Written by
Rg Gregory |
(1) a great man
there was a great man
so great he couldn't be criticised in the light
who died
and for a whole week people turned up their collars over their ears
and wept with great gossiping
houses wore their roofs at a mournful angle
and television announcers carried their eyes around in long drooping bags
there was a hush upon the voice of the land
as soft as the shine on velvet
the whole nation stretched up into the dusty attic for its medals and black ties
and prayers
and seriously polished its black uncomfortable shoes
and no one dared creak in the wrong places
anybody who thought he was everybody
except those who were nearly dying themselves
wanted to come to the funeral
and in its mourning the nation rejoiced to think
that once again it had cut into the world's time
with its own sick longing for the past
the great man and the great nation
had the same bulldog vision of each other's face
and neither of them had barked convincingly for a very long time
so the nation turned out on a cold bleak day
and attended its own funeral with uncanny reverence
and the other nations put tears over their laughing eyes
v-signs and rude gestures spoke with the same fingers
(2) aden
tourists dream of bombs
that will not kill them
into the rock
the sand-claws
the winking eye
and harsh shell
of aden
waiting for the pinch
jagged sun
lumps of heat
bumping on the stunned ship
knuckledustered rock
clenched over steamer point
waiting for the sun to stagger
loaded down the hill
before we bunch ashore
calm
eyes within their windows
we walk
(a town must live
must have its acre of normality
let hate sport
its bright shirt in the shadows)
we shop
collect our duty-murdered goods
compare bargains
laugh grieve
at benefit or loss
aden dead-pan
leans against our words
which hand invisible
knows how to print a bomb
ejaculate a knife
does tourist greed embroil us in
or shelter us from guilt
backstreet
a sailor drunk
gyrates within a wall of adenese
collapses spews
they roll about him
in a dark pool
the sun moves off
as we do
streets squashed with shops
criss-cross of customers
a rush of people nightwards
a white woman
striding like a cliff
dirt - goats in the gutter
crunched beggars
a small to breed a fungus
cafes with open mouths
men like broken teeth
or way back in the dark
like tonsils
an air of shapeless threat
fluffs in our pulse
a boundary crossed
the rules are not the same
brushed by eyes
the touch is silent
silence breeds
we feel the breath of fury
(soon to roar)
retreat within our skins
return to broader streets
bazaars glower
almost at candlelight
we clutch our goods
a dim delusion of festivity
a christ neurotic
dying to explode
how much of this is aden
how much our masterpiece
all atmospheres are inbuilt
an armoured car looms by
the ship like mother
brooding in the sea
receives us with a sigh
aden winks and ogles in the dark
the sport of hate released
slowly away at midnight
rumours of bombs and riots
in the long wake
a disappointed sleep
nothing to write home about
except the heat
(3) crossing the line (xii)
give me not england
in its glory dead nightmared with rotting seed
palmerston's perverted gunboat up the
yangtse's **** - lloyd george and winston churchill
rubbing men like salt into surly wounds
(we won those wars and neatly fucked ourselves)
eden at suez a jacked-up piece of wool
macmillan sprinkling cliches where the black
blood boils (the ashes of his kind) - home
as wan as godot (shagged by birth) wilson
for whom the wind blew sharply once or twice
sailing eastwards in the giant's stetson hat
saving jims from the red long john
give me
not england but the world with england in it
with people as promiscuous as planes (the colours
shuffled)
don't ask for wars to end or men
to have their deaths wrapped up as christmas gifts
expect myself to die a coward - proclaim no lives
as kisses - offer no roses to the blind
no sanctions to the damned - will not shake hands
with him who rapes my wife or chokes my daughter
only when drunk or mad will think myself
the master of my purse - will lust for ease
seek to assuage my griefs in others' tears
will make more chaos than i put to rights
but in my fracture i shall strive to stand
a ruined arch whose limbs stretch half
towards a point that drew me upwards - that
ungot intercourse in space that prickless star
is what i ache for (what i want in man
and thus i give him)
the image of that cross
is grit within him - the arch reflects in
microscopic waves through fleshly aeons
beaming messages to nerves and typing fingers
both ends of me are broken - in frantic storms
hanging over cliffs i fight to mend them
the job cannot be done - i die though
if i stop
how cynical i may be (how apt
with metaphor or joke to thrust my fate
grotesquely into print) the fact is that
i live until i stop - i can't sit down then
crying let me die or death is good
(the freedom from myself my bones are seeking)
i must go on - tread every road that comes
risk every plague because i must believe
the end is bright (however filled with vomit
every brook) - if not for me then for
those who clamber on my bones
my hope
is what i owe them - they owe their life to me
|
Written by
Li Po |
Amidst the flowers a jug of wine,
I pour alone lacking companionship.
So raising the cup I invite the Moon,
Then turn to my shadow which makes three of us.
Because the Moon does not know how to drink,
My shadow merely follows the movement of my body.
The moon has brought the shadow to keep me company a while,
The practice of mirth should keep pace with spring.
I start a song and the moon begins to reel,
I rise and dance and the shadow moves grotesquely.
While I'm still conscious let's rejoice with one another,
After I'm drunk let each one go his way.
Let us bind ourselves for ever for passionless journeyings.
Let us swear to meet again far in the Milky Way.
|
Written by
Joyce Kilmer |
Why is that wanton gossip Fame
So dumb about this man's affairs?
Why do we titter at his name
Who come to buy his curious wares?
Here is a shop of wonderment.
From every land has come a prize;
Rich spices from the Orient,
And fruit that knew Italian skies,
And figs that ripened by the sea
In Smyrna, nuts from hot Brazil,
Strange pungent meats from Germany,
And currants from a Grecian hill.
He is the lord of goodly things
That make the poor man's table gay,
Yet of his worth no minstrel sings
And on his tomb there is no bay.
Perhaps he lives and dies unpraised,
This trafficker in humble sweets,
Because his little shops are raised
By thousands in the city streets.
Yet stars in greater numbers shine,
And violets in millions grow,
And they in many a golden line
Are sung, as every child must know.
Perhaps Fame thinks his worried eyes,
His wrinkled, shrewd, pathetic face,
His shop, and all he sells and buys
Are desperately commonplace.
Well, it is true he has no sword
To dangle at his booted knees.
He leans across a slab of board,
And draws his knife and slices cheese.
He never heard of chivalry,
He longs for no heroic times;
He thinks of pickles, olives, tea,
And dollars, nickles, cents and dimes.
His world has narrow walls, it seems;
By counters is his soul confined;
His wares are all his hopes and dreams,
They are the fabric of his mind.
Yet -- in a room above the store
There is a woman -- and a child
Pattered just now across the floor;
The shopman looked at him and smiled.
For, once he thrilled with high romance
And tuned to love his eager voice.
Like any cavalier of France
He wooed the maiden of his choice.
And now deep in his weary heart
Are sacred flames that whitely burn.
He has of Heaven's grace a part
Who loves, who is beloved in turn.
And when the long day's work is done,
(How slow the leaden minutes ran!)
Home, with his wife and little son,
He is no huckster, but a man!
And there are those who grasp his hand,
Who drink with him and wish him well.
O in no drear and lonely land
Shall he who honors friendship dwell.
And in his little shop, who knows
What bitter games of war are played?
Why, daily on each corner grows
A foe to rob him of his trade.
He fights, and for his fireside's sake;
He fights for clothing and for bread:
The lances of his foemen make
A steely halo round his head.
He decks his window artfully,
He haggles over paltry sums.
In this strange field his war must be
And by such blows his triumph comes.
What if no trumpet sounds to call
His armed legions to his side?
What if, to no ancestral hall
He comes in all a victor's pride?
The scene shall never fit the deed.
Grotesquely wonders come to pass.
The fool shall mount an Arab steed
And Jesus ride upon an ass.
This man has home and child and wife
And battle set for every day.
This man has God and love and life;
These stand, all else shall pass away.
O Carpenter of Nazareth,
Whose mother was a village maid,
Shall we, Thy children, blow our breath
In scorn on any humble trade?
Have pity on our foolishness
And give us eyes, that we may see
Beneath the shopman's clumsy dress
The splendor of humanity!
|
Written by
Robert William Service |
Oh, it's pleasant sitting here,
Seeing all the people pass;
You beside your bock of beer,
I behind my demi-tasse.
Chatting of no matter what.
You the Mummer, I the Bard;
Oh, it's jolly, is it not? --
Sitting on the Boulevard.
More amusing than a book,
If a chap has eyes to see;
For, no matter where I look,
Stories, stories jump at me.
Moving tales my pen might write;
Poems plain on every face;
Monologues you could recite
With inimitable grace.
(Ah! Imagination's power)
See yon demi-mondaine there,
Idly toying with a flower,
Smiling with a pensive air .
.
.
Well, her smile is but a mask,
For I saw within her ****
Such a wicked little flask:
Vitriol -- ugh! the beastly stuff.
Now look back beside the bar.
See yon curled and scented beau,
Puffing at a fine cigar --
Sale espèce de maquereau.
Well (of course, it's all surmise),
It's for him she holds her place;
When he passes she will rise,
Dash the vitriol in his face.
Quick they'll carry him away,
Pack him in a Red Cross car;
Her they'll hurry, so they say,
To the cells of St.
Lazare.
What will happen then, you ask?
What will all the sequel be?
Ah! Imagination's task
Isn't easy .
.
.
let me see .
.
.
She will go to jail, no doubt,
For a year, or maybe two;
Then as soon as she gets out
Start her bawdy life anew.
He will lie within a ward,
Harmless as a man can be,
With his face grotesquely scarred,
And his eyes that cannot see.
Then amid the city's din
He will stand against a wall,
With around his neck a tin
Into which the pennies fall.
She will pass (I see it plain,
Like a cinematograph),
She will halt and turn again,
Look and look, and maybe laugh.
Well, I'm not so sure of that --
Whether she will laugh or cry.
He will hold a battered hat
To the lady passing by.
He will smile a cringing smile,
And into his grimy hold,
With a laugh (or sob) the while,
She will drop a piece of gold.
"Bless you, lady," he will say,
And get grandly drunk that night.
She will come and come each day,
Fascinated by the sight.
Then somehow he'll get to know
(Maybe by some kindly friend)
Who she is, and so .
.
.
and so
Bring my story to an end.
How his heart will burst with hate!
He will curse and he will cry.
He will wait and wait and wait,
Till again she passes by.
Then like tiger from its lair
He will leap from out his place,
Down her, clutch her by the hair,
Smear the vitriol on her face.
(Ah! Imagination rare)
See .
.
.
he takes his hat to go;
Now he's level with her chair;
Now she rises up to throw.
.
.
.
God! and she has done it too .
.
.
Oh, those screams; those hideous screams!
I imagined and .
.
.
it's true:
How his face will haunt my dreams!
What a sight! It makes me sick.
Seems I am to blame somehow.
Garcon, fetch a brandy quick .
.
.
There! I'm feeling better now.
Let's collaborate, we two,
You the Mummer, I the Bard;
Oh, what ripping stuff we'll do,
Sitting on the Boulevard!
|
Written by
Li Bai |
Amidst the flowers a jug of wine,
I pour alone lacking companionship.
So raising the cup I invite the Moon,
Then turn to my shadow which makes three of us.
Because the Moon does not know how to drink,
My shadow merely follows the movement of my body.
The moon has brought the shadow to keep me company a while,
The practice of mirth should keep pace with spring.
I start a song and the moon begins to reel,
I rise and dance and the shadow moves grotesquely.
While I'm still conscious let's rejoice with one another,
After I'm drunk let each one go his way.
Let us bind ourselves for ever for passionless journeyings.
Let us swear to meet again far in the Milky Way.
|
Written by
Rupert Brooke |
How can we find? how can we rest? how can
We, being gods, win joy, or peace, being man?
We, the gaunt zanies of a witless Fate,
Who love the unloving and lover hate,
Forget the moment ere the moment slips,
Kiss with blind lips that seek beyond the lips,
Who want, and know not what we want, and cry
With crooked mouths for Heaven, and throw it by.
Love's for completeness! No perfection grows
'Twixt leg, and arm, elbow, and ear, and nose,
And joint, and socket; but unsatisfied
Sprawling desires, shapeless, perverse, denied.
Finger with finger wreathes; we love, and gape,
Fantastic shape to mazed fantastic shape,
Straggling, irregular, perplexed, embossed,
Grotesquely twined, extravagantly lost
By crescive paths and strange protuberant ways
From sanity and from wholeness and from grace.
How can love triumph, how can solace be,
Where fever turns toward fever, knee toward knee?
Could we but fill to harmony, and dwell
Simple as our thought and as perfectible,
Rise disentangled from humanity
Strange whole and new into simplicity,
Grow to a radiant round love, and bear
Unfluctuant passion for some perfect sphere,
Love moon to moon unquestioning, and be
Like the star Lunisequa, steadfastly
Following the round clear orb of her delight,
Patiently ever, through the eternal night!
|
Written by
Edmund Blunden |
At Quincey's moat the squandering village ends,
And there in the almshouse dwell the dearest friends
Of all the village, two old dames that cling
As close as any trueloves in the spring.
Long, long ago they passed threescore-and-ten,
And in this doll's house lived together then;
All things they have in common, being so poor,
And their one fear, Death's shadow at the door.
Each sundown makes them mournful, each sunrise
Brings back the brightness in their failing eyes.
How happy go the rich fair-weather days
When on the roadside folk stare in amaze
At such a honeycomb of fruit and flowers
As mellows round their threshold; what long hours
They gloat upon their steepling hollyhocks,
Bee's balsams, feathery southernwood, and stocks,
Fiery dragon's-mouths, great mallow leaves
For salves, and lemon-plants in bushy sheaves,
Shagged Esau's-hands with five green finger-tips.
Such old sweet names are ever on their lips.
As pleased as little children where these grow
In cobbled pattens and worn gowns they go,
Proud of their wisdom when on gooseberry shoots
They stuck eggshells to fright from coming fruits
The brisk-billed rascals; pausing still to see
Their neighbour owls saunter from tree to tree,
Or in the hushing half-light mouse the lane
Long-winged and lordly.
But when those hours wane,
Indoors they ponder, scared by the harsh storm
Whose pelting saracens on the window swarm,
And listen for the mail to clatter past
And church clock's deep bay withering on the blast;
They feed the fire that flings a freakish light
On pictured kings and queens grotesquely bright,
Platters and pitchers, faded calendars
And graceful hour-glass trim with lavenders.
Many a time they kiss and cry, and pray
That both be summoned in the self-same day,
And wiseman linnet tinkling in his cage
End too with them the friendship of old age,
And all together leave their treasured room
Some bell-like evening when the may's in bloom.
|
Written by
Kenneth Slessor |
North Country, filled with gesturing wood,
With trees that fence, like archers' volleys,
The flanks of hidden valleys
Where nothing's left to hide
But verticals and perpendiculars,
Like rain gone wooden, fixed in falling,
Or fingers blindly feeling
For what nobody cares;
Or trunks of pewter, bangled by greedy death,
Stuck with black staghorns, quietly sucking,
And trees whose boughs go seeking,
And tress like broken teeth
With smoky antlers broken in the sky;
Or trunks that lie grotesquely rigid,
Like bodies blank and wretched
After a fool's battue,
As if they've secret ways of dying here
And secret places for their anguish
When boughs at last relinquish
Their clench of blowing air
But this gaunt country, filled with mills and saws,
With butter-works and railway-stations
And public institutions,
And scornful rumps of cows,
North Country, filled with gesturing wood–
Timber's the end it gives to branches,
Cut off in cubic inches,
Dripping red with blood.
|
Written by
William Carlos (WCW) Williams |
If when my wife is sleeping
and the baby and Kathleen
are sleeping
and the sun is a flame-white disc
in silken mists
above shining trees,—
if I in my north room
dance naked, grotesquely
before my mirror
waving my shirt round my head
and singing softly to myself:
"I am lonely, lonely,
I was born to be lonely,
I am best so!"
If I admire my arms, my face,
my shoulders, flanks, buttocks
against the yellow drawn shades,—
Who shall say I am not
the happy genius of my household?
|