Written by
Marge Piercy |
This girlchild was born as usual
and presented dolls that did pee-pee
and miniature GE stoves and irons
and wee lipsticks the color of cherry candy.
Then in the magic of puberty, a classmate said:
You have a great big nose and fat legs.
She was healthy, tested intelligent,
possessed strong arms and back,
abundant sexual drive and manual dexterity.
She went to and fro apologizing.
Everyone saw a fat nose on thick legs.
She was advised to play coy,
exhorted to come on hearty,
exercise, diet, smile and wheedle.
Her good nature wore out
like a fan belt.
So she cut off her nose and her legs
and offered them up.
In the casket displayed on satin she lay
with the undertaker's cosmetics painted on,
a turned-up putty nose,
dressed in a pink and white nightie.
Doesn't she look pretty? everyone said.
Consummation at last.
To every woman a happy ending.
|
Written by
Czeslaw Milosz |
Where does evil come from?
It comes
from man
always from man
only from man
- Tadeusz Rozewicz
Alas, dear Tadeusz,
good nature and wicked man
are romantic inventions
you show us this way
the depth of your optimism
so let man exterminate
his own species
the innocent sunrise will illuminate
a liberated flora and fauna
where oak forests reclaim
the postindustrial wasteland
and the blood of a deer
torn asunder by a pack of wolves
is not seen by anyone
a hawk falls upon a hare
without witness
evil disappears from the world
and consciousness with it
Of course, dear Tadeusz,
evil (and good) comes from man.
|
Written by
John Wilmot |
To this moment a rebel I throw down my arms,
Great Love, at first sight of Olinda's bright charms.
Make proud and secure by such forces as these,
You may now play the tyrant as soon as you please.
When Innocence, Beauty, and Wit do conspire
To betray, and engage, and inflame my Desire,
Why should I decline what I cannot avoid?
And let pleasing Hope by base Fear be destroyed?
Her innocence cannot contrive to undo me,
Her beauty's inclined, or why should it pursue me?
And Wit has to Pleasure been ever a friend,
Then what room for Despair, since Delight is Love's end?
There can be no danger in sweetness and youth,
Where Love is secured by good nature and truth;
On her beauty I'll gaze and of pleasure complain
While every kind look adds a link to my chain.
'Tis more to maintain than it was to surprise,
But her Wit leads in triumpth the slave of her eyes;
I beheld, with the loss of my freedom before,
But hearing, forever must serve and adore.
Too bright is my Goddess, her temple too weak:
Retire, divine image! I feel my heart break.
Help, Love! I dissolve in a rapture of charms
At the thought of those joys I should meet in her arms.
|
Written by
Ann Taylor |
There were two little girls, neither handsome nor plain;
One's name was Eliza, the other's was Jane:
They were both of one height, as I've heard people say,
They were both of one age, I believe, to a day.
'Twas fancied by some, who but slightly had seen them,
That scarcely a difference was there between them;
But no one for long in this notion persisted,
So great a distinction there really existed.
Eliza knew well that she could not be pleasing,
While fretting and fuming, while sulky or teasing;
And therefore in company artfully tried
Not to break her bad habits, but only to hide.
So when she was out, with much labour and pain,
She contrived to look almost a pleasant as Jane;
But then you might see, that in forcing a smile,
Her mouth was uneasy, and ached all the while.
And in spite of her care, it would sometimes befall,
That some cross event happen'd to ruin it all;
And because it might chance that her share was the worst,
Her temper broke loose, and her dimples dispersed.
But Jane, who had nothing she wanted to hide,
And therefore these troublesome arts never tried,
Had none of the care and fatigue of concealing,
But her face always show'd what her bosom was feeling.
At home or abroad there was peace in her smile,
A cheerful good nature that needed no guile.
And Eliza work'd hard, but could never obtain
The affection that freely was given to Jane.
|
Written by
Jane Taylor |
In an elegant frock, trimm'd with beautiful lace,
And hair nicely curl'd, hanging over her face,
Young Fanny went out to the house of a friend,
With a large little party the evening to spend.
"Ah! how they will all be delighted, I guess,
And stare with surprise at my handsome new dress!"
Thus said the vain girl, and her little heart beat,
Impatient the happy young party to meet.
But, alas! they were all too intent on their play
To observe the fine clothes of this lady so gay,
And thus all her trouble quite lost its design;
For they saw she was proud, but forgot she was fine.
'Twas Lucy, though only in simple white clad,
(Nor trimmings, nor laces, nor jewels, she had,)
Whose cheerful good-nature delighted them more
Than Fanny and all the fine garments she wore.
'Tis better to have a sweet smile on one's face,
Than to wear a fine frock with an elegant lace,
For the good-natured girl is loved best in the main,
If her dress is but decent, though ever so plain.
|
Written by
John Berryman |
Maskt as honours, insult like behaving
missiles homes.
I bow, & grunt 'Thank you.
I'm glad you could come
so late.
' All loves are gratified.
I'm having
to screw a little thing I have to screw.
Good nature is over.
Herewith ill-wishes.
From a cozy grave
rainbow I scornful laughings.
Do not do,
Father, me down.
Let's shuck an obligation.
O I have
done.
Is the inner-coffin burning blue
or did Jehovah frown?
Jehovah.
Period.
Yahweh.
Period.
God.
It is marvellous that views so differay
(Father is a Jesuit)
can love so well each other.
We was had.
O visit in my last tomb me.
—Perché?
—Is a nice pit.
|