Written by
Rudyard Kipling |
Thy face is far from this our war,
Our call and counter-cry,
I shall not find Thee quick and kind,
Nor know Thee till I die,
Enough for me in dreams to see
And touch Thy garments' hem:
Thy feet have trod so near to God
I may not follow them.
Through wantonness if men profess
They weary of Thy parts,
E'en let them die at blasphemy
And perish with their arts;
But we that love, but we that prove
Thine excellence august,
While we adore discover more
Thee perfect, wise, and just.
Since spoken word Man's Spirit stirred
Beyond his belly-need,
What is is Thine of fair design
In thought and craft and deed;
Each stroke aright of toil and fight,
That was and that shall be,
And hope too high, wherefore we die,
Has birth and worth in Thee.
Who holds by Thee hath Heaven in fee
To gild his dross thereby,
And knowledge sure that he endure
A child until he die --
For to make plain that man's disdain
Is but new Beauty's birth --
For to possess in loneliness
The joy of all the earth.
As Thou didst teach all lovers speech
And Life all mystery,
So shalt Thou rule by every school
Till love and longing die,
Who wast or yet the Lights were set,
A whisper in the Void,
Who shalt be sung through planets young
When this is clean destroyed.
Beyond the bounds our staring rounds,
Across the pressing dark,
The children wise of outer skies
Look hitherward and mark
A light that shifts, a glare that drifts,
Rekindling thus and thus,
Not all forlorn, for Thou hast borne
Strange tales to them of us.
Time hath no tide but must abide
The servant of Thy will;
Tide hath no time, for to Thy rhyme
The ranging stars stand still --
Regent of spheres that lock our fears,
Our hopes invisible,
Oh 'twas certes at Thy decrees
We fashioned Heaven and Hell!
Pure Wisdom hath no certain path
That lacks thy morning-eyne,
And captains bold by Thee controlled
Most like to Gods design;
Thou art the Voice to kingly boys
To lift them through the fight,
And Comfortress of Unsuccess,
To give the dead good-night --
A veil to draw 'twixt God His Law
And Man's infirmity,
A shadow kind to dumb and blind
The shambles where we die;
A rule to trick th' arithmetic
Too base of leaguing odds --
The spur of trust, the curb of lust,
Thou handmaid of the Gods!
O Charity, all patiently
Abiding wrack and scaith!
O Faith, that meets ten thousand cheats
Yet drops no jot of faith!
Devil and brute Thou dost transmute
To higher, lordlier show,
Who art in sooth that lovely Truth
The careless angels know!
Thy face is far from this our war,
Our call and counter-cry,
I may not find Thee quick and kind,
Nor know Thee till I die.
Yet may I look with heart unshook
On blow brought home or missed --
Yet may I hear with equal ear
The clarions down the List;
Yet set my lance above mischance
And ride the barriere --
Oh, hit or miss, how little 'tis,
My Lady is not there!
|
Written by
Delmira Agustini |
Spanish –Eros: acaso no sentiste nuncaPiedad de las estatuas?Se dirían crisálidas de piedraDe yo no sé qué formidable razaEn una eterna espera inenarrable.
Los cráteres dormidos de sus bocasDan la ceniza negra del Silencio,Mana de las columnas de sus hombrosLa mortaja copiosa de la CalmaY fluye de sus órbitas la noche;Victimas del Futuro o del Misterio,En capullos terribles y magníficosEsperan a la Vida o a la Muerte.
Eros: acaso no sentiste nuncaPiedad de las estatuas?– Piedad para las vidasQue no doran a fuego tus bonanzasNi riegan o desgajan tus tormentas;Piedad para los cuerpos revestidosDel armiño solemne de la Calma,Y las frentes en luz que sobrellevanGrandes lirios marmóreos de pureza,Pesados y glaciales como témpanos;Piedad para las manos enguantadasDe hielo, que no arrancanLos frutos deleitosos de la CarneNi las flores fantásticas del alma;Piedad para los ojos que aleteanEspirituales párpados:Escamas de misterio,Negros telones de visiones rosas…Nunca ven nada por mirar tan lejos! Piedad para las pulcras cabelleras–Misticas aureolas–Peinadas como lagosQue nunca airea el abanico *****,***** y enorme de la tempestad;Piedad para los ínclitos espiritusTallados en diamante,Altos, claros, extáticosPararrayos de cúpulas morales;Piedad para los labios como engarcesCelestes donde fulgeInvisible la perla de la Hostia;–Labios que nunca fueron,Que no apresaron nuncaUn vampiro de fuegoCon más sed y más hambre que un abismo.
–Piedad para los sexos sacrosantosQue acoraza de unaHoja de viña astral la Castidad;Piedad para las plantas imantadasDe eternidad que arrastranPor el eterno azurLas sandalias quemantes de sus llagas;Piedad, piedad, piedadPara todas las vidas que defiendeDe tus maravillosas intemperiesEl mirador enhiesto del Orgullo;Apuntales tus soles o tus rayos!Eros: acaso no sentiste nuncaPiedad de las estatuas?… English –Eros: have you never feltPiety for the statues?These chrysalides of stone,Some formidable raceIn an eternal, unutterable hope.
The sleeping craters of their mouthsUtter the black ash of silence;A copious shroud of CalmFalls from the columns of their arms,And night flows from their eyesockets;Victims of Destiny or Mystery,In magnificent and terrible cocoons,They wait for Life or Death.
Eros: have you never perhaps feltPiety for the statues? Piety for the livesThat will not strew nor rend your battlesNor gild your fiery truces;Piety for the bodies clothedIn the solemn ermine of Calm,The luminous foreheads that endureTheir marble wreaths, grand and pure,Weighty and glacial as icebergs;Piety for the gloved hands of iceThat cannot uprootThe delicious fruits of the Flesh,The fantastic flowers of the soul;Piety for the eyes that flutterTheir spiritual eyelids:Mysterious fish scales,Dark curtains on rose visions…For looking so far, they never see! Piety for the tidy heads of hair–Mystical haloes–Gently combed like lakesWhich the storm’s black fan,Black and enormous, never thrashes;Piety for the spirits, illustrious,Carved of diamonds,High, clear, ecstaticLightning rods on pious domes;Piety for the lips like celestial settingsWhere the invisible pearls of the Host gleam;–Lips that never existed,Never seized anything,A fiery vampireWith more thirst and hunger than an abyss.
Piety for the sacrosanct sexesThat armor themselves with sheathsFrom the astral vineyards of Chastity;Piety for the magnetized footsolesWho eternally dragSandals burning with soresThrough the eternal azure;Piety, piety, pityFor all the lives defendedBy the lighthouse of PrideFrom your marvelous raw weathers:Aim your suns and rays at them!Eros: have you never perhaps feltPity for the statues?
|
Written by
William Butler Yeats |
I
Between extremities
Man runs his course;
A brand, or flaming breath.
Comes to destroy
All those antinomies
Of day and night;
The body calls it death,
The heart remorse.
But if these be right
What is joy?
II
A tree there is that from its topmost bough
Is half all glittering flame and half all green
Abounding foliage moistened with the dew;
And half is half and yet is all the scene;
And half and half consume what they renew,
And he that Attis' image hangs between
That staring fury and the blind lush leaf
May know not what he knows, but knows not grief
III
Get all the gold and silver that you can,
Satisfy ambition, animate
The trivial days and ram them with the sun,
And yet upon these maxims meditate:
All women dote upon an idle man
Although their children need a rich estate;
No man has ever lived that had enough
Of children's gratitude or woman's love.
No longer in Lethean foliage caught
Begin the preparation for your death
And from the fortieth winter by that thought
Test every work of intellect or faith,
And everything that your own hands have wrought
And call those works extravagance of breath
That are not suited for such men as come
proud, open-eyed and laughing to the tomb.
IV
My fiftieth year had come and gone,
I sat, a solitary man,
In a crowded London shop,
An open book and empty cup
On the marble table-top.
While on the shop and street I gazed
My body of a sudden blazed;
And twenty minutes more or less
It seemed, so great my happiness,
That I was blessed and could bless.
V
Although the summer Sunlight gild
Cloudy leafage of the sky,
Or wintry moonlight sink the field
In storm-scattered intricacy,
I cannot look thereon,
Responsibility so weighs me down.
Things said or done long years ago,
Or things I did not do or say
But thought that I might say or do,
Weigh me down, and not a day
But something is recalled,
My conscience or my vanity appalled.
VI
A rivery field spread out below,
An odour of the new-mown hay
In his nostrils, the great lord of Chou
Cried, casting off the mountain snow,
`Let all things pass away.
'
Wheels by milk-white asses drawn
Where Babylon or Nineveh
Rose; some conquer drew rein
And cried to battle-weary men,
`Let all things pass away.
'
From man's blood-sodden heart are sprung
Those branches of the night and day
Where the gaudy moon is hung.
What's the meaning of all song?
`Let all things pass away.
'
VII
The Soul.
Seek out reality, leave things that seem.
The Heart.
What, be a singer born and lack a theme?
The Soul.
Isaiah's coal, what more can man desire?
The Heart.
Struck dumb in the simplicity of fire!
The Soul.
Look on that fire, salvation walks within.
The Heart.
What theme had Homer but original sin?
VIII
Must we part, Von Hugel, though much alike, for we
Accept the miracles of the saints and honour sanctity?
The body of Saint Teresa lies undecayed in tomb,
Bathed in miraculous oil, sweet odours from it come,
Healing from its lettered slab.
Those self-same hands perchance
Eternalised the body of a modern saint that once
Had scooped out pharaoh's mummy.
I - though heart might find relief
Did I become a Christian man and choose for my belief
What seems most welcome in the tomb - play a pre-destined part.
Homer is my example and his unchristened heart.
The lion and the honeycomb, what has Scripture said?
So get you gone, Von Hugel, though with blessings on your head.
|
Written by
Johann Wolfgang von Goethe |
IF to her eyes' bright lustre I were blind,
No longer would they serve my life to gild.
The will of destiny must be fulfilid,--
This knowing, I withdrew with sadden'd mind.
No further happiness I now could find:
The former longings of my heart were still'd;
I sought her looks alone, whereon to build
My joy in life,--all else was left behind.
Wine's genial glow, the festal banquet gay,
Ease, sleep, and friends, all wonted pleasures glad
I spurn'd, till little there remain'd to prove.
Now calmly through the world I wend my way:
That which I crave may everywhere be had,
With me I bring the one thing needful--love.
1807?8.
|
Written by
John Trumbull |
Ye ancient Maids, who ne'er must prove
The early joys of youth and love,
Whose names grim Fate (to whom 'twas given,
When marriages were made in heaven)
Survey'd with unrelenting scowl,
And struck them from the muster-roll;
Or set you by, in dismal sort,
For wintry bachelors to court;
Or doom'd to lead your faded lives,
Heirs to the joys of former wives;
Attend! nor fear in state forlorn,
To shun the pointing hand of scorn,
Attend, if lonely age you dread,
And wish to please, or wish to wed.
When beauties lose their gay appearance,
And lovers fall from perseverance,
When eyes grow dim and charms decay,
And all your roses fade away,
First know yourselves; lay by those airs,
Which well might suit your former years,
Nor ape in vain the childish mien,
And airy follies of sixteen.
We pardon faults in youth's gay flow,
While beauty prompts the cheek to glow,
While every glance has power to warm,
And every turn displays a charm,
Nor view a spot in that fair face,
Which smiles inimitable grace.
But who, unmoved with scorn, can see
The grey coquette's affected glee,
Her ambuscading tricks of art
To catch the beau's unthinking heart,
To check th' assuming fopling's vows,
The bridling frown of wrinkled brows;
Those haughty airs of face and mind,
Departed beauty leaves behind.
Nor let your sullen temper show
Spleen louring on the envious brow,
The jealous glance of rival rage,
The sourness and the rust of age.
With graceful ease, avoid to wear
The gloom of disappointed care:
And oh, avoid the sland'rous tongue,
By malice tuned, with venom hung,
That blast of virtue and of fame,
That herald to the court of shame;
Less dire the croaking raven's throat,
Though death's dire omens swell the note.
Contented tread the vale of years,
Devoid of malice, guilt and fears;
Let soft good humour, mildly gay,
Gild the calm evening of your day,
And virtue, cheerful and serene,
In every word and act be seen.
Virtue alone with lasting grace,
Embalms the beauties of the face,
Instructs the speaking eye to glow,
Illumes the cheek and smooths the brow,
Bids every look the heart engage,
Nor fears the wane of wasting age.
Nor think these charms of face and air,
The eye so bright, the form so fair,
This light that on the surface plays,
Each coxcomb fluttering round its blaze,
Whose spell enchants the wits of beaux,
The only charms, that heaven bestows.
Within the mind a glory lies,
O'erlook'd and dim to vulgar eyes;
Immortal charms, the source of love,
Which time and lengthen'd years improve,
Which beam, with still increasing power,
Serene to life's declining hour;
Then rise, released from earthly cares,
To heaven, and shine above the stars.
Thus might I still these thoughts pursue,
The counsel wise, and good, and true,
In rhymes well meant and serious lay,
While through the verse in sad array,
Grave truths in moral garb succeed:
Yet who would mend, for who would read?
But when the force of precept fails,
A sad example oft prevails.
Beyond the rules a sage exhibits,
Thieves heed the arguments of gibbets,
And for a villain's quick conversion,
A pillory can outpreach a parson.
To thee, Eliza, first of all,
But with no friendly voice I call.
Advance with all thine airs sublime,
Thou remnant left of ancient time!
Poor mimic of thy former days,
Vain shade of beauty, once in blaze!
We view thee, must'ring forth to arms
The veteran relics of thy charms;
The artful leer, the rolling eye,
The trip genteel, the heaving sigh,
The labour'd smile, of force too weak,
Low dimpling in th' autumnal cheek,
The sad, funereal frown, that still
Survives its power to wound or kill;
Or from thy looks, with desperate rage,
Chafing the sallow hue of age,
And cursing dire with rueful faces,
The repartees of looking-glasses.
Now at tea-table take thy station,
Those shambles vile of reputation,
Where butcher'd characters and stale
Are day by day exposed for sale:
Then raise the floodgates of thy tongue,
And be the peal of scandal rung;
While malice tunes thy voice to rail,
And whispering demons prompt the tale--
Yet hold thy hand, restrain thy passion,
Thou cankerworm of reputation;
Bid slander, rage and envy cease,
For one short interval of peace;
Let other's faults and crimes alone,
Survey thyself and view thine own;
Search the dark caverns of thy mind,
Or turn thine eyes and look behind:
For there to meet thy trembling view,
With ghastly form and grisly hue,
And shrivel'd hand, that lifts sublime
The wasting glass and scythe of Time,
A phantom stands: his name is Age;
Ill-nature following as his page.
While bitter taunts and scoffs and jeers,
And vexing cares and torturing fears,
Contempt that lifts the haughty eye,
And unblest solitude are nigh;
While conscious pride no more sustains,
Nor art conceals thine inward pains,
And haggard vengeance haunts thy name,
And guilt consigns thee o'er to shame,
Avenging furies round thee wait,
And e'en thy foes bewail thy fate.
But see, with gentler looks and air,
Sophia comes.
Ye youths beware!
Her fancy paints her still in prime,
Nor sees the moving hand of time;
To all her imperfections blind,
Hears lovers sigh in every wind,
And thinks her fully ripen'd charms,
Like Helen's, set the world in arms.
Oh, save it but from ridicule,
How blest the state, to be a fool!
The bedlam-king in triumph shares
The bliss of crowns, without the cares;
He views with pride-elated mind,
His robe of tatters trail behind;
With strutting mien and lofty eye,
He lifts his crabtree sceptre high;
Of king's prerogative he raves,
And rules in realms of fancied slaves.
In her soft brain, with madness warm,
Thus airy throngs of lovers swarm.
She takes her glass; before her eyes
Imaginary beauties rise;
Stranger till now, a vivid ray
Illumes each glance and beams like day;
Till furbish'd every charm anew,
An angel steps abroad to view;
She swells her pride, assumes her power,
And bids the vassal world adore.
Indulge thy dream.
The pictured joy
No ruder breath should dare destroy;
No tongue should hint, the lover's mind
Was ne'er of virtuoso-kind,
Through all antiquity to roam
For what much fairer springs at home.
No wish should blast thy proud design;
The bliss of vanity be thine.
But while the subject world obey,
Obsequious to thy sovereign sway,
Thy foes so feeble and so few,
With slander what hadst thou to do?
What demon bade thine anger rise?
What demon glibb'd thy tongue with lies?
What demon urged thee to provoke
Avenging satire's deadly stroke?
Go, sink unnoticed and unseen,
Forgot, as though thou ne'er hadst been.
Oblivion's long projected shade
In clouds hangs dismal o'er thy head.
Fill the short circle of thy day,
Then fade from all the world away;
Nor leave one fainting trace behind,
Of all that flutter'd once and shined;
The vapoury meteor's dancing light
Deep sunk and quench'd in endless night
|
Written by
Robert Burns |
O THOU pale orb that silent shines
While care-untroubled mortals sleep!
Thou seest a wretch who inly pines.
And wanders here to wail and weep!
With woe I nightly vigils keep,
Beneath thy wan, unwarming beam;
And mourn, in lamentation deep,
How life and love are all a dream!
I joyless view thy rays adorn
The faintly-marked, distant hill;
I joyless view thy trembling horn,
Reflected in the gurgling rill:
My fondly-fluttering heart, be still!
Thou busy pow’r, remembrance, cease!
Ah! must the agonizing thrill
For ever bar returning peace!
No idly-feign’d, poetic pains,
My sad, love-lorn lamentings claim:
No shepherd’s pipe—Arcadian strains;
No fabled tortures, quaint and tame.
The plighted faith, the mutual flame,
The oft-attested pow’rs above,
The promis’d father’s tender name;
These were the pledges of my love!
Encircled in her clasping arms,
How have the raptur’d moments flown!
How have I wish’d for fortune’s charms,
For her dear sake, and her’s alone!
And, must I think it! is she gone,
My secret heart’s exulting boast?
And does she heedless hear my groan?
And is she ever, ever lost?
Oh! can she bear so base a heart,
So lost to honour, lost to truth,
As from the fondest lover part,
The plighted husband of her youth?
Alas! life’s path may be unsmooth!
Her way may lie thro’ rough distress!
Then, who her pangs and pains will soothe
Her sorrows share, and make them less?
Ye wingèd hours that o’er us pass’d,
Enraptur’d more, the more enjoy’d,
Your dear remembrance in my breast
My fondly-treasur’d thoughts employ’d:
That breast, how dreary now, and void,
For her too scanty once of room!
Ev’n ev’ry ray of hope destroy’d,
And not a wish to gild the gloom!
The morn, that warns th’ approaching day,
Awakes me up to toil and woe;
I see the hours in long array,
That I must suffer, lingering, slow:
Full many a pang, and many a throe,
Keen recollection’s direful train,
Must wring my soul, were Phoebus, low,
Shall kiss the distant western main.
And when my nightly couch I try,
Sore harass’d out with care and grief,
My toil-beat nerves, and tear-worn eye,
Keep watchings with the nightly thief:
Or if I slumber, fancy, chief,
Reigns, haggard-wild, in sore affright:
Ev’n day, all-bitter, brings relief
From such a horror-breathing night.
O thou bright queen, who o’er th’ expanse
Now highest reign’st, with boundless sway
Oft has thy silent-marking glance
Observ’d us, fondly-wand’ring, stray!
The time, unheeded, sped away,
While love’s luxurious pulse beat high,
Beneath thy silver-gleaming ray,
To mark the mutual-kindling eye.
Oh! scenes in strong remembrance set!
Scenes, never, never to return!
Scenes, if in stupor I forget,
Again I feel, again I burn!
From ev’ry joy and pleasure torn,
Life’s weary vale I’ll wander thro’;
And hopeless, comfortless, I’ll mourn
A faithless woman’s broken vow!
|
Written by
Robert William Service |
My folks think I'm a serving maid
Each time I visit home;
They do not dream I ply a trade
As old as Greece or Rome;
For if they found I'd fouled their name
And was not white as snow,
I'm sure that they would die of shame .
.
.
Please, God, they'll never know.
I clean the paint from off my face,
In sober black I dress;
Of coquetry I leave no trace
To give them vague distress;
And though it causes me a pang
To play such sorry tricks,
About my neck I meekly hang
A silver crufix.
And so with humble step I go
Just like a child again,
To greet their Christmas candle-glow,
A soul without a stain;
So well I play my contrite part
I make myself believe
There's not a stain within my heart
On Holy Christmas Eve.
With double natures we are vext,
And what we feel, we are;
A saint one day, a sinner next,
A red light or a star;
A prostitute or proselyte,
And in each part sincere:
So I become a vestal white
One week in every year.
For this I say without demur
From out life's lurid lore,
Each righteous women has in her
A tincture of the whore;
While every harpy of the night,
As I have learned too well;
Holds in her heart a heaven-light
To ransom her from hell.
So I'll go home and sweep and dust;
I'll make the kitchen fire,
And be a model of daughters just
The best they could desire;
I'll fondle them and cook their food,
And Mother dear will say:
"Thank God! my darling is as good
As when she went away.
"
But after New Year's Day I'll fill
My bag and though they grieve,
I'll bid them both good-bye until
Another Christmas Eve;
And then .
.
.
a knock upon the door:
I'll find them waiting there,
And angel-like I'll come once more
In answer to their prayer.
Then Lo! one night when candle-light
Gleams mystic on the snow,
And music swells of Christmas bells,
I'll come, no more to go:
The old folks need my love and care,
Their gold shall gild my dross,
And evermore my breast shall bear
My little silver cross.
|
Written by
Marianne Moore |
Fanaticism?No.
Writing is exciting
and baseball is like writing.
You can never tell with either
how it will go
or what you will do;
generating excitement--
a fever in the victim--
pitcher, catcher, fielder, batter.
Victim in what category?
Owlman watching from the press box?
To whom does it apply?
Who is excited?Might it be I?
It's a pitcher's battle all the way--a duel--
a catcher's, as, with cruel
puma paw, Elston Howard lumbers lightly
back to plate.
(His spring
de-winged a bat swing.
)
They have that killer instinct;
yet Elston--whose catching
arm has hurt them all with the bat--
when questioned, says, unenviously,
"I'm very satisfied.
We won.
"
Shorn of the batting crown, says, "We";
robbed by a technicality.
When three players on a side play three positions
and modify conditions,
the massive run need not be everything.
"Going, going .
.
.
"Is
it?Roger Maris
has it, running fast.
You will
never see a finer catch.
Well .
.
.
"Mickey, leaping like the devil"--why
gild it, although deer sounds better--
snares what was speeding towards its treetop nest,
one-handing the souvenir-to-be
meant to be caught by you or me.
Assign Yogi Berra to Cape Canaveral;
he could handle any missile.
He is no feather.
"Strike! .
.
.
Strike two!"
Fouled back.
A blur.
It's gone.
You would infer
that the bat had eyes.
He put the wood to that one.
Praised, Skowron says, "Thanks, Mel.
I think I helped a little bit.
"
All business, each, and modesty.
Blanchard, Richardson, Kubek, Boyer.
In that galaxy of nine, say which
won the pennant?Each.
It was he.
Those two magnificent saves from the knee-throws
by Boyer, finesses in twos--
like Whitey's three kinds of pitch and pre-
diagnosis
with pick-off psychosis.
Pitching is a large subject.
Your arm, too true at first, can learn to
catch your corners--even trouble
Mickey Mantle.
("Grazed a Yankee!
My baby pitcher, Montejo!"
With some pedagogy,
you'll be tough, premature prodigy.
)
They crowd him and curve him and aim for the knees.
Trying
indeed!The secret implying:
"I can stand here, bat held steady.
"
One may suit him;
none has hit him.
Imponderables smite him.
Muscle kinks, infections, spike wounds
require food, rest, respite from ruffians.
(Drat it!
Celebrity costs privacy!)
Cow's milk, "tiger's milk," soy milk, carrot juice,
brewer's yeast (high-potency--
concentrates presage victory
sped by Luis Arroyo, Hector Lopez--
deadly in a pinch.
And "Yes,
it's work; I want you to bear down,
but enjoy it
while you're doing it.
"
Mr.
Houk and Mr.
Sain,
if you have a rummage sale,
don't sell Roland Sheldon or Tom Tresh.
Studded with stars in belt and crown,
the Stadium is an adastrium.
O flashing Orion,
your stars are muscled like the lion.
|
Written by
Vachel Lindsay |
I
I hate this yoke; for the world's sake here put it on:
Knowing 'twill weigh as much on you till life is gone.
Knowing you love your freedom dear, as I love mine—
Knowing that love unchained has been our life's great wine:
Our one great wine (yet spent too soon, and serving none;
Of the two cups free love at last the deadly one).
II
We grant our meetings will be tame, not honey-sweet
No longer turning to the tryst with flying feet.
We know the toil that now must come will spoil the bloom
And tenderness of passion's touch, and in its room
Will come tame habit, deadly calm, sorrow and gloom.
Oh, how the battle sears the best who enter life!
Each soidier comes out blind or lame from the black strife.
Mad or diseased or damned of soul the best may come—
It matters not how merrily now rolls the drum,
The fife shrills high, the horn sings loud, till no steps lag—
And all adore that silken flame, Desire's great flag.
III
We will build strong our tiny fort, strong as we can—
Holding one inner room beyond the sword of man.
Love is too wide, it seems to-day, to hide it there.
It seems to flood the fields of corn, and gild the air—
It seems to breathe from every brook, from flowers to sigh—
It seems a cataract poured down from the great sky;
It seems a tenderness so vast no bush but shows
Its haunting and transfiguring light where wonder glows.
It wraps us in a silken snare by shadowy streams,
And wildering sweet and stung with joy your white soul seems
A flame, a flame, conquering day, conquering night,
Brought from our God, a holy thing, a mad delight.
But love, when all things beat it down, leaves the wide air,
The heavens are gray, and men turn wolves, lean with despair.
Ah, when we need love most, and weep, when all is dark,
Love is a pinch of ashes gray, with one live spark—
Yet on the hope to keep alive that treasure strange
Hangs all earth's struggle, strife and scorn, and desperate change.
IV
Love? .
.
.
we will scarcely love our babes full many a time—
Knowing their souls and ours too well, and all our grime—
And there beside our holy hearth we'll hide our eyes—
Lest we should flash what seems disdain without disguise.
Yet there shall be no wavering there in that deep trial—
And no false fire or stranger hand or traitor vile—
We'll fight the gloom and fight the world with strong sword-play,
Entrenched within our block-house small, ever at bay—
As fellow-warriors, underpaid, wounded and wild,
True to their battered flag, their faith still undefiled!
|
Written by
Robert Burns |
ON Cessnock banks a lassie dwells;
Could I describe her shape and mein;
Our lasses a’ she far excels,
An’ she has twa sparkling roguish een.
She’s sweeter than the morning dawn,
When rising Phoebus first is seen,
And dew-drops twinkle o’er the lawn;
An’ she has twa sparkling roguish een.
She’s stately like yon youthful ash,
That grows the cowslip braes between,
And drinks the stream with vigour fresh;
An’ she has twa sparkling roguish een.
She’s spotless like the flow’ring thorn,
With flow’rs so white and leaves so green,
When purest in the dewy morn;
An’ she has twa sparkling roguish een.
Her looks are like the vernal May,
When ev’ning Phoebus shines serene,
While birds rejoice on every spray;
An’ she has twa sparkling roguish een.
Her hair is like the curling mist,
That climbs the mountain-sides at e’en,
When flow’r-reviving rains are past;
An’ she has twa sparkling roguish een.
Her forehead’s like the show’ry bow,
When gleaming sunbeams intervene
And gild the distant mountain’s brow;
An’ she has twa sparkling roguish een.
Her cheeks are like yon crimson gem,
The pride of all the flowery scene,
Just opening on its thorny stem;
An’ she has twa sparkling roguish een.
Her bosom’s like the nightly snow,
When pale the morning rises keen,
While hid the murm’ring streamlets flow;
An’ she has twa sparkling roguish een.
Her lips are like yon cherries ripe,
That sunny walls from Boreas screen;
They tempt the taste and charm the sight;
An’ she has twa sparkling roguish een.
Her teeth are like a flock of sheep,
With fleeces newly washen clean,
That slowly mount the rising steep;
An’ she has twa sparkling roguish een.
Her breath is like the fragrant breeze,
That gently stirs the blossom’d bean,
When Phoebus sinks behind the seas;
An’ she has twa sparkling roguish een.
Her voice is like the ev’ning thrush,
That sings on Cessnock banks unseen,
While his mate sits nestling in the bush;
An’ she has twa sparkling roguish een.
But it’s not her air, her form, her face,
Tho’ matching beauty’s fabled queen;
’Tis the mind that shines in ev’ry grace,
An’ chiefly in her roguish een.
Note 1.
The lass is identified as Ellison Begbie, a servant wench, daughter of a farmer.
—Lang.
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