Written by
William Carlos (WCW) Williams |
Of asphodel, that greeny flower,
like a buttercup
upon its branching stem-
save that it's green and wooden-
I come, my sweet,
to sing to you.
We lived long together
a life filled,
if you will,
with flowers. So that
I was cheered
when I came first to know
that there were flowers also
in hell.
Today
I'm filled with the fading memory of those flowers
that we both loved,
even to this poor
colorless thing-
I saw it
when I was a child-
little prized among the living
but the dead see,
asking among themselves:
What do I remember
that was shaped
as this thing is shaped?
while our eyes fill
with tears.
Of love, abiding love
it will be telling
though too weak a wash of crimson
colors it
to make it wholly credible.
There is something
something urgent
I have to say to you
and you alone
but it must wait
while I drink in
the joy of your approach,
perhaps for the last time.
And so
with fear in my heart
I drag it out
and keep on talking
for I dare not stop.
Listen while I talk on
against time.
It will not be
for long.
I have forgot
and yet I see clearly enough
something
central to the sky
which ranges round it.
An odor
springs from it!
A sweetest odor!
Honeysuckle! And now
there comes the buzzing of a bee!
and a whole flood
of sister memories!
Only give me time,
time to recall them
before I shall speak out.
Give me time,
time.
When I was a boy
I kept a book
to which, from time
to time,
I added pressed flowers
until, after a time,
I had a good collection.
The asphodel,
forebodingly,
among them.
I bring you,
reawakened,
a memory of those flowers.
They were sweet
when I pressed them
and retained
something of their sweetness
a long time.
It is a curious odor,
a moral odor,
that brings me
near to you.
The color
was the first to go.
There had come to me
a challenge,
your dear self,
mortal as I was,
the lily's throat
to the hummingbird!
Endless wealth,
I thought,
held out its arms to me.
A thousand tropics
in an apple blossom.
The generous earth itself
gave us lief.
The whole world
became my garden!
But the sea
which no one tends
is also a garden
when the sun strikes it
and the waves
are wakened.
I have seen it
and so have you
when it puts all flowers
to shame.
Too, there are the starfish
stiffened by the sun
and other sea wrack
and weeds. We knew that
along with the rest of it
for we were born by the sea,
knew its rose hedges
to the very water's brink.
There the pink mallow grows
and in their season
strawberries
and there, later,
we went to gather
the wild plum.
I cannot say
that I have gone to hell
for your love
but often
found myself there
in your pursuit.
I do not like it
and wanted to be
in heaven. Hear me out.
Do not turn away.
I have learned much in my life
from books
and out of them
about love.
Death
is not the end of it.
There is a hierarchy
which can be attained,
I think,
in its service.
Its guerdon
is a fairy flower;
a cat of twenty lives.
If no one came to try it
the world
would be the loser.
It has been
for you and me
as one who watches a storm
come in over the water.
We have stood
from year to year
before the spectacle of our lives
with joined hands.
The storm unfolds.
Lightning
plays about the edges of the clouds.
The sky to the north
is placid,
blue in the afterglow
as the storm piles up.
It is a flower
that will soon reach
the apex of its bloom.
We danced,
in our minds,
and read a book together.
You remember?
It was a serious book.
And so books
entered our lives.
The sea! The sea!
Always
when I think of the sea
there comes to mind
the Iliad
and Helen's public fault
that bred it.
Were it not for that
there would have been
no poem but the world
if we had remembered,
those crimson petals
spilled among the stones,
would have called it simply
murder.
The sexual orchid that bloomed then
sending so many
disinterested
men to their graves
has left its memory
to a race of fools
or heroes
if silence is a virtue.
The sea alone
with its multiplicity
holds any hope.
The storm
has proven abortive
but we remain
after the thoughts it roused
to
re-cement our lives.
It is the mind
the mind
that must be cured
short of death's
intervention,
and the will becomes again
a garden. The poem
is complex and the place made
in our lives
for the poem.
Silence can be complex too,
but you do not get far
with silence.
Begin again.
It is like Homer's
catalogue of ships:
it fills up the time.
I speak in figures,
well enough, the dresses
you wear are figures also,
we could not meet
otherwise. When I speak
of flowers
it is to recall
that at one time
we were young.
All women are not Helen,
I know that,
but have Helen in their hearts.
My sweet,
you have it also, therefore
I love you
and could not love you otherwise.
Imagine you saw
a field made up of women
all silver-white.
What should you do
but love them?
The storm bursts
or fades! it is not
the end of the world.
Love is something else,
or so I thought it,
a garden which expands,
though I knew you as a woman
and never thought otherwise,
until the whole sea
has been taken up
and all its gardens.
It was the love of love,
the love that swallows up all else,
a grateful love,
a love of nature, of people,
of animals,
a love engendering
gentleness and goodness
that moved me
and that I saw in you.
I should have known,
though I did not,
that the lily-of-the-valley
is a flower makes many ill
who whiff it.
We had our children,
rivals in the general onslaught.
I put them aside
though I cared for them.
as well as any man
could care for his children
according to my lights.
You understand
I had to meet you
after the event
and have still to meet you.
Love
to which you too shall bow
along with me-
a flower
a weakest flower
shall be our trust
and not because
we are too feeble
to do otherwise
but because
at the height of my power
I risked what I had to do,
therefore to prove
that we love each other
while my very bones sweated
that I could not cry to you
in the act.
Of asphodel, that greeny flower,
I come, my sweet,
to sing to you!
My heart rouses
thinking to bring you news
of something
that concerns you
and concerns many men. Look at
what passes for the new.
You will not find it there but in
despised poems.
It is difficult
to get the news from poems
yet men die miserably every day
for lack
of what is found there.
Hear me out
for I too am concerned
and every man
who wants to die at peace in his bed
besides.
|
Written by
Seamus Heaney |
The piper coming from far away is you
With a whitewash brush for a sporran
Wobbling round you, a kitchen chair
Upside down on your shoulder, your right arm
Pretending to tuck the bag beneath your elbow,
Your pop-eyes and big cheeks nearly bursting
With laughter, but keeping the drone going on
Interminably, between catches of breath.
*
The whitewash brush. An old blanched skirted thing
On the back of the byre door, biding its time
Until spring airs spelled lime in a work-bucket
And a potstick to mix it in with water.
Those smells brought tears to the eyes, we inhaled
A kind of greeny burning and thought of brimstone.
But the slop of the actual job
Of brushing walls, the watery grey
Being lashed on in broad swatches, then drying out
Whiter and whiter, all that worked like magic.
Where had we come from, what was this kingdom
We knew we'd been restored to? Our shadows
Moved on the wall and a tar border glittered
The full length of the house, a black divide
Like a freshly opened, pungent, reeking trench.
*
Piss at the gable, the dead will congregate.
But separately. The women after dark,
Hunkering there a moment before bedtime,
The only time the soul was let alone,
The only time that face and body calmed
In the eye of heaven.
Buttermilk and urine,
The pantry, the housed beasts, the listening bedroom.
We were all together there in a foretime,
In a knowledge that might not translate beyond
Those wind-heaved midnights we still cannot be sure
Happened or not. It smelled of hill-fort clay
And cattle dung. When the thorn tree was cut down
You broke your arm. I shared the dread
When a strange bird perched for days on the byre roof.
*
That scene, with Macbeth helpless and desperate
In his nightmare--when he meets the hags agains
And sees the apparitions in the pot--
I felt at home with that one all right. Hearth,
Steam and ululation, the smoky hair
Curtaining a cheek. 'Don't go near bad boys
In that college that you're bound for. Do you hear me?
Do you hear me speaking to you? Don't forget!'
And then the postick quickening the gruel,
The steam crown swirled, everything intimate
And fear-swathed brightening for a moment,
Then going dull and fatal and away.
*
Grey matter like gruel flecked with blood
In spatters on the whitewash. A clean spot
Where his head had been, other stains subsumed
In the parched wall he leant his back against
That morning like any other morning,
Part-time reservist, toting his lunch-box.
A car came slow down Castle Street, made the halt,
Crossed the Diamond, slowed again and stopped
Level with him, although it was not his lift.
And then he saw an ordinary face
For what it was and a gun in his own face.
His right leg was hooked back, his sole and heel
Against the wall, his right knee propped up steady,
So he never moved, just pushed with all his might
Against himself, then fell past the tarred strip,
Feeding the gutter with his copious blood.
*
My dear brother, you have good stamina.
You stay on where it happens. Your big tractor
Pulls up at the Diamond, you wave at people,
You shout and laugh about the revs, you keep
old roads open by driving on the new ones.
You called the piper's sporrans whitewash brushes
And then dressed up and marched us through the kitchen,
But you cannot make the dead walk or right wrong.
I see you at the end of your tether sometimes,
In the milking parlour, holding yourself up
Between two cows until your turn goes past,
Then coming to in the smell of dung again
And wondering, is this all? As it was
In the beginning, is now and shall be?
Then rubbing your eyes and seeing our old brush
Up on the byre door, and keeping going.
|
Written by
William Strode |
Now the declining sun 'gan downwards bend
From higher heavens, and from his locks did send
A milder flame, when near to Tiber's flow
A lutinist allay'd his careful woe
With sounding charms, and in a greeny seat
Of shady oake took shelter from the heat.
A Nightingale oreheard him, that did use
To sojourn in the neighbour groves, the muse
That fill'd the place, the Syren of the wood;
Poore harmless Syren, stealing neare she stood
Close lurking in the leaves attentively
Recording that unwonted melody:
Shee cons it to herselfe and every strayne
His finger playes her throat return'd again.
The lutinist perceives an answeare sent
From th' imitating bird and was content
To shewe her play; more fully then in hast
He tries his lute, and (giving her a tast
Of the ensuing quarrel) nimbly beats
On all his strings; as nimbly she repeats,
And (wildely ranging ore a thousand keys)
Sends a shrill warning of her after-layes.
With rolling hand the Lutinist then plies
His trembling threads; sometimes in scornful wise
He brushes down the strings and keemes them all
With one even stroke; then takes them severall
And culles them ore again. His sparkling joynts
(With busy descant mincing on the points)
Reach back with busy touch: that done hee stayes,
The bird replies, and art with art repayes,
Sometimes as one unexpert or in doubt
How she might wield her voice, shee draweth out
Her tone at large and doth at first prepare
A solemne strayne not weav'd with sounding ayre,
But with an equall pitch and constant throate
Makes clear the passage of her gliding noate;
Then crosse division diversly shee playes,
And loudly chanting out her quickest layes
Poises the sounds, and with a quivering voice
Falls back again: he (wondering how so choise,
So various harmony should issue out
From such a little throate) doth go about
Some harder lessons, and with wondrous art
Changing the strings, doth upp the treble dart,
And downwards smites the base; with painefull stroke
Hee beats, and as the trumpet doth provoke
Sluggards to fight, even so his wanton skill
With mingled discords joynes the hoarse and shrill:
The Bird this also tunes, and while she cutts
Sharp notes with melting voice, and mingled putts
Measures of middle sound, then suddenly
Shee thunders deepe, and juggs it inwardly,
With gentle murmurs, cleare and dull shee sings,
By course, as when the martial warning rings:
Beleev't the minstrel blusht; with angry mood
Inflam'd, quoth hee, thou chauntresse of the wood,
Either from thee Ile beare the prize away,
Or vanquisht break my lute without delay.
Inimitable accents then hee straynes;
His hand flyes ore the strings: in one hee chaynes
Four different numbers, chasing here and there,
And all the strings belabour'd everywhere:
Both flatt and sharpe hee strikes, and stately grows
To prouder straynes, and backwards as he goes
Doubly divides, and closing upp his layes
Like a full quire a shouting consort playes;
Then pausing stood in expectation
If his corrival now dares answeare on;
But shee when practice long her throate had whett,
Induring not to yield, at once doth sett
Her spiritt all of worke, and all in vayne;
For while shee labours to express againe
With nature's simple touch such diverse keyes,
With slender pipes such lofty noates as these,
Orematcht with high designes, orematcht with woe,
Just at the last encounter of her foe
Shee faintes, shee dies, falls on his instrument
That conquer'd her; a fitting monument.
So far even little soules are driven on,
Struck with a vertuous emulation.
|
Written by
John Clare |
Within a thick and spreading hawthorn bush
That overhung a molehill large and round,
I heard from morn to morn a merry thrush
Sing hymns to sunrise, and I drank the sound
With joy; and often, an intruding guest,
I watched her secret toil from day to day—
How true she warped the moss to form a nest,
And modelled it within with wood and clay;
And by and by, like heath-bells gilt with dew,
There lay her shining eggs, as bright as flowers,
Ink-spotted over shells of greeny blue;
And there I witnessed, in the sunny hours,
A brood of nature's minstrels chirp and fly,
Glad as the sunshine and the laughing sky.
|
Written by
Robert Herrick |
Ye silent shades, whose each tree here
Some relique of a saint doth wear;
Who for some sweet-heart's sake, did prove
The fire and martyrdom of Love:--
Here is the legend of those saints
That died for love, and their complaints;
Their wounded hearts, and names we find
Encarved upon the leaves and rind.
Give way, give way to me, who come
Scorch'd with the self-same martyrdom!
And have deserved as much, Love knows,
As to be canonized 'mongst those
Whose deeds and deaths here written are
Within your Greeny-kalendar.
--By all those virgins' fillets hung
Upon! your boughs, and requiems sung
For saints and souls departed hence,
Here honour'd still with frankincense;
By all those tears that have been shed,
As a drink-offering to the dead;
By all those true-love knots, that be
With mottoes carved on every tree;
By sweet Saint Phillis! pity me;
By dear Saint Iphis! and the rest
Of all those other saints now blest,
Me, me forsaken,--here admit
Among your myrtles to be writ;
That my poor name may have the glory
To live remember'd in your story.
|