Written by
Billy Collins |
I wonder how it all got started, this business
about seeing your life flash before your eyes
while you drown, as if panic, or the act of submergence,
could startle time into such compression, crushing
decades in the vice of your desperate, final seconds.
After falling off a steamship or being swept away
in a rush of floodwaters, wouldn't you hope
for a more leisurely review, an invisible hand
turning the pages of an album of photographs-
you up on a pony or blowing out candles in a conic hat.
How about a short animated film, a slide presentation?
Your life expressed in an essay, or in one model photograph?
Wouldn't any form be better than this sudden flash?
Your whole existence going off in your face
in an eyebrow-singeing explosion of biography-
nothing like the three large volumes you envisioned.
Survivors would have us believe in a brilliance
here, some bolt of truth forking across the water,
an ultimate Light before all the lights go out,
dawning on you with all its megalithic tonnage.
But if something does flash before your eyes
as you go under, it will probably be a fish,
a quick blur of curved silver darting away,
having nothing to do with your life or your death.
The tide will take you, or the lake will accept it all
as you sink toward the weedy disarray of the bottom,
leaving behind what you have already forgotten,
the surface, now overrun with the high travel of clouds.
|
Written by
Edna St. Vincent Millay |
Read by the poet at The Public Ceremonial of The Naional Institute
of Arts and Letters at Carnegie Hall, New York, January 18th, 1941.
Great Muse, that from this hall absent for long
Hast never been,
Great Muse of Song,
Colossal Muse of mighty Melody,
Vocal Calliope,
With thine august and contrapuntal brow
And thy vast throat builded for Harmony,
For the strict monumental pure design,
And the melodic line:
Be thou tonight with all beneath these rafters—be with me.
If I address thee in archaic style—
Words obsolete, words obsolescent,
It is that for a little while
The heart must, oh indeed must from this angry and out-rageous present
Itself withdraw
Into some past in which most crooked Evil,
Although quite certainly conceived and born, was not as yet the Law.
Archaic, or obsolescent at the least,
Be thy grave speaking and the careful words of thy clear song,
For the time wrongs us, and the words most common to our speech today
Salute and welcome to the feast
Conspicuous Evil— or against him all day long
Cry out, telling of ugly deeds and most uncommon wrong.
Be thou tonight with all beneath these rafters—be with me
But oh, be more with those who are not free.
Who, herded into prison camps all shame must suffer and all outrage see.
Where music is not played nor sung,
Though the great voice be there, no sound from the dry throat across the thickened tongue
Comes forth; nor has he heart for it.
Beauty in all things—no, we cannot hope for that; but some place set apart for it.
Here it may dwell;
And with your aid, Melpomene
And all thy sister-muses (for ye are, I think, daughters of Memory)
Within the tortured mind as well.
Reaped are those fields with dragon's-teeth so lately sown;
Many the heaped men dying there - so close, hip touches thigh; yet each man dies alone.
Music, what overtone
For the soft ultimate sigh or the unheeded groan
Hast thou—to make death decent, where men slip
Down blood to death, no service of grieved heart or ritual lip
Transferring what was recently a man and still is warm—
Transferring his obedient limbs into the shallow grave where not again a friend shall greet him,
Nor hatred do him harm .
.
.
Nor true love run to meet him?
In the last hours of him who lies untended
On a cold field at night, and sees the hard bright stars
Above his upturned face, and says aloud "How strange .
.
.
my life is ended.
"—
If in the past he loved great music much, and knew it well,
Let not his lapsing mind be teased by well-beloved but ill- remembered bars —
Let the full symphony across the blood-soaked field
By him be heard, most pure in every part,
The lonely horror of whose painful death is thus repealed,
Who dies with quiet tears upon his upturned face, making to glow with softness the hard stars.
And bring to those who knew great poetry well
Page after page that they have loved but have not learned by heart!
We who in comfort to well-lighted shelves
Can turn for all the poets ever wrote,
Beseech you: Bear to those
Who love high art no less than we ourselves,
Those who lie wounded, those who in prison cast
Strive to recall, to ease them, some great ode, and every stanza save the last.
Recall—oh, in the dark, restore them
The unremembered lines; make bright the page before them!
Page after page present to these,
In prison concentrated, watched by barbs of bayonet and wire,
Give ye to them their hearts' intense desire—
The words of Shelley, Virgil, Sophocles.
And thou, O lovely and not sad,
Euterpe, be thou in this hall tonight!
Bid us remember all we ever had
Of sweet and gay delight—
We who are free,
But cannot quite be glad,
Thinking of huge, abrupt disaster brought
Upon so many of our kind
Who treasure as do we the vivid look on the unfrightened face,
The careless happy stride from place to place,
And the unbounded regions of untrammelled thought
Open as interstellar space
To the exploring and excited mind.
O Muses, O immortal Nine!—
Or do ye languish? Can ye die?
Must all go under?—
How shall we heal without your help a world
By these wild horses torn asunder?
How shall we build anew? — How start again?
How cure, how even moderate this pain
Without you, and you strong?
And if ye sleep, then waken!
And if ye sicken and do plan to die,
Do not that now!
Hear us, in what sharp need we cry!
For we have help nowhere
If not in you!
Pity can much, and so a mighty mind, but cannot all things do!—
By you forsaken,
We shall be scattered, we shall be overtaken!
Oh, come! Renew in us the ancient wonder,
The grace of life, its courage, and its joy!
Weave us those garlands nothing can destroy!
Come! with your radiant eyes! — with your throats of thunder!
|
Written by
Elizabeth Bishop |
It is so peaceful on the ceiling!
It is the Place de la Concorde.
The little crystal chandelier
is off, the fountain is in the dark.
Not a soul is in the park.
Below, where the wallpaper is peeling,
the Jardin des Plantes has locked its gates.
Those photographs are animals.
The mighty flowers and foliage rustle;
under the leaves the insects tunnel.
We must go under the wallpaper
to meet the insect-gladiator,
to battle with a net and trident,
and leave the fountain and the square
But oh, that we could sleep up there.
.
.
.
|
Written by
G K Chesterton |
The line breaks and the guns go under,
The lords and the lackeys ride the plain;
I draw deep breaths of the dawn and thunder,
And the whole of my heart grows young again.
For our chiefs said 'Done,' and I did not deem it;
Our seers said 'Peace,' and it was not peace;
Earth will grow worse till men redeem it,
And wars more evil, ere all wars cease.
But the old flags reel and the old drums rattle,
As once in my life they throbbed and reeled;
I have found my youth in the lost battle,
I have found my heart on the battlefield.
For we that fight till the world is free,
We are not easy in victory:
We have known each other too long, my brother,
And fought each other, the world and we.
And I dream of the days when work was scrappy,
And rare in our pockets the mark of the mint,
When we were angry and poor and happy,
And proud of seeing our names in print.
For so they conquered and so we scattered,
When the Devil road and his dogs smelt gold,
And the peace of a harmless folk was shattered;
When I was twenty and odd years old.
When the mongrel men that the market classes
Had slimy hands upon England's rod,
And sword in hand upon Afric's passes
Her last Republic cried to God.
For the men no lords can buy or sell,
They sit not easy when all goes well,
They have said to each other what naught can smother,
They have seen each other, our souls and hell.
It is all as of old, the empty clangour,
The Nothing scrawled on a five-foot page,
The huckster who, mocking holy anger,
Painfully paints his face with rage.
And the faith of the poor is faint and partial,
And the pride of the rich is all for sale,
And the chosen heralds of England's Marshal
Are the sandwich-men of the Daily Mail,
And the niggards that dare not give are glutted,
And the feeble that dare not fail are strong,
So while the City of Toil is gutted,
I sit in the saddle and sing my song.
For we that fight till the world is free,
We have no comfort in victory;
We have read each other as Cain his brother,
We know each other, these slaves and we.
|
Written by
Edna St. Vincent Millay |
Let us abandon then our gardens and go home
And sit in the sitting-room
Shall the larkspur blossom or the corn grow under this cloud?
Sour to the fruitful seed
Is the cold earth under this cloud,
Fostering quack and weed, we have marched upon but cannot
conquer;
We have bent the blades of our hoes against the stalks of them.
Let us go home, and sit in the sitting room.
Not in our day
Shall the cloud go over and the sun rise as before,
Beneficent upon us
Out of the glittering bay,
And the warm winds be blown inward from the sea
Moving the blades of corn
With a peaceful sound.
Forlorn, forlorn,
Stands the blue hay-rack by the empty mow.
And the petals drop to the ground,
Leaving the tree unfruited.
The sun that warmed our stooping backs and withered the weed
uprooted—
We shall not feel it again.
We shall die in darkness, and be buried in the rain.
What from the splendid dead
We have inherited —
Furrows sweet to the grain, and the weed subdued —
See now the slug and the mildew plunder.
Evil does overwhelm
The larkspur and the corn;
We have seen them go under.
Let us sit here, sit still,
Here in the sitting-room until we die;
At the step of Death on the walk, rise and go;
Leaving to our children's children the beautiful doorway,
And this elm,
And a blighted earth to till
With a broken hoe.
|
Written by
James Dickey |
In a stable of boats I lie still,
From all sleeping children hidden.
The leap of a fish from its shadow
Makes the whole lake instantly tremble.
With my foot on the water, I feel
The moon outside
Take on the utmost of its power.
I rise and go our through the boats.
I set my broad sole upon silver,
On the skin of the sky, on the moonlight,
Stepping outward from earth onto water
In quest of the miracle
This village of children believed
That I could perform as I dived
For one who had sunk from my sight.
I saw his cropped haircut go under.
I leapt, and my steep body flashed
Once, in the sun.
Dark drew all the light from my eyes.
Like a man who explores his death
By the pull of his slow-moving shoulders,
I hung head down in the cold,
Wide-eyed, contained, and alone
Among the weeds,
And my fingertips turned into stone
From clutching immovable blackness.
Time after time I leapt upward
Exploding in breath, and fell back
From the change in the children's faces
At my defeat.
Beneath them I swam to the boathouse
With only my life in my arms
To wait for the lake to shine back
At the risen moon with such power
That my steps on the light of the ripples
Might be sustained.
Beneath me is nothing but brightness
Like the ghost of a snowfield in summer.
As I move toward the center of the lake,
Which is also the center of the moon,
I am thinking of how I may be
The savior of one
Who has already died in my care.
The dark trees fade from around me.
The moon's dust hovers together.
I call softly out, and the child's
Voice answers through blinding water.
Patiently, slowly,
He rises, dilating to break
The surface of stone with his forehead.
He is one I do not remember
Having ever seen in his life.
The ground I stand on is trembling
Upon his smile.
I wash the black mud from my hands.
On a light given off by the grave
I kneel in the quick of the moon
At the heart of a distant forest
And hold in my arms a child
Of water, water, water.
|
Written by
Archibald MacLeish |
And here face down beneath the sun
And here upon earth's noonward height
To feel the always coming on
The always rising of the night
To feel creep up the curving east
The earthy chill of dusk and slow
Upon those under lands the vast
And ever climbing shadow grow
And strange at Ecbatan the trees
Take leaf by leaf the evening strange
The flooding dark about their knees
The mountains over Persia change
And now at Kermanshah the gate
Dark empty and the withered grass
And through the twilight now the late
Few travelers in the westward pass
And Baghdad darken and the bridge
Across the silent river gone
And through Arabia the edge
Of evening widen and steal on
And deepen on Palmyra's street
The wheel rut in the ruined stone
And Lebanon fade out and Crete
High through the clouds and overblown
And over Sicily the air
Still flashing with the landward gulls
And loom and slowly disappear
The sails above the shadowy hulls
And Spain go under the the shore
Of Africa the gilded sand
And evening vanish and no more
The low pale light across that land
Nor now the long light on the sea
And here face downward in the sun
To feel how swift how secretly
The shadow of the night comes on.
.
.
|
Written by
Ella Wheeler Wilcox |
Don’t look for the flaws as you go through life;
And even when you find them,
It is wise and kind to be somewhat blind
And look for the virtue behind them.
For the cloudiest night has a hint of light
Somewhere in its shadows hiding;
It is better by far to hunt for a star,
Than the spots on the sun abiding.
The current of life runs ever away
To the bosom of God’s great ocean.
Don’t set your force ‘gainst the river’s course
And think to alter its motion.
Don’t waste a curse on the universe –
Remember it lived before you.
Don’t butt at the storm with your puny form,
But bend and let it go o’er you.
The world will never adjust itself
To suit your whims to the letter.
Some things must go wrong your whole life long,
And the sooner you know it the better.
It is folly to fight with the Infinite,
And go under at last in the wrestle;
The wiser man shapes into God’s plan
As water shapes into a vessel.
|
Written by
Robert William Service |
When your marrer bone seems 'oller,
And you're glad you ain't no taller,
And you're all a-shakin' like you 'ad the chills;
When your skin creeps like a pullet's,
And you're duckin' all the bullets,
And you're green as gorgonzola round the gills;
When your legs seem made of jelly,
And you're squeamish in the belly,
And you want to turn about and do a bunk:
For Gawd's sake, kid, don't show it!
Don't let your mateys know it --
You're just sufferin' from funk, funk, funk.
Of course there's no denyin'
That it ain't so easy tryin'
To grin and grip your rifle by the butt,
When the 'ole world rips asunder,
And you sees yer pal go under,
As a bunch of shrapnel sprays 'im on the nut;
I admit it's 'ard contrivin'
When you 'ears the shells arrivin',
To discover you're a bloomin' bit o' *****;
But, my lad, you've got to do it,
And your God will see you through it,
For wot 'E 'ates is funk, funk, funk.
So stand up, son; look gritty,
And just 'um a lively ditty,
And only be afraid to be afraid;
Just 'old yer rifle steady,
And 'ave yer bay'nit ready,
For that's the way good soldier-men is made.
And if you 'as to die,
As it sometimes 'appens, why,
Far better die a 'ero than a skunk;
A-doin' of yer bit,
And so -- to 'ell with it,
There ain't no bloomin' funk, funk, funk.
|