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Best Famous Giddy Poems

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Written by Ralph Waldo Emerson | Create an image from this poem

Ode to Beauty

 EXULTING BEAUTY,­phantom of an hour, 
Whose magic spells enchain the heart, 
Ah ! what avails thy fascinating pow'r, 
Thy thrilling smile, thy witching art ? 
Thy lip, where balmy nectar glows; 
Thy cheek, where round the damask rose 
A thousand nameless Graces move, 
Thy mildly speaking azure eyes, 
Thy golden hair, where cunning Love 
In many a mazy ringlet lies? 
Soon as thy radiant form is seen, 
Thy native blush, thy timid mien, 
Thy hour is past ! thy charms are vain! 
ILL-NATURE haunts thee with her sallow train, 
Mean JEALOUSY deceives thy list'ning ear, 
And SLANDER stains thy cheek with many a bitter tear. 

In calm retirement form'd to dwell, 
NATURE, thy handmaid fair and kind, 
For thee, a beauteous garland twin'd; 
The vale-nurs'd Lily's downcast bell 
Thy modest mien display'd, 
The snow-drop, April's meekest child, 
With myrtle blossoms undefil'd, 
Thy mild and spotless mind pourtray'd; 
Dear blushing maid, of cottage birth, 
'Twas thine, o'er dewy meads to stray, 
While sparkling health, and frolic mirth 
Led on thy laughing Day. 

Lur'd by the babbling tongue of FAME, 
Too soon, insidious FLATT'RY came; 
Flush'd VANITY her footsteps led, 
To charm thee from thy blest repose, 
While Fashion twin'd about thy head 
A wreath of wounding woes; 
See Dissipation smoothly glide, 
Cold Apathy, and puny Pride, 
Capricious Fortune, dull, and blind, 
O'er splendid Folly throws her veil, 
While Envy's meagre tribe assail 
Thy gentle form, and spotless mind. 

Their spells prevail! no more those eyes 
Shoot undulating fires; 
On thy wan cheek, the young rose dies, 
Thy lip's deep tint expires; 
Dark Melancholy chills thy mind; 
Thy silent tear reveals thy woe; 
TIME strews with thorns thy mazy way, 
Where'er thy giddy footsteps stray, 
Thy thoughtless heart is doom'd to find 
An unrelenting foe. 

'Tis thus, the infant Forest flow'r 
Bespangled o'er with glitt'ring dew, 
At breezy morn's refreshing hour, 
Glows with pure tints of varying hue, 
Beneath an aged oak's wide spreading shade, 
Where no rude winds, or beating storms invade. 
Transplanted from its lonely bed, 
No more it scatters perfumes round, 
No more it rears its gentle head, 
Or brightly paints the mossy ground; 
For ah! the beauteous bud, too soon, 
Scorch'd by the burning eye of day; 
Shrinks from the sultry glare of noon, 
Droops its enamell'd brow, and blushing, dies away.


Written by Victor Hugo | Create an image from this poem

To Some Birds Flown Away

 ("Enfants! Oh! revenez!") 
 
 {XXII, April, 1837} 


 Children, come back—come back, I say— 
 You whom my folly chased away 
 A moment since, from this my room, 
 With bristling wrath and words of doom! 
 What had you done, you bandits small, 
 With lips as red as roses all? 
 What crime?—what wild and hapless deed? 
 What porcelain vase by you was split 
 To thousand pieces? Did you need 
 For pastime, as you handled it, 
 Some Gothic missal to enrich 
 With your designs fantastical? 
 Or did your tearing fingers fall 
 On some old picture? Which, oh, which 
 Your dreadful fault? Not one of these; 
 Only when left yourselves to please 
 This morning but a moment here 
 'Mid papers tinted by my mind 
 You took some embryo verses near— 
 Half formed, but fully well designed 
 To open out. Your hearts desire 
 Was but to throw them on the fire, 
 Then watch the tinder, for the sight 
 Of shining sparks that twinkle bright 
 As little boats that sail at night, 
 Or like the window lights that spring 
 From out the dark at evening. 
 
 'Twas all, and you were well content. 
 Fine loss was this for anger's vent— 
 A strophe ill made midst your play, 
 Sweet sound that chased the words away 
 In stormy flight. An ode quite new, 
 With rhymes inflated—stanzas, too, 
 That panted, moving lazily, 
 And heavy Alexandrine lines 
 That seemed to jostle bodily, 
 Like children full of play designs 
 That spring at once from schoolroom's form. 
 Instead of all this angry storm, 
 Another might have thanked you well 
 For saving prey from that grim cell, 
 That hollowed den 'neath journals great, 
 Where editors who poets flout 
 With their demoniac laughter shout. 
 And I have scolded you! What fate 
 For charming dwarfs who never meant 
 To anger Hercules! And I 
 Have frightened you!—My chair I sent 
 Back to the wall, and then let fly 
 A shower of words the envious use— 
 "Get out," I said, with hard abuse, 
 "Leave me alone—alone I say." 
 Poor man alone! Ah, well-a-day, 
 What fine result—what triumph rare! 
 As one turns from the coffin'd dead 
 So left you me:—I could but stare 
 Upon the door through which you fled— 
 I proud and grave—but punished quite. 
 And what care you for this my plight!— 
 You have recovered liberty, 
 Fresh air and lovely scenery, 
 The spacious park and wished-for grass; 
lights 
 And gratefully to sing. 
 
 E'e 
 A blade to watch what comes to pass; 
 Blue sky, and all the spring can show; 
 Nature, serenely fair to see; 
 The book of birds and spirits free, 
 God's poem, worth much more than mine, 
 Where flowers for perfect stanzas shine— 
 Flowers that a child may pluck in play, 
 No harsh voice frightening it away. 
 And I'm alone—all pleasure o'er— 
 Alone with pedant called "Ennui," 
 For since the morning at my door 
 Ennui has waited patiently. 
 That docto-r-London born, you mark, 
 One Sunday in December dark, 
 Poor little ones—he loved you not, 
 And waited till the chance he got 
 To enter as you passed away, 
 And in the very corner where 
 You played with frolic laughter gay, 
 He sighs and yawns with weary air. 
 
 What can I do? Shall I read books, 
 Or write more verse—or turn fond looks 
 Upon enamels blue, sea-green, 
 And white—on insects rare as seen 
 Upon my Dresden china ware? 
 Or shall I touch the globe, and care 
 To make the heavens turn upon 
 Its axis? No, not one—not one 
 Of all these things care I to do; 
 All wearies me—I think of you. 
 In truth with you my sunshine fled, 
 And gayety with your light tread— 
 Glad noise that set me dreaming still. 
 'Twas my delight to watch your will, 
 And mark you point with finger-tips 
 To help your spelling out a word; 
 To see the pearls between your lips 
 When I your joyous laughter heard; 
 Your honest brows that looked so true, 
 And said "Oh, yes!" to each intent; 
 Your great bright eyes, that loved to view 
 With admiration innocent 
 My fine old Sèvres; the eager thought 
 That every kind of knowledge sought; 
 The elbow push with "Come and see!" 
 
 Oh, certes! spirits, sylphs, there be, 
 And fays the wind blows often here; 
 The gnomes that squat the ceiling near, 
 In corners made by old books dim; 
 The long-backed dwarfs, those goblins grim 
 That seem at home 'mong vases rare, 
 And chat to them with friendly air— 
 Oh, how the joyous demon throng 
 Must all have laughed with laughter long 
 To see you on my rough drafts fall, 
 My bald hexameters, and all 
 The mournful, miserable band, 
 And drag them with relentless hand 
 From out their box, with true delight 
 To set them each and all a-light, 
 And then with clapping hands to lean 
 Above the stove and watch the scene, 
 How to the mass deformed there came 
 A soul that showed itself in flame! 
 
 Bright tricksy children—oh, I pray 
 Come back and sing and dance away, 
 And chatter too—sometimes you may, 
 A giddy group, a big book seize— 
 Or sometimes, if it so you please, 
 With nimble step you'll run to me 
 And push the arm that holds the pen, 
 Till on my finished verse will be 
 A stroke that's like a steeple when 
 Seen suddenly upon a plain. 
 My soul longs for your breath again 
 To warm it. Oh, return—come here 
 With laugh and babble—and no fear 
 When with your shadow you obscure 
 The book I read, for I am sure, 
 Oh, madcaps terrible and dear, 
 That you were right and I was wrong. 
 But who has ne'er with scolding tongue 
 Blamed out of season. Pardon me! 
 You must forgive—for sad are we. 
 
 The young should not be hard and cold 
 And unforgiving to the old. 
 Children each morn your souls ope out 
 Like windows to the shining day, 
 Oh, miracle that comes about, 
 The miracle that children gay 
 Have happiness and goodness too, 
 Caressed by destiny are you, 
 Charming you are, if you but play. 
 But we with living overwrought, 
 And full of grave and sombre thought, 
 Are snappish oft: dear little men, 
 We have ill-tempered days, and then, 
 Are quite unjust and full of care; 
 It rained this morning and the air 
 Was chill; but clouds that dimm'd the sky 
 Have passed. Things spited me, and why? 
 But now my heart repents. Behold 
 What 'twas that made me cross, and scold! 
 All by-and-by you'll understand, 
 When brows are mark'd by Time's stern hand; 
 Then you will comprehend, be sure, 
 When older—that's to say, less pure. 
 
 The fault I freely own was mine. 
 But oh, for pardon now I pine! 
 Enough my punishment to meet, 
 You must forgive, I do entreat 
 With clasped hands praying—oh, come back, 
 Make peace, and you shall nothing lack. 
 See now my pencils—paper—here, 
 And pointless compasses, and dear 
 Old lacquer-work; and stoneware clear 
 Through glass protecting; all man's toys 
 So coveted by girls and boys. 
 Great China monsters—bodies much 
 Like cucumbers—you all shall touch. 
 I yield up all! my picture rare 
 Found beneath antique rubbish heap, 
 My great and tapestried oak chair 
 I will from you no longer keep. 
 You shall about my table climb, 
 And dance, or drag, without a cry 
 From me as if it were a crime. 
 Even I'll look on patiently 
 If you your jagged toys all throw 
 Upon my carved bench, till it show 
 The wood is torn; and freely too, 
 I'll leave in your own hands to view, 
 My pictured Bible—oft desired— 
 But which to touch your fear inspired— 
 With God in emperor's robes attired. 
 
 Then if to see my verses burn, 
 Should seem to you a pleasant turn, 
 Take them to freely tear away 
 Or burn. But, oh! not so I'd say, 
 If this were Méry's room to-day. 
 That noble poet! Happy town, 
 Marseilles the Greek, that him doth own! 
 Daughter of Homer, fair to see, 
 Of Virgil's son the mother she. 
 To you I'd say, Hold, children all, 
 Let but your eyes on his work fall; 
 These papers are the sacred nest 
 In which his crooning fancies rest; 
 To-morrow winged to Heaven they'll soar, 
 For new-born verse imprisoned still 
 In manuscript may suffer sore 
 At your small hands and childish will, 
 Without a thought of bad intent, 
 Of cruelty quite innocent. 
 You wound their feet, and bruise their wings, 
 And make them suffer those ill things 
 That children's play to young birds brings. 
 
 But mine! no matter what you do, 
 My poetry is all in you; 
 You are my inspiration bright 
 That gives my verse its purest light. 
 Children whose life is made of hope, 
 Whose joy, within its mystic scope, 
 Owes all to ignorance of ill, 
 You have not suffered, and you still 
 Know not what gloomy thoughts weigh down 
 The poet-writer weary grown. 
 What warmth is shed by your sweet smile! 
 How much he needs to gaze awhile 
 Upon your shining placid brow, 
 When his own brow its ache doth know; 
 With what delight he loves to hear 
 Your frolic play 'neath tree that's near, 
 Your joyous voices mixing well 
 With his own song's all-mournful swell! 
 Come back then, children! come to me, 
 If you wish not that I should be 
 As lonely now that you're afar 
 As fisherman of Etrétat, 
 Who listless on his elbow leans 
 Through all the weary winter scenes, 
 As tired of thought—as on Time flies— 
 And watching only rainy skies! 
 
 MRS. NEWTON CROSLAND. 


 




Written by Philip Levine | Create an image from this poem

Last Words

 If the shoe fell from the other foot 
who would hear? If the door 
opened onto a pure darkness 
and it was no dream? If your life 
ended the way a book ends 
with half a blank page and the survivors 
gone off to Africa or madness? 
If my life ended in late spring 
of 1964 while I walked alone 
back down the mountain road? 
I sing an old song to myself. I study 
the way the snow remains, gray 
and damp, in the deep shadows of the firs. 
I wonder if the bike is safe hidden 
just off the highway. Up ahead 
the road, black and winding, falls 
away, and there is the valley where 
I lived half of my life, spectral 
and calm. I sigh with gratitude, 
and then I feel an odd pain rising 
through the back of my head, 
and my eyes go dark. I bend forward 
and place my palms on something rough, 
the black asphalt or a field of stubble, 
and the movement is that of the penitent 
just before he stands to his full height 
with the knowledge of his enormity. 
For that moment which will survive 
the burning of all the small pockets 
of fat and oil that are the soul, 
I am the soul stretching into 
the furthest reaches of my fingers 
and beyond, glowing like ten candles 
in the vault of night for anyone 
who could see, even though it is 
12:40 in the afternoon and I 
have passed from darkness into sunlight 
so fierce the sweat streams down 
into my eyes. I did not rise. 
A wind or a stray animal or a group 
of kids dragged me to the side 
of the road and turned me over 
so that my open eyes could flood heaven. 
My clothes went skittering down 
the road without me, ballooning 
out into any shape, giddy 
with release. My coins, my rings, 
the keys to my house shattered 
like ice and fell into the mountain 
thorns and grasses, little bright points 
that make you think there is magic 
in everything you see. No, it can't 
be, you say, for someone is speaking 
calmly to you in a voice you know. 
Someone alive and confident has put 
each of these words down exactly 
as he wants them on the page. 
You have lived through years 
of denial, of public lies, of death 
falling like snow on any head 
it chooses. You're not a child. 
You know the real thing. I am 
here, as I always was, faithful 
to a need to speak even when all 
you hear is a light current of air 
tickling your ear. Perhaps. 
But what if that dried bundle 
of leaves and dirt were not dirt 
and leaves but the spent wafer 
of a desire to be human? Stop the car, 
turn off the engine, and stand 
in the silence above your life. See 
how the grass mirrors fire, how 
a wind rides up the hillside 
steadily toward you until it surges 
into your ears like breath coming 
and going, released from its bondage 
to blood or speech and denying nothing.
Written by Robert William Service | Create an image from this poem

The Revelation

 The same old sprint in the morning, boys, to the same old din and smut;
Chained all day to the same old desk, down in the same old rut;
Posting the same old greasy books, catching the same old train:
Oh, how will I manage to stick it all, if I ever get back again?

We've bidden good-bye to life in a cage, we're finished with pushing a pen;
They're pumping us full of bellicose rage, they're showing us how to be men.
We're only beginning to find ourselves; we're wonders of brawn and thew;
But when we go back to our Sissy jobs, -- oh, what are we going to do?

For shoulders curved with the counter stoop will be carried erect and square;
And faces white from the office light will be bronzed by the open air;
And we'll walk with the stride of a new-born pride, with a new-found joy in our eyes,
Scornful men who have diced with death under the naked skies.

And when we get back to the dreary grind, and the bald-headed boss's call,
Don't you think that the dingy window-blind, and the dingier office wall,
Will suddenly melt to a vision of space, of violent, flame-scarred night?
Then . . . oh, the joy of the danger-thrill, and oh, the roar of the fight!

Don't you think as we peddle a card of pins the counter will fade away,
And again we'll be seeing the sand-bag rims, and the barb-wire's misty grey?
As a flat voice asks for a pound of tea, don't you fancy we'll hear instead
The night-wind moan and the soothing drone of the packet that's overhead?

Don't you guess that the things we're seeing now will haunt us through all the years;
Heaven and hell rolled into one, glory and blood and tears;
Life's pattern picked with a scarlet thread, where once we wove with a grey
To remind us all how we played our part in the shock of an epic day?

Oh, we're booked for the Great Adventure now, we're pledged to the Real Romance;
We'll find ourselves or we'll lose ourselves somewhere in giddy old France;
We'll know the zest of the fighter's life; the best that we have we'll give;
We'll hunger and thirst; we'll die . . . but first -- we'll live; by the gods, we'll live!

We'll breathe free air and we'll bivouac under the starry sky;
We'll march with men and we'll fight with men, and we'll see men laugh and die;
We'll know such joy as we never dreamed; we'll fathom the deeps of pain:
But the hardest bit of it all will be -- when we come back home again.

For some of us smirk in a chiffon shop, and some of us teach in a school;
Some of us help with the seat of our pants to polish an office stool;
The merits of somebody's soap or jam some of us seek to explain,
But all of us wonder what we'll do when we have to go back again.
Written by Ben Jonson | Create an image from this poem

Epistle to Katherine, Lady Aubigny

  

XIII. — EPISTLE TO KATHARINE LADY AUBIGNY.           

As what they have lost t' expect, they dare deride. So both the prais'd and praisers suffer ; yet, For others ill ought none their good forget. I therefore, who profess myself in love With every virtue, wheresoe'er it move, And howsoever ;  as I am at feudBy arts, and practice of the vicious, Such as suspect themselves, and think it fit, For their own capital crimes, to indict my wit ; I that have suffer'd this ;  and though forsook Of fortune, have not alter'd yet my look, Or so myself abandon'd, as because Men are not just, or keep no holy laws Of nature and society, I should faint ;If it may stand with your soft blush, to hear Yourself but told unto yourself, and see In my character what your features be, You will not from the paper slightly pass : No lady, but at some time loves her glass. And this shall be no false one, but as much Remov'd, as you from need to have it such. Look then, and see your self — I will not sayIt perfect, proper, pure, and natural, Not taken up o' the doctors, but as well As I, can say and see it doth excel ; That asks but to be censured by the eyes : And in those outward forms, all fools are wise. Nor that your beauty wanted not a dower, Do I reflect.   Some alderman has power, Or cozening farmer of the customs, soAnd raise not virtue ;  they may vice enhance. My mirror is more subtle, clear, refined, And.takes and gives the beauties of the mind ; Though it reject not those of fortune :  such As blood, and match.  Wherein, how more than much Are you engaged to your happy fate, For such a lot !  that mixt you with a state Of so great title, birth, but virtue most,For he that once is good, is ever great. Wherewith then, madam, can you better pay This blessing of your stars, than by that way Of virtue, which you tread ?   What if alone, Without companions ?  'tis safe to have none. In single paths dangers with ease are watch'd ; Contagion in the press is soonest catch'd. This makes, that wisely you decline your lifeNot looking by, or back, like those that wait Times and occasions, to start forth, and seem. Which though the turning world may disesteem, Because that studies spectacles and shows, And after varied, as fresh objects, goes, Giddy with change, and therefore cannot see Right, the right way ;  yet must your comfort be Your conscience, and not wonder if none asksMaintain their liegers forth for foreign wires, Melt down their husbands land, to pour away On the close groom and page, on new-year's day, And almost all days after, while they live ; They find it both so witty, and safe to give. Let them on powders, oils, and paintings spend, Till that no usurer, nor his bawds dare lend Them or their officers ;  and no man know,When their own parasites laugh at their fall, May they have nothing left, whereof they can Boast, but how oft they have gone wrong to man, And call it their brave sin : for such there be That do sin only for the infamy ; And never think, how vice doth every hour Eat on her clients, and some one devour. You, madam, young have learn'd to shun these shelves,Into your harbor, and all passage shut 'Gainst storms or pirates, that might charge your peace ;  For which you worthy are the glad increase Of your blest womb, made fruitful from above, To pay your lord the pledges of chaste love ; And raise a noble stem, to give the fame To Clifton's blood, that is denied their name. Grow, grow, fair tree !  and as thy branches shoot,Before the moons have fill'd their triple trine, To crown the burden which you go withal, It shall a ripe and timely issue fall, T' expect the honors of great AUBIGNY ; And greater rites, yet writ in mystery, But which the fates forbid me to reveal. Only thus much out of a ravish'd zeal Unto your name, and goodness of your life,What your tried manners are, what theirs should be ; How you love one, and him you should, how still You are depending on his word and will ; Not fashion'd for the court, or strangers' eyes ; But to please him, who is the dearer prize Unto himself, by being so dear to you. This makes, that your affections still be new, And that your souls conspire, as they were goneMadam, be bold to use this truest glass ; Wherein your form you still the same shall find ; Because nor it can change, nor such a mind. Of any good mind, now ; there are so few. The bad, by number, are so fortified, As what they have lost t' expect, they dare deride. So both the prais'd and praisers suffer ; yet, For others ill ought none their good forget. I therefore, who profess myself in love With every virtue, wheresoe'er it move, And howsoever ;  as I am at feud


Written by Mary Darby Robinson | Create an image from this poem

Ode to Reflection

 O THOU, whose sober precepts can controul 
The wild impatience of the troubled soul, 
Sweet Nymph serene ! whose all-consoling pow'r 
Awakes to calm delight the ling'ring hour; 
O hear thy suppliant's ardent pray'r ! 
Chase from my pensive mind corroding care, 
Steal thro' the heated pulses of the brain, 
Charm sorrow to repose­and lull the throb of pain. 

O, tell me, what are life's best joys? 
Are they not visions that decay, 
Sweet honey'd poisons, gilded toys, 
Vain glitt'ring baubles of a day? 
O say what shadow do they leave behind, 
Save the sad vacuum of the sated mind? 

Borne on the eagle wings of Fame, 
MAN soars above calm Reason's sway, 
"Vaulting AMBITION" mocks each tender claim, 
Plucks the dear bonds of social life away; 
As o'er the vanquish'd slave she wields her spear, 
COMPASSION turns aside---REFLECTlON drops a tear. 

Behold the wretch, whose sordid heart, 
Steep'd in Content's oblivious balm, 
Secure in Luxury's bewitching calm, 
Repels pale Mis'ry's touch, and mocks Affliction's smart; 
Unmov'd he marks the bitter tear, 
In vain the plaints of woe his thoughts assail, 
The bashful mourner's pitious tale 
Nor melts his flinty soul, nor vibrates on his ear, 

O blest REFLECTION ! let thy magic pow'r 
Awake his torpid sense, his slumb'ring thought, 
Tel1 him ADVERSITY'S unpitied hour 
A brighter lesson gives, than Stoics taught: 
Tell him that WEALTH no blessing can impart 
So sweet as PITY'S tear­that bathes the wounded Heart. 

Go tell the vain, the insolent, and fair, 
That life's best days are only days of care; 
That BEAUTY, flutt'ring like a painted fly, 
Owes to the spring of youth its rarest die; 
When Winter comes, its charms shall fade away, 
And the poor insect wither in decay: 
Go bid the giddy phantom learn from thee, 
That VIRTUE only braves mortality. 

Then come, REFLECTION, soft-ey'd maid! 
I know thee, and I prize thy charms; 
Come, in thy gentlest smiles array'd, 
And I will press thee in my eager arms: 
Keep from my aching heart the "fiend DESPAIR," 
Pluck from my brow her THORN, and plant the OLIVE there.
Written by Edgar Allan Poe | Create an image from this poem

Israfel

In Heaven a spirit doth dwell
"Whose heart-strings are a lute";
None sing so wildly well
As the angel Israfel 
And the giddy stars (so legends tell) 
Ceasing their hymns attend the spell
Of his voice all mute.

Tottering above
In her highest noon 
The enamored moon
Blushes with love 
While to listen the red levin
(With the rapid Pleiads even 
Which were seven )
Pauses in Heaven.

And they say (the starry choir
And the other listening things)
That Israfeli's fire
Is owing to that lyre
By which he sits and sings-
The trembling living wire
Of those unusual strings.

But the skies that angel trod 
Where deep thoughts are a duty-
Where Love's a grown-up God-
Where the Houri glances are
Imbued with all the beauty
Which we worship in a star.

Therefore thou art not wrong 
Israfeli who despisest
An unimpassioned song;
To thee the laurels belong 
Best bard because the wisest!
Merrily live and long!

The ecstasies above
With thy burning measures suit-
Thy grief thy joy thy hate thy love 
With the fervor of thy lute-
Well may the stars be mute!

Yes Heaven is thine; but this
Is a world of sweets and sours;
Our flowers are merely- flowers 
And the shadow of thy perfect bliss
Is the sunshine of ours.

If I could dwell
Where Israfel
Hath dwelt and he where I 
He might not sing so wildly well
A mortal melody 
While a bolder note than this might swell
From my lyre within the sky.
Written by G K Chesterton | Create an image from this poem

The Shakespeare Memorial

 Lord Lilac thought it rather rotten 
That Shakespeare should be quite forgotten, 
And therefore got on a Committee 
With several chaps out of the City, 
And Shorter and Sir Herbert Tree, 
Lord Rothschild and Lord Rosebery, 
And F.C.G. and Comyn Carr 
Two dukes and a dramatic star, 
Also a clergy man now dead; 
And while the vain world careless sped 
Unheeding the heroic name -- 
The souls most fed with Shakespeare's flame 
Still sat unconquered in a ring, 
Remembering him like anything. 

Lord Lilac did not long remain, 
Lord Lilac did not some again. 
He softly lit a cigarette 
And sought some other social set 
Where, in some other knots or rings, 
People were doing cultured things. 
-- Miss Zwilt's Humane Vivarium 
-- The little men that paint on gum 
-- The exquisite Gorilla Girl . . . 
He sometimes, in this giddy whirl 
(Not being really bad at heart), 
Remembered Shakespeare with a start -- 
But not with that grand constancy 
Of Clement Shorter, Herbert Tree, 
Lord Rosebery and Comyn Carr 
And all the other names there are; 
Who stuck like limpets to the spot, 
Lest they forgot, lest they forgot. 

Lord Lilac was of slighter stuff; 
Lord Lilac had had quite enough.
Written by Mary Darby Robinson | Create an image from this poem

The Bee and the Butterfly

 UPON a garden's perfum'd bed 
With various gaudy colours spread, 
Beneath the shelter of a ROSE 
A BUTTERFLY had sought repose; 
Faint, with the sultry beams of day, 
Supine the beauteous insect lay. 

A BEE, impatient to devour
The nectar sweets of ev'ry flow'r, 
Returning to her golden store, 
A weight of fragrant treasure bore; 
With envious eye, she mark'd the shade, 
Where the poor BUTTERFLY was laid, 
And resting on the bending spray, 
Thus murmur'd forth her drony lay:­ 

"Thou empty thing, whose merit lies 
In the vain boast of orient dies; 
Whose glittering form the slightest breath 
Robs of its gloss, and fades to death; 
Who idly rov'st the summer day, 
Flutt'ring a transient life away, 
Unmindful of the chilling hour, 
The nipping frost, the drenching show'r; 
Who heedless of "to-morrow's fare," 
Mak'st present bliss thy only care; 
Is it for THEE, the damask ROSE 
With such transcendent lustre glows? 
Is it for such a giddy thing 
Nature unveils the blushing spring? 
Hence, from thy lurking place, and know, 
'Tis not for THEE her beauties glow." 

The BUTTERFLY, with decent pride, 
In gentle accents, thus reply'd: 
"'Tis true, I flutter life away 
In pastime, innocent and gay; 
The SUN that decks the blushing spring 
Gives lustre to my painted wing; 
'Tis NATURE bids each colour vie, 
With rainbow tints of varying die; 
I boast no skill, no subtle pow'r 
To steal the balm from ev'ry flow'r; 
The ROSE, that only shelter'd ME, 
Has pour'd a load of sweets on THEE; 
Of merit we have both our share, 
Heav'n gave thee ART, and made me FAIR; 
And tho' thy cunning can despise 
The humble worth of harmless flies; 
Remember, envious, busy thing, 
Thy honey'd form conceals a sting; 
Enjoy thy garden, while I rove 
The sunny hill, the woodbine grove, 
And far remov'd from care and THEE, 
Embrace my humble destiny; 
While in some lone sequester'd bow'r, 
I'll live content beyond thy pow'r;
For where ILL-NATURE holds her reign 
TASTE, WORTH, and BEAUTY, plead in vain; 
E'en GENIUS must to PRIDE submit 
When ENVY wings the shaft of WIT.
Written by John Donne | Create an image from this poem

Elegy VI

 Oh, let me not serve so, as those men serve
Whom honour's smokes at once fatten and starve;
Poorly enrich't with great men's words or looks;
Nor so write my name in thy loving books
As those idolatrous flatterers, which still
Their Prince's styles, with many realms fulfil
Whence they no tribute have, and where no sway.
Such services I offer as shall pay
Themselves, I hate dead names: Oh then let me
Favourite in Ordinary, or no favourite be.
When my soul was in her own body sheathed,
Nor yet by oaths betrothed, nor kisses breathed
Into my Purgatory, faithless thee,
Thy heart seemed wax, and steel thy constancy:
So, careless flowers strowed on the waters face
The curled whirlpools suck, smack, and embrace,
Yet drown them; so, the taper's beamy eye
Amorously twinkling beckons the giddy fly,
Yet burns his wings; and such the devil is,
Scarce visiting them who are entirely his.
When I behold a stream which, from the spring,
Doth with doubtful melodious murmuring,
Or in a speechless slumber, calmly ride
Her wedded channels' bosom, and then chide
And bend her brows, and swell if any bough
Do but stoop down, or kiss her upmost brow:
Yet, if her often gnawing kisses win
The traiterous bank to gape, and let her in,
She rusheth violently, and doth divorce
Her from her native, and her long-kept course,
And roars, and braves it, and in gallant scorn,
In flattering eddies promising retorn,
She flouts the channel, who thenceforth is dry;
Then say I, That is she, and this am I.
Yet let not thy deep bitterness beget
Careless despair in me, for that will whet
My mind to scorn; and Oh, love dulled with pain
Was ne'er so wise, nor well armed as disdain.
Then with new eyes I shall survey thee, and spy
Death in thy cheeks, and darkness in thine eye.
Though hope bred faith and love: thus taught, I shall,
As nations do from Rome, from thy love fall.
My hate shall outgrow thine, and utterly
I will renounce thy dalliance: and when I
Am the recusant, in that resolute state,
What hurts it me to be excommunicate?

Book: Reflection on the Important Things