Written by
Friedrich von Schiller |
I, too, at length discerned great Hercules' energy mighty,--
Saw his shade. He himself was not, alas, to be seen.
Round him were heard, like the screaming of birds,
the screams of tragedians,
And, with the baying of dogs, barked dramaturgists around.
There stood the giant in all his terrors; his bow was extended,
And the bolt, fixed on the string, steadily aimed at the heart.
"What still hardier action, unhappy one, dost thou now venture,
Thus to descend to the grave of the departed souls here?"--
"'Tis to see Tiresias I come, to ask of the prophet
Where I the buskin of old, that now has vanished, may find?"
"If they believe not in Nature, nor the old Grecian, but vainly
Wilt thou convey up from hence that dramaturgy to them. "
"Oh, as for Nature, once more to tread our stage she has ventured,
Ay, and stark-naked beside, so that each rib we count. "
"What? Is the buskin of old to be seen in truth on your stage, then,
Which even I came to fetch, out of mid-Tartarus' gloom?"--
"There is now no more of that tragic bustle, for scarcely
Once in a year on the boards moves thy great soul, harness-clad. "
"Doubtless 'tis well! Philosophy now has refined your sensations,
And from the humor so bright fly the affections so black. "--
"Ay, there is nothing that beats a jest that is stolid and barren,
But then e'en sorrow can please, if 'tis sufficiently moist. "
"But do ye also exhibit the graceful dance of Thalia,
Joined to the solemn step with which Melpomene moves?"--
"Neither! For naught we love but what is Christian and moral;
And what is popular, too, homely, domestic, and plain. "
"What? Does no Caesar, does no Achilles, appear on your stage now,
Not an Andromache e'en, not an Orestes, my friend?"
"No! there is naught to be seen there but parsons,
and syndics of commerce,
Secretaries perchance, ensigns, and majors of horse. "
"But, my good friend, pray tell me, what can such people e'er meet with
That can be truly called great?--what that is great can they do?"
"What? Why they form cabals, they lend upon mortgage, they pocket
Silver spoons, and fear not e'en in the stocks to be placed. "
"Whence do ye, then, derive the destiny, great and gigantic,
Which raises man up on high, e'en when it grinds him to dust?"--
"All mere nonsense! Ourselves, our worthy acquaintances also,
And our sorrows and wants, seek we, and find we, too, here. "
"But all this ye possess at home both apter and better,--
Wherefore, then, fly from yourselves, if 'tis yourselves that ye seek?"
"Be not offended, great hero, for that is a different question;
Ever is destiny blind,--ever is righteous the bard. "
"Then one meets on your stage your own contemptible nature,
While 'tis in vain one seeks there nature enduring and great?"
"There the poet is host, and act the fifth is the reckoning;
And, when crime becomes sick, virtue sits down to the feast!"
|
Written by
Margaret Atwood |
In the secular night you wander around
alone in your house. It's two-thirty.
Everyone has deserted you,
or this is your story;
you remember it from being sixteen,
when the others were out somewhere, having a good time,
or so you suspected,
and you had to baby-sit.
You took a large scoop of vanilla ice-cream
and filled up the glass with grapejuice
and ginger ale, and put on Glenn Miller
with his big-band sound,
and lit a cigarette and blew the smoke up the chimney,
and cried for a while because you were not dancing,
and then danced, by yourself, your mouth circled with purple.
Now, forty years later, things have changed,
and it's baby lima beans.
It's necessary to reserve a secret vice.
This is what comes from forgetting to eat
at the stated mealtimes. You simmer them carefully,
drain, add cream and pepper,
and amble up and down the stairs,
scooping them up with your fingers right out of the bowl,
talking to yourself out loud.
You'd be surprised if you got an answer,
but that part will come later.
There is so much silence between the words,
you say. You say, The sensed absence
of God and the sensed presence
amount to much the same thing,
only in reverse.
You say, I have too much white clothing.
You start to hum.
Several hundred years ago
this could have been mysticism
or heresy. It isn't now.
Outside there are sirens.
Someone's been run over.
The century grinds on.
|
Written by
Charles Baudelaire |
Often, to amuse themselves, the crew of the ship
Would fell an albatross, the largest of sea birds,
Indolent companions of their trip
As they slide across the deep sea's bitters.
Scarcely had they dropped to the plank
Than these blue kings, maladroit and ashamed
Let their great white wings sink
Like an oar dragging under the water's plane.
The winged visitor, so awkward and weak!
So recently beautiful, now comic and ugly!
One sailor grinds a pipe into his beak,
Another, limping, mimics the infirm bird that once could fly.
The poet is like the prince of the clouds
Who haunts the storm and laughs at lightning.
He's exiled to the ground and its hooting crowds;
His giant wings prevent him from walking.
|
Written by
Oliver Wendell Holmes |
I love all sights of earth and skies,
From flowers that glow to stars that shine;
The comet and the penny show,
All curious things, above, below,
Hold each in turn my wandering eyes:
I claim the Christian Pagan's line,
Humani nihil, -- even so, --
And is not human life divine?
When soft the western breezes blow,
And strolling youths meet sauntering maids,
I love to watch the stirring trades
Beneath the Vallombrosa shades
Our much-enduring elms bestow;
The vender and his rhetoric's flow,
That lambent stream of liquid lies;
The bait he dangles from his line,
The gudgeon and his gold-washed prize.
I halt before the blazoned sign
That bids me linger to admire
The drama time can never tire,
The little hero of the hunch,
With iron arm and soul of fire,
And will that works his fierce desire, --
Untamed, unscared, unconquered Punch!
My ear a pleasing torture finds
In tones the withered sibyl grinds, --
The dame sans merci's broken strain,
Whom I erewhile, perchance, have known,
When Orleans filled the Bourbon throne,
A siren singing by the Seine.
But most I love the tube that spies
The orbs celestial in their march;
That shows the comet as it whisks
Its tail across the planets' disks,
As if to blind their blood-shot eyes;
Or wheels so close against the sun
We tremble at the thought of risks
Our little spinning ball may run,
To pop like corn that children parch,
From summer something overdone,
And roll, a cinder, through the skies.
Grudge not to-day the scanty fee
To him who farms the firmament,
To whom the Milky Way is free;
Who holds the wondrous crystal key,
The silent Open Sesame
That Science to her sons has lent;
Who takes his toll, and lifts the bar
That shuts the road to sun and star.
If Venus only comes to time,
(And prophets say she must and shall,)
To-day will hear the tinkling chime
Of many a ringing silver dime,
For him whose optic glass supplies
The crowd with astronomic eyes, --
The Galileo of the Mall.
Dimly the transit morning broke;
The sun seemed doubting what to do,
As one who questions how to dress,
And takes his doublets from the press,
And halts between the old and new.
Please Heaven he wear his suit of blue,
Or don, at least, his ragged cloak,
With rents that show the azure through!
I go the patient crowd to join
That round the tube my eyes discern,
The last new-comer of the file,
And wait, and wait, a weary while,
And gape, and stretch, and shrug, and smile,
(For each his place must fairly earn,
Hindmost and foremost, in his turn,)
Till hitching onward, pace by pace,
I gain at last the envied place,
And pay the white exiguous coin:
The sun and I are face to face;
He glares at me, I stare at him;
And lo! my straining eye has found
A little spot that, black and round,
Lies near the crimsoned fire-orb's rim.
O blessed, beauteous evening star,
Well named for her whom earth adores, --
The Lady of the dove-drawn car, --
I know thee in thy white simar;
But veiled in black, a rayless spot,
Blank as a careless scribbler's blot,
Stripped of thy robe of silvery flame, --
The stolen robe that Night restores
When Day has shut his golden doors, --
I see thee, yet I know thee not;
And canst thou call thyself the same?
A black, round spot, -- and that is all;
And such a speck our earth would be
If he who looks upon the stars
Through the red atmosphere of Mars
Could see our little creeping ball
Across the disk of crimson crawl
As I our sister planet see.
And art thou, then, a world like ours,
Flung from the orb that whirled our own
A molten pebble from its zone?
How must thy burning sands absorb
The fire-waves of the blazing orb,
Thy chain so short, thy path so near,
Thy flame-defying creatures hear
The maelstroms of the photosphere!
And is thy bosom decked with flowers
That steal their bloom from scalding showers?
And hast thou cities, domes, and towers,
And life, and love that makes it dear,
And death that fills thy tribes with fear?
Lost in my dream, my spirit soars
Through paths the wandering angels know;
My all-pervading thought explores
The azure ocean's lucent shores;
I leave my mortal self below,
As up the star-lit stairs I climb,
And still the widening view reveals
In endless rounds the circling wheels
That build the horologe of time.
New spheres, new suns, new systems gleam;
The voice no earth-born echo hears
Steals softly on my ravished ears:
I hear them "singing as they shine" --
A mortal's voice dissolves my dream:
My patient neighbor, next in line,
Hints gently there are those who wait.
O guardian of the starry gate,
What coin shall pay this debt of mine?
Too slight thy claim, too small the fee
That bids thee turn the potent key
The Tuscan's hand has placed in thine.
Forgive my own the small affront,
The insult of the proffered dime;
Take it, O friend, since this thy wont,
But still shall faithful memory be
A bankrupt debtor unto thee,
And pay thee with a grateful rhyme.
|
Written by
Henry Lawson |
They lie, the men who tell us for reasons of their own
That want is here a stranger, and that misery's unknown;
For where the nearest suburb and the city proper meet
My window-sill is level with the faces in the street
Drifting past, drifting past,
To the beat of weary feet
While I sorrow for the owners of those faces in the street.
And cause I have to sorrow, in a land so young and fair,
To see upon those faces stamped the marks of Want and Care;
I look in vain for traces of the fresh and fair and sweet
In sallow, sunken faces that are drifting through the street
Drifting on, drifting on,
To the scrape of restless feet;
I can sorrow for the owners of the faces in the street.
In hours before the dawning dims the starlight in the sky
The wan and weary faces first begin to trickle by,
Increasing as the moments hurry on with morning feet,
Till like a pallid river flow the faces in the street
Flowing in, flowing in,
To the beat of hurried feet
Ah! I sorrow for the owners of those faces in the street.
The human river dwindles when 'tis past the hour of eight,
Its waves go flowing faster in the fear of being late;
But slowly drag the moments, whilst beneath the dust and heat
The city grinds the owners of the faces in the street
Grinding body, grinding soul,
Yielding scarce enough to eat
Oh! I sorrow for the owners of the faces in the street.
And then the only faces till the sun is sinking down
Are those of outside toilers and the idlers of the town,
Save here and there a face that seems a stranger in the street,
Tells of the city's unemployed upon his weary beat
Drifting round, drifting round,
To the tread of listless feet
Ah! My heart aches for the owner of that sad face in the street.
And when the hours on lagging feet have slowly dragged away,
And sickly yellow gaslights rise to mock the going day,
Then flowing past my window like a tide in its retreat,
Again I see the pallid stream of faces in the street
Ebbing out, ebbing out,
To the drag of tired feet,
While my heart is aching dumbly for the faces in the street.
And now all blurred and smirched with vice the day's sad pages end,
For while the short 'large hours' toward the longer 'small hours' trend,
With smiles that mock the wearer, and with words that half entreat,
Delilah pleads for custom at the corner of the street
Sinking down, sinking down,
Battered wreck by tempests beat
A dreadful, thankless trade is hers, that Woman of the Street.
But, ah! to dreader things than these our fair young city comes,
For in its heart are growing thick the filthy dens and slums,
Where human forms shall rot away in sties for swine unmeet,
And ghostly faces shall be seen unfit for any street
Rotting out, rotting out,
For the lack of air and meat
In dens of vice and horror that are hidden from the street.
I wonder would the apathy of wealthy men endure
Were all their windows level with the faces of the Poor?
Ah! Mammon's slaves, your knees shall knock, your hearts in terror beat,
When God demands a reason for the sorrows of the street,
The wrong things and the bad things
And the sad things that we meet
In the filthy lane and alley, and the cruel, heartless street.
I left the dreadful corner where the steps are never still,
And sought another window overlooking gorge and hill;
But when the night came dreary with the driving rain and sleet,
They haunted me the shadows of those faces in the street,
Flitting by, flitting by,
Flitting by with noiseless feet,
And with cheeks but little paler than the real ones in the street.
Once I cried: 'Oh, God Almighty! if Thy might doth still endure,
Now show me in a vision for the wrongs of Earth a cure. '
And, lo! with shops all shuttered I beheld a city's street,
And in the warning distance heard the tramp of many feet,
Coming near, coming near,
To a drum's dull distant beat,
And soon I saw the army that was marching down the street.
Then, like a swollen river that has broken bank and wall,
The human flood came pouring with the red flags over all,
And kindled eyes all blazing bright with revolution's heat,
And flashing swords reflecting rigid faces in the street.
Pouring on, pouring on,
To a drum's loud threatening beat,
And the war-hymns and the cheering of the people in the street.
And so it must be while the world goes rolling round its course,
The warning pen shall write in vain, the warning voice grow hoarse,
But not until a city feels Red Revolution's feet
Shall its sad people miss awhile the terrors of the street
The dreadful everlasting strife
For scarcely clothes and meat
In that pent track of living death the city's cruel street.
|
Written by
Friedrich von Schiller |
I.
A bridge of pearls its form uprears
High o'er a gray and misty sea;
E'en in a moment it appears,
And rises upwards giddily.
Beneath its arch can find a road
The loftiest vessel's mast most high,
Itself hath never borne a load,
And seems, when thou draw'st near, to fly.
It comes first with the stream, and goes
Soon as the watery flood is dried.
Where may be found this bridge, disclose,
And who its beauteous form supplied!
II.
It bears thee many a mile away,
And yet its place it changes ne'er;
It has no pinions to display,
And yet conducts thee through the air.
It is the bark of swiftest motion
That every weary wanderer bore;
With speed of thought the greatest ocean
It carries thee in safety o'er;
One moment wafts thee to the shore.
III.
Upon a spacious meadow play
Thousands of sheep, of silvery hue;
And as we see them move to-day,
The man most aged saw them too.
They ne'er grow old, and, from a rill
That never dries, their life is drawn;
A shepherd watches o'er them still,
With curved and beauteous silver horn.
He drives them out through gates of gold,
And every night their number counts;
Yet ne'er has lost, of all his fold,
One lamb, though oft that path he mounts.
A hound attends him faithfully,
A nimble ram precedes the way;
Canst thou point out that flock to me,
And who the shepherd, canst thou say?
IV.
There stands a dwelling, vast and tall,
On unseen columns fair;
No wanderer treads or leaves its hall,
And none can linger there.
Its wondrous structure first was planned
With art no mortal knows;
It lights the lamps with its own hand
'Mongst which it brightly glows.
It has a roof, as crystal bright,
Formed of one gem of dazzling light;
Yet mortal eye has ne'er
Seen Him who placed it there.
V.
Within a well two buckets lie,
One mounts, and one descends;
When one is full, and rises high,
The other downward wends.
They wander ever to and fro--
Now empty are, now overflow.
If to the mouth thou liftest this,
That hangs within the dark abyss.
In the same moment they can ne'er
Refresh thee with their treasures fair.
VI.
Know'st thou the form on tender ground?
It gives itself its glow, its light;
And though each moment changing found.
Is ever whole and ever bright.
In narrow compass 'tis confined,
Within the smallest frame it lies;
Yet all things great that move thy mind,
That form alone to thee supplies.
And canst thou, too, the crystal name?
No gem can equal it in worth;
It gleams, yet kindles near to flame,
It sucks in even all the earth.
Within its bright and wondrous ring
Is pictured forth the glow of heaven,
And yet it mirrors back each thing
Far fairer than to it 'twas given.
VII.
For ages an edifice here has been found,
It is not a dwelling, it is not a Pane;
A horseman for hundreds of days may ride round,
Yet the end of his journey he ne'er can attain.
Full many a century o'er it has passed,
The might of the storm and of time it defies!
Neath the rainbow of Heaven stands free to the last,--
In the ocean it dips, and soars up to the skies.
It was not vain glory that bade its ********,
It serves as a refuge, a shield, a protection;
Its like on the earth never yet has been known
And yet by man's hand it is fashioned alone.
VIII.
Among all serpents there is one,
Born of no earthly breed;
In fury wild it stands alone,
And in its matchless speed.
With fearful voice and headlong force
It rushes on its prey,
And sweeps the rider and his horse
In one fell swoop away.
The highest point it loves to gain;
And neither bar nor lock
Its fiery onslaught can restrain;
And arms--invite its shock.
It tears in twain like tender grass,
The strongest forest-trees;
It grinds to dust the hardened brass,
Though stout and firm it be.
And yet this beast, that none can tame,
Its threat ne'er twice fulfils;
It dies in its self-kindled flame.
And dies e'en when it kills.
IX.
We children six our being had
From a most strange and wondrous pair,--
Our mother ever grave and sad,
Our father ever free from care.
Our virtues we from both receive,--
Meekness from her, from him our light;
And so in endless youth we weave
Round thee a circling figure bright.
We ever shun the caverns black,
And revel in the glowing day;
'Tis we who light the world's dark track,
With our life's clear and magic ray.
Spring's joyful harbingers are we,
And her inspiring streams we swell;
And so the house of death we flee,
For life alone must round us dwell.
Without us is no perfect bliss,
When man is glad, we, too, attend,
And when a monarch worshipped is,
To him our majesty attend.
X.
What is the thing esteemed by few?
The monarch's hand it decks with pride,
Yet it is made to injure too,
And to the sword is most allied.
No blood it sheds, yet many a wound
Inflicts,--gives wealth, yet takes from none;
Has vanquished e'en the earth's wide round,
And makes life's current smoothly run.
The greatest kingdoms it has framed,
The oldest cities reared from dust,
Yet war's fierce torch has ne'er inflamed;
Happy are they who in it trust!
XI.
I live within a dwelling of stone,
There buried in slumber I dally;
Yet, armed with a weapon of iron alone,
The foe to encounter I sally.
At first I'm invisible, feeble, and mean,
And o'er me thy breath has dominion;
I'm easily drowned in a raindrop e'en,
Yet in victory waxes my pinion.
When my sister, all-powerful, gives me her hand,
To the terrible lord of the world I expand.
XII.
Upon a disk my course I trace,
There restlessly forever flit;
Small is the circuit I embrace,
Two hands suffice to cover it.
Yet ere that field I traverse, I
Full many a thousand mile must go,
E'en though with tempest-speed I fly,
Swifter than arrow from a bow.
XIII.
A bird it is, whose rapid motion
With eagle's flight divides the air;
A fish it is, and parts the ocean,
That bore a greater monster ne'er;
An elephant it is, whose rider
On his broad back a tower has put:
'Tis like the reptile base, the spider,
Whenever it extends its foot;
And when, with iron tooth projecting,
It seeks its own life-blood to drain,
On footing firm, itself erecting,
It braves the raging hurricane.
|
Written by
Robert William Service |
I met upon a narrow way,
Dead weary from his toil,
A fellow warped and gnarled and grey,
Who reeked of sweat and soil.
His rags were readyful to rot,
His eyes were dreary dim;
Yet . . . yet I had the humble thought
To raise my hat to him.
For thinks I: It's the likes of him
That makes the likes of me;
With horny hand and lagging limb
He slaves to keep me free;
That I may have a golden time,
And praise the Lord on high,
Life grinds into the bloody grime
A better man than I.
Yet if in sheer humility
I yield this yokel place,
Will he not think it mockery
And spit into my face,
Saying: "How can you care a damn,
As now my way you bar,
When it's because of what I am,
You, Sir, are what you are?"
But no, he did not speak like that,
Nor homage did I pay;
I did not lift my bowler hat
To greet his common clay;
Instead, he made me feel an ass,
As most respectfully
He stepped aside to let me pass,
And raised his cap to ME.
|
Written by
William Carlos (WCW) Williams |
Go to sleep—though of course you will not—
to tideless waves thundering slantwise against
strong embankments, rattle and swish of spray
dashed thirty feet high, caught by the lake wind,
scattered and strewn broadcast in over the steady
car rails! Sleep, sleep! Gulls' cries in a wind-gust
broken by the wind; calculating wings set above
the field of waves breaking.
Go to sleep to the lunge between foam-crests,
refuse churned in the recoil. Food! Food!
Offal! Offal! that holds them in the air, wave-white
for the one purpose, feather upon feather, the wild
chill in their eyes, the hoarseness in their voices—
sleep, sleep . . .
Gentlefooted crowds are treading out your lullaby.
Their arms nudge, they brush shoulders,
hitch this way then that, mass and surge at the crossings—
lullaby, lullaby! The wild-fowl police whistles,
the enraged roar of the traffic, machine shrieks:
it is all to put you to sleep,
to soften your limbs in relaxed postures,
and that your head slip sidewise, and your hair loosen
and fall over your eyes and over your mouth,
brushing your lips wistfully that you may dream,
sleep and dream—
A black fungus springs out about the lonely church doors—
sleep, sleep. The Night, coming down upon
the wet boulevard, would start you awake with his
message, to have in at your window. Pay no
heed to him. He storms at your sill with
cooings, with gesticulations, curses!
You will not let him in. He would keep you from sleeping.
He would have you sit under your desk lamp
brooding, pondering; he would have you
slide out the drawer, take up the ornamented dagger
and handle it. It is late, it is nineteen-nineteen—
go to sleep, his cries are a lullaby;
his jabbering is a sleep-well-my-baby; he is
a crackbrained messenger.
The maid waking you in the morning
when you are up and dressing,
the rustle of your clothes as you raise them—
it is the same tune.
At table the cold, greeninsh, split grapefruit, its juice
on the tongue, the clink of the spoon in
your coffee, the toast odors say it over and over.
The open street-door lets in the breath of
the morning wind from over the lake.
The bus coming to a halt grinds from its sullen brakes—
lullaby, lullaby. The crackle of a newspaper,
the movement of the troubled coat beside you—
sleep, sleep, sleep, sleep . . .
It is the sting of snow, the burning liquor of
the moonlight, the rush of rain in the gutters packed
with dead leaves: go to sleep, go to sleep.
And the night passes—and never passes—
|
Written by
Eugene Field |
Though care and strife
Elsewhere be rife,
Upon my word I do not heed 'em;
In bed I lie
With books hard by,
And with increasing zest I read 'em.
Propped up in bed,
So much I've read
Of musty tomes that I've a headful
Of tales and rhymes
Of ancient times,
Which, wife declares, are "simply dreadful!"
They give me joy
Without alloy;
And isn't that what books are made for?
And yet--and yet--
(Ah, vain regret!)
I would to God they all were paid for!
No festooned cup
Filled foaming up
Can lure me elsewhere to confound me;
Sweeter than wine
This love of mine
For these old books I see around me!
A plague, I say,
On maidens gay;
I'll weave no compliments to tell 'em!
Vain fool I were,
Did I prefer
Those dolls to these old friends in vellum!
At dead of night
My chamber's bright
Not only with the gas that's burning,
But with the glow
Of long ago,--
Of beauty back from eld returning.
Fair women's looks
I see in books,
I see them, and I hear their laughter,--
Proud, high-born maids,
Unlike the jades
Which men-folk now go chasing after!
Herein again
Speak valiant men
Of all nativities and ages;
I hear and smile
With rapture while
I turn these musty, magic pages.
The sword, the lance,
The morris dance,
The highland song, the greenwood ditty,
Of these I read,
Or, when the need,
My Miller grinds me grist that's gritty!
When of such stuff
We've had enough,
Why, there be other friends to greet us;
We'll moralize
In solemn wise
With Plato or with Epictetus.
Sneer as you may,
I'm proud to say
That I, for one, am very grateful
To Heaven, that sends
These genial friends
To banish other friendships hateful!
And when I'm done,
I'd have no son
Pounce on these treasures like a vulture;
Nay, give them half
My epitaph,
And let them share in my sepulture.
Then, when the crack
Of doom rolls back
The marble and the earth that hide me,
I'll smuggle home
Each precious tome,
Without a fear my wife shall chide me!
|
Written by
Henry Vaughan |
Love, the world's life! What a sad death
Thy absence is to lose our breath
At once and die, is but to live
Enlarged, without the scant reprieve
Of pulse and air: whose dull returns
And narrow circles the soul mourns.
But to be dead alive, and still
To wish, but never have our will:
To be possessed, and yet to miss;
To wed a true but absent bliss:
Are lingering tortures, and their smart
Dissects and racks and grinds the heart!
As soul and body in that state
Which unto us seems separate,
Cannot be said to live, until
Reunion; which days fulfil
And slow-paced seasons: so in vain
Through hours and minutes (Time's long train,)
I look for thee, and from thy sight,
As from my soul, for life and light.
For till thine eyes shine so on me,
Mine are fast-closed and will not see.
|