Written by
Adrienne Rich |
1
You, once a belle in Shreveport,
with henna-colored hair, skin like a peachbud,
still have your dresses copied from that time,
and play a Chopin prelude
called by Cortot: "Delicious recollections
float like perfume through the memory.
"
Your mind now, moldering like wedding-cake,
heavy with useless experience, rich
with suspicion, rumor, fantasy,
crumbling to pieces under the knife-edge
of mere fact.
In the prime of your life.
Nervy, glowering, your daughter
wipes the teaspoons, grows another way.
2
Banging the coffee-pot into the sink
she hears the angels chiding, and looks out
past the raked gardens to the sloppy sky.
Only a week since They said: Have no patience.
The next time it was: Be insatiable.
Then: Save yourself; others you cannot save.
Sometimes she's let the tapstream scald her arm,
a match burn to her thumbnail,
or held her hand above the kettle's snout
right inthe woolly steam.
They are probably angels,
since nothing hurts her anymore, except
each morning's grit blowing into her eyes.
3
A thinking woman sleeps with monsters.
The beak that grips her, she becomes.
And Nature,
that sprung-lidded, still commodious
steamer-trunk of tempora and mores
gets stuffed with it all: the mildewed orange-flowers,
the female pills, the terrible breasts
of Boadicea beneath flat foxes' heads and orchids.
Two handsome women, gripped in argument,
each proud, acute, subtle, I hear scream
across the cut glass and majolica
like Furies cornered from their prey:
The argument ad feminam, all the old knives
that have rusted in my back, I drive in yours,
ma semblable, ma soeur!
4
Knowing themselves too well in one another:
their gifts no pure fruition, but a thorn,
the prick filed sharp against a hint of scorn.
.
.
Reading while waiting
for the iron to heat,
writing, My Life had stood--a Loaded Gun--
in that Amherst pantry while the jellies boil and scum,
or, more often,
iron-eyed and beaked and purposed as a bird,
dusting everything on the whatnot every day of life.
5
Dulce ridens, dulce loquens,
she shaves her legs until they gleam
like petrified mammoth-tusk.
6
When to her lute Corinna sings
neither words nor music are her own;
only the long hair dipping
over her cheek, only the song
of silk against her knees
and these
adjusted in reflections of an eye.
Poised, trembling and unsatisfied, before
an unlocked door, that cage of cages,
tell us, you bird, you tragical machine--
is this fertillisante douleur? Pinned down
by love, for you the only natural action,
are you edged more keen
to prise the secrets of the vault? has Nature shown
her household books to you, daughter-in-law,
that her sons never saw?
7
"To have in this uncertain world some stay
which cannot be undermined, is
of the utmost consequence.
"
Thus wrote
a woman, partly brave and partly good,
who fought with what she partly understood.
Few men about her would or could do more,
hence she was labeled harpy, shrew and whore.
8
"You all die at fifteen," said Diderot,
and turn part legend, part convention.
Still, eyes inaccurately dream
behind closed windows blankening with steam.
Deliciously, all that we might have been,
all that we were--fire, tears,
wit, taste, martyred ambition--
stirs like the memory of refused adultery
the drained and flagging bosom of our middle years.
9
Not that it is done well, but
that it is done at all? Yes, think
of the odds! or shrug them off forever.
This luxury of the precocious child,
Time's precious chronic invalid,--
would we, darlings, resign it if we could?
Our blight has been our sinecure:
mere talent was enough for us--
glitter in fragments and rough drafts.
Sigh no more, ladies.
Time is male
and in his cups drinks to the fair.
Bemused by gallantry, we hear
our mediocrities over-praised,
indolence read as abnegation,
slattern thought styled intuition,
every lapse forgiven, our crime
only to cast too bold a shadow
or smash the mold straight off.
For that, solitary confinement,
tear gas, attrition shelling.
Few applicants for that honor.
10
Well,
she's long about her coming, who must be
more merciless to herself than history.
Her mind full to the wind, I see her plunge
breasted and glancing through the currents,
taking the light upon her
at least as beautiful as any boy
or helicopter,
poised, still coming,
her fine blades making the air wince
but her cargo
no promise then:
delivered
palpable
ours.
|
Written by
Vachel Lindsay |
I.
THEIR BASIC SAVAGERY
Fat black bucks in a wine-barrel room,
Barrel-house kings, with feet unstable,
Sagged and reeled and pounded on the table,
A deep rolling bass.
Pounded on the table,
Beat an empty barrel with the handle of a broom,
Hard as they were able,
Boom, boom, BOOM,
With a silk umbrella and the handle of a broom,
Boomlay, boomlay, boomlay, BOOM.
THEN I had religion, THEN I had a vision.
I could not turn from their revel in derision.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
More deliberate.
Solemnly chanted.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
Then along that riverbank
A thousand miles
Tattooed cannibals danced in files;
Then I heard the boom of the blood-lust song
And a thigh-bone beating on a tin-pan gong.
A rapidly piling climax of speed & racket.
And "BLOOD" screamed the whistles and the fifes of the warriors,
"BLOOD" screamed the skull-faced, lean witch-doctors,
"Whirl ye the deadly voo-doo rattle,
Harry the uplands,
Steal all the cattle,
Rattle-rattle, rattle-rattle,
Bing.
Boomlay, boomlay, boomlay, BOOM,"
A roaring, epic, rag-time tune
With a philosophic pause.
From the mouth of the Congo
To the Mountains of the Moon.
Death is an Elephant,
Torch-eyed and horrible,
Shrilly and with a heavily accented metre.
Foam-flanked and terrible.
BOOM, steal the pygmies,
BOOM, kill the Arabs,
BOOM, kill the white men,
HOO, HOO, HOO.
Listen to the yell of Leopold's ghost
Like the wind in the chimney.
Burning in Hell for his hand-maimed host.
Hear how the demons chuckle and yell
Cutting his hands off, down in Hell.
Listen to the creepy proclamation,
Blown through the lairs of the forest-nation,
Blown past the white-ants' hill of clay,
Blown past the marsh where the butterflies play: --
"Be careful what you do,
Or Mumbo-Jumbo, God of the Congo,
All the "O" sounds very golden.
Heavy accents very heavy.
Light accents very light.
Last line whispered.
And all of the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you.
"
II.
THEIR IRREPRESSIBLE HIGH SPIRITS
Wild crap-shooters with a whoop and a call
Rather shrill and high.
Danced the juba in their gambling-hall
And laughed fit to kill, and shook the town,
And guyed the policemen and laughed them down
With a boomlay, boomlay, boomlay, BOOM.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Read exactly as in first section.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
A ***** fairyland swung into view,
Lay emphasis on the delicate ideas.
Keep as light-footed as possible.
A minstrel river
Where dreams come true.
The ebony palace soared on high
Through the blossoming trees to the evening sky.
The inlaid porches and casements shone
With gold and ivory and elephant-bone.
And the black crowd laughed till their sides were sore
At the baboon butler in the agate door,
And the well-known tunes of the parrot band
That trilled on the bushes of that magic land.
A troupe of skull-faced witch-men came
With pomposity.
Through the agate doorway in suits of flame,
Yea, long-tailed coats with a gold-leaf crust
And hats that were covered with diamond-dust.
And the crowd in the court gave a whoop and a call
And danced the juba from wall to wall.
But the witch-men suddenly stilled the throng
With a great deliberation & ghostliness.
With a stern cold glare, and a stern old song: --
"Mumbo-Jumbo will hoo-doo you.
" .
.
.
Just then from the doorway, as fat as shotes,
With overwhelming assurance, good cheer, and pomp.
Came the cake-walk princes in their long red coats,
Canes with a brilliant lacquer shine,
And tall silk hats that were red as wine.
And they pranced with their butterfly partners there,
With growing speed and sharply marked dance-rhythm
Coal-black maidens with pearls in their hair,
Knee-skirts trimmed with the jassamine sweet,
And bells on their ankles and little black-feet.
And the couples railed at the chant and the frown
Of the witch-men lean, and laughed them down.
(O rare was the revel, and well worth while
That made those glowering witch-men smile.
)
The cake-walk royalty then began
To walk for a cake that was tall as a man
To the tune of "Boomlay, boomlay, BOOM,"
While the witch-men laughed, with a sinister air,
With a touch of ***** dialect, and as rapidly as possible toward the end.
And sang with the scalawags prancing there: --
"Walk with care, walk with care,
Or Mumbo-Jumbo, God of the Congo,
And all the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you.
Beware, beware, walk with care,
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay,
BOOM.
"
Oh rare was the revel, and well worth while
Slow philosophic calm.
That made those glowering witch-men smile.
III.
THE HOPE OF THEIR RELIGION
A good old ***** in the slums of the town
Heavy bass.
With a literal imitation of camp-meeting racket, and trance.
Preached at a sister for her velvet gown.
Howled at a brother for his low-down ways,
His prowling, guzzling, sneak-thief days.
Beat on the Bible till he wore it out
Starting the jubilee revival shout.
And some had visions, as they stood on chairs,
And sang of Jacob, and the golden stairs,
And they all repented, a thousand strong
From their stupor and savagery and sin and wrong
And slammed with their hymn books till they shook the room
With "glory, glory, glory,"
And "Boom, boom, BOOM.
"
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Exactly as in the first section.
Begin with terror and power, end with joy.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
And the gray sky opened like a new-rent veil
And showed the Apostles with their coats of mail.
In bright white steel they were seated round
And their fire-eyes watched where the Congo wound.
And the twelve Apostles, from their thrones on high
Thrilled all the forest with their heavenly cry: --
"Mumbo-Jumbo will die in the jungle;
Sung to the tune of "Hark, ten thousand harps and voices.
"
Never again will he hoo-doo you,
Never again will he hoo-doo you.
"
Then along that river, a thousand miles
With growing deliberation and joy.
The vine-snared trees fell down in files.
Pioneer angels cleared the way
For a Congo paradise, for babes at play,
For sacred capitals, for temples clean.
Gone were the skull-faced witch-men lean.
There, where the wild ghost-gods had wailed
In a rather high key -- as delicately as possible.
A million boats of the angels sailed
With oars of silver, and prows of blue
And silken pennants that the sun shone through.
'Twas a land transfigured, 'twas a new creation.
Oh, a singing wind swept the ***** nation
And on through the backwoods clearing flew: --
"Mumbo-Jumbo is dead in the jungle.
To the tune of "Hark, ten thousand harps and voices.
"
Never again will he hoo-doo you.
Never again will he hoo-doo you.
Redeemed were the forests, the beasts and the men,
And only the vulture dared again
By the far, lone mountains of the moon
To cry, in the silence, the Congo tune: --
"Mumbo-Jumbo will hoo-doo you,
Dying down into a penetrating, terrified whisper.
"Mumbo-Jumbo will hoo-doo you.
Mumbo .
.
.
Jumbo .
.
.
will .
.
.
hoo-doo .
.
.
you.
"
|
Written by
Edwin Arlington Robinson |
Take it away, and swallow it yourself.
Ha! Look you, there’s a rat.
Last night there were a dozen on that shelf,
And two of them were living in my hat.
Look! Now he goes, but he’ll come back—
Ha? But he will, I say …
Il reviendra-z-à Pâques,
Ou à la Trinité …
Be very sure that he’ll return again;
For said the Lord: Imprimis, we have rats,
And having rats, we have rain.
—
So on the seventh day
He rested, and made Pain.
—Man, if you love the Lord, and if the Lord
Love liars, I will have you at your word
And swallow it.
Voilà.
Bah!
Where do I say it is
That I have lain so long?
Where do I count myself among the dead,
As once above the living and the strong?
And what is this that comes and goes,
Fades and swells and overflows,
Like music underneath and overhead?
What is it in me now that rings and roars
Like fever-laden wine?
What ruinous tavern-shine
Is this that lights me far from worlds and wars
And women that were mine?
Where do I say it is
That Time has made my bed?
What lowering outland hostelry is this
For one the stars have disinherited?
An island, I have said:
A peak, where fiery dreams and far desires
Are rained on, like old fires:
A vermin region by the stars abhorred,
Where falls the flaming word
By which I consecrate with unsuccess
An acreage of God’s forgetfulness,
Left here above the foam and long ago
Made right for my duress;
Where soon the sea,
My foaming and long-clamoring enemy,
Will have within the cryptic, old embrace
Of her triumphant arms—a memory.
Why then, the place?
What forage of the sky or of the shore
Will make it any more,
To me, than my award of what was left
Of number, time, and space?
And what is on me now that I should heed
The durance or the silence or the scorn?
I was the gardener who had the seed
Which holds within its heart the food and fire
That gives to man a glimpse of his desire;
And I have tilled, indeed,
Much land, where men may say that I have planted
Unsparingly my corn—
For a world harvest-haunted
And for a world unborn.
Meanwhile, am I to view, as at a play,
Through smoke the funeral flames of yesterday
And think them far away?
Am I to doubt and yet be given to know
That where my demon guides me, there I go?
An island? Be it so.
For islands, after all is said and done,
Tell but a wilder game that was begun,
When Fate, the mistress of iniquities,
The mad Queen-spinner of all discrepancies,
Beguiled the dyers of the dawn that day,
And even in such a curst and sodden way
Made my three colors one.
—So be it, and the way be as of old:
So be the weary truth again retold
Of great kings overthrown
Because they would be kings, and lastly kings alone.
Fling to each dog his bone.
Flags that are vanished, flags that are soiled and furled,
Say what will be the word when I am gone:
What learned little acrid archive men
Will burrow to find me out and burrow again,—
But all for naught, unless
To find there was another Island.
… Yes,
There are too many islands in this world,
There are too many rats, and there is too much rain.
So three things are made plain
Between the sea and sky:
Three separate parts of one thing, which is Pain …
Bah, what a way to die!—
To leave my Queen still spinning there on high,
Still wondering, I dare say,
To see me in this way …
Madame à sa tour monte
Si haut qu’elle peut monter—
Like one of our Commissioners… ai! ai!
Prometheus and the women have to cry,
But no, not I …
Faugh, what a way to die!
But who are these that come and go
Before me, shaking laurel as they pass?
Laurel, to make me know
For certain what they mean:
That now my Fate, my Queen,
Having found that she, by way of right reward,
Will after madness go remembering,
And laurel be as grass,—
Remembers the one thing
That she has left to bring.
The floor about me now is like a sward
Grown royally.
Now it is like a sea
That heaves with laurel heavily,
Surrendering an outworn enmity
For what has come to be.
But not for you, returning with your curled
And haggish lips.
And why are you alone?
Why do you stay when all the rest are gone?
Why do you bring those treacherous eyes that reek
With venom and hate the while you seek
To make me understand?—
Laurel from every land,
Laurel, but not the world?
Fury, or perjured Fate, or whatsoever,
Tell me the bloodshot word that is your name
And I will pledge remembrance of the same
That shall be crossed out never;
Whereby posterity
May know, being told, that you have come to me,
You and your tongueless train without a sound,
With covetous hands and eyes and laurel all around,
Foreshowing your endeavor
To mirror me the demon of my days,
To make me doubt him, loathe him, face to face.
Bowed with unwilling glory from the quest
That was ordained and manifest,
You shake it off and wish me joy of it?
Laurel from every place,
Laurel, but not the rest?
Such are the words in you that I divine,
Such are the words of men.
So be it, and what then?
Poor, tottering counterfeit,
Are you a thing to tell me what is mine?
Grant we the demon sees
An inch beyond the line,
What comes of mine and thine?
A thousand here and there may shriek and freeze,
Or they may starve in fine.
The Old Physician has a crimson cure
For such as these,
And ages after ages will endure
The minims of it that are victories.
The wreath may go from brow to brow,
The state may flourish, flame, and cease;
But through the fury and the flood somehow
The demons are acquainted and at ease,
And somewhat hard to please.
Mine, I believe, is laughing at me now
In his primordial way,
Quite as he laughed of old at Hannibal,
Or rather at Alexander, let us say.
Therefore, be what you may,
Time has no further need
Of you, or of your breed.
My demon, irretrievably astray,
Has ruined the last chorus of a play
That will, so he avers, be played again some day;
And you, poor glowering ghost,
Have staggered under laurel here to boast
Above me, dying, while you lean
In triumph awkward and unclean,
About some words of his that you have read?
Thing, do I not know them all?
He tells me how the storied leaves that fall
Are tramped on, being dead?
They are sometimes: with a storm foul enough
They are seized alive and they are blown far off
To mould on islands.
—What else have you read?
He tells me that great kings look very small
When they are put to bed;
And this being said,
He tells me that the battles I have won
Are not my own,
But his—howbeit fame will yet atone
For all defect, and sheave the mystery:
The follies and the slaughters I have done
Are mine alone,
And so far History.
So be the tale again retold
And leaf by clinging leaf unrolled
Where I have written in the dawn,
With ink that fades anon,
Like Cæsar’s, and the way be as of old.
Ho, is it you? I thought you were a ghost.
Is it time for you to poison me again?
Well, here’s our friend the rain,—
Mironton, mironton, mirontaine.
.
.
Man, I could murder you almost,
You with your pills and toast.
Take it away and eat it, and shoot rats.
Ha! there he comes.
Your rat will never fail,
My punctual assassin, to prevail—
While he has power to crawl,
Or teeth to gnaw withal—
Where kings are caged.
Why has a king no cats?
You say that I’ll achieve it if I try?
Swallow it?—No, not I …
God, what a way to die!
|