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Best Famous Go Ahead Poems

Here is a collection of the all-time best famous Go Ahead poems. This is a select list of the best famous Go Ahead poetry. Reading, writing, and enjoying famous Go Ahead poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of go ahead poems.

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Written by Charles Bukowski | Create an image from this poem

An Almost Made Up Poem

 I see you drinking at a fountain with tiny
blue hands, no, your hands are not tiny
they are small, and the fountain is in France
where you wrote me that last letter and
I answered and never heard from you again.
you used to write insane poems about
ANGELS AND GOD, all in upper case, and you
knew famous artists and most of them
were your lovers, and I wrote back, it’ all right,
go ahead, enter their lives, I’ not jealous
because we’ never met. we got close once in
New Orleans, one half block, but never met, never
touched. so you went with the famous and wrote
about the famous, and, of course, what you found out
is that the famous are worried about
their fame –– not the beautiful young girl in bed
with them, who gives them that, and then awakens
in the morning to write upper case poems about
ANGELS AND GOD. we know God is dead, they’ told
us, but listening to you I wasn’ sure. maybe
it was the upper case. you were one of the
best female poets and I told the publishers, 
editors, “ her, print her, she’ mad but she’
magic. there’ no lie in her fire.” I loved you
like a man loves a woman he never touches, only
writes to, keeps little photographs of. I would have
loved you more if I had sat in a small room rolling a
cigarette and listened to you piss in the bathroom,
but that didn’ happen. your letters got sadder.
your lovers betrayed you. kid, I wrote back, all
lovers betray. it didn’ help. you said
you had a crying bench and it was by a bridge and
the bridge was over a river and you sat on the crying
bench every night and wept for the lovers who had
hurt and forgotten you. I wrote back but never
heard again. a friend wrote me of your suicide
3 or 4 months after it happened. if I had met you
I would probably have been unfair to you or you
to me. it was best like this.


Written by Anne Sexton | Create an image from this poem

A Curse Against Elegies

 Oh, love, why do we argue like this?
I am tired of all your pious talk.
Also, I am tired of all the dead.
They refuse to listen,
so leave them alone.
Take your foot out of the graveyard,
they are busy being dead.

Everyone was always to blame:
the last empty fifth of booze,
the rusty nails and chicken feathers
that stuck in the mud on the back doorstep,
the worms that lived under the cat's ear
and the thin-lipped preacher
who refused to call
except once on a flea-ridden day
when he came scuffing in through the yard
looking for a scapegoat.
I hid in the kitchen under the ragbag.

I refuse to remember the dead.
And the dead are bored with the whole thing.
But you -- you go ahead,
go on, go on back down
into the graveyard,
lie down where you think their faces are;
talk back to your old bad dreams.
Written by Charles Simic | Create an image from this poem

To The One Upstairs

 Boss of all bosses of the universe.
Mr. know-it-all, wheeler-dealer, wire-puller,
And whatever else you're good at.
Go ahead, shuffle your zeros tonight.
Dip in ink the comets' tails.
Staple the night with starlight.

You'd be better off reading coffee dregs,
Thumbing the pages of the Farmer's Almanac.
But no! You love to put on airs,
And cultivate your famous serenity
While you sit behind your big desk
With zilch in your in-tray, zilch
In your out-tray,
And all of eternity spread around you.

Doesn't it give you the creeps
To hear them begging you on their knees,
Sputtering endearments,
As if you were an inflatable, life-size doll?
Tell them to button up and go to bed.
Stop pretending you're too busy to take notice.

Your hands are empty and so are your eyes.
There's nothing to put your signature to,
Even if you knew your own name,
Or believed the ones I keep inventing,
As I scribble this note to you in the dark.
Written by Carl Sandburg | Create an image from this poem

To a Contemporary Bunkshooter

 YOU come along. . . tearing your shirt. . . yelling about
Jesus.
Where do you get that stuff?
What do you know about Jesus?
Jesus had a way of talking soft and outside of a few
bankers and higher-ups among the con men of Jerusalem
everybody liked to have this Jesus around because
he never made any fake passes and everything
he said went and he helped the sick and gave the
people hope.


You come along squirting words at us, shaking your fist
and calling us all damn fools so fierce the froth slobbers
over your lips. . . always blabbing we're all
going to hell straight off and you know all about it.


I've read Jesus' words. I know what he said. You don't
throw any scare into me. I've got your number. I
know how much you know about Jesus.
He never came near clean people or dirty people but
they felt cleaner because he came along. It was your
crowd of bankers and business men and lawyers
hired the sluggers and murderers who put Jesus out
of the running.


I say the same bunch backing you nailed the nails into
the hands of this Jesus of Nazareth. He had lined
up against him the same crooks and strong-arm men
now lined up with you paying your way.

This Jesus was good to look at, smelled good, listened
good. He threw out something fresh and beautiful
from the skin of his body and the touch of his hands
wherever he passed along.
You slimy bunkshooter, you put a smut on every human
blossom in reach of your rotten breath belching
about hell-fire and hiccupping about this Man who
lived a clean life in Galilee.

When are you going to quit making the carpenters build
emergency hospitals for women and girls driven
crazy with wrecked nerves from your gibberish about
Jesus--I put it to you again: Where do you get that
stuff; what do you know about Jesus?


Go ahead and bust all the chairs you want to. Smash
a whole wagon load of furniture at every performance.
Turn sixty somersaults and stand on your
nutty head. If it wasn't for the way you scare the
women and kids I'd feel sorry for you and pass the hat.
I like to watch a good four-flusher work, but not when
he starts people puking and calling for the doctors.
I like a man that's got nerve and can pull off a great
original performance, but you--you're only a bug-
house peddler of second-hand gospel--you're only
shoving out a phoney imitation of the goods this
Jesus wanted free as air and sunlight.

You tell people living in shanties Jesus is going to fix it
up all right with them by giving them mansions in
the skies after they're dead and the worms have
eaten 'em.
You tell $6 a week department store girls all they need
is Jesus; you take a steel trust wop, dead without
having lived, gray and shrunken at forty years of
age, and you tell him to look at Jesus on the cross
and he'll be all right.
You tell poor people they don't need any more money
on pay day and even if it's fierce to be out of a job,
Jesus'll fix that up all right, all right--all they gotta
do is take Jesus the way you say.
I'm telling you Jesus wouldn't stand for the stuff you're
handing out. Jesus played it different. The bankers
and lawyers of Jerusalem got their sluggers and
murderers to go after Jesus just because Jesus
wouldn't play their game. He didn't sit in with
the big thieves.

I don't want a lot of gab from a bunkshooter in my religion.
I won't take my religion from any man who never works
except with his mouth and never cherishes any memory
except the face of the woman on the American
silver dollar.

I ask you to come through and show me where you're
pouring out the blood of your life.

I've been to this suburb of Jerusalem they call Golgotha,
where they nailed Him, and I know if the story is
straight it was real blood ran from His hands and
the nail-holes, and it was real blood spurted in red
drops where the spear of the Roman soldier rammed
in between the ribs of this Jesus of Nazareth.
Written by Andrew Barton Paterson | Create an image from this poem

Johnson's Antidote

 Down along the Snakebite River, where the overlanders camp, 
Where the serpents are in millions, all of the most deadly stamp; 
Where the station-cook in terror, nearly every time he bakes, 
Mixes up among the doughboys half-a-dozen poison-snakes: 
Where the wily free-selector walks in armour-plated pants, 
And defies the stings of scorpions, and the bites of bull-dog ants: 
Where the adder and the viper tear each other by the throat,— 
There it was that William Johnson sought his snake-bite antidote. 
Johnson was a free-selector, and his brain went rather *****, 
For the constant sight of serpents filled him with a deadly fear; 
So he tramped his free-selection, morning, afternoon, and night, 
Seeking for some great specific that would cure the serpent’s bite. 
Till King Billy, of the Mooki, chieftain of the flour-bag head, 
Told him, “Spos’n snake bite pfeller, pfeller mostly drop down dead; 
Spos’n snake bite old goanna, then you watch a while you see, 
Old goanna cure himself with eating little pfeller tree.” 
“That’s the cure,” said William Johnson, “point me out this plant sublime,” 
But King Billy, feeling lazy, said he’d go another time. 
Thus it came to pass that Johnson, having got the tale by rote, 
Followed every stray goanna, seeking for the antidote. 


. . . . . 
Loafing once beside the river, while he thought his heart would break, 
There he saw a big goanna fighting with a tiger-snake, 
In and out they rolled and wriggled, bit each other, heart and soul, 
Till the valiant old goanna swallowed his opponent whole. 
Breathless, Johnson sat and watched him, saw him struggle up the bank, 
Saw him nibbling at the branches of some bushes, green and rank; 
Saw him, happy and contented, lick his lips, as off he crept, 
While the bulging in his stomach showed where his opponent slept. 
Then a cheer of exultation burst aloud from Johnson’s throat; 
“Luck at last,” said he, “I’ve struck it! ’tis the famous antidote. 

“Here it is, the Grand Elixir, greatest blessing ever known,— 
Twenty thousand men in India die each year of snakes alone. 
Think of all the foreign nations, *****, chow, and blackamoor, 
Saved from sudden expiration, by my wondrous snakebite cure. 
It will bring me fame and fortune! In the happy days to be, 
Men of every clime and nation will be round to gaze on me— 
Scientific men in thousands, men of mark and men of note, 
Rushing down the Mooki River, after Johnson’s antidote. 
It will cure delirium tremens, when the patient’s eyeballs stare 
At imaginary spiders, snakes which really are not there. 
When he thinks he sees them wriggle, when he thinks he sees them bloat, 
It will cure him just to think of Johnson’s Snakebite Antidote.” 

Then he rushed to the museum, found a scientific man— 
“Trot me out a deadly serpent, just the deadliest you can; 
I intend to let him bite me, all the risk I will endure, 
Just to prove the sterling value of my wondrous snakebite cure. 
Even though an adder bit me, back to life again I’d float; 
Snakes are out of date, I tell you, since I’ve found the antidote.” 
Said the scientific person, “If you really want to die, 
Go ahead—but, if you’re doubtful, let your sheep-dog have a try. 
Get a pair of dogs and try it, let the snake give both a nip; 
Give your dog the snakebite mixture, let the other fellow rip; 
If he dies and yours survives him, then it proves the thing is good. 
Will you fetch your dog and try it?” Johnson rather thought he would. 
So he went and fetched his canine, hauled him forward by the throat. 
“Stump, old man,” says he, “we’ll show them we’ve the genwine antidote.” 

Both the dogs were duly loaded with the poison-gland’s contents; 
Johnson gave his dog the mixture, then sat down to wait events. 
“Mark,” he said, “in twenty minutes Stump’ll be a-rushing round, 
While the other wretched creature lies a corpse upon the ground.” 
But, alas for William Johnson! ere they’d watched a half-hour’s spell 
Stumpy was as dead as mutton, t’other dog was live and well. 
And the scientific person hurried off with utmost speed, 
Tested Johnson’s drug and found it was a deadly poison-weed; 
Half a tumbler killed an emu, half a spoonful killed a goat, 
All the snakes on earth were harmless to that awful antidote. 


. . . . . 
Down along the Mooki River, on the overlanders’ camp, 
Where the serpents are in millions, all of the most deadly stamp, 
Wanders, daily, William Johnson, down among those poisonous hordes, 
Shooting every stray goanna, calls them “black and yaller frauds”. 
And King Billy, of the Mooki, cadging for the cast-off coat, 
Somehow seems to dodge the subject of the snake-bite antidote.


Written by Charles Simic | Create an image from this poem

The Something

 Here come my night thoughts
On crutches,
Returning from studying the heavens.
What they thought about
Stayed the same,
Stayed immense and incomprehensible.

My mother and father smile at each other
Knowingly above the mantel.
The cat sleeps on, the dog
Growls in his sleep.
The stove is cold and so is the bed.

Now there are only these crutches
To contend with.
Go ahead and laugh, while I raise one
With difficulty,
Swaying on the front porch,
While pointing at something
In the gray distance.

You see nothing, eh?
Neither do I, Mr. Milkman.
I better hit you once or twice over the head
With this fine old prop,
So you don't go off muttering

I saw something!
Written by Edna St. Vincent Millay | Create an image from this poem

The Prisoner

 ALL right,
Go ahead!
What's in a name?
I guess I'll be locked into
As much as I'm locked out of!
Written by Paul Laurence Dunbar | Create an image from this poem

In August

When August days are hot an' dry,
When burning copper is the sky,
I 'd rather fish than feast or fly
In airy realms serene and high.
I 'd take a suit not made for looks,
Some easily digested books,
Some flies, some lines, some bait, some hooks,
Then would I seek the bays and brooks.
I would eschew mine every task,
In Nature's smiles my soul should bask,
And I methinks no more could ask,
Except—perhaps—one little flask.
In case of accident, you know,
Or should the wind come on to blow,
Or I be chilled or capsized, so,
A flask would be the only go.
Then could I spend a happy time,—
A bit of sport, a bit of rhyme
(A bit of lemon, or of lime,
To make my bottle's contents prime).
When August days are hot an' dry,
I won't sit by an' sigh or die,
I 'll get my bottle (on the sly)
And go ahead, and fish, and lie![Pg 131]
Written by Carl Sandburg | Create an image from this poem

Style

 STYLE--go ahead talking about style.
You can tell where a man gets his style just
as you can tell where Pavlowa got her legs
or Ty Cobb his batting eye.

Go on talking.
Only don't take my style away.
It's my face.
Maybe no good
but anyway, my face.
I talk with it, I sing with it, I see, taste and feel with it,
I know why I want to keep it.

Kill my style
and you break Pavlowa's legs,
and you blind Ty Cobb's batting eye.

Book: Radiant Verses: A Journey Through Inspiring Poetry