Written by
Nazim Hikmet |
I
Living is no laughing matter:
you must live with great seriousness
like a squirrel, for example--
I mean without looking for something beyond and above living,
I mean living must be your whole occupation.
Living is no laughing matter:
you must take it seriously,
so much so and to such a degree
that, for example, your hands tied behind your back,
your back to the wall,
or else in a laboratory
in your white coat and safety glasses,
you can die for people--
even for people whose faces you've never seen,
even though you know living
is the most real, the most beautiful thing.
I mean, you must take living so seriously
that even at seventy, for example, you'll plant olive trees--
and not for your children, either,
but because although you fear death you don't believe it,
because living, I mean, weighs heavier.
II
Let's say you're seriously ill, need surgery--
which is to say we might not get
from the white table.
Even though it's impossible not to feel sad
about going a little too soon,
we'll still laugh at the jokes being told,
we'll look out the window to see it's raining,
or still wait anxiously
for the latest newscast .
.
.
Let's say we're at the front--
for something worth fighting for, say.
There, in the first offensive, on that very day,
we might fall on our face, dead.
We'll know this with a curious anger,
but we'll still worry ourselves to death
about the outcome of the war, which could last years.
Let's say we're in prison
and close to fifty,
and we have eighteen more years, say,
before the iron doors will open.
We'll still live with the outside,
with its people and animals, struggle and wind--
I mean with the outside beyond the walls.
I mean, however and wherever we are,
we must live as if we will never die.
III
This earth will grow cold,
a star among stars
and one of the smallest,
a gilded mote on blue velvet--
I mean this, our great earth.
This earth will grow cold one day,
not like a block of ice
or a dead cloud even
but like an empty walnut it will roll along
in pitch-black space .
.
.
You must grieve for this right now
--you have to feel this sorrow now--
for the world must be loved this much
if you're going to say "I lived" .
.
.
|
Written by
C K Williams |
I was walking home down a hill near our house
on a balmy afternoon
under the blossoms
Of the pear trees that go flamboyantly mad here
every spring with
their burgeoning forth
When a young man turned in from a corner singing
no it was more of
a cadenced shouting
Most of which I couldn't catch I thought because
the young man was
black speaking black
It didn't matter I could tell he was making his
song up which pleased
me he was nice-looking
Husky dressed in some style of big pants obviously
full of himself
hence his lyrical flowing over
We went along in the same direction then he noticed
me there almost
beside him and "Big"
He shouted-sang "Big" and I thought how droll
to have my height
incorporated in his song
So I smiled but the face of the young man showed nothing
he looked
in fact pointedly away
And his song changed "I'm not a nice person"
he chanted "I'm not
I'm not a nice person"
No menace was meant I gathered no particular threat
but he did want
to be certain I knew
That if my smile implied I conceived of anything like concord
between us I should forget it
That's all nothing else happened his song became
indecipherable to
me again he arrived
Where he was going a house where a girl in braids
waited for him on
the porch that was all
No one saw no one heard all the unasked and
unanswered questions
were left where they were
It occurred to me to sing back "I'm not a nice
person either" but I
couldn't come up with a tune
Besides I wouldn't have meant it nor he have believed
it both of us
knew just where we were
In the duet we composed the equation we made
the conventions to
which we were condemned
Sometimes it feels even when no one is there that
someone something
is watching and listening
Someone to rectify redo remake this time again though
no one saw nor
heard no one was there
|
Written by
Robert Herrick |
Get up, get up for shame! the blooming morn
Upon her wings presents the god unshorn.
See how Aurora throws her fair
Fresh-quilted colours through the air!
Get up, sweet slug-a-bed, and see
The dew bespangled herb and tree.
Each flower has wept and bowed toward the east
Above an hour since,—yet you not dressed;
Nay! not so much as out of bed?
When all the birds have matins said
And sung their thankful hymns, 'tis sin—
Nay, profanation—to keep in,
Whenas a thousand virgins on this day
Spring sooner than the lark, to fetch in May.
Rise, and put on your foliage, and be seen
To come forth, like the springtime, fresh and green
And sweet as Flora.
Take no care
For jewels for your gown or hair:
Fear not, the leaves will strew
Gems in abundance upon you:
Besides, the childhood of the day has kept,
Against you come, some orient pearls unwept.
Come, and receive them while the light
Hangs on the dew-locks of the night:
And Titan on the eastern hill
Retires himself, or else stands still
Till you come forth.
Wash, dress, be brief in praying:
Few beads are best when once we go a-Maying.
Come, my Corinna, come; and coming, mark
How each field turns a street, each street a park
Made green and trimmed with trees! See how
Devotion gives each house a bough
Or branch! Each porch, each door, ere this
An ark, a tabernacle is,
Made up of whitethorn neatly interwove,
As if here were those cooler shades of love.
Can such delights be in the street
And open fields and we not see 't?
Come, we'll abroad; and let's obey
The proclamation made for May,
And sin no more, as we have done, by staying;
But, my Corinna, come, let's go a-Maying.
There's not a budding boy or girl this day
But is got up and gone to bring in May.
A deal of youth, ere this, is come
Back, and with whitethorn laden, home.
Some have dispatched their cakes and cream,
Before that we have left to dream;
And some have wept and wooed and plighted troth,
And chose their priest, ere we can cast off sloth:
Many a green-gown has been given,
Many a kiss, both odd and even;
Many a glance too has been sent
From out the eye, love's firmament;
Many a jest told of the key's betraying
This night, and locks picked: yet we're not a-Maying!
Come, let us go while we are in our prime,
And take the harmless folly of the time!
We shall grow old apace, and die
Before we know our liberty.
Our life is short, and our days run
As fast away as does the sun;
And, as a vapour or a drop of rain,
Once lost can ne'er be found again;
So when or you or I are made
A fable, song, or fleeting shade,
All love, all liking, all delight
Lies drowned with us in endless night.
Then while time serves, and we are but decaying,
Come, my Corinna, come, let's go a-Maying!
|
Written by
Andrew Barton Paterson |
'Twas Driver Smith of Battery A was anxious to see a fight;
He thought of the Transvaal all the day, he thought of it all the night --
"Well, if the battery's left behind, I'll go to the war," says he,
"I'll go a-driving and ambulance in the ranks of the A.
M.
C.
"I'm fairly sick of these here parades -- it's want of a change that kills --
A-charging the Randwick Rifle Range and aiming at Surry Hills.
And I think if I go with the ambulance I'm certain to find a show,
For they have to send the Medical men wherever the troops can go.
"Wherever the rifle bullets flash and the Maxims raise a din,
It's here you'll find the Medical men a-raking the wounded in --
A-raking 'em in like human flies -- and a driver smart like me
Will find some scope for his extra skill in the ranks of the A.
M.
C.
"
So Driver Smith he went to war a-cracking his driver's whip,
From ambulance to collecting base they showed him his regular trip.
And he said to the boys that were marching past, as he gave his whip a crack,
"You'll walk yourselves to the fight," says he -- "Lord spare me, I'll drive you back.
"
Now the fight went on in the Transvaal hills for the half of a day or more,
And Driver Smith he worked his trip -- all aboard for the seat of war!
He took his load from the stretcher men and hurried 'em homeward fast
Till he heard a sound that he knew full well -- a battery rolling past.
He heard the clink of the leading chains and the roll of the guns behind --
He heard the crack of the drivers' whips, and he says to 'em, "Strike me blind,
I'll miss me trip with this ambulance, although I don't care to shirk,
But I'll take the car off the line today and follow the guns at work.
"
Then up the Battery Colonel came a-cursing 'em black in the face.
"Sit down and shift 'e,, you drivers there, and gallop 'em into place.
"
So off the Battery rolled and swung, a-going a merry dance,
And holding his own with the leading gun goes Smith with his ambulance.
They opened fire on the mountain side, a-peppering by and large,
When over the hill above their flank the Boers came down at the charge;
They rushed the guns with a daring rush, a-volleying left and right,
And Driver Smith and his ambulance moved up to the edge of the fight.
The gunners stuck to their guns like men, and fought as the wild cats fight,
For a Battery man don't leave his gun with ever a hope in sight;
But the bullets sang and the Mausers cracked and the Battery men gave away,
Till Driver Smith with his ambulance drove into the thick of the fray.
He saw the head of the Transvaal troop a-thundering to and fro,
A hard old face with a monkey beard -- a face that he seemed to know;
"Now who's that leader?" said Driver Smith.
"I've seen him before today.
Why, bless my heart, but it's Kruger's self," and he jumped for him straight away.
He collared old Kruger round the waist and hustled him into the van.
It wasn't according to stretcher drill for raising a wounded man;
But he forced him in and said, "All aboard, we're off for a little ride,
And you'll have the car to yourself," says he, "I reckon we're full inside.
"
He wheeled his team on the mountain side and set 'em a merry pace,
A-galloping over the rocks and stones, and a lot of the Boers gave chase;
Bur Driver Smith had a fairish start, and he said to the Boers, "Good-day,
You have Buckley's chance for to catch a man that was trained in Battery A.
"
He drove his team to the hospital bed and said to the P.
M.
O.
,
"Beg pardon, sir, but I missed the trip, mistaking the way to go;
And Kruger came to the ambulance and asked could we spare a bed,
So I fetched him here, and we'll take him home to show for a bob a head.
"
So the word went round to the English troops to say they need fight no more,
For Driver Smith with his ambulance had ended the blooming war.
And in London now at the music halls he's starring it every night,
And drawing a hundred pounds a week to tell how he won the fight.
|
Written by
Andrew Barton Paterson |
Him goin' to ride for us! Him -- with the pants and the eyeglass and all.
Amateur! don't he just look it -- it's twenty to one on a fall.
Boss must be gone off his head to be sending out steeplechase crack
Out over fences like these with an object like that on his back.
Ride! Don't tell me he can ride.
With his pants just as loose as balloons,
How can he sit on a horse? and his spurs like a pair of harpoons;
Ought to be under the Dog Act, he ought, and be kept off the course.
Fall! why, he'd fall off a cart, let alone off a steeplechase horse.
* *
Yessir! the 'orse is all ready -- I wish you'd have rode him before;
Nothing like knowing your 'orse, sir, and this chap's a terror to bore;
Battleaxe always could pull, and he rushes his fences like fun --
Stands off his jump twenty feet, and then springs like a shot from a gun.
Oh, he can jump 'em all right, sir, you make no mistake, 'e's a toff --
Clouts 'em in earnest, too, sometimes; you mind that he don't clout you off --
Don't seem to mind how he hits 'em, his shins is as hard as a nail,
Sometimes you'll see the fence shake and the splinters fly up from the rail.
All you can do is to hold him and just let him jump as he likes,
Give him his head at the fences, and hang on like death if he strikes;
Don't let him run himself out -- you can lie third or fourth in the race --
Until you clear the stone wall, and from that you can put on the pace.
Fell at that wall once, he did, and it gave him a regular spread,
Ever since that time he flies it -- he'll stop if you pull at his head,
Just let him race -- you can trust him -- he'll take first-class care he don't fall,
And I think that's the lot -- but remember, he must have his head at the wall.
* *
Well, he's down safe as far as the start, and he seems to sit on pretty neat,
Only his baggified breeches would ruinate anyone's seat --
They're away -- here they come -- the first fence, and he's head over heels for a crown!
Good for the new chum! he's over, and two of the others are down!
Now for the treble, my hearty -- By Jove, he can ride, after all;
Whoop, that's your sort -- let him fly them! He hasn't much fear of a fall.
Who in the world would have thought it? And aren't they just going a pace?
Little Recruit in the lead there will make it a stoutly-run race.
Lord! but they're racing in earnest -- and down goes Recruit on his head,
Rolling clean over his boy -- it's a miracle if he ain't dead.
Battleaxe, Battleaxe, yet! By the Lord, he's got most of 'em beat --
Ho! did you see how he struck, and the swell never moved in his seat?
Second time round, and, by Jingo! he's holding his lead of 'em well;
Hark to him clouting the timber! It don't seem to trouble the swell.
Now for the wall -- let him rush it.
A thirty-foot leap, I declare --
Never a shift in his seat, and he's racing for home like a hare.
What's that that's chasing him -- Rataplan -- regular demon to stay!
Sit down and ride for your life now! Oh, good, that's the style -- come away!
Rataplan's certain to beat you, unless you can give him the slip,
Sit down and rub in the whalebone -- now give him the spurs and the whip!
Battleaxe, Battleaxe, yet -- and it's Battleaxe wins for a crown;
Look at him rushing the fences, he wants to bring t'other chap down.
Rataplan never will catch him if only he keeps on his pins;
Now! the last fence, and he's over it! Battleaxe, Battleaxe wins!
* *
Well, sir, you rode him just perfect -- I knew from the fust you could ride.
Some of the chaps said you couldn't, an' I says just like this a' one side:
Mark me, I says, that's a tradesman -- the saddle is where he was bred.
Weight! you're all right, sir, and thank you; and them was the words that I said.
|
Written by
Mother Goose |
"Where are you going, my pretty maid?"
"I'm going a-milking, sir," she said.
"May I go with you, my pretty maid?"
"You're kindly welcome, sir," she said.
"What is your father, my pretty maid?"
"My father's a farmer, sir," she said.
"What is your fortune, my pretty maid?"
"My face is my fortune, sir," she said.
"Then I can't marry you, my pretty maid.
"
"Nobody asked you, sir," she said.
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