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Best Famous Graven Poems

Here is a collection of the all-time best famous Graven poems. This is a select list of the best famous Graven poetry. Reading, writing, and enjoying famous Graven poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of graven poems.

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Written by Mark Twain | Create an image from this poem

To Jennie

 Good-bye! a kind good-bye,
I bid you now, my friend,
And though 'tis sad to speak the word,
To destiny I bend

And though it be decreed by Fate
That we ne'er meet again,
Your image, graven on my heart,
Forever shall remain.
Aye, in my heart thoult have a place, Among the friends held dear,- Nor shall the hand of Time efface The memories written there.
Goodbye, S.
L.
C.


Written by John Greenleaf Whittier | Create an image from this poem

The Norsemen ( From Narrative and Legendary Poems )

 GIFT from the cold and silent Past! 
A relic to the present cast, 
Left on the ever-changing strand 
Of shifting and unstable sand, 
Which wastes beneath the steady chime 
And beating of the waves of Time! 
Who from its bed of primal rock 
First wrenched thy dark, unshapely block? 
Whose hand, of curious skill untaught, 
Thy rude and savage outline wrought? 
The waters of my native stream 
Are glancing in the sun's warm beam; 
From sail-urged keel and flashing oar 
The circles widen to its shore; 
And cultured field and peopled town 
Slope to its willowed margin down.
Yet, while this morning breeze is bringing The home-life sound of school-bells ringing, And rolling wheel, and rapid jar Of the fire-winged and steedless car, And voices from the wayside near Come quick and blended on my ear,-- A spell is in this old gray stone, My thoughts are with the Past alone! A change! -- The steepled town no more Stretches along the sail-thronged shore; Like palace-domes in sunset's cloud, Fade sun-gilt spire and mansion proud: Spectrally rising where they stood, I see the old, primeval wood; Dark, shadow-like, on either hand I see its solemn waste expand; It climbs the green and cultured hill, It arches o'er the valley's rill, And leans from cliff and crag to throw Its wild arms o'er the stream below.
Unchanged, alone, the same bright river Flows on, as it will flow forever! I listen, and I hear the low Soft ripple where its water go; I hear behind the panther's cry, The wild-bird's scream goes thrilling by, And shyly on the river's brink The deer is stooping down to drink.
But hard! -- from wood and rock flung back, What sound come up the Merrimac? What sea-worn barks are those which throw The light spray from each rushing prow? Have they not in the North Sea's blast Bowed to the waves the straining mast? Their frozen sails the low, pale sun Of Thulë's night has shone upon; Flapped by the sea-wind's gusty sweep Round icy drift, and headland steep.
Wild Jutland's wives and Lochlin's daughters Have watched them fading o'er the waters, Lessening through driving mist and spray, Like white-winged sea-birds on their way! Onward they glide, -- and now I view Their iron-armed and stalwart crew; Joy glistens in each wild blue eye, Turned to green earth and summer sky.
Each broad, seamed breast has cast aside Its cumbering vest of shaggy hide; Bared to the sun and soft warm air, Streams back the Northmen's yellow hair.
I see the gleam of axe and spear, A sound of smitten shields I hear, Keeping a harsh and fitting time To Saga's chant, and Runic rhyme; Such lays as Zetland's Scald has sung, His gray and naked isles among; Or mutter low at midnight hour Round Odin's mossy stone of power.
The wolf beneath the Arctic moon Has answered to that startling rune; The Gael has heard its stormy swell, The light Frank knows its summons well; Iona's sable-stoled Culdee Has heard it sounding o'er the sea, And swept, with hoary beard and hair, His altar's foot in trembling prayer! 'T is past, -- the 'wildering vision dies In darkness on my dreaming eyes! The forest vanishes in air, Hill-slope and vale lie starkly bare; I hear the common tread of men, And hum of work-day life again; The mystic relic seems alone A broken mass of common stone; And if it be the chiselled limb Of Berserker or idol grim, A fragment of Valhalla's Thor, The stormy Viking's god of War, Or Praga of the Runic lay, Or love-awakening Siona, I know not, -- for no graven line, Nor Druid mark, nor Runic sign, Is left me here, by which to trace Its name, or origin, or place.
Yet, for this vision of the Past, This glance upon its darkness cast, My spirit bows in gratitude Before the Giver of all good, Who fashioned so the human mind, That, from the waste of Time behind, A simple stone, or mound of earth, Can summon the departed forth; Quicken the Past to life again, The Present lose in what hath been, And in their primal freshness show The buried forms of long ago.
As if a portion of that Thought By which the Eternal will is wrought, Whose impulse fills anew with breath The frozen solitude of Death, To mortal mind were sometimes lent, To mortal musing sometimes sent, To whisper -- even when it seems But Memory's fantasy of dreams -- Through the mind's waste of woe and sin, Of an immortal origin!
Written by William Shakespeare | Create an image from this poem

Sonnet C

 Where art thou, Muse, that thou forget'st so long
To speak of that which gives thee all thy might?
Spend'st thou thy fury on some worthless song,
Darkening thy power to lend base subjects light?
Return, forgetful Muse, and straight redeem
In gentle numbers time so idly spent;
Sing to the ear that doth thy lays esteem
And gives thy pen both skill and argument.
Rise, resty Muse, my love's sweet face survey, If Time have any wrinkle graven there; If any, be a satire to decay, And make Time's spoils despised every where.
Give my love fame faster than Time wastes life; So thou prevent'st his scythe and crooked knife.
Written by Christina Rossetti | Create an image from this poem

Bride Song

 From 'The Prince's Progress' 

TOO late for love, too late for joy, 
 Too late, too late! 
You loiter'd on the road too long, 
 You trifled at the gate: 
The enchanted dove upon her branch 
 Died without a mate; 
The enchanted princess in her tower 
 Slept, died, behind the grate; 
Her heart was starving all this while 
 You made it wait.
Ten years ago, five years ago, One year ago, Even then you had arrived in time, Though somewhat slow; Then you had known her living face Which now you cannot know: The frozen fountain would have leap'd, The buds gone on to blow, The warm south wind would have awaked To melt the snow.
Is she fair now as she lies? Once she was fair; Meet queen for any kingly king, With gold-dust on her hair.
Now there are poppies in her locks, White poppies she must wear; Must wear a veil to shroud her face And the want graven there: Or is the hunger fed at length, Cast off the care? We never saw her with a smile Or with a frown; Her bed seem'd never soft to her, Though toss'd of down; She little heeded what she wore, Kirtle, or wreath, or gown; We think her white brows often ached Beneath her crown, Till silvery hairs show'd in her locks That used to be so brown.
We never heard her speak in haste: Her tones were sweet, And modulated just so much As it was meet: Her heart sat silent through the noise And concourse of the street.
There was no hurry in her hands, No hurry in her feet; There was no bliss drew nigh to her, That she might run to greet.
You should have wept her yesterday, Wasting upon her bed: But wherefore should you weep to-day That she is dead? Lo, we who love weep not to-day, But crown her royal head.
Let be these poppies that we strew, Your roses are too red: Let be these poppies, not for you Cut down and spread.
Written by Amy Lowell | Create an image from this poem

Sunshine through a Cobwebbed Window

 What charm is yours, you faded old-world tapestries,
Of outworn, childish mysteries,
Vague pageants woven on a web of dream!
And we, pushing and fighting in the turbid stream
Of modern life, find solace in your tarnished broideries.
Old lichened halls, sun-shaded by huge cedar-trees, The layered branches horizontal stretched, like Japanese Dark-banded prints.
Carven cathedrals, on a sky Of faintest colour, where the gothic spires fly And sway like masts, against a shifting breeze.
Worm-eaten pages, clasped in old brown vellum, shrunk From over-handling, by some anxious monk.
Or Virgin's Hours, bright with gold and graven With flowers, and rare birds, and all the Saints of Heaven, And Noah's ark stuck on Ararat, when all the world had sunk.
They soothe us like a song, heard in a garden, sung By youthful minstrels, on the moonlight flung In cadences and falls, to ease a queen, Widowed and childless, cowering in a screen Of myrtles, whose life hangs with all its threads unstrung.


Written by William Shakespeare | Create an image from this poem

Sonnet 100: Where art thou Muse that thou forgetst so long

 Where art thou, Muse, that thou forget'st so long
To speak of that which gives thee all thy might?
Spend'st thou thy fury on some worthless song,
Darkening thy power to lend base subjects light?
Return, forgetful Muse, and straight redeem
In gentle numbers time so idly spent;
Sing to the ear that doth thy lays esteem,
And gives thy pen both skill and argument.
Rise, resty Muse, my love's sweet face survey If time have any wrinkle graven there; If any, be a satire to decay, And make time's spoils despisèd everywhere.
Give my love fame faster than Time wastes life; So thou prevent'st his scythe and crooked knife.
Written by Hilaire Belloc | Create an image from this poem

Heroic Poem in Praise of Wine

 To exalt, enthrone, establish and defend,
To welcome home mankind's mysterious friend
Wine, true begetter of all arts that be;
Wine, privilege of the completely free;
Wine the recorder; wine the sagely strong;
Wine, bright avenger of sly-dealing wrong,
Awake, Ausonian Muse, and sing the vineyard song!

Sing how the Charioteer from Asia came,
And on his front the little dancing flame
Which marked the God-head.
Sing the Panther-team, The gilded Thrysus twirling, and the gleam Of cymbals through the darkness.
Sing the drums.
He comes; the young renewer of Hellas comes! The Seas await him.
Those Aegean Seas Roll from the dawning, ponderous, ill at ease, In lifts of lead, whose cresting hardly breaks To ghostly foam, when suddenly there awakes A mountain glory inland.
All the skies Are luminous; and amid the sea bird cries The mariner hears a morning breeze arise.
Then goes the Pageant forward.
The sea-way Silvers the feet of that august array Trailing above the waters, through the airs; And as they pass a wind before them bears The quickening word, the influence magical.
The Islands have received it, marble-tall; The long shores of the mainland.
Something fills The warm Euboean combes, the sacred hills Of Aulis and of Argos.
Still they move Touching the City walls, the Temple grove, Till, far upon the horizon-glint, a gleam Of light, of trembling light, revealed they seem Turned to a cloud, but to a cloud that shines, And everywhere as they pass, the Vines! The Vines! The Vines, the conquering Vines! And the Vine breaths Her savour through the upland, empty heaths Of treeless wastes; the Vines have come to where The dark Pelasgian steep defends the lair Of the wolf's hiding; to the empty fields By Aufidus, the dry campaign that yields No harvest for the husbandman, but now Shall bear a nobler foison than the plough; To where, festooned along the tall elm trees, Tendrils are mirrored in Tyrrhenian seas; To where the South awaits them; even to where Stark, African informed of burning air, Upturned to Heaven the broad Hipponian plain Extends luxurious and invites the main.
Guelma's a mother: barren Thaspsa breeds; And northward in the valleys, next the meads That sleep by misty river banks, the Vines Have struck to spread below the solemn pines.
The Vines are on the roof-trees.
All the Shrines And Homes of men are consecrate with Vines.
And now the task of that triumphant day Has reached to victory.
In the reddening ray With all his train, from hard Iberian lands Fulfilled, apparent, that Creator stands Halted on Atlas.
Far Beneath him, far, The strength of Ocean darkening and the star Beyond all shores.
There is a silence made.
It glorifies: and the gigantic shade Of Hercules adores him from the West.
Dead Lucre: burnt Ambition: Wine is best.
But what are these that from the outer murk Of dense mephitic vapours creeping lurk To breathe foul airs from that corrupted well Which oozes slime along the floor of Hell? These are the stricken palsied brood of sin In whose vile veins, poor, poisonous and thin, Decoctions of embittered hatreds crawl: These are the Water-Drinkers, cursed all! On what gin-sodden Hags, what flaccid sires Bred these White Slugs from what exhaust desires? In what close prison's horror were their wiles Watched by what tyrant power with evil smiles; Or in what caverns, blocked from grace and air Received they, then, the mandates of despair? What! Must our race, our tragic race, that roam All exiled from our first, and final, home: That in one moment of temptation lost Our heritage, and now wander, hunger-tost Beyond the Gates (still speaking with our eyes For ever of remembered Paradise), Must we with every gift accepted, still, With every joy, receive attendant ill? Must some lewd evil follow all our good And muttering dog our brief beatitude? A primal doom, inexorable, wise, Permitted, ordered, even these to rise.
Even in the shadow of so bright a Lord Must swarm and propagate the filthy horde Debased, accursed I say, abhorrent and abhorred.
Accursed and curse-bestowing.
For whosoe'er Shall suffer their contagion, everywhere Falls from the estate of man and finds his end To the mere beverage of the beast condemned.
For such as these in vain the Rhine has rolled Imperial centuries by hills of gold; For such as these the flashing Rhone shall rage In vain its lightning through the Hermitage Or level-browed divine Touraine receive The tribute of her vintages at eve.
For such as these Burgundian heats in vain Swell the rich slope or load the empurpled plain.
Bootless for such as these the mighty task Of bottling God the Father in a flask And leading all Creation down distilled To one small ardent sphere immensely filled.
With memories empty, with experience null, With vapid eye-balls meaningless and dull They pass unblest through the unfruitful light; And when we open the bronze doors of Night, When we in high carousal, we reclined, Spur up to Heaven the still ascending mind, Pass with the all inspiring, to and fro, The torch of genius and the Muse's glow, They, lifeless, stare at vacancy alone Or plan mean traffic, or repeat their moan.
We, when repose demands us, welcomed are In young white arms, like our great Exemplar Who, wearied with creation, takes his rest And sinks to sleep on Ariadne's breast.
They through the darkness into darkness press Despised, abandoned and companionless.
And when the course of either's sleep has run We leap to life like heralds of the sun; We from the couch in roseate mornings gay Salute as equals the exultant day While they, the unworthy, unrewarded, they The dank despisers of the Vine, arise To watch grey dawns and mourn indifferent skies.
Forget them! Form the Dionysian ring And pulse the ground, and Io, Io, sing.
Father Lenaean, to whom our strength belongs, Our loves, our wars, our laughter and our songs, Remember our inheritance, who praise Your glory in these last unhappy days When beauty sickens and a muddied robe Of baseness fouls the universal globe.
Though all the Gods indignant and their train Abandon ruined man, do thou remain! By thee the vesture of our life was made, The Embattled Gate, the lordly Colonnade, The woven fabric's gracious hues, the sound Of trumpets, and the quivering fountain-round, And, indestructible, the Arch, and, high, The Shaft of Stone that stands against the sky, And, last, the guardian-genius of them, Rhyme, Come from beyond the world to conquer time: All these are thine, Lenaean.
By thee do seers the inward light discern; By thee the statue lives, the Gods return; By thee the thunder and the falling foam Of loud Acquoria's torrent call to Rome; Alba rejoices in a thousand springs, Gensano laughs, and Orvieto sings.
.
.
But, Ah! With Orvieto, with that name Of dark, Eturian, subterranean flame The years dissolve.
I am standing in that hour Of majesty Septembral, and the power Which swells the clusters when the nights are still With autumn stars on Orvieto hill.
Had these been mine, Ausonian Muse, to know The large contented oxen heaving slow; To count my sheaves at harvest; so to spend Perfected days in peace until the end; With every evening's dust of gold to hear The bells upon the pasture height, the clear Full horn of herdsmen gathering in the kine To ancient byres in hamlets Appenine, And crown abundant age with generous ease: Had these, Ausonian Muse, had these, had these.
.
.
.
.
But since I would not, since I could not stay, Let me remember even in this my day How, when the ephemeral vision's lure is past All, all, must face their Passion at the last Was there not one that did to Heaven complain How, driving through the midnight and the rain, He struck, the Atlantic seethe and surge before, Wrecked in the North along a lonely shore To make the lights of home and hear his name no more.
Was there not one that from a desperate field Rode with no guerdon but a rifted shield; A name disherited; a broken sword; Wounds unrenowned; battle beneath no Lord; Strong blows, but on the void, and toil without reward.
When from the waste of such long labour done I too must leave the grape-ennobling sun And like the vineyard worker take my way Down the long shadows of declining day, Bend on the sombre plain my clouded sight And leave the mountain to the advancing night, Come to the term of all that was mine own With nothingness before me, and alone; Then to what hope of answer shall I turn? Comrade-Commander whom I dared not earn, What said You then to trembling friends and few? "A moment, and I drink it with you new: But in my Father's Kingdom.
" So, my Friend, Let not Your cup desert me in the end.
But when the hour of mine adventure's near Just and benignant, let my youth appear Bearing a Chalice, open, golden, wide, With benediction graven on its side.
So touch my dying lip: so bridge that deep: So pledge my waking from the gift of sleep, And, sacramental, raise me the Divine: Strong brother in God and last companion, Wine.
Written by Robert Pinsky | Create an image from this poem

Ginza Samba

 A monosyllabic European called Sax
Invents a horn, walla whirledy wah, a kind of twisted
Brazen clarinet, but with its column of vibrating
Air shaped not in a cylinder but in a cone
Widening ever outward and bawaah spouting
Infinitely upward through an upturned
Swollen golden bell rimmed
Like a gloxinia flowering
In Sax's Belgian imagination

And in the unfathomable matrix
Of mothers and fathers as a genius graven
Humming into the cells of the body
Or cupped in the resonating grail
Of memory changed and exchanged
As in the trading of brasses,
Pearls and ivory, calicos and slaves,
Laborers and girls, two

Cousins in a royal family
Of Niger known as the Birds or Hawks.
In Christendom one cousin's child Becomes a "favorite *****" ennobled By decree of the Czar and founds A great family, a line of generals, Dandies and courtiers including the poet Pushkin, killed in a duel concerning His wife's honor, while the other cousin sails In the belly of a slaveship to the port Of Baltimore where she is raped And dies in childbirth, but the infant Will marry a Seminole and in the next Chorus of time their child fathers A great Hawk or Bird, with many followers Among them this great-grandchild of the Jewish Manager of a Pushkin estate, blowing His American breath out into the wiggly Tune uncurling its triplets and sixteenths--the Ginza Samba of breath and brass, the reed Vibrating as a valve, the aether, the unimaginable Wires and circuits of an ingenious box Here in my room in this house built A hundred years ago while I was elsewhere: It is like falling in love, the atavistic Imperative of some one Voice or face--the skill, the copper filament, The golden bellful of notes twirling through Their invisible element from Rio to Tokyo and back again gathering Speed in the variations as they tunnel The twin haunted labyrinths of stirrup And anvil echoing here in the hearkening Instrument of my skull.
Written by Christina Rossetti | Create an image from this poem

The Princes Progress (excerpt)

 "Too late for love, too late for joy,
Too late, too late!
You loitered on the road too long,
You trifled at the gate:
The enchanted dove upon her branch
Died without a mate.
The enchanted princess in her tower Slept, died, behind the grate; Her heart was starving all this while You made it wait.
"Ten years ago, five years ago, One year ago, Even then you had arrived in time, Though somewhat slow; Then you had known her living face Which now you cannot know: The frozen fountain would have leaped, The buds gone on to blow, The warm south wind would have awaked To melt the snow.
"Is she fair now as she lies? Once she was fair; Meet queen for any kingly king, With gold-dust on her hair.
Now these are poppies in her locks, White poppies she must wear; Must wear a veil to shroud her face And the want graven there: Or is the hunger fed at length, Cast off the care? "We never saw her with a smile Or with a frown; Her bed seemed never soft to her, Though tossed of down; She little heeded what she wore, Kirtle, or wreath, or gown; We think her white brows often ached Beneath her crown, Till silvery hairs showed in her locks That used to be so brown.
"We never heard her speak in haste; Her tones were sweet, And modulated just so much As it was meet: Her heart sat silent through the noise And concourse of the street.
There was no hurry in her hands, No hurry in her feet; There was no bliss drew nigh to her, That she might run to greet.
"You should have wept her yesterday, Wasting upon her bed: But wherefore should you weep to-day That she is dead? Lo we who love weep not to-day, But crown her royal head.
Let be these poppies that we strew, Your roses are too red: Let be these poppies, not for you Cut down and spread.
"
Written by Spike Milligan | Create an image from this poem

Unto Us..

 Somewhere at some time
They committed themselves to me
And so, I was!
Small, but I WAS!
Tiny, in shape
Lusting to live
I hung in my pulsing cave.
Soon they knew of me My mother --my father.
I had no say in my being I lived on trust And love Tho' I couldn't think Each part of me was saying A silent 'Wait for me I will bring you love!' I was taken Blind, naked, defenseless By the hand of one Whose good name Was graven on a brass plate in Wimpole Street, and dropped on the sterile floor of a foot operated plastic waste bucket.
There was no Queens Counsel To take my brief.
The cot I might have warmed Stood in Harrod's shop window.
When my passing was told My father smiled.
No grief filled my empty space.
My death was celebrated With tickets to see Danny la Rue Who was pretending to be a woman Like my mother was.

Book: Shattered Sighs