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Best Famous Gleaning Poems

Here is a collection of the all-time best famous Gleaning poems. This is a select list of the best famous Gleaning poetry. Reading, writing, and enjoying famous Gleaning poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of gleaning poems.

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Written by Seamus Heaney | Create an image from this poem

The Harvest Bow

 As you plaited the harvest bow
You implicated the mellowed silence in you
In wheat that does not rust
But brightens as it tightens twist by twist
Into a knowable corona,
A throwaway love-knot of straw.
Hands that aged round ashplants and cane sticks And lapped the spurs on a lifetime of game cocks Harked to their gift and worked with fine intent Until your fingers moved somnambulant: I tell and finger it like braille, Gleaning the unsaid off the palpable, And if I spy into its golden loops I see us walk between the railway slopes Into an evening of long grass and midges, Blue smoke straight up, old beds and ploughs in hedges, An auction notice on an outhouse wall-- You with a harvest bow in your lapel, Me with the fishing rod, already homesick For the big lift of these evenings, as your stick Whacking the tips off weeds and bushes Beats out of time, and beats, but flushes Nothing: that original townland Still tongue-tied in the straw tied by your hand.
The end of art is peace Could be the motto of this frail device That I have pinned up on our deal dresser-- Like a drawn snare Slipped lately by the spirit of the corn Yet burnished by its passage, and still warm.


Written by Elizabeth Barrett Browning | Create an image from this poem

De Profundis

 I

The face, which, duly as the sun, 
Rose up for me with life begun, 
To mark all bright hours of the day 
With hourly love, is dimmed away—
And yet my days go on, go on.
II The tongue which, like a stream, could run Smooth music from the roughest stone, And every morning with ' Good day' Make each day good, is hushed away, And yet my days go on, go on.
III The heart which, like a staff, was one For mine to lean and rest upon, The strongest on the longest day With steadfast love, is caught away, And yet my days go on, go on.
IV And cold before my summer's done, And deaf in Nature's general tune, And fallen too low for special fear, And here, with hope no longer here, While the tears drop, my days go on.
V The world goes whispering to its own, ‘This anguish pierces to the bone;’ And tender friends go sighing round, ‘What love can ever cure this wound ?' My days go on, my days go on.
VI The past rolls forward on the sun And makes all night.
O dreams begun, Not to be ended! Ended bliss, And life that will not end in this! My days go on, my days go on.
VII Breath freezes on my lips to moan: As one alone, once not alone, I sit and knock at Nature's door, Heart-bare, heart-hungry, very poor, Whose desolated days go on.
VIII I knock and cry, —Undone, undone! Is there no help, no comfort, —none? No gleaning in the wide wheat plains Where others drive their loaded wains? My vacant days go on, go on.
IX This Nature, though the snows be down, Thinks kindly of the bird of June: The little red hip on the tree Is ripe for such.
What is for me, Whose days so winterly go on? X No bird am I, to sing in June, And dare not ask an equal boon.
Good nests and berries red are Nature's To give away to better creatures, — And yet my days go on, go on.
XI I ask less kindness to be done, — Only to loose these pilgrim shoon, (Too early worn and grimed) with sweet Cool deadly touch to these tired feet.
Till days go out which now go on.
XII Only to lift the turf unmown From off the earth where it has grown, Some cubit-space, and say ‘Behold, Creep in, poor Heart, beneath that fold, Forgetting how the days go on.
’ XIII What harm would that do? Green anon The sward would quicken, overshone By skies as blue; and crickets might Have leave to chirp there day and night While my new rest went on, went on.
XIV From gracious Nature have I won Such liberal bounty? may I run So, lizard-like, within her side, And there be safe, who now am tried By days that painfully go on? XV —A Voice reproves me thereupon, More sweet than Nature's when the drone Of bees is sweetest, and more deep Than when the rivers overleap The shuddering pines, and thunder on.
XVI God's Voice, not Nature's! Night and noon He sits upon the great white throne And listens for the creatures' praise.
What babble we of days and days? The Day-spring He, whose days go on.
XVII He reigns above, He reigns alone; Systems burn out and have his throne; Fair mists of seraphs melt and fall Around Him, changeless amid all, Ancient of Days, whose days go on.
XVIII He reigns below, He reigns alone, And, having life in love forgone Beneath the crown of sovran thorns, He reigns the Jealous God.
Who mourns Or rules with Him, while days go on? XIX By anguish which made pale the sun, I hear Him charge his saints that none Among his creatures anywhere Blaspheme against Him with despair, However darkly days go on.
XX Take from my head the thorn-wreath brown! No mortal grief deserves that crown.
O supreme Love, chief misery, The sharp regalia are for Thee Whose days eternally go on! XXI For us, —whatever's undergone, Thou knowest, willest what is done, Grief may be joy misunderstood; Only the Good discerns the good.
I trust Thee while my days go on.
XXII Whatever's lost, it first was won; We will not struggle nor impugn.
Perhaps the cup was broken here, That Heaven's new wine might show more clear.
I praise Thee while my days go on.
XXIII I praise Thee while my days go on; I love Thee while my days go on: Through dark and dearth, through fire and frost, With emptied arms and treasure lost, I thank Thee while my days go on.
XXIV And having in thy life-depth thrown Being and suffering (which are one), As a child drops his pebble small Down some deep well, and hears it fall Smiling—so I.
THY DAYS GO ON.
Written by Robert Browning | Create an image from this poem

Waring

 I

What's become of Waring
Since he gave us all the slip,
Chose land-travel or seafaring,
Boots and chest, or staff and scrip,
Rather than pace up and down
Any longer London-town?

Who'd have guessed it from his lip,
Or his brow's accustomed bearing,
On the night he thus took ship,
Or started landward?—little caring
For us, it seems, who supped together,
(Friends of his too, I remember)
And walked home through the merry weather,
The snowiest in all December;
I left his arm that night myself
For what's-his-name's, the new prose-poet,
That wrote the book there, on the shelf— 
How, forsooth, was I to know it
If Waring meant to glide away
Like a ghost at break of day?
Never looked he half so gay!

He was prouder than the devil:
How he must have cursed our revel!
Ay, and many other meetings,
Indoor visits, outdoor greetings,
As up and down he paced this London,
With no work done, but great works undone,
Where scarce twenty knew his name.
Why not, then, have earlier spoken, Written, bustled? Who's to blame If your silence kept unbroken? "True, but there were sundry jottings, Stray-leaves, fragments, blurrs and blottings, Certain first steps were achieved Already which—(is that your meaning?) Had well borne out whoe'er believed In more to come!" But who goes gleaning Hedge-side chance-blades, while full-sheaved Stand cornfields by him? Pride, o'erweening Pride alone, puts forth such claims O'er the day's distinguished names.
Meantime, how much I loved him, I find out now I've lost him: I, who cared not if I moved him, Henceforth never shall get free Of his ghostly company, His eyes that just a little wink As deep I go into the merit Of this and that distinguished spirit— His cheeks' raised colour, soon to sink, As long I dwell on some stupendous And tremendous (Heaven defend us!) Monstr'-inform'-ingens-horrend-ous Demoniaco-seraphic Penman's latest piece of graphic.
Nay, my very wrist grows warm With his dragging weight of arm! E'en so, swimmingly appears, Through one's after-supper musings, Some lost Lady of old years, With her beauteous vain endeavour, And goodness unrepaid as ever; The face, accustomed to refusings, We, puppies that we were.
.
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Oh never Surely, nice of conscience, scrupled Being aught like false, forsooth, to? Telling aught but honest truth to? What a sin, had we centupled Its possessor's grace and sweetness! No! she heard in its completeness Truth, for truth's a weighty matter, And, truth at issue, we can't flatter! Well, 'tis done with: she's exempt From damning us through such a sally; And so she glides, as down a valley, Taking up with her contempt, Past our reach; and in, the flowers Shut her unregarded hours.
Oh, could I have him back once more, This Waring, but one half-day more! Back, with the quiet face of yore, So hungry for acknowledgment Like mine! I'd fool him to his bent! Feed, should not he, to heart's content? I'd say, "to only have conceived Your great works, though they ne'er make progress, Surpasses all we've yet achieved!" I'd lie so, I should be believed.
I'd make such havoc of the claims Of the day's distinguished names To feast him with, as feasts an ogress Her sharp-toothed golden-crowned child! Or, as one feasts a creature rarely Captured here, unreconciled To capture; and completely gives Its pettish humours licence, barely Requiring that it lives.
Ichabod, Ichabod, The glory is departed! Travels Waring East away? Who, of knowledge, by hearsay, Reports a man upstarted Somewhere as a God, Hordes grown European-hearted, Millions of the wild made tame On a sudden at his fame? In Vishnu-land what Avatar? Or who, in Moscow, toward the Czar, With the demurest of footfalls Over the Kremlin's pavement, bright With serpentine and syenite, Steps, with five other generals, That simultaneously take snuff, For each to have pretext enough To kerchiefwise unfurl his sash Which, softness' self, is yet the stuff To hold fast where a steel chain snaps, And leave the grand white neck no gash? Waring, in Moscow, to those rough Cold northern natures borne, perhaps, Like the lambwhite maiden dear From the circle of mute kings, Unable to repress the tear, Each as his sceptre down he flings, To Dian's fane at Taurica, Where now a captive priestess, she alway Mingles her tender grave Hellenic speech With theirs, tuned to the hailstone-beaten beach, As pours some pigeon, from the myrrhy lands Rapt by the whirlblast to fierce Scythian strands Where bred the swallows, her melodious cry Amid their barbarous twitter! In Russia? Never! Spain were fitter! Ay, most likely, 'tis in Spain That we and Waring meet again— Now, while he turns down that cool narrow lane Into the blackness, out of grave Madrid All fire and shine—abrupt as when there's slid Its stiff gold blazing pall From some black coffin-lid.
Or, best of all, I love to think The leaving us was just a feint; Back here to London did he slink; And now works on without a wink Of sleep, and we are on the brink Of something great in fresco-paint: Some garret's ceiling, walls and floor, Up and down and o'er and o'er He splashes, as none splashed before Since great Caldara Polidore: Or Music means this land of ours Some favour yet, to pity won By Purcell from his Rosy Bowers,— "Give me my so long promised son, Let Waring end what I begun!" Then down he creeps and out he steals Only when the night conceals His face—in Kent 'tis cherry-time, Or, hops are picking; or, at prime Of March, he wanders as, too happy, Years ago when he was young, Some mild eve when woods grew sappy, And the early moths had sprung To life from many a trembling sheath Woven the warm boughs beneath; While small birds said to themselves What should soon be actual song, And young gnats, by tens and twelves, Made as if they were the throng That crowd around and carry aloft The sound they have nursed, so sweet and pure, Out of a myriad noises soft, Into a tone that can endure Amid the noise of a July noon, When all God's creatures crave their boon, All at once and all in tune, And get it, happy as Waring then, Having first within his ken What a man might do with men, And far too glad, in the even-glow, To mix with your world he meant to take Into his hand, he told you, so— And out of it his world to make, To contract and to expand As he shut or oped his hand.
Oh, Waring, what's to really be? A clear stage and a crowd to see! Some Garrick—say—out shall not he The heart of Hamlet's mystery pluck Or, where most unclean beasts are rife, Some Junius—am I right?—shall tuck His sleeve, and out with flaying-knife! Some Chatterton shall have the luck Of calling Rowley into life! Some one shall somehow run amuck With this old world, for want of strife Sound asleep: contrive, contrive To rouse us, Waring! Who's alive? Our men scarce seem in earnest now: Distinguished names!—but 'tis, somehow As if they played at being names Still more distinguished, like the games Of children.
Turn our sport to earnest With a visage of the sternest! Bring the real times back, confessed Still better than our very best! II "When I last saw Waring.
.
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" (How all turned to him who spoke— You saw Waring? Truth or joke? In land-travel, or seafaring?) ".
.
.
We were sailing by Triest, Where a day or two we harboured: A sunset was in the West, When, looking over the vessel's side, One of our company espied A sudden speck to larboard.
And, as a sea-duck flies and swins At once, so came the light craft up, With its sole lateen sail that trims And turns (the water round its rims Dancing, as round a sinking cup) And by us like a fish it curled, And drew itself up close beside, Its great sail on the instant furled, And o'er its planks, a shrill voice cried (A neck as bronzed as a Lascar's) 'Buy wine of us, you English Brig? Or fruit, tobacco and cigars? A Pilot for you to Triest? Without one, look you ne'er so big, They'll never let you up the bay! We natives should know best.
' I turned, and 'just those fellows' way,' Our captain said, 'The long-shore thieves Are laughing at us in their sleeves.
' "In truth, the boy leaned laughing back; And one, half-hidden by his side Under the furled sail, soon I spied, With great grass hat, and kerchief black, Who looked up, with his kingly throat, Said somewhat, while the other shook His hair back from his eyes to look Their longest at us; then the boat, I know not how, turned sharply round, Laying her whole side on the sea As a leaping fish does; from the lee Into the weather, cut somehow Her sparkling path beneath our bow; And so went off, as with a bound, Into the rose and golden half Of the sky, to overtake the sun, And reach the shore, like the sea-calf Its singing cave; yet I caught one Glance ere away the boat quite passed, And neither time nor toil could mar Those features: so I saw the last Of Waring!"—You? Oh, never star Was lost here, but it rose afar! Look East, where whole new thousands are! In Vishnu-land what Avatar?
Written by Howard Nemerov | Create an image from this poem

Gyroscope

 This admirable gadget, when it is
Wound on a string and spun with steady force,
Maintains its balance on most any smooth
Surface, pleasantly humming as it goes.
It is whirled not on a constant course, but still Stands in unshivering integrity For quite some time, meaning nothing perhaps But being something agreeable to watch, A silver nearly silence gleaning a still- ness out of speed, composing unity From spin, so that its hollow spaces seem Solids of light, until it wobbles and Begins to whine, and then with an odd lunge Eccentric and reckless, it skids away And drops dead into its own skeleton.
Written by William Morris | Create an image from this poem

Loves Gleaning Tide

 Draw not away thy hands, my love,
With wind alone the branches move,
And though the leaves be scant above
The Autumn shall not shame us.
Say; Let the world wax cold and drear, What is the worst of all the year But life, and what can hurt us, dear, Or death, and who shall blame us? Ah, when the summer comes again How shall we say, we sowed in vain? The root was joy, the stem was pain The ear a nameless blending.
The root is dead and gone, my love, The stem's a rod our truth to prove; The ear is stored for nought to move Till heaven and earth have ending.


Written by Thomas Moore | Create an image from this poem

Lesbia Hath a Beaming Eye

 Lesbia hath a beaming eye, 
But no one knows for whom it beameth; 
Right and left its arrows fly, 
But what they aim at no one dreameth.
Sweeter 'tis to gaze upon My Nora's lid that seldom rises; Few its looks, but every one, Like unexpected light, surprises! Oh, my Nora Creina, dear, My gentle, bashful Nora Creina, Beauty lies In many eyes, But Love in yours, my Nora Creina.
Lesbia wears a robe of gold, But all so close the nymph hath laced it, Not a charm of beauty's mould Presumes to stay where Nature placed it.
Oh! my Nora's gown for me, That floats as wild as mountain breezes, Leaving every beauty free To sink or swell as Heaven pleases.
Yes, my Nora Creina, dear, My simple, graceful Nora Creina, Nature's dress Is loveliness -- The dress you wear, my Nora Creina.
Lesbia hath a wit refined, But, when its points are gleaning round us, Who can tell if they're design'd To dazzle merely, or to wound us? Pillow'd on my Nora's heart, In safer slumber Love reposes -- Bed of peace! whose roughest part Is but the crumpling of the roses.
Oh! my Nora Creina, dear, My mild, my artless Nora Creina! Wit, though bright, Hath no such light As warms your eyes, my Nora Creina.
Written by Robert William Service | Create an image from this poem

LEnvoi

 Ever in the ebb and flow
Of my dreams that come and go,
Reader, I have you in mind,
Humbly hoping you will find
In my verse a gleam that's true
To the dreams that live in you.
Though my lines I link with rhyme I scarce deem them worth a dime; Nay, I think 'tis I who ought To repay your kindly thought, Gleaning in the words I waste One or two to fit your taste.
Please you, lift this little book, Riffle it with careless look; Dip in it,--oh just a glance, Give a beggar bard a chance .
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Rhymers may have readers who Tune to them,--may one be you!

Book: Shattered Sighs