all alone till I die
Without some life-drunk horns going by.
Up round this apple-earth they come
Blasting the whispers of the morning dumb:—
Cars in a plain realistic row.
And fair dreams fade
When the raw horns blow.
On each snapping pennant
A big black name:—
The careering city
Whence each car came.
They tour from Memphis, Atlanta, Savannah,
Tallahassee and Texarkana.
They tour from St. Louis, Columbus, Manistee,
They tour from Peoria, Davenport, Kankakee.
Cars from Concord, Niagara, Boston,
Cars from Topeka, Emporia, and Austin.
Cars from Chicago, Hannibal, Cairo.
Cars from Alton, Oswego, Toledo.
Cars from Buffalo, Kokomo, Delphi,
Cars from Lodi, Carmi, Loami.
Ho for Kansas, land that restores us
When houses choke us, and great books bore us!
While I watch the highroad
And look at the sky,
While I watch the clouds in amazing grandeur
Roll their legions without rain
Over the blistering Kansas plain—
While I sit by the milestone
And watch the sky,
The United States
Goes by.
Listen to the iron-horns, ripping, racking.
Listen to the quack-horns, slack and clacking.
Way down the road, trilling like a toad,
Here comes the dice -horn, here comes the vice -horn,
Here comes the snarl -horn, brawl -horn, lewd -horn,
Followed by the prude -horn, bleak and squeaking: —
(Some of them from Kansas, some of themn from Kansas.)
Here comes the hod -horn, plod -horn, sod -horn,
Nevermore-to-roam -horn, loam -horn, home -horn.
(Some of them from Kansas, some of them from Kansas.)
Far away the Rachel-Jane
Not defeated by the horns
Sings amid a hedge of thorns:—
"Love and life,
Eternal youth—
Sweet, sweet, sweet, sweet,
Dew and glory,
Love and truth,
Sweet, sweet, sweet, sweet."
WHILE SMOKE-BLACK FREIGHTS ON THE DOUBLE-TRACKED RAILROAD,
DRIVEN AS THOUGH BY THE FOUL-FIEND'S OX-GOAD,
SCREAMING TO THE WEST COAST, SCREAMING TO THE EAST,
CARRY OFF A HARVEST, BRING BACK A FEAST,
HARVESTING MACHINERY AND HARNESS FOR THE BEAST.
THE HAND-CARS WHIZ, AND RATTLE ON THE RAILS,
THE SUNLIGHT FLASHES ON THE TIN DINNER-PAILS.
And then, in an instant,
Ye modern men,
Behold the procession once again,
Listen to the iron-horns, ripping, racking,
Listen to the wise -horn, desperate-to-advise horn,
Listen to the fast -horn, kill -horn, blast -horn. . . .
Far away the Rachel-Jane
Not defeated by the horns
Sings amid a hedge of thorns:—
Love and life,
Eternal youth,
Sweet, sweet, sweet, sweet,
Dew and glory,
Love and truth.
Sweet, sweet, sweet, sweet.
The mufflers open on a score of cars
With wonderful thunder,
CRACK, CRACK, CRACK,
CRACK-CRACK, CRACK-CRACK,
CRACK-CRACK-CRACK, . . .
Listen to the gold-horn . . .
Old-horn . . .
Cold-horn . . .
And all of the tunes, till the night comes down
On hay-stack, and ant-hill, and wind-bitten town.
Then far in the west, as in the beginning,
Dim in the distance, sweet in retreating,
Hark to the faint-horn, quaint-horn, saint-horn,
Hark to the calm-horn, balm-horn, psalm-horn. . . .
They are hunting the goals that they understand:—
San-Francisco and the brown sea-sand.
My goal is the mystery the beggars win.
I am caught in the web the night-winds spin.
The edge of the wheat-ridge speaks to me.
I talk with the leaves of the mulberry tree.
And now I hear, as I sit all alone
In the dusk, by another big Santa-Fe stone,
The souls of the tall corn gathering round
And the gay little souls of the grass in the ground.
Listen to the tale the cotton-wood tells.
Listen to the wind-mills, singing o'er the wells.
Listen to the whistling flutes without price
Of myriad prophets out of paradise.
Harken to the wonder
That the night-air carries. . . .
Listen . . . to . . . the . . . whisper . . .
Of . . . the . . . prairie . . . fairies
Singing o'er the fairy plain:—
"Sweet, sweet, sweet, sweet.
Love and glory,
Stars and rain,
Sweet, sweet, sweet, sweet . . . . "
|
Written by
G K Chesterton |
John Grubby who was short and stout
And troubled with religious doubt,
Refused about the age of three
To sit upon the curate's knee;
(For so the eternal strife must rage
Between the spirit of the age
And Dogma, which, as is well known,
Does simply hate to be outgrown).
Grubby, the young idea that shoots,
Outgrew the ages like old boots;
While still, to all appearance, small,
Would have no Miracles at all;
And just before the age of ten
Firmly refused Free Will to men.
The altars reeled, the heavens shook,
Just as he read of in the book;
Flung from his house went forth the youth
Alone with tempests and the Truth.
Up to the distant city and dim
Where his papa had bought for him
A partnership in Chepe and Deer
Worth, say twelve hundred pounds a year.
But he was resolute. Lord Brute
Had found him useful; and Lord Loot,
With whom few other men would act,
Valued his promptitude and tact;
Never did even philanthrophy
Enrich a man more rapidly:
'Twas he that stopped the Strike in Coal,
For hungry children racked his soul;
To end their misery there and then
He filled the mines with Chinamen
Sat in that House that broke the Kings,
And voted for all sorts of things --
And rose from Under-Sec. to Sec.
With scarce a murmur or a check.
Some grumbled. Growlers who gave less
Than generous worship to success,
The little printers in Dundee,
Who got ten years for blasphemy,
(Although he let them off with seven)
Respect him rather less than heaven.
No matter. This can still be said:
Never to supernatural dread
Never to unseen deity,
Did Sir John Grubby bend the knee;
Nor was he bribed by fabled bliss
To kneel to any world but this.
The curate lives in Camden Town,
His lap still empty of renown,
And still across the waste of years
John Grubby, in the House of Peers,
Faces that curate, proud and free,
And never sits upon his knee.
|
Written by
Ruth L Schwartz |
Isn't one of your prissy richpeoples' swans
Wouldn't be at home on some pristine pond
Chooses the whole stinking shoreline, candy wrappers, condoms
in its tidal fringe
Prefers to curve its muscular, slightly grubby neck
into the body of a Great Lake,
Swilling whatever it is swans swill,
Chardonnay of algae with bouquet of crud,
While Clevelanders walk by saying Look
at that big duck!
Beauty isn't the point here; of course
the swan is beautiful,
But not like Lorie at 16, when
Everything was possible--no
More like Lorie at 27
Smoking away her days off in her dirty kitchen,
Her kid with asthma watching TV,
The boyfriend who doesn't know yet she's gonna
Leave him, washing his car out back--and
He's a runty little guy, and drinks too much, and
It's not his kid anyway, but he loves her, he
Really does, he loves them both--
That's the kind of swan this is.
|
Written by
Rudyard Kipling |
Hurree Chunder Mookerjee, pride of Bow Bazaar,
Owner of a native press, "Barrishter-at-Lar,"
Waited on the Government with a claim to wear
Sabres by the bucketful, rifles by the pair.
Then the Indian Government winked a wicked wink,
Said to Chunder Mookerjee: "Stick to pen and ink.
They are safer implements, but, if you insist,
We will let you carry arms wheresoe'er you list."
Hurree Chunder Mookerjee sought the gunsmith and
Bought the tubes of Lancaster, Ballard, Dean, and Bland,
Bought a shiny bowie-knife, bought a town-made sword,
Jingled like a carriage-horse when he went abroad.
But the Indian Government, always keen to please,
Also gave permission to horrid men like these --
Yar Mahommed Yusufzai, down to kill or steal,
Chimbu Singh from Bikaneer, Tantia the Bhil;
Killar Khan the Marri chief, Jowar Singh the Sikh,
Nubbee Baksh Punjabi Jat, Abdul Huq Rafiq --
He was a Wahabi; last, little Boh Hla-oo
Took advantage of the Act -- took a Snider too.
They were unenlightened men, Ballard knew them not.
They procured their swords and guns chiefly on the spot;
And the lore of centuries, plus a hundred fights,
Made them slow to disregard one another's rights.
With a unanimity dear to patriot hearts
All those hairy gentlemen out of foreign parts
Said: "The good old days are back -- let us go to war!"
Swaggered down the Grand Trunk Road into Bow Bazaar,
Nubbee Baksh Punjabi Jat found a hide-bound flail;
Chimbu Singh from Bikaneer oiled his Tonk jezail;
Yar Mahommed Yusufzai spat and grinned with glee
As he ground the butcher-knife of the Khyberee.
Jowar Singh the Sikh procured sabre, quoit, and mace,
Abdul Huq, Wahabi, jerked his dagger from its place,
While amid the jungle-grass danced and grinned and jabbered
Little Boh Hla-oo and cleared his dah-blade from the scabbard.
What became of Mookerjee? Smoothly, who can say?
Yar Mahommed only grins in a nasty way,
Jowar Singh is reticent, Chimbu Singh is mute.
But the belts of all of them simply bulge with loot.
What became of Ballard's guns? Afghans black and grubby
Sell them for their silver weight to the men of Pubbi;
And the shiny bowie-knife and the town-made sword are
Hanging in a Marri camp just across the Border.
What became of Mookerjee? Ask Mahommed Yar
Prodding Siva's sacred bull down the Bow Bazaar.
Speak to placid Nubbee Baksh -- question land and sea --
Ask the Indian Congressmen -- only don't ask me!
|
Written by
Craig Raine |
The sun rose like a tarnished
looking-glass to catch the sun
and flash His hot message
at the missionaries below--
Isabella and the Rev. Roger Price,
and the Helmores with a broken axle
left, two days behind, at Fever Ponds.
The wilderness was full of home:
a glinting beetle on its back
struggled like an orchestra
with Beethoven. The Hallé,
Isabella thought and hummed.
Makololo, their Zulu guide,
puzzled out the Bible, replacing
words he didn't know with Manchester.
Spikenard, alabaster, Leviticus,
were Manchester and Manchester.
His head reminded Mrs. Price
of her old pomander stuck with cloves,
forgotten in some pungent tallboy.
The dogs drank under the wagon
with a far away clip-clopping sound,
and Roger spat into the fire,
leaned back and watched his phlegm
like a Welsh rarebit
bubbling on the brands. . .
When Baby died, they sewed her
in a scrap of carpet and prayed,
with milk still darkening
Isabella's grubby button-through.
Makololo was sick next day
and still the Helmores didn't come.
The outspanned oxen moved away
at night in search of water,
were caught and goaded on
to Matabele water-hole--
nothing but a dark stain on the sand.
Makololo drank vinegar and died.
Back they turned for Fever Ponds
and found the Helmores on the way. . .
Until they got within a hundred yards,
the vultures bobbed and trampolined
around the bodies, then swirled
a mile above their heads
like scalded tea leaves.
The Prices buried everything--
all the tattered clothes and flesh,
Mrs. Helmore's bright chains of hair,
were wrapped in bits of calico
then given to the sliding sand.
'In the beginning was the Word'--
Roger read from Helmore's Bible
found open at St. John.
Isabella moved her lips,
'The Word was Manchester.'
Shhh, shhh, the shovel said. Shhh. . .
|
Written by
Edward Taylor |
After the burial
we returned to our units
and assumed our poses.
Our posture was the new posture
and not the old sick posture.
When we left our stations
it was just to prove we could,
not a serious departure
or a search for yet another beginning.
We were done with all that.
We were settled in, as they say,
though it might have been otherwise.
What a story!
After the burial we returned to our units
and here is where I am experiencing
that lag kicking syndrome thing.
My leg, for no apparent reason,
flies around the room kicking stuff,
well, whatever is in its way,
like a screen or a watering can.
Those are just two examples
and indeed I could give many more.
I could construct a catalogue
of the things it kicks,
perhaps I will do that later.
We'll just have to see if it's really wanted.
Or I could do a little now
and then return to listing later.
It kicked the scrimshaw collection,
yes it did. It kicked the ocelot,
which was rude and uncalled for,
and yes hurtful. It kicked
the guacamole right out of its bowl,
which made for a grubby
and potentially dangerous workplace.
I was out testing the new speed bump
when it kicked the Viscountess,
which she probably deserved,
and I was happy, needless to say,
to not be a witness.
The kicking subsided for a while,
nobody was keeping track of time
at that time so it is impossible
to fill out the forms accurately.
Suffice it to say we remained
at our units on constant alert.
And then it kicked over the little cow town
we had set up for punching and that sort of thing,
a covered wagon filled with cover girls.
But now it was kicked over
and we had a moment of silence,
but it was clear to me
that many of our minions
were getting tetchy
and some of them were getting tetchier.
And then it kicked a particularly treasured snuff box
which, legend has it, once belonged to somebody
named Bob Mackey, so we were understandably
saddened and returned to our units rather weary.
No one seemed to think I was in the least bit culpable.
It was my leg, of course, that was doing the actual kicking,
of that I am almost certain.
At any rate, we decided to bury it.
After the burial we returned to our units
and assumed our poses.
A little bit of time passed, not much,
and then John's leg started acting suspicious.
It looked like it wanted to kick the replica
of the White House we keep on hand
just for situations such as this.
And then, sure enough, it did.
|
Written by
Stanley Kunitz |
Since that first morning when I crawled
into the world, a naked grubby thing,
and found the world unkind,
my dearest faith has been that this
is but a trial: I shall be changed.
In my imaginings I have already spent
my brooding winter underground,
unfolded silky powdered wings, and climbed
into the air, free as a puff of cloud
to sail over the steaming fields,
alighting anywhere I pleased,
thrusting into deep tubular flowers.
It is not so: there may be nectar
in those cups, but not for me.
All day, all night, I carry on my back
embedded in my flesh, two rows
of little white cocoons,
so neatly stacked
they look like eggs in a crate.
And I am eaten half away.
If I can gather strength enough
I'll try to burrow under a stone
and spin myself a purse
in which to sleep away the cold;
though when the sun kisses the earth
again, I know I won't be there.
Instead, out of my chrysalis
will break, like robbers from a tomb,
a swarm of parasitic flies,
leaving my wasted husk behind.
Sir, you with the red snippers
in your hand, hovering over me,
casting your shadow, I greet you,
whether you come as an angel of death
or of mercy. But tell me,
before you choose to slice me in two:
Who can understand the ways
of the Great Worm in the Sky?
|