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Best Famous Giddy Poems

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Written by Ralph Waldo Emerson | Create an image from this poem

Ode to Beauty

 EXULTING BEAUTY,­phantom of an hour, 
Whose magic spells enchain the heart, 
Ah ! what avails thy fascinating pow'r, 
Thy thrilling smile, thy witching art ? 
Thy lip, where balmy nectar glows; 
Thy cheek, where round the damask rose 
A thousand nameless Graces move, 
Thy mildly speaking azure eyes, 
Thy golden hair, where cunning Love 
In many a mazy ringlet lies? 
Soon as thy radiant form is seen, 
Thy native blush, thy timid mien, 
Thy hour is past ! thy charms are vain! 
ILL-NATURE haunts thee with her sallow train, 
Mean JEALOUSY deceives thy list'ning ear, 
And SLANDER stains thy cheek with many a bitter tear.
In calm retirement form'd to dwell, NATURE, thy handmaid fair and kind, For thee, a beauteous garland twin'd; The vale-nurs'd Lily's downcast bell Thy modest mien display'd, The snow-drop, April's meekest child, With myrtle blossoms undefil'd, Thy mild and spotless mind pourtray'd; Dear blushing maid, of cottage birth, 'Twas thine, o'er dewy meads to stray, While sparkling health, and frolic mirth Led on thy laughing Day.
Lur'd by the babbling tongue of FAME, Too soon, insidious FLATT'RY came; Flush'd VANITY her footsteps led, To charm thee from thy blest repose, While Fashion twin'd about thy head A wreath of wounding woes; See Dissipation smoothly glide, Cold Apathy, and puny Pride, Capricious Fortune, dull, and blind, O'er splendid Folly throws her veil, While Envy's meagre tribe assail Thy gentle form, and spotless mind.
Their spells prevail! no more those eyes Shoot undulating fires; On thy wan cheek, the young rose dies, Thy lip's deep tint expires; Dark Melancholy chills thy mind; Thy silent tear reveals thy woe; TIME strews with thorns thy mazy way, Where'er thy giddy footsteps stray, Thy thoughtless heart is doom'd to find An unrelenting foe.
'Tis thus, the infant Forest flow'r Bespangled o'er with glitt'ring dew, At breezy morn's refreshing hour, Glows with pure tints of varying hue, Beneath an aged oak's wide spreading shade, Where no rude winds, or beating storms invade.
Transplanted from its lonely bed, No more it scatters perfumes round, No more it rears its gentle head, Or brightly paints the mossy ground; For ah! the beauteous bud, too soon, Scorch'd by the burning eye of day; Shrinks from the sultry glare of noon, Droops its enamell'd brow, and blushing, dies away.


Written by Victor Hugo | Create an image from this poem

TO SOME BIRDS FLOWN AWAY

 ("Enfants! Oh! revenez!") 
 
 {XXII, April, 1837} 


 Children, come back—come back, I say— 
 You whom my folly chased away 
 A moment since, from this my room, 
 With bristling wrath and words of doom! 
 What had you done, you bandits small, 
 With lips as red as roses all? 
 What crime?—what wild and hapless deed? 
 What porcelain vase by you was split 
 To thousand pieces? Did you need 
 For pastime, as you handled it, 
 Some Gothic missal to enrich 
 With your designs fantastical? 
 Or did your tearing fingers fall 
 On some old picture? Which, oh, which 
 Your dreadful fault? Not one of these; 
 Only when left yourselves to please 
 This morning but a moment here 
 'Mid papers tinted by my mind 
 You took some embryo verses near— 
 Half formed, but fully well designed 
 To open out. Your hearts desire 
 Was but to throw them on the fire, 
 Then watch the tinder, for the sight 
 Of shining sparks that twinkle bright 
 As little boats that sail at night, 
 Or like the window lights that spring 
 From out the dark at evening. 
 
 'Twas all, and you were well content. 
 Fine loss was this for anger's vent— 
 A strophe ill made midst your play, 
 Sweet sound that chased the words away 
 In stormy flight. An ode quite new, 
 With rhymes inflated—stanzas, too, 
 That panted, moving lazily, 
 And heavy Alexandrine lines 
 That seemed to jostle bodily, 
 Like children full of play designs 
 That spring at once from schoolroom's form. 
 Instead of all this angry storm, 
 Another might have thanked you well 
 For saving prey from that grim cell, 
 That hollowed den 'neath journals great, 
 Where editors who poets flout 
 With their demoniac laughter shout. 
 And I have scolded you! What fate 
 For charming dwarfs who never meant 
 To anger Hercules! And I 
 Have frightened you!—My chair I sent 
 Back to the wall, and then let fly 
 A shower of words the envious use— 
 "Get out," I said, with hard abuse, 
 "Leave me alone—alone I say." 
 Poor man alone! Ah, well-a-day, 
 What fine result—what triumph rare! 
 As one turns from the coffin'd dead 
 So left you me:—I could but stare 
 Upon the door through which you fled— 
 I proud and grave—but punished quite. 
 And what care you for this my plight!— 
 You have recovered liberty, 
 Fresh air and lovely scenery, 
 The spacious park and wished-for grass; 
lights 
 And gratefully to sing. 
 
 E'e 
 A blade to watch what comes to pass; 
 Blue sky, and all the spring can show; 
 Nature, serenely fair to see; 
 The book of birds and spirits free, 
 God's poem, worth much more than mine, 
 Where flowers for perfect stanzas shine— 
 Flowers that a child may pluck in play, 
 No harsh voice frightening it away. 
 And I'm alone—all pleasure o'er— 
 Alone with pedant called "Ennui," 
 For since the morning at my door 
 Ennui has waited patiently. 
 That docto-r-London born, you mark, 
 One Sunday in December dark, 
 Poor little ones—he loved you not, 
 And waited till the chance he got 
 To enter as you passed away, 
 And in the very corner where 
 You played with frolic laughter gay, 
 He sighs and yawns with weary air. 
 
 What can I do? Shall I read books, 
 Or write more verse—or turn fond looks 
 Upon enamels blue, sea-green, 
 And white—on insects rare as seen 
 Upon my Dresden china ware? 
 Or shall I touch the globe, and care 
 To make the heavens turn upon 
 Its axis? No, not one—not one 
 Of all these things care I to do; 
 All wearies me—I think of you. 
 In truth with you my sunshine fled, 
 And gayety with your light tread— 
 Glad noise that set me dreaming still. 
 'Twas my delight to watch your will, 
 And mark you point with finger-tips 
 To help your spelling out a word; 
 To see the pearls between your lips 
 When I your joyous laughter heard; 
 Your honest brows that looked so true, 
 And said "Oh, yes!" to each intent; 
 Your great bright eyes, that loved to view 
 With admiration innocent 
 My fine old Sèvres; the eager thought 
 That every kind of knowledge sought; 
 The elbow push with "Come and see!" 
 
 Oh, certes! spirits, sylphs, there be, 
 And fays the wind blows often here; 
 The gnomes that squat the ceiling near, 
 In corners made by old books dim; 
 The long-backed dwarfs, those goblins grim 
 That seem at home 'mong vases rare, 
 And chat to them with friendly air— 
 Oh, how the joyous demon throng 
 Must all have laughed with laughter long 
 To see you on my rough drafts fall, 
 My bald hexameters, and all 
 The mournful, miserable band, 
 And drag them with relentless hand 
 From out their box, with true delight 
 To set them each and all a-light, 
 And then with clapping hands to lean 
 Above the stove and watch the scene, 
 How to the mass deformed there came 
 A soul that showed itself in flame! 
 
 Bright tricksy children—oh, I pray 
 Come back and sing and dance away, 
 And chatter too—sometimes you may, 
 A giddy group, a big book seize— 
 Or sometimes, if it so you please, 
 With nimble step you'll run to me 
 And push the arm that holds the pen, 
 Till on my finished verse will be 
 A stroke that's like a steeple when 
 Seen suddenly upon a plain. 
 My soul longs for your breath again 
 To warm it. Oh, return—come here 
 With laugh and babble—and no fear 
 When with your shadow you obscure 
 The book I read, for I am sure, 
 Oh, madcaps terrible and dear, 
 That you were right and I was wrong. 
 But who has ne'er with scolding tongue 
 Blamed out of season. Pardon me! 
 You must forgive—for sad are we. 
 
 The young should not be hard and cold 
 And unforgiving to the old. 
 Children each morn your souls ope out 
 Like windows to the shining day, 
 Oh, miracle that comes about, 
 The miracle that children gay 
 Have happiness and goodness too, 
 Caressed by destiny are you, 
 Charming you are, if you but play. 
 But we with living overwrought, 
 And full of grave and sombre thought, 
 Are snappish oft: dear little men, 
 We have ill-tempered days, and then, 
 Are quite unjust and full of care; 
 It rained this morning and the air 
 Was chill; but clouds that dimm'd the sky 
 Have passed. Things spited me, and why? 
 But now my heart repents. Behold 
 What 'twas that made me cross, and scold! 
 All by-and-by you'll understand, 
 When brows are mark'd by Time's stern hand; 
 Then you will comprehend, be sure, 
 When older—that's to say, less pure. 
 
 The fault I freely own was mine. 
 But oh, for pardon now I pine! 
 Enough my punishment to meet, 
 You must forgive, I do entreat 
 With clasped hands praying—oh, come back, 
 Make peace, and you shall nothing lack. 
 See now my pencils—paper—here, 
 And pointless compasses, and dear 
 Old lacquer-work; and stoneware clear 
 Through glass protecting; all man's toys 
 So coveted by girls and boys. 
 Great China monsters—bodies much 
 Like cucumbers—you all shall touch. 
 I yield up all! my picture rare 
 Found beneath antique rubbish heap, 
 My great and tapestried oak chair 
 I will from you no longer keep. 
 You shall about my table climb, 
 And dance, or drag, without a cry 
 From me as if it were a crime. 
 Even I'll look on patiently 
 If you your jagged toys all throw 
 Upon my carved bench, till it show 
 The wood is torn; and freely too, 
 I'll leave in your own hands to view, 
 My pictured Bible—oft desired— 
 But which to touch your fear inspired— 
 With God in emperor's robes attired. 
 
 Then if to see my verses burn, 
 Should seem to you a pleasant turn, 
 Take them to freely tear away 
 Or burn. But, oh! not so I'd say, 
 If this were Méry's room to-day. 
 That noble poet! Happy town, 
 Marseilles the Greek, that him doth own! 
 Daughter of Homer, fair to see, 
 Of Virgil's son the mother she. 
 To you I'd say, Hold, children all, 
 Let but your eyes on his work fall; 
 These papers are the sacred nest 
 In which his crooning fancies rest; 
 To-morrow winged to Heaven they'll soar, 
 For new-born verse imprisoned still 
 In manuscript may suffer sore 
 At your small hands and childish will, 
 Without a thought of bad intent, 
 Of cruelty quite innocent. 
 You wound their feet, and bruise their wings, 
 And make them suffer those ill things 
 That children's play to young birds brings. 
 
 But mine! no matter what you do, 
 My poetry is all in you; 
 You are my inspiration bright 
 That gives my verse its purest light. 
 Children whose life is made of hope, 
 Whose joy, within its mystic scope, 
 Owes all to ignorance of ill, 
 You have not suffered, and you still 
 Know not what gloomy thoughts weigh down 
 The poet-writer weary grown. 
 What warmth is shed by your sweet smile! 
 How much he needs to gaze awhile 
 Upon your shining placid brow, 
 When his own brow its ache doth know; 
 With what delight he loves to hear 
 Your frolic play 'neath tree that's near, 
 Your joyous voices mixing well 
 With his own song's all-mournful swell! 
 Come back then, children! come to me, 
 If you wish not that I should be 
 As lonely now that you're afar 
 As fisherman of Etrétat, 
 Who listless on his elbow leans 
 Through all the weary winter scenes, 
 As tired of thought—as on Time flies— 
 And watching only rainy skies! 
 
 MRS. NEWTON CROSLAND. 


 




Written by Philip Levine | Create an image from this poem

Last Words

 If the shoe fell from the other foot 
who would hear? If the door 
opened onto a pure darkness 
and it was no dream? If your life 
ended the way a book ends 
with half a blank page and the survivors 
gone off to Africa or madness? 
If my life ended in late spring 
of 1964 while I walked alone 
back down the mountain road? 
I sing an old song to myself.
I study the way the snow remains, gray and damp, in the deep shadows of the firs.
I wonder if the bike is safe hidden just off the highway.
Up ahead the road, black and winding, falls away, and there is the valley where I lived half of my life, spectral and calm.
I sigh with gratitude, and then I feel an odd pain rising through the back of my head, and my eyes go dark.
I bend forward and place my palms on something rough, the black asphalt or a field of stubble, and the movement is that of the penitent just before he stands to his full height with the knowledge of his enormity.
For that moment which will survive the burning of all the small pockets of fat and oil that are the soul, I am the soul stretching into the furthest reaches of my fingers and beyond, glowing like ten candles in the vault of night for anyone who could see, even though it is 12:40 in the afternoon and I have passed from darkness into sunlight so fierce the sweat streams down into my eyes.
I did not rise.
A wind or a stray animal or a group of kids dragged me to the side of the road and turned me over so that my open eyes could flood heaven.
My clothes went skittering down the road without me, ballooning out into any shape, giddy with release.
My coins, my rings, the keys to my house shattered like ice and fell into the mountain thorns and grasses, little bright points that make you think there is magic in everything you see.
No, it can't be, you say, for someone is speaking calmly to you in a voice you know.
Someone alive and confident has put each of these words down exactly as he wants them on the page.
You have lived through years of denial, of public lies, of death falling like snow on any head it chooses.
You're not a child.
You know the real thing.
I am here, as I always was, faithful to a need to speak even when all you hear is a light current of air tickling your ear.
Perhaps.
But what if that dried bundle of leaves and dirt were not dirt and leaves but the spent wafer of a desire to be human? Stop the car, turn off the engine, and stand in the silence above your life.
See how the grass mirrors fire, how a wind rides up the hillside steadily toward you until it surges into your ears like breath coming and going, released from its bondage to blood or speech and denying nothing.
Written by Robert William Service | Create an image from this poem

The Revelation

 The same old sprint in the morning, boys, to the same old din and smut;
Chained all day to the same old desk, down in the same old rut;
Posting the same old greasy books, catching the same old train:
Oh, how will I manage to stick it all, if I ever get back again?

We've bidden good-bye to life in a cage, we're finished with pushing a pen;
They're pumping us full of bellicose rage, they're showing us how to be men.
We're only beginning to find ourselves; we're wonders of brawn and thew; But when we go back to our Sissy jobs, -- oh, what are we going to do? For shoulders curved with the counter stoop will be carried erect and square; And faces white from the office light will be bronzed by the open air; And we'll walk with the stride of a new-born pride, with a new-found joy in our eyes, Scornful men who have diced with death under the naked skies.
And when we get back to the dreary grind, and the bald-headed boss's call, Don't you think that the dingy window-blind, and the dingier office wall, Will suddenly melt to a vision of space, of violent, flame-scarred night? Then .
.
.
oh, the joy of the danger-thrill, and oh, the roar of the fight! Don't you think as we peddle a card of pins the counter will fade away, And again we'll be seeing the sand-bag rims, and the barb-wire's misty grey? As a flat voice asks for a pound of tea, don't you fancy we'll hear instead The night-wind moan and the soothing drone of the packet that's overhead? Don't you guess that the things we're seeing now will haunt us through all the years; Heaven and hell rolled into one, glory and blood and tears; Life's pattern picked with a scarlet thread, where once we wove with a grey To remind us all how we played our part in the shock of an epic day? Oh, we're booked for the Great Adventure now, we're pledged to the Real Romance; We'll find ourselves or we'll lose ourselves somewhere in giddy old France; We'll know the zest of the fighter's life; the best that we have we'll give; We'll hunger and thirst; we'll die .
.
.
but first -- we'll live; by the gods, we'll live! We'll breathe free air and we'll bivouac under the starry sky; We'll march with men and we'll fight with men, and we'll see men laugh and die; We'll know such joy as we never dreamed; we'll fathom the deeps of pain: But the hardest bit of it all will be -- when we come back home again.
For some of us smirk in a chiffon shop, and some of us teach in a school; Some of us help with the seat of our pants to polish an office stool; The merits of somebody's soap or jam some of us seek to explain, But all of us wonder what we'll do when we have to go back again.
Written by Ben Jonson | Create an image from this poem

Epistle to Katherine, Lady Aubigny

  

XIII.
— EPISTLE TO KATHARINE LADY AUBIGNY.
           


As what they have lost t' expect, they dare deride.

So both the prais'd and praisers suffer ; yet,
For others ill ought none their good forget.

I therefore, who profess myself in love
With every virtue, wheresoe'er it move,
And howsoever ;  as I am at feudBy arts, and practice of the vicious,
Such as suspect themselves, and think it fit,
For their own capital crimes, to indict my wit ;
I that have suffer'd this ;  and though forsook
Of fortune, have not alter'd yet my look,
Or so myself abandon'd, as because
Men are not just, or keep no holy laws
Of nature and society, I should faint ;If it may stand with your soft blush, to hear
Yourself but told unto yourself, and see
In my character what your features be,
You will not from the paper slightly pass :
No lady, but at some time loves her glass.

And this shall be no false one, but as much
Remov'd, as you from need to have it such.

Look then, and see your self — I will not sayIt perfect, proper, pure, and natural,
Not taken up o' the doctors, but as well
As I, can say and see it doth excel ;
That asks but to be censured by the eyes :
And in those outward forms, all fools are wise.

Nor that your beauty wanted not a dower,
Do I reflect.
   Some alderman has power,
Or cozening farmer of the customs, soAnd raise not virtue ;  they may vice enhance.

My mirror is more subtle, clear, refined,
And.
takes and gives the beauties of the mind ;
Though it reject not those of fortune :  such
As blood, and match.
  Wherein, how more than much
Are you engaged to your happy fate,
For such a lot !  that mixt you with a state
Of so great title, birth, but virtue most,For he that once is good, is ever great.

Wherewith then, madam, can you better pay
This blessing of your stars, than by that way
Of virtue, which you tread ?   What if alone,
Without companions ?  'tis safe to have none.

In single paths dangers with ease are watch'd ;
Contagion in the press is soonest catch'd.

This makes, that wisely you decline your lifeNot looking by, or back, like those that wait
Times and occasions, to start forth, and seem.

Which though the turning world may disesteem,
Because that studies spectacles and shows,
And after varied, as fresh objects, goes,
Giddy with change, and therefore cannot see
Right, the right way ;  yet must your comfort be
Your conscience, and not wonder if none asksMaintain their liegers forth for foreign wires,
Melt down their husbands land, to pour away
On the close groom and page, on new-year's day,
And almost all days after, while they live ;
They find it both so witty, and safe to give.

Let them on powders, oils, and paintings spend,
Till that no usurer, nor his bawds dare lend
Them or their officers ;  and no man know,When their own parasites laugh at their fall,
May they have nothing left, whereof they can
Boast, but how oft they have gone wrong to man,
And call it their brave sin : for such there be
That do sin only for the infamy ;
And never think, how vice doth every hour
Eat on her clients, and some one devour.

You, madam, young have learn'd to shun these shelves,Into your harbor, and all passage shut
'Gainst storms or pirates, that might charge your peace ; 
For which you worthy are the glad increase
Of your blest womb, made fruitful from above,
To pay your lord the pledges of chaste love ;
And raise a noble stem, to give the fame
To Clifton's blood, that is denied their name.

Grow, grow, fair tree !  and as thy branches shoot,Before the moons have fill'd their triple trine,
To crown the burden which you go withal,
It shall a ripe and timely issue fall,
T' expect the honors of great AUBIGNY ;
And greater rites, yet writ in mystery,
But which the fates forbid me to reveal.

Only thus much out of a ravish'd zeal
Unto your name, and goodness of your life,What your tried manners are, what theirs should be ;
How you love one, and him you should, how still
You are depending on his word and will ;
Not fashion'd for the court, or strangers' eyes ;
But to please him, who is the dearer prize
Unto himself, by being so dear to you.

This makes, that your affections still be new,
And that your souls conspire, as they were goneMadam, be bold to use this truest glass ;
Wherein your form you still the same shall find ;
Because nor it can change, nor such a mind.

Of any good mind, now ; there are so few.

The bad, by number, are so fortified,
As what they have lost t' expect, they dare deride.

So both the prais'd and praisers suffer ; yet,
For others ill ought none their good forget.

I therefore, who profess myself in love
With every virtue, wheresoe'er it move,
And howsoever ;  as I am at feud


Written by Mary Darby Robinson | Create an image from this poem

Ode to Reflection

 O THOU, whose sober precepts can controul 
The wild impatience of the troubled soul, 
Sweet Nymph serene ! whose all-consoling pow'r 
Awakes to calm delight the ling'ring hour; 
O hear thy suppliant's ardent pray'r ! 
Chase from my pensive mind corroding care, 
Steal thro' the heated pulses of the brain, 
Charm sorrow to repose­and lull the throb of pain.
O, tell me, what are life's best joys? Are they not visions that decay, Sweet honey'd poisons, gilded toys, Vain glitt'ring baubles of a day? O say what shadow do they leave behind, Save the sad vacuum of the sated mind? Borne on the eagle wings of Fame, MAN soars above calm Reason's sway, "Vaulting AMBITION" mocks each tender claim, Plucks the dear bonds of social life away; As o'er the vanquish'd slave she wields her spear, COMPASSION turns aside---REFLECTlON drops a tear.
Behold the wretch, whose sordid heart, Steep'd in Content's oblivious balm, Secure in Luxury's bewitching calm, Repels pale Mis'ry's touch, and mocks Affliction's smart; Unmov'd he marks the bitter tear, In vain the plaints of woe his thoughts assail, The bashful mourner's pitious tale Nor melts his flinty soul, nor vibrates on his ear, O blest REFLECTION ! let thy magic pow'r Awake his torpid sense, his slumb'ring thought, Tel1 him ADVERSITY'S unpitied hour A brighter lesson gives, than Stoics taught: Tell him that WEALTH no blessing can impart So sweet as PITY'S tear­that bathes the wounded Heart.
Go tell the vain, the insolent, and fair, That life's best days are only days of care; That BEAUTY, flutt'ring like a painted fly, Owes to the spring of youth its rarest die; When Winter comes, its charms shall fade away, And the poor insect wither in decay: Go bid the giddy phantom learn from thee, That VIRTUE only braves mortality.
Then come, REFLECTION, soft-ey'd maid! I know thee, and I prize thy charms; Come, in thy gentlest smiles array'd, And I will press thee in my eager arms: Keep from my aching heart the "fiend DESPAIR," Pluck from my brow her THORN, and plant the OLIVE there.
Written by Edgar Allan Poe | Create an image from this poem

Israfel

In Heaven a spirit doth dwell
"Whose heart-strings are a lute";
None sing so wildly well
As the angel Israfel 
And the giddy stars (so legends tell) 
Ceasing their hymns attend the spell
Of his voice all mute.
Tottering above In her highest noon The enamored moon Blushes with love While to listen the red levin (With the rapid Pleiads even Which were seven ) Pauses in Heaven.
And they say (the starry choir And the other listening things) That Israfeli's fire Is owing to that lyre By which he sits and sings- The trembling living wire Of those unusual strings.
But the skies that angel trod Where deep thoughts are a duty- Where Love's a grown-up God- Where the Houri glances are Imbued with all the beauty Which we worship in a star.
Therefore thou art not wrong Israfeli who despisest An unimpassioned song; To thee the laurels belong Best bard because the wisest! Merrily live and long! The ecstasies above With thy burning measures suit- Thy grief thy joy thy hate thy love With the fervor of thy lute- Well may the stars be mute! Yes Heaven is thine; but this Is a world of sweets and sours; Our flowers are merely- flowers And the shadow of thy perfect bliss Is the sunshine of ours.
If I could dwell Where Israfel Hath dwelt and he where I He might not sing so wildly well A mortal melody While a bolder note than this might swell From my lyre within the sky.
Written by G K Chesterton | Create an image from this poem

The Shakespeare Memorial

 Lord Lilac thought it rather rotten 
That Shakespeare should be quite forgotten, 
And therefore got on a Committee 
With several chaps out of the City, 
And Shorter and Sir Herbert Tree, 
Lord Rothschild and Lord Rosebery, 
And F.
C.
G.
and Comyn Carr Two dukes and a dramatic star, Also a clergy man now dead; And while the vain world careless sped Unheeding the heroic name -- The souls most fed with Shakespeare's flame Still sat unconquered in a ring, Remembering him like anything.
Lord Lilac did not long remain, Lord Lilac did not some again.
He softly lit a cigarette And sought some other social set Where, in some other knots or rings, People were doing cultured things.
-- Miss Zwilt's Humane Vivarium -- The little men that paint on gum -- The exquisite Gorilla Girl .
.
.
He sometimes, in this giddy whirl (Not being really bad at heart), Remembered Shakespeare with a start -- But not with that grand constancy Of Clement Shorter, Herbert Tree, Lord Rosebery and Comyn Carr And all the other names there are; Who stuck like limpets to the spot, Lest they forgot, lest they forgot.
Lord Lilac was of slighter stuff; Lord Lilac had had quite enough.
Written by Mary Darby Robinson | Create an image from this poem

The Bee and the Butterfly

 UPON a garden's perfum'd bed 
With various gaudy colours spread, 
Beneath the shelter of a ROSE 
A BUTTERFLY had sought repose; 
Faint, with the sultry beams of day, 
Supine the beauteous insect lay.
A BEE, impatient to devour The nectar sweets of ev'ry flow'r, Returning to her golden store, A weight of fragrant treasure bore; With envious eye, she mark'd the shade, Where the poor BUTTERFLY was laid, And resting on the bending spray, Thus murmur'd forth her drony lay:­ "Thou empty thing, whose merit lies In the vain boast of orient dies; Whose glittering form the slightest breath Robs of its gloss, and fades to death; Who idly rov'st the summer day, Flutt'ring a transient life away, Unmindful of the chilling hour, The nipping frost, the drenching show'r; Who heedless of "to-morrow's fare," Mak'st present bliss thy only care; Is it for THEE, the damask ROSE With such transcendent lustre glows? Is it for such a giddy thing Nature unveils the blushing spring? Hence, from thy lurking place, and know, 'Tis not for THEE her beauties glow.
" The BUTTERFLY, with decent pride, In gentle accents, thus reply'd: "'Tis true, I flutter life away In pastime, innocent and gay; The SUN that decks the blushing spring Gives lustre to my painted wing; 'Tis NATURE bids each colour vie, With rainbow tints of varying die; I boast no skill, no subtle pow'r To steal the balm from ev'ry flow'r; The ROSE, that only shelter'd ME, Has pour'd a load of sweets on THEE; Of merit we have both our share, Heav'n gave thee ART, and made me FAIR; And tho' thy cunning can despise The humble worth of harmless flies; Remember, envious, busy thing, Thy honey'd form conceals a sting; Enjoy thy garden, while I rove The sunny hill, the woodbine grove, And far remov'd from care and THEE, Embrace my humble destiny; While in some lone sequester'd bow'r, I'll live content beyond thy pow'r; For where ILL-NATURE holds her reign TASTE, WORTH, and BEAUTY, plead in vain; E'en GENIUS must to PRIDE submit When ENVY wings the shaft of WIT.
Written by Phillis Wheatley | Create an image from this poem

Thoughts On The Works Of Providence

 A R I S E, my soul, on wings enraptur'd, rise
To praise the monarch of the earth and skies,
Whose goodness and benificence appear
As round its centre moves the rolling year,
Or when the morning glows with rosy charms,
Or the sun slumbers in the ocean's arms:
Of light divine be a rich portion lent
To guide my soul, and favour my intend.
Celestial muse, my arduous flight sustain And raise my mind to a seraphic strain! Ador'd for ever be the God unseen, Which round the sun revolves this vast machine, Though to his eye its mass a point appears: Ador'd the God that whirls surrounding spheres, Which first ordain'd that mighty Sol should reign The peerless monarch of th' ethereal train: Of miles twice forty millions is his height, And yet his radiance dazzles mortal sight So far beneath--from him th' extended earth Vigour derives, and ev'ry flow'ry birth: Vast through her orb she moves with easy grace Around her Phoebus in unbounded space; True to her course th' impetuous storm derides, Triumphant o'er the winds, and surging tides.
Almighty, in these wond'rous works of thine, What Pow'r, what Wisdom, and what Goodness shine! And are thy wonders, Lord, by men explor'd, And yet creating glory unador'd! Creation smiles in various beauty gay, While day to night, and night succeeds to day: That Wisdom, which attends Jehovah's ways, Shines most conspicuous in the solar rays: Without them, destitute of heat and light, This world would be the reign of endless night: In their excess how would our race complain, Abhorring life! how hate its length'ned chain! From air adust what num'rous ills would rise? What dire contagion taint the burning skies? What pestilential vapours, fraught with death, Would rise, and overspread the lands beneath? Hail, smiling morn, that from the orient main Ascending dost adorn the heav'nly plain! So rich, so various are thy beauteous dies, That spread through all the circuit of the skies, That, full of thee, my soul in rapture soars, And thy great God, the cause of all adores.
O'er beings infinite his love extends, His Wisdom rules them, and his Pow'r defends.
When tasks diurnal tire the human frame, The spirits faint, and dim the vital flame, Then too that ever active bounty shines, Which not infinity of space confines.
The sable veil, that Night in silence draws, Conceals effects, but shows th' Almighty Cause, Night seals in sleep the wide creation fair, And all is peaceful but the brow of care.
Again, gay Phoebus, as the day before, Wakes ev'ry eye, but what shall wake no more; Again the face of nature is renew'd, Which still appears harmonious, fair, and good.
May grateful strains salute the smiling morn, Before its beams the eastern hills adorn! Shall day to day, and night to night conspire To show the goodness of the Almighty Sire? This mental voice shall man regardless hear, And never, never raise the filial pray'r? To-day, O hearken, nor your folly mourn For time mispent, that never will return.
But see the sons of vegetation rise, And spread their leafy banners to the skies.
All-wise Almighty Providence we trace In trees, and plants, and all the flow'ry race; As clear as in the nobler frame of man, All lovely copies of the Maker's plan.
The pow'r the same that forms a ray of light, That call d creation from eternal night.
"Let there be light," he said: from his profound Old Chaos heard, and trembled at the sound: Swift as the word, inspir'd by pow'r divine, Behold the light around its Maker shine, The first fair product of th' omnific God, And now through all his works diffus'd abroad.
As reason's pow'rs by day our God disclose, So we may trace him in the night's repose: Say what is sleep? and dreams how passing strange! When action ceases, and ideas range Licentious and unbounded o'er the plains, Where Fancy's queen in giddy triumph reigns.
Hear in soft strains the dreaming lover sigh To a kind fair, or rave in jealousy; On pleasure now, and now on vengeance bent, The lab'ring passions struggle for a vent.
What pow'r, O man! thy reason then restores, So long suspended in nocturnal hours? What secret hand returns the mental train, And gives improv'd thine active pow'rs again? From thee, O man, what gratitude should rise! And, when from balmy sleep thou op'st thine eyes, Let thy first thoughts be praises to the skies.
How merciful our God who thus imparts O'erflowing tides of joy to human hearts, When wants and woes might be our righteous lot, Our God forgetting, by our God forgot! Among the mental pow'rs a question rose, "What most the image of th' Eternal shows?" When thus to Reason (so let Fancy rove) Her great companion spoke immortal Love.
"Say, mighty pow'r, how long shall strife prevail, "And with its murmurs load the whisp'ring gale? "Refer the cause to Recollection's shrine, "Who loud proclaims my origin divine, "The cause whence heav'n and earth began to be, "And is not man immortaliz'd by me? "Reason let this most causeless strife subside.
" Thus Love pronounc'd, and Reason thus reply'd.
"Thy birth, coelestial queen! 'tis mine to own, "In thee resplendent is the Godhead shown; "Thy words persuade, my soul enraptur'd feels "Resistless beauty which thy smile reveals.
" Ardent she spoke, and, kindling at her charms, She clasp'd the blooming goddess in her arms.
Infinite Love where'er we turn our eyes Appears: this ev'ry creature's wants supplies; This most is heard in Nature's constant voice, This makes the morn, and this the eve rejoice; This bids the fost'ring rains and dews descend To nourish all, to serve one gen'ral end, The good of man: yet man ungrateful pays But little homage, and but little praise.
To him, whose works arry'd with mercy shine, What songs should rise, how constant, how divine!

Book: Shattered Sighs