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Best Famous Gouge Poems

Here is a collection of the all-time best famous Gouge poems. This is a select list of the best famous Gouge poetry. Reading, writing, and enjoying famous Gouge poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of gouge poems.

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Written by Robert William Service | Create an image from this poem

The Ghosts

 Smith, great writer of stories, drank; found it immortalized his pen;
Fused in his brain-pan, else a blank, heavens of glory now and then;
Gave him the magical genius touch; God-given power to gouge out, fling
Flat in your face a soul-thought -- Bing!
Twiddle your heart-strings in his clutch.
"Bah!" said Smith, "let my body lie stripped to the buff in swinish shame, If I can blaze in the radiant sky out of adoring stars my name.
Sober am I nonentitized; drunk am I more than half a god.
Well, let the flesh be sacrificed; spirit shall speak and shame the clod.
Who would not gladly, gladly give Life to do one thing that will live?" Smith had a friend, we'll call him Brown; dearer than brothers were those two.
When in the wassail Smith would drown, Brown would rescue and pull him through.
When Brown was needful Smith would lend; so it fell as the years went by, Each on the other would depend: then at the last Smith came to die.
There Brown sat in the sick man's room, still as a stone in his despair; Smith bent on him his eyes of doom, shook back his lion mane of hair; Said: "Is there one in my chosen line, writer of forthright tales my peer? Look in that little desk of mine; there is a package, bring it here.
Story of stories, gem of all; essence and triumph, key and clue; Tale of a loving woman's fall; soul swept hell-ward, and God! it's true.
I was the man -- Oh, yes, I've paid, paid with mighty and mordant pain.
Look! here's the masterpiece I've made out of my sin, my manhood slain.
Art supreme! yet the world would stare, know my mistress and blaze my shame.
I have a wife and daughter -- there! take it and thrust it in the flame.
" Brown answered: "Master, you have dipped pen in your heart, your phrases sear.
Ruthless, unflinching, you have stripped naked your soul and set it here.
Have I not loved you well and true? See! between us the shadows drift; This bit of blood and tears means You -- oh, let me have it, a parting gift.
Sacred I'll hold it, a trust divine; sacred your honour, her dark despair; Never shall it see printed line: here, by the living God I swear.
" Brown on a Bible laid his hand; Smith, great writer of stories, sighed: "Comrade, I trust you, and understand.
Keep my secret!" And so he died.
Smith was buried -- up soared his sales; lured you his books in every store; Exquisite, whimsy, heart-wrung tales; men devoured them and craved for more.
So when it slyly got about Brown had a posthumous manuscript, Jones, the publisher, sought him out, into his pocket deep he dipped.
"A thousand dollars?" Brown shook his head.
"The story is not for sale, " he said.
Jones went away, then others came.
Tempted and taunted, Brown was true.
Guarded at friendship's shrine the fame of the unpublished story grew and grew.
It's a long, long lane that has no end, but some lanes end in the Potter's field; Smith to Brown had been more than friend: patron, protector, spur and shield.
Poor, loving-wistful, dreamy Brown, long and lean, with a smile askew, Friendless he wandered up and down, gaunt as a wolf, as hungry too.
Brown with his lilt of saucy rhyme, Brown with his tilt of tender mirth Garretless in the gloom and grime, singing his glad, mad songs of earth: So at last with a faith divine, down and down to the Hunger-line.
There as he stood in a woeful plight, tears a-freeze on his sharp cheek-bones, Who should chance to behold his plight, but the publisher, the plethoric Jones; Peered at him for a little while, held out a bill: "NOW, will you sell?" Brown scanned it with his twisted smile: "A thousand dollars! you go to hell!" Brown enrolled in the homeless host, sleeping anywhere, anywhen; Suffered, strove, became a ghost, slave of the lamp for other men; For What's-his-name and So-and-so in the abyss his soul he stripped, Yet in his want, his worst of woe, held he fast to the manuscript.
Then one day as he chewed his pen, half in hunger and half despair, Creaked the door of his garret den; Dick, his brother, was standing there.
Down on the pallet bed he sank, ashen his face, his voice a wail: "Save me, brother! I've robbed the bank; to-morrow it's ruin, capture, gaol.
Yet there's a chance: I could to-day pay back the money, save our name; You have a manuscript, they say, worth a thousand -- think, man! the shame.
.
.
.
" Brown with his heart pain-pierced the while, with his stern, starved face, and his lips stone-pale, Shuddered and smiled his twisted smile: "Brother, I guess you go to gaol.
" While poor Brown in the leer of dawn wrestled with God for the sacred fire, Came there a woman weak and wan, out of the mob, the murk, the mire; Frail as a reed, a fellow ghost, weary with woe, with sorrowing; Two pale souls in the legion lost; lo! Love bent with a tender wing, Taught them a joy so deep, so true, it seemed that the whole-world fabric shook, Thrilled and dissolved in radiant dew; then Brown made him a golden book, Full of the faith that Life is good, that the earth is a dream divinely fair, Lauding his gem of womanhood in many a lyric rich and rare; Took it to Jones, who shook his head: "I will consider it," he said.
While he considered, Brown's wife lay clutched in the tentacles of pain; Then came the doctor, grave and grey; spoke of decline, of nervous strain; Hinted Egypt, the South of France -- Brown with terror was tiger-gripped.
Where was the money? What the chance? Pitiful God! .
.
.
the manuscript! A thousand dollars! his only hope! he gazed and gazed at the garret wall.
.
.
.
Reached at last for the envelope, turned to his wife and told her all.
Told of his friend, his promise true; told like his very heart would break: "Oh, my dearest! what shall I do? shall I not sell it for your sake?" Ghostlike she lay, as still as doom; turned to the wall her weary head; Icy-cold in the pallid gloom, silent as death .
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at last she said: "Do! my husband? Keep your vow! Guard his secret and let me die.
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Oh, my dear, I must tell you now -- the women he loved and wronged was I; Darling! I haven't long to live: I never told you -- forgive, forgive!" For a long, long time Brown did not speak; sat bleak-browed in the wretched room; Slowly a tear stole down his cheek, and he kissed her hand in the dismal gloom.
To break his oath, to brand her shame; his well-loved friend, his worshipped wife; To keep his vow, to save her name, yet at the cost of what? Her life! A moment's space did he hesitate, a moment of pain and dread and doubt, Then he broke the seals, and, stern as fate, unfolded the sheets and spread them out.
.
.
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On his knees by her side he limply sank, peering amazed -- each page was blank.
(For oh, the supremest of our art are the stories we do not dare to tell, Locked in the silence of the heart, for the awful records of Heav'n and Hell.
) Yet those two in the silence there, seemed less weariful than before.
Hark! a step on the garret stair, a postman knocks at the flimsy door.
"Registered letter!" Brown thrills with fear; opens, and reads, then bends above: "Glorious tidings! Egypt, dear! The book is accepted -- life and love.
"


Written by Robert Lowell | Create an image from this poem

For the Union Dead

 "Relinquunt Omnia Servare Rem Publicam.
" The old South Boston Aquarium stands in a Sahara of snow now.
Its broken windows are boarded.
The bronze weathervane cod has lost half its scales.
The airy tanks are dry.
Once my nose crawled like a snail on the glass; my hand tingled to burst the bubbles drifting from the noses of the cowed, compliant fish.
My hand draws back.
I often sigh still for the dark downward and vegetating kingdom of the fish and reptile.
One morning last March, I pressed against the new barbed and galvanized fence on the Boston Common.
Behind their cage, yellow dinosaur steamshovels were grunting as they cropped up tons of mush and grass to gouge their underworld garage.
Parking spaces luxuriate like civic sandpiles in the heart of Boston.
A girdle of orange, Puritan-pumpkin colored girders braces the tingling Statehouse, shaking over the excavations, as it faces Colonel Shaw and his bell-cheeked ***** infantry on St.
Gaudens' shaking Civil War relief, propped by a plank splint against the garage's earthquake.
Two months after marching through Boston, half the regiment was dead; at the dedication, William James could almost hear the bronze ******* breathe.
Their monument sticks like a fishbone in the city's throat.
Its Colonel is as lean as a compass-needle.
He has an angry wrenlike vigilance, a greyhound's gently tautness; he seems to wince at pleasure, and suffocate for privacy.
He is out of bounds now.
He rejoices in man's lovely, peculiar power to choose life and die-- when he leads his black soldiers to death, he cannot bend his back.
On a thousand small town New England greens, the old white churches hold their air of sparse, sincere rebellion; frayed flags quilt the graveyards of the Grand Army of the Republic.
The stone statues of the abstract Union Soldier grow slimmer and younger each year-- wasp-waisted, they doze over muskets and muse through their sideburns .
.
.
Shaw's father wanted no monument except the ditch, where his son's body was thrown and lost with his "niggers.
" The ditch is nearer.
There are no statues for the last war here; on Boylston Street, a commercial photograph shows Hiroshima boiling over a Mosler Safe, the "Rock of Ages" that survived the blast.
Space is nearer.
When I crouch to my television set, the drained faces of ***** school-children rise like balloons.
Colonel Shaw is riding on his bubble, he waits for the bless?d break.
The Aquarium is gone.
Everywhere, giant finned cars nose forward like fish; a savage servility slides by on grease.
Written by Robert William Service | Create an image from this poem

Over The Parapet

 All day long when the shells sail over
 I stand at the sandbags and take my chance;
But at night, at night I'm a reckless rover,
 And over the parapet gleams Romance.
Romance! Romance! How I've dreamed it, writing Dreary old records of money and mart, Me with my head chuckful of fighting And the blood of vikings to thrill my heart.
But little I thought that my time was coming, Sudden and splendid, supreme and soon; And here I am with the bullets humming As I crawl and I curse the light of the moon.
Out alone, for adventure thirsting, Out in mysterious No Man's Land; Prone with the dead when a star-shell, bursting, Flares on the horrors on every hand.
There are ruby stars and they drip and wiggle; And the grasses gleam in a light blood-red; There are emerald stars, and their tails they wriggle, And ghastly they glare on the face of the dead.
But the worst of all are the stars of whiteness, That spill in a pool of pearly flame, Pretty as gems in their silver brightness, And etching a man for a bullet's aim.
Yet oh, it's great to be here with danger, Here in the weird, death-pregnant dark, In the devil's pasture a stealthy ranger, When the moon is decently hiding.
Hark! What was that? Was it just the shiver Of an eerie wind or a clammy hand? The rustle of grass, or the passing quiver Of one of the ghosts of No Man's Land? It's only at night when the ghosts awaken, And gibber and whisper horrible things; For to every foot of this God-forsaken Zone of jeopard some horror clings.
Ugh! What was that? It felt like a jelly, That flattish mound in the noisome grass; You three big rats running free of its belly, Out of my way and let me pass! But if there's horror, there's beauty, wonder; The trench lights gleam and the rockets play.
That flood of magnificent orange yonder Is a battery blazing miles away.
With a rush and a singing a great shell passes; The rifles resentfully bicker and brawl, And here I crouch in the dew-drenched grasses, And look and listen and love it all.
God! What a life! But I must make haste now, Before the shadow of night be spent.
It's little the time there is to waste now, If I'd do the job for which I was sent.
My bombs are right and my clippers ready, And I wriggle out to the chosen place, When I hear a rustle .
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Steady! .
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Steady! Who am I staring slap in the face? There in the dark I can hear him breathing, A foot away, and as still as death; And my heart beats hard, and my brain is seething, And I know he's a Hun by the smell of his breath.
Then: "Will you surrender?" I whisper hoarsely, For it's death, swift death to utter a cry.
"English schwein-hund!" he murmurs coarsely.
"Then we'll fight it out in the dark," say I.
So we grip and we slip and we trip and wrestle There in the gutter of No Man's Land; And I feel my nails in his wind-pipe nestle, And he tries to gouge, but I bite his hand.
And he tries to squeal, but I squeeze him tighter: "Now," I say, "I can kill you fine; But tell me first, you Teutonic blighter! Have you any children?" He answers: "Nein.
" Nine! Well, I cannot kill such a father, So I tie his hands and I leave him there.
Do I finish my little job? Well, rather; And I get home safe with some light to spare.
Heigh-ho! by day it's just prosy duty, Doing the same old song and dance; But oh! with the night -- joy, glory, beauty: Over the parapet -- Life, Romance!
Written by Wendell Berry | Create an image from this poem

1991-I

 The year begins with war.
Our bombs fall day and night, Hour after hour, by death Abroad appeasing wrath, Folly, and greed at home.
Upon our giddy tower We'd oversway the world.
Our hate comes down to kill Those whom we do not see, For we have given up Our sight to those in power And to machines, and now Are blind to all the world.
This is a nation where No lovely thing can last.
We trample, gouge, and blast; The people leave the land; The land flows to the sea.
Fine men and women die, The fine old houses fall, The fine old trees come down: Highway and shopping mall Still guarantee the right And liberty to be A peaceful murderer, A murderous worshipper, A slender glutton, Forgiving No enemy, forgiven By none, we live the death Of liberty, become What we have feared to be.

Book: Shattered Sighs