Written by
Samuel Taylor Coleridge |
The Frost performs its secret ministry,
Unhelped by any wind.
The owlet's cry
Came loud---and hark, again! loud as before.
The inmates of my cottage, all at rest,
Have left me to that solitude, which suits
Abstruser musings: save that at my side
My cradled infant slumbers peacefully.
`Tis calm indeed! so calm, that it disturbs
And vexes meditation with its strange
And extreme silentness.
Sea, hill, and wood,
This populous village! Sea, and hill, and wood,
With all the numberless goings-on of life,
Inaudible as dreams! the thin blue flame
Lies on my low-burnt fire, and quivers not;
Only that film, which fluttered on the grate,
Still flutters there, the sole unquiet thing.
Methinks, its motion in this hush of nature
Gives it dim sympathies with me who live,
Making it a companionable form,
Whose puny flaps and freaks the idling Spirit
By its own moods interprets, every where
Echo or mirror seeking of itself,
And makes a toy of Thought.
But O! how oft,
How oft, at school, with most believing mind,
Presageful, have I gazed upon the bars,
To watch that fluttering stranger! and as oft
With unclosed lids, already had I dreamt
Of my sweet birth-place, and the old church-tower,
Whose bells, the poor man's only music, rang
>From morn to evening, all the hot Fair-day,
So sweetly, that they stirred and haunted me
With a wild pleasure, falling on mine ear
Most like articulate sounds of things to come!
So gazed I, till the soothing things, I dreamt,
Lulled me to sleep, and sleep prolonged my dreams!
And so I brooded all the following morn,
Awed by the stern preceptor's face, mine eye
Fixed with mock study on my swimming book:
Save if the door half opened, and I snatched
A hasty glance, and still my heart leaped up,
For still I hoped to see the stranger's face,
Townsman, or aunt, or sister more beloved,
My play-mate when we both were clothed alike!
Dear Babe, that sleepest cradled by my side,
Whose gentle breathings, heard in this deep calm,
Fill up the interspersed vacancies
And momentary pauses of the thought!
My babe so beautiful! it thrills my heart
With tender gladness, thus to look at thee,
And think that thou shall learn far other lore,
And in far other scenes! For I was reared
In the great city, pent 'mid cloisters dim,
And saw nought lovely but the sky and stars.
But thou, my babe! shalt wander like a breeze
By lakes and sandy shores, beneath the crags
Of ancient mountain, and beneath the clouds,
Which image in their bulk both lakes and shores
And mountain crags: so shalt thou see and hear
The lovely shapes and sounds intelligible
Of that eternal language, which thy God
Utters, who from eternity doth teach
Himself in all, and all things in himself.
Great universal Teacher! he shall mould
Thy spirit, and by giving make it ask.
Therefore all seasons shall be sweet to thee,
Whether the summer clothe the general earth
With greenness, or the redbreast sit and sing
Betwixt the tufts of snow on the bare branch
Of mossy apple-tree, while the nigh thatch
Smokes in the sun-thaw; whether the eave-drops fall
Heard only in the trances of the blast,
Or if the secret ministry of frost
Shall hang them up in silent icicles,
Quietly shining to the quiet Moon.
|
Written by
John Betjeman |
Here among long-discarded cassocks,
Damp stools, and half-split open hassocks,
Here where the vicar never looks
I nibble through old service books.
Lean and alone I spend my days
Behind this Church of England baize.
I share my dark forgotten room
With two oil-lamps and half a broom.
The cleaner never bothers me,
So here I eat my frugal tea.
My bread is sawdust mixed with straw;
My jam is polish for the floor.
Christmas and Easter may be feasts
For congregations and for priests,
And so may Whitsun.
All the same,
They do not fill my meagre frame.
For me the only feast at all
Is Autumn's Harvest Festival,
When I can satisfy my want
With ears of corn around the font.
I climb the eagle's brazen head
To burrow through a loaf of bread.
I scramble up the pulpit stair
And gnaw the marrows hanging there.
It is enjoyable to taste
These items ere they go to waste,
But how annoying when one finds
That other mice with pagan minds
Come into church my food to share
Who have no proper business there.
Two field mice who have no desire
To be baptized, invade the choir.
A large and most unfriendly rat
Comes in to see what we are at.
He says he thinks there is no God
And yet he comes .
.
.
it's rather odd.
This year he stole a sheaf of wheat
(It screened our special preacher's seat),
And prosperous mice from fields away
Come in to hear our organ play,
And under cover of its notes
Ate through the altar's sheaf of oats.
A Low Church mouse, who thinks that I
Am too papistical, and High,
Yet somehow doesn't think it wrong
To munch through Harvest Evensong,
While I, who starve the whole year through,
Must share my food with rodents who
Except at this time of the year
Not once inside the church appear.
Within the human world I know
Such goings-on could not be so,
For human beings only do
What their religion tells them to.
They read the Bible every day
And always, night and morning, pray,
And just like me, the good church mouse,
Worship each week in God's own house,
But all the same it's strange to me
How very full the church can be
With people I don't see at all
Except at Harvest Festival.
|
Written by
John Ashbery |
Something strange is creeping across me.
La Celestina has only to warble the first few bars
Of "I Thought about You" or something mellow from
Amadigi di Gaula for everything--a mint-condition can
Of Rumford's Baking Powder, a celluloid earring, Speedy
Gonzales, the latest from Helen Topping Miller's fertile
Escritoire, a sheaf of suggestive pix on greige, deckle-edged
Stock--to come clattering through the rainbow trellis
Where Pistachio Avenue rams the 2300 block of Highland
Fling Terrace.
He promised he'd get me out of this one,
That mean old cartoonist, but just look what he's
Done to me now! I scarce dare approach me mug's attenuated
Reflection in yon hubcap, so jaundiced, so déconfit
Are its lineaments--fun, no doubt, for some quack phrenologist's
Fern-clogged waiting room, but hardly what you'd call
Companionable.
But everything is getting choked to the point of
Silence.
Just now a magnetic storm hung in the swatch of sky
Over the Fudds' garage, reducing it--drastically--
To the aura of a plumbago-blue log cabin on
A Gadsden Purchase commemorative cover.
Suddenly all is
Loathing.
I don't want to go back inside any more.
You meet
Enough vague people on this emerald traffic-island--no,
Not people, comings and goings, more: mutterings, splatterings,
The bizarrely but effectively equipped infantries of
happy-go-nutty
Vegetal jacqueries, plumed, pointed at the little
White cardboard castle over the mill run.
"Up
The lazy river, how happy we could be?"
How will it end? That geranium glow
Over Anaheim's had the riot act read to it by the
Etna-size firecracker that exploded last minute into
A carte du Tendre in whose lower right-hand corner
(Hard by the jock-itch sand-trap that skirts
The asparagus patch of algolagnic nuits blanches) Amadis
Is cozening the Princesse de Cleves into a midnight
micturition spree
On the Tamigi with the Wallets (Walt, Blossom, and little
Sleezix) on a lamé barge "borrowed" from Ollie
Of the Movies' dread mistress of the robes.
Wait!
I have an announcement! This wide, tepidly meandering,
Civilized Lethe (one can barely make out the maypoles
And châlets de nécessitê on its sedgy shore)
leads to Tophet, that
Landfill-haunted, not-so-residential resort from which
Some travellers return! This whole moment is the groin
Of a borborygmic giant who even now
Is rolling over on us in his sleep.
Farewell bocages,
Tanneries, water-meadows.
The allegory comes unsnarled
Too soon; a shower of pecky acajou harpoons is
About all there is to be noted between tornadoes.
I have
Only my intermittent life in your thoughts to live
Which is like thinking in another language.
Everything
Depends on whether somebody reminds you of me.
That this is a fabulation, and that those "other times"
Are in fact the silences of the soul, picked out in
Diamonds on stygian velvet, matters less than it should.
Prodigies of timing may be arranged to convince them
We live in one dimension, they in ours.
While I
Abroad through all the coasts of dark destruction seek
Deliverance for us all, think in that language: its
Grammar, though tortured, offers pavillions
At each new parting of the ways.
Pastel
Ambulances scoop up the quick and hie them to hospitals.
"It's all bits and pieces, spangles, patches, really; nothing
Stands alone.
What happened to creative evolution?"
Sighed Aglavaine.
Then to her Sélysette: "If his
Achievement is only to end up less boring than the others,
What's keeping us here? Why not leave at once?
I have to stay here while they sit in there,
Laugh, drink, have fine time.
In my day
One lay under the tough green leaves,
Pretending not to notice how they bled into
The sky's aqua, the wafted-away no-color of regions supposed
Not to concern us.
And so we too
Came where the others came: nights of physical endurance,
Or if, by day, our behavior was anarchically
Correct, at least by New Brutalism standards, all then
Grew taciturn by previous agreement.
We were spirited
Away en bateau, under cover of fudge dark.
It's not the incomplete importunes, but the spookiness
Of the finished product.
True, to ask less were folly, yet
If he is the result of himself, how much the better
For him we ought to be! And how little, finally,
We take this into account! Is the puckered garance satin
Of a case that once held a brace of dueling pistols our
Only acknowledging of that color? I like not this,
Methinks, yet this disappointing sequel to ourselves
Has been applauded in London and St.
Petersburg.
Somewhere
Ravens pray for us.
" The storm finished brewing.
And thus
She questioned all who came in at the great gate, but none
She found who ever heard of Amadis,
Nor of stern Aureng-Zebe, his first love.
Some
They were to whom this mattered not a jot: since all
By definition is completeness (so
In utter darkness they reasoned), why not
Accept it as it pleases to reveal itself? As when
Low skyscrapers from lower-hanging clouds reveal
A turret there, an art-deco escarpment here, and last perhaps
The pattern that may carry the sense, but
Stays hidden in the mysteries of pagination.
Not what we see but how we see it matters; all's
Alike, the same, and we greet him who announces
The change as we would greet the change itself.
All life is but a figment; conversely, the tiny
Tome that slips from your hand is not perhaps the
Missing link in this invisible picnic whose leverage
Shrouds our sense of it.
Therefore bivouac we
On this great, blond highway, unimpeded by
Veiled scruples, worn conundrums.
Morning is
Impermanent.
Grab sex things, swing up
Over the horizon like a boy
On a fishing expedition.
No one really knows
Or cares whether this is the whole of which parts
Were vouchsafed--once--but to be ambling on's
The tradition more than the safekeeping of it.
This mulch for
Play keeps them interested and busy while the big,
Vaguer stuff can decide what it wants--what maps, what
Model cities, how much waste space.
Life, our
Life anyway, is between.
We don't mind
Or notice any more that the sky is green, a parrot
One, but have our earnest where it chances on us,
Disingenuous, intrigued, inviting more,
Always invoking the echo, a summer's day.
|
Written by
Anne Sexton |
If you danced from midnight
to six A.
M.
who would understand?
The runaway boy
who chucks it all
to live on the Boston Common
on speed and saltines,
pissing in the duck pond,
rapping with the street priest,
trading talk like blows,
another missing person,
would understand.
The paralytic's wife
who takes her love to town,
sitting on the bar stool,
downing stingers and peanuts,
singing "That ole Ace down in the hole,"
would understand.
The passengers
from Boston to Paris
watching the movie with dawn
coming up like statues of honey,
having partaken of champagne and steak
while the world turned like a toy globe,
those murderers of the nightgown
would understand.
The amnesiac
who tunes into a new neighborhood,
having misplaced the past,
having thrown out someone else's
credit cards and monogrammed watch,
would understand.
The drunken poet
(a genius by daylight)
who places long-distance calls
at three A.
M.
and then lets you sit
holding the phone while he vomits
(he calls it "The Night of the Long Knives")
getting his kicks out of the death call,
would understand.
The insomniac
listening to his heart
thumping like a June bug,
listening on his transistor
to Long John Nebel arguing from New York,
lying on his bed like a stone table,
would understand.
The night nurse
with her eyes slit like Venetian blinds,
she of the tubes and the plasma,
listening to the heart monitor,
the death cricket bleeping,
she who calls you "we"
and keeps vigil like a ballistic missile,
would understand.
Once
this king had twelve daughters,
each more beautiful than the other.
They slept together, bed by bed
in a kind of girls' dormitory.
At night the king locked and bolted the door
.
How could they possibly escape?
Yet each morning their shoes
were danced to pieces.
Each was as worn as an old jockstrap.
The king sent out a proclamation
that anyone who could discover
where the princesses did their dancing
could take his pick of the litter.
However there was a catch.
If he failed, he would pay with his life.
Well, so it goes.
Many princes tried,
each sitting outside the dormitory,
the door ajar so he could observe
what enchantment came over the shoes.
But each time the twelve dancing princesses
gave the snoopy man a Mickey Finn
and so he was beheaded.
Poof! Like a basketball.
It so happened that a poor soldier
heard about these strange goings on
and decided to give it a try.
On his way to the castle
he met an old old woman.
Age, for a change, was of some use.
She wasn't stuffed in a nursing home.
She told him not to drink a drop of wine
and gave him a cloak that would make
him invisible when the right time came.
And thus he sat outside the dorm.
The oldest princess brought him some wine
but he fastened a sponge beneath his chin,
looking the opposite of Andy Gump.
The sponge soaked up the wine,
and thus he stayed awake.
He feigned sleep however
and the princesses sprang out of their beds
and fussed around like a Miss America Contest.
Then the eldest went to her bed
and knocked upon it and it sank into the earth.
They descended down the opening
one after the other.
They crafty soldier
put on his invisisble cloak and followed.
Yikes, said the youngest daughter,
something just stepped on my dress.
But the oldest thought it just a nail.
Next stood an avenue of trees,
each leaf make of sterling silver.
The soldier took a leaf for proof.
The youngest heard the branch break
and said, Oof! Who goes there?
But the oldest said, Those are
the royal trumpets playing triumphantly.
The next trees were made of diamonds.
He took one that flickered like Tinkerbell
and the youngest said: Wait up! He is here!
But the oldest said: Trumpets, my dear.
Next they came to a lake where lay
twelve boats with twelve enchanted princes
waiting to row them to the underground castle.
The soldier sat in the youngest's boat
and the boat was as heavy as if an icebox
had been added but the prince did not suspect.
Next came the ball where the shoes did duty.
The princesses danced like taxi girls at Roseland
as if those tickets would run right out.
They were painted in kisses with their secret hair
and though the soldier drank from their cups
they drank down their youth with nary a thought.
Cruets of champagne and cups full of rubies.
They danced until morning and the sun came up
naked and angry and so they returned
by the same strange route.
The soldier
went forward through the dormitory and into
his waiting chair to feign his druggy sleep.
That morning the soldier, his eyes fiery
like blood in a wound, his purpose brutal
as if facing a battle, hurried with his answer
as if to the Sphinx.
The shoes! The shoes!
The soldier told.
He brought forth
the silver leaf, the diamond the size of a plum.
He had won.
The dancing shoes would dance
no more.
The princesses were torn from
their night life like a baby from its pacifier.
Because he was old he picked the eldest.
At the wedding the princesses averted their eyes
and sagged like old sweatshirts.
Now the runaways would run no more and never
again would their hair be tangled into diamonds,
never again their shoes worn down to a laugh,
never the bed falling down into purgatory
to let them climb in after
with their Lucifer kicking.
|
Written by
William Stafford |
Some time when the river is ice ask me
mistakes I have made.
Ask me whether
what I have done is my life.
Others
have come in their slow way into
my thought, and some have tried to help
or to hurt: ask me what difference
their strongest love or hate has made.
I will listen to what you say.
You and I can turn and look
at the silent river and wait.
We know
the current is there, hidden; and there
are comings and goings from miles away
that hold the stillness exactly before us.
What the river says, that is what I say.
|
Written by
Rudyard Kipling |
Here is nothing new nor aught unproven," say the Trumpets,
"Many feet have worn it and the road is old indeed.
"It is the King--the King we schooled aforetime! "
(Trumpets in the marshes-in the eyot at Runnymede!)
"Here is neither haste, nor hate, nor anger," peal the Trumpets,
"Pardon for his penitence or pity for his fall.
"It is the King!"--inexorable Trumpets--
(Trumpets round the scaffold af the dawning by Whitehall!)
.
.
.
.
.
.
.
"He hath veiled the Crown And hid the Scepter," warn (he Trum pets,
"He hath changed the fashion of the lies that cloak his will.
"Hard die the Kings--ah hard--dooms hard!" declare the Trumpets,
Trumpets at the gang-plank where the brawling troop-decks fill!
Ancient and Unteachable, abide--abide the Trumpets!
Once again the Trumpets, for the shuddering ground-swell brings
Clamour over ocean of the harsh, pursuing Trumpets--
Trumpets of the Vanguard that have sworn no truce with Kings!
All we have of freedom, all we use or know--
This our fathers bought for us long and long ago.
Ancient Right unnoticed as the breath we draw--
Leave to live by no man's leave, underneath the Law.
Lance and torch and tumult, steel and grey-goose wing
Wrenched it, inch and ell and all, slowly from the king.
Till our fathers 'stablished,, after bloody years,
How our King is one with us, first among his peers.
So they bought us freedom-not at little cost--
Wherefore must we watch the King, lest our gain be lost.
Over all things certain, this is sure indeed,
Suffer not the old King: for we know the breed.
Give no ear to bondsmen bidding us endure.
Whining "He is weak and far"; crying "Time will cure.
"
(Time himself is witness, till the battle joins,
Deeper strikes the rottenness in the people's loins.
)
Give no heed to bondsmen masking war with peace.
Suffer not the old King here or overseas.
They that beg us barter--wait his yielding mood--
Pledge the years we hold in trust-pawn our brother's blood--
Howso' great their clamour, whatsoe'er their claim,
Suffer not the old King under any name!
Here is naught unproven--here is naught to learn.
It is written what shall fall if the King return.
He shall mark our goings, question whence we came,
Set his guards about us, as in Freedom's name.
He shall take a tribute, toll of all our ware;
He shall change our gold for arms--arms we may not bear.
He shall break his Judges if they cross his word;
He shall rule above the Law calling on the Lord.
He shall peep and mutter; and the night shall bring
Watchers 'neath our window, lest we mock the King --
Hate and all division; hosts of hurrying spies;
Money poured in secret, carrion breeding flies.
Strangers of his counsel, hirelings of his pay,
These shall deal our Justice: sell-deny-delay.
We shall drink dishonour, we shall eat abuse
For the Land we look to--for the Tongue we use.
We shall take our station, dirt beneath his feet,
While his hired captains jeer us in the street.
Cruel in the shadow, crafty in the sun,
Far beyond his borders shall his teachings run.
Sloven, sullen, savage, secret, uncontrolled,
Laying on a new land evil of the old--
Long-forgotten bondage, dwarfing heart and brain--
All our fathers died to loose he shall bind again.
Here is nought at venture, random nor untrue
Swings the wheel full-circle, brims the cup anew.
Here is naught unproven, here is nothing hid:
Step for step and word for word--so the old Kings did!
Step by step, and word by word: who is ruled may read.
Suffer not the old Kings: for we know the breed--
All the right they promise--all the wrong they bring.
Stewards of the Judgment, suffer not this King !
|
Written by
Edward Taylor |
All night a door floated down the river.
It tried to remember little incidents of pleasure
from its former life, like the time the lovers
leaned against it kissing for hours
and whispering those famous words.
Later, there were harsh words and a shoe
was thrown and the door was slammed.
Comings and goings by the thousands,
the early mornings and late nights, years, years.
O they've got big plans, they'll make a bundle.
The door was an island that swayed in its sleep.
The moon turned the doorknob just slightly,
burned its fingers and ran,
and still the door said nothing and slept.
At least that's what they like to say,
the little fishes and so on.
Far away, a bell rang, and then a shot was fired.
|
Written by
Gerard Manley Hopkins |
As kingfishers catch fire, dragonflies draw flame;
As tumbled over rim in roundy wells
Stones ring; like each tucked string tells, each hung bell's
Bow swung finds tongue to fling out broad its name;
Each mortal thing does one thing and the same:
Deals out that being indoors each one dwells;
Selves — goes itself; myself it speaks and spells,
Crying, What I do is me: for that I came.
I say more: the just man justices;
Keeps grace: that keeps all his goings graces;
Acts in God's eye what in God's eye he is —
Christ.
For Christ plays in ten thousand places,
Lovely in limbs, and lovely in eyes not his
To the Father through the features of men's faces.
|
Written by
Lewis Carroll |
As one who strives a hill to climb,
Who never climbed before:
Who finds it, in a little time,
Grow every moment less sublime,
And votes the thing a bore:
Yet, having once begun to try,
Dares not desert his quest,
But, climbing, ever keeps his eye
On one small hut against the sky
Wherein he hopes to rest:
Who climbs till nerve and force are spent,
With many a puff and pant:
Who still, as rises the ascent,
In language grows more violent,
Although in breath more scant:
Who, climbing, gains at length the place
That crowns the upward track.
And, entering with unsteady pace,
Receives a buffet in the face
That lands him on his back:
And feels himself, like one in sleep,
Glide swiftly down again,
A helpless weight, from steep to steep,
Till, with a headlong giddy sweep,
He drops upon the plain -
So I, that had resolved to bring
Conviction to a ghost,
And found it quite a different thing
From any human arguing,
Yet dared not quit my post
But, keeping still the end in view
To which I hoped to come,
I strove to prove the matter true
By putting everything I knew
Into an axiom:
Commencing every single phrase
With 'therefore' or 'because,'
I blindly reeled, a hundred ways,
About the syllogistic maze,
Unconscious where I was.
Quoth he "That's regular clap-trap:
Don't bluster any more.
Now DO be cool and take a nap!
Such a ridiculous old chap
Was never seen before!
"You're like a man I used to meet,
Who got one day so furious
In arguing, the simple heat
Scorched both his slippers off his feet!"
I said "THAT'S VERY CURIOUS!"
"Well, it IS curious, I agree,
And sounds perhaps like fibs:
But still it's true as true can be -
As sure as your name's Tibbs," said he.
I said "My name's NOT Tibbs.
"
"NOT Tibbs!" he cried - his tone became
A shade or two less hearty -
"Why, no," said I.
"My proper name
Is Tibbets - " "Tibbets?" "Aye, the same.
"
"Why, then YOU'RE NOT THE PARTY!"
With that he struck the board a blow
That shivered half the glasses.
"Why couldn't you have told me so
Three quarters of an hour ago,
You prince of all the asses?
"To walk four miles through mud and rain,
To spend the night in smoking,
And then to find that it's in vain -
And I've to do it all again -
It's really TOO provoking!
"Don't talk!" he cried, as I began
To mutter some excuse.
"Who can have patience with a man
That's got no more discretion than
An idiotic goose?
"To keep me waiting here, instead
Of telling me at once
That this was not the house!" he said.
"There, that'll do - be off to bed!
Don't gape like that, you dunce!"
"It's very fine to throw the blame
On ME in such a fashion!
Why didn't you enquire my name
The very minute that you came?"
I answered in a passion.
"Of course it worries you a bit
To come so far on foot -
But how was I to blame for it?"
"Well, well!" said he.
"I must admit
That isn't badly put.
"And certainly you've given me
The best of wine and victual -
Excuse my violence," said he,
"But accidents like this, you see,
They put one out a little.
"'Twas MY fault after all, I find -
Shake hands, old Turnip-top!"
The name was hardly to my mind,
But, as no doubt he meant it kind,
I let the matter drop.
"Good-night, old Turnip-top, good-night!
When I am gone, perhaps
They'll send you some inferior Sprite,
Who'll keep you in a constant fright
And spoil your soundest naps.
"Tell him you'll stand no sort of trick;
Then, if he leers and chuckles,
You just be handy with a stick
(Mind that it's pretty hard and thick)
And rap him on the knuckles!
"Then carelessly remark 'Old coon!
Perhaps you're not aware
That, if you don't behave, you'll soon
Be chuckling to another tune -
And so you'd best take care!'
"That's the right way to cure a Sprite
Of such like goings-on -
But gracious me! It's getting light!
Good-night, old Turnip-top, good-night!"
A nod, and he was gone.
|
Written by
Rudyard Kipling |
They bear, in place of classic names,
Letters and numbers on their skin.
They play their grisly blindfold games
In little boxes made of tin.
Sometimes they stalk the Zeppelin,
Sometimes they learn where mines are laid,
Or where the Baltic ice is thin.
That is the custom of "The Trade.
"
Few prize-courts sit upon their claims.
They seldom tow their targets in.
They follow certain secret aims
Down under, Far from strife or din.
When they are ready to begin
No flag is flown, no fuss is made
More than the shearing of a pin.
That is the custom of "The Trade.
"
The Scout's quadruple funnel flames
A mark from Sweden to the Swin,
The Cruiser's thund'rous screw proclaims
Her comings out and goings in:
But only whiffs of paraffin
Or creamy rings that fizz and fade
Show where the one-eyed Death has been
That is the custom of "The Trade.
"
Their feats, their fortunes and their fames
Are hidden from their nearest kin;
No eager public backs or blames,
No journal prints the yarn they spin
(The Censor would not let it in! )
When they return from run or raid.
Unheard they work, unseen they win.
That is the custom of "The Trade.
"
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