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Best Famous Giants Poems

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Written by Nazim Hikmet | Create an image from this poem

Things I Didnt Know I Loved

 it's 1962 March 28th
I'm sitting by the window on the Prague-Berlin train 
night is falling
I never knew I liked
night descending like a tired bird on a smoky wet plain 
I don't like
comparing nightfall to a tired bird

I didn't know I loved the earth
can someone who hasn't worked the earth love it 
I've never worked the earth
it must be my only Platonic love

and here I've loved rivers all this time
whether motionless like this they curl skirting the hills
European hills crowned with chateaus
or whether stretched out flat as far as the eye can see
I know you can't wash in the same river even once
I know the river will bring new lights you'll never see
I know we live slightly longer than a horse but not nearly as long as a crow
I know this has troubled people before
 and will trouble those after me
I know all this has been said a thousand times before 
 and will be said after me

I didn't know I loved the sky 
cloudy or clear
the blue vault Andrei studied on his back at Borodino
in prison I translated both volumes of War and Peace into Turkish 
I hear voices
not from the blue vault but from the yard 
the guards are beating someone again
I didn't know I loved trees
bare beeches near Moscow in Peredelkino
they come upon me in winter noble and modest 
beeches are Russian the way poplars are Turkish 
"the poplars of Izmir
losing their leaves. . .
they call me The Knife. . .
 lover like a young tree. . .
I blow stately mansions sky-high"
in the Ilgaz woods in 1920 I tied an embroidered linen handkerchief 
 to a pine bough for luck

I never knew I loved roads 
even the asphalt kind
Vera's behind the wheel we're driving from Moscow to the Crimea 
 Koktebele
 formerly "Goktepé ili" in Turkish 
the two of us inside a closed box
the world flows past on both sides distant and mute 
I was never so close to anyone in my life
bandits stopped me on the red road between Bolu and Geredé
 when I was eighteen
apart from my life I didn't have anything in the wagon they could take 
and at eighteen our lives are what we value least
I've written this somewhere before
wading through a dark muddy street I'm going to the shadow play 
Ramazan night
a paper lantern leading the way
maybe nothing like this ever happened
maybe I read it somewhere an eight-year-old boy
 going to the shadow play
Ramazan night in Istanbul holding his grandfather's hand 
 his grandfather has on a fez and is wearing the fur coat
 with a sable collar over his robe
 and there's a lantern in the servant's hand
 and I can't contain myself for joy
flowers come to mind for some reason 
poppies cactuses jonquils
in the jonquil garden in Kadikoy Istanbul I kissed Marika 
fresh almonds on her breath
I was seventeen
my heart on a swing touched the sky 
I didn't know I loved flowers
friends sent me three red carnations in prison

I just remembered the stars 
I love them too
whether I'm floored watching them from below 
or whether I'm flying at their side

I have some questions for the cosmonauts 
were the stars much bigger
did they look like huge jewels on black velvet
 or apricots on orange
did you feel proud to get closer to the stars
I saw color photos of the cosmos in Ogonek magazine now don't 
 be upset comrades but nonfigurative shall we say or abstract 
 well some of them looked just like such paintings which is to 
 say they were terribly figurative and concrete
my heart was in my mouth looking at them 
they are our endless desire to grasp things
seeing them I could even think of death and not feel at all sad 
I never knew I loved the cosmos

snow flashes in front of my eyes
both heavy wet steady snow and the dry whirling kind 
I didn't know I liked snow

I never knew I loved the sun
even when setting cherry-red as now
in Istanbul too it sometimes sets in postcard colors 
but you aren't about to paint it that way
I didn't know I loved the sea
 except the Sea of Azov
or how much

I didn't know I loved clouds
whether I'm under or up above them
whether they look like giants or shaggy white beasts

moonlight the falsest the most languid the most petit-bourgeois 
strikes me
I like it

I didn't know I liked rain
whether it falls like a fine net or splatters against the glass my 
 heart leaves me tangled up in a net or trapped inside a drop 
 and takes off for uncharted countries I didn't know I loved 
 rain but why did I suddenly discover all these passions sitting 
 by the window on the Prague-Berlin train
is it because I lit my sixth cigarette 
one alone could kill me
is it because I'm half dead from thinking about someone back in Moscow
her hair straw-blond eyelashes blue

the train plunges on through the pitch-black night
I never knew I liked the night pitch-black
sparks fly from the engine
I didn't know I loved sparks
I didn't know I loved so many things and I had to wait until sixty 
 to find it out sitting by the window on the Prague-Berlin train 
 watching the world disappear as if on a journey of no return

 19 April 1962
 Moscow


Written by Billy Collins | Create an image from this poem

Child Development

 As sure as prehistoric fish grew legs
and sauntered off the beaches into forests
working up some irregular verbs for their
first conversation, so three-year-old children
enter the phase of name-calling.

Every day a new one arrives and is added
to the repertoire. You Dumb Goopyhead,
You Big Sewerface, You Poop-on-the-Floor
(a kind of Navaho ring to that one)
they yell from knee level, their little mugs
flushed with challenge.
Nothing Samuel Johnson would bother tossing out
in a pub, but then the toddlers are not trying
to devastate some fatuous Enlightenment hack.

They are just tormenting their fellow squirts
or going after the attention of the giants
way up there with their cocktails and bad breath
talking baritone nonsense to other giants,
waiting to call them names after thanking
them for the lovely party and hearing the door close.

The mature save their hothead invective
for things: an errant hammer, tire chains,
or receding trains missed by seconds,
though they know in their adult hearts,
even as they threaten to banish Timmy to bed
for his appalling behavior,
that their bosses are Big Fatty Stupids,
their wives are Dopey Dopeheads
and that they themselves are Mr. Sillypants.
Written by Emily Dickinson | Create an image from this poem

I think I was enchanted

 I think I was enchanted
When first a sombre Girl --
I read that Foreign Lady --
The Dark -- felt beautiful --

And whether it was noon at night --
Or only Heaven -- at Noon --
For very Lunacy of Light
I had not power to tell --

The Bees -- became as Butterflies --
The Butterflies -- as Swans --
Approached -- and spurned the narrow Grass --
And just the meanest Tunes

That Nature murmured to herself
To keep herself in Cheer --
I took for Giants -- practising
Titanic Opera --

The Days -- to Mighty Metres stept --
The Homeliest -- adorned
As if unto a Jubilee
'Twere suddenly confirmed --

I could not have defined the change --
Conversion of the Mind
Like Sanctifying in the Soul --
Is witnessed -- not explained --

'Twas a Divine Insanity --
The Danger to be Sane
Should I again experience --
'Tis Antidote to turn --

To Tomes of solid Witchcraft --
Magicians be asleep --
But Magic -- hath an Element
Like Deity -- to keep --
Written by Johann Wolfgang von Goethe | Create an image from this poem

Celebrity

 [A satire on his own Sorrows of Werther.]

ON bridges small and bridges great
Stands Nepomucks in ev'ry state,
Of bronze, wood, painted, or of stone,
Some small as dolls, some giants grown;
Each passer must worship before Nepomuck,
Who to die on a bridge chanced to have the ill luck,
When once a man with head and ears
A saint in people's eyes appears,
Or has been sentenced piteously
Beneath the hangman's hand to die,
He's as a noted person prized,
In portrait is immortalized.
Engravings, woodcuts, are supplied,
And through the world spread far and wide.
Upon them all is seen his name,
And ev'ry one admits his claim;
Even the image of the Lord
Is not with greater zeal ador'd.
Strange fancy of the human race!
Half sinner frail, half child of grace
We see HERR WERTHER of the story
In all the pomp of woodcut glory.
His worth is first made duly known,
By having his sad features shown
At ev'ry fair the country round;
In ev'ry alehouse too they're found.
His stick is pointed by each dunce
"The ball would reach his brain at once!"
And each says, o'er his beer and bread:
"Thank Heav'n that 'tis not we are dead!"

 1815.*
Written by Victor Hugo | Create an image from this poem

The Epic Of The Lion

 ("Un lion avait pris un enfant.") 
 
 {XIII.} 


 A Lion in his jaws caught up a child— 
 Not harming it—and to the woodland, wild 
 With secret streams and lairs, bore off his prey— 
 The beast, as one might cull a bud in May. 
 It was a rosy boy, a king's own pride, 
 A ten-year lad, with bright eyes shining wide, 
 And save this son his majesty beside 
 Had but one girl, two years of age, and so 
 The monarch suffered, being old, much woe; 
 His heir the monster's prey, while the whole land 
 In dread both of the beast and king did stand; 
 Sore terrified were all. 
 
 By came a knight 
 That road, who halted, asking, "What's the fright?" 
 They told him, and he spurred straight for the site! 
 The beast was seen to smile ere joined they fight, 
 The man and monster, in most desperate duel, 
 Like warring giants, angry, huge, and cruel. Beneath his shield, all blood and mud and mess: 
 Whereat the lion feasted: then it went 
 Back to its rocky couch and slept content. 
 Sudden, loud cries and clamors! striking out 
 Qualm to the heart of the quiet, horn and shout 
 Causing the solemn wood to reel with rout. 
 Terrific was this noise that rolled before; 
 It seemed a squadron; nay, 'twas something more— 
 A whole battalion, sent by that sad king 
 With force of arms his little prince to bring, 
 Together with the lion's bleeding hide. 
 
 Which here was right or wrong? Who can decide? 
 Have beasts or men most claim to live? God wots! 
 He is the unit, we the cipher-dots. 
 Ranged in the order a great hunt should have, 
 They soon between the trunks espy the cave. 
 "Yes, that is it! the very mouth of the den!" 
 The trees all round it muttered, warning men; 
 Still they kept step and neared it. Look you now, 
 Company's pleasant, and there were a thou— 
 Good Lord! all in a moment, there's its face! 
 Frightful! they saw the lion! Not one pace 
 Further stirred any man; but bolt and dart 
 Made target of the beast. He, on his part, 
 As calm as Pelion in the rain or hail, 
 Bristled majestic from the teeth to tail, 
 And shook full fifty missiles from his hide, 
 But no heed took he; steadfastly he eyed, 
 And roared a roar, hoarse, vibrant, vengeful, dread, 
 A rolling, raging peal of wrath, which spread, 
 Making the half-awakened thunder cry, 
 "Who thunders there?" from its black bed of sky. 
 This ended all! Sheer horror cleared the coast; 
 As fogs are driven by the wind, that valorous host 
 Melted, dispersed to all the quarters four, 
 Clean panic-stricken by that monstrous roar. 
 Then quoth the lion, "Woods and mountains, see, 
 A thousand men, enslaved, fear one beast free!" 
 He followed towards the hill, climbed high above, 
 Lifted his voice, and, as the sowers sow 
 The seed down wind, thus did that lion throw 
 His message far enough the town to reach: 
 "King! your behavior really passes speech! 
 Thus far no harm I've wrought to him your son; 
 But now I give you notice—when night's done, 
 I will make entry at your city-gate, 
 Bringing the prince alive; and those who wait 
 To see him in my jaws—your lackey-crew— 
 Shall see me eat him in your palace, too!" 
 Next morning, this is what was viewed in town: 
 Dawn coming—people going—some adown 
 Praying, some crying; pallid cheeks, swift feet, 
 And a huge lion stalking through the street. 
 It seemed scarce short of rash impiety 
 To cross its path as the fierce beast went by. 
 So to the palace and its gilded dome 
 With stately steps unchallenged did he roam; 
 He enters it—within those walls he leapt! 
 No man! 
 
 For certes, though he raged and wept, 
 His majesty, like all, close shelter kept, 
 Solicitous to live, holding his breath 
 Specially precious to the realm. Now death 
 Is not thus viewed by honest beasts of prey; 
 And when the lion found him fled away, 
 Ashamed to be so grand, man being so base, 
 He muttered to himself, "A wretched king! 
 'Tis well; I'll eat his boy!" Then, wandering, 
 Lordly he traversed courts and corridors, 
 Paced beneath vaults of gold on shining floors, 
 Glanced at the throne deserted, stalked from hall 
 To hall—green, yellow, crimson—empty all! 
 Rich couches void, soft seats unoccupied! 
 And as he walked he looked from side to side 
 To find some pleasant nook for his repast, 
 Since appetite was come to munch at last 
 The princely morsel!—Ah! what sight astounds 
 That grisly lounger? 
 
 In the palace grounds 
 An alcove on a garden gives, and there 
 A tiny thing—forgot in the general fear, 
 Lulled in the flower-sweet dreams of infancy, 
 Bathed with soft sunlight falling brokenly 
 Through leaf and lattice—was at that moment waking; 
 A little lovely maid, most dear and taking, 
 The prince's sister—all alone, undressed— 
 She sat up singing: children sing so best. 
 Charming this beauteous baby-maid; and so 
 The beast caught sight of her and stopped— 
 
 And then 
 Entered—the floor creaked as he stalked straight in. 
 Above the playthings by the little bed 
 The lion put his shaggy, massive head, 
 Dreadful with savage might and lordly scorn, 
 More dreadful with that princely prey so borne; 
 Which she, quick spying, "Brother, brother!" cried, 
 "Oh, my own brother!" and, unterrified, 
 She gazed upon that monster of the wood, 
 Whose yellow balls not Typhon had withstood, 
 And—well! who knows what thoughts these small heads hold? 
 She rose up in her cot—full height, and bold, 
 And shook her pink fist angrily at him. 
 Whereon—close to the little bed's white rim, 
 All dainty silk and laces—this huge brute 
 Set down her brother gently at her foot, 
 Just as a mother might, and said to her, 
 "Don't be put out, now! There he is, dear, there!" 
 
 EDWIN ARNOLD, C.S.I. 


 






Written by Ogden Nash | Create an image from this poem

Look What You Did Christopher!

 In fourteen hundred and ninety-two,
Someone sailed the ocean blue.
Somebody borrowed the fare in Spain
For a business trip on the bounding main,
And to prove to the people, by actual test,
You could get to the East by sailing West.
Somebody said, Sail on! Sail on!
And studied China and China's lingo,
And cried from the bow, There's China now!
And promptly bumped into San Domingo.
Somebody murmured, Oh dear, oh dear!
I've discovered the Western Hemisphere.

And that, you may think, my friends, was that.
But it wasn't. Not by a fireman's hat.
Well enough wasn't left alone,
And Columbus was only a cornerstone.
There came the Spaniards,
There came the Greeks,
There came the Pilgrims in leather breeks.
There came the Dutch,
And the Poles and Swedes,
The Persians, too,
And perhaps the Medes,
The Letts, the Lapps, and the Lithuanians,
Regal Russians, and ripe Roumanians.
There came the French
And there came the Finns,
And the Japanese
With their formal grins.
The Tartars came,
And the Terrible Turks -
In a word, humanity shot the works.
And the country that should have been Cathay
Decided to be
The U.S.A.

And that, you may think, my friends, was that.
But it wasn't. Not by a fireman's hat.
Christopher C. was the cornerstone,
And well enough wasn't left alone.
For those who followed
When he was through,
They burned to discover something, too.
Somebody, bored with rural scenery,
Went to work and invented machinery,
While a couple of other mental giants
Got together
And thought up Science.
Platinum blondes
(They were once peroxide),
Peruvian bonds
And carbon monoxide,
Tax evaders
And Vitamin A,
Vice crusaders,
And tattletale gray -
These, with many another phobia,
We owe to that famous Twelfth of Octobia.
O misery, misery, mumble and moan!
Someone invented the telephone,
And interrupted a nation's slumbers,
Ringing wrong but similar numbers.
Someone devised the silver screen
And the intimate Hollywood magazine,
And life is a Hades
Of clicking cameras,
And foreign ladies
Behaving amorous.
Gags have erased
Amusing dialog,
As gas has replaced
The crackling firelog.
All that glitters is sold as gold,
And our daily diet grows odder and odder,
And breakfast foods are dusty and cold -
It's a wise child
That knows its fodder.
Someone invented the automobile,
And good Americans took the wheel
To view American rivers and rills
And justly famous forests and hills -
But someone equally enterprising
Had invented billboard advertising.
You linger at home
In dark despair,
And wistfully try the electric air.
You hope against hope for a quiz imperial,
And what do they give you?
A doctor serial.
Oh, Columbus was only a cornerstone,
And well enough wasn't left alone,
For the Inquisition was less tyrannical
Than the iron rules of an age mechanical,
Which, because of an error in '92,
Are clamped like corsets on me and you,
While Children of Nature we'd be today
If San Domingo
Had been Cathay.

And that, you may think, my friends, is that.
But it isn't - not by a fireman's hat.
The American people,
With grins jocose,
Always survive the fatal dose.
And though our systems are slightly wobbly,
We'll fool the doctor this time, probly.
Written by Sylvia Plath | Create an image from this poem

By Candlelight

 This is winter, this is night, small love --
A sort of black horsehair,
A rough, dumb country stuff
Steeled with the sheen
Of what green stars can make it to our gate.
I hold you on my arm.
It is very late.
The dull bells tongue the hour.
The mirror floats us at one candle power.

This is the fluid in which we meet each other,
This haloey radiance that seems to breathe
And lets our shadows wither
Only to blow
Them huge again, violent giants on the wall.
One match scratch makes you real.

At first the candle will not bloom at all --
It snuffs its bud
To almost nothing, to a dull blue dud.

I hold my breath until you creak to life,
Balled hedgehog,
Small and cross. The yellow knife
Grows tall. You clutch your bars.
My singing makes you roar.
I rock you like a boat
Across the Indian carpet, the cold floor,
While the brass man
Kneels, back bent, as best he can

Hefting his white pillar with the light
That keeps the sky at bay,
The sack of black! It is everywhere, tight, tight!
He is yours, the little brassy Atlas --
Poor heirloom, all you have,
At his heels a pile of five brass cannonballs,
No child, no wife.
Five balls! Five bright brass balls!
To juggle with, my love, when the sky falls.
Written by G K Chesterton | Create an image from this poem

Lepanto

 White founts falling in the Courts of the sun, 
And the Soldan of Byzantium is smiling as they run; 
There is laughter like the fountains in that face of all men feared, 
It stirs the forest darkness, the darkness of his beard; 
It curls the blood-red crescent, the crescent of his lips; 
For the inmost sea of all the earth is shaken with his ships. 
They have dared the white republics up the capes of Italy, 
They have dashed the Adriatic round the Lion of the Sea, 
And the Pope has cast his arms abroad for agony and loss, 
And called the kings of Christendom for swords about the Cross. 
The cold queen of England is looking in the glass; 
The shadow of the Valois is yawning at the Mass; 
From evening isles fantastical rings faint the Spanish gun, 
And the Lord upon the Golden Horn is laughing in the sun. 

Dim drums throbbing, in the hills half heard, 
Where only on a nameless throne a crownless prince has stirred, 
Where, risen from a doubtful seat and half attainted stall, 
The last knight of Europe takes weapons from the wall, 
The last and lingering troubadour to whom the bird has sung, 
That once went singing southward when all the world was young. 
In that enormous silence, tiny and unafraid, 
Comes up along a winding road the noise of the Crusade. 
Strong gongs groaning as the guns boom far, 
Don John of Austria is going to the war, 
Stiff flags straining in the night-blasts cold 
In the gloom black-purple, in the glint old-gold, 
Torchlight crimson on the copper kettle-drums, 
Then the tuckets, then the trumpets, then the cannon, and he comes. 
Don John laughing in the brave beard curled, 
Spurning of his stirrups like the thrones of all the world, 
Holding his head up for a flag of all the free. 
Love-light of Spain--hurrah! 
Death-light of Africa! 
Don John of Austria 
Is riding to the sea. 

Mahound is in his paradise above the evening star, 
(Don John of Austria is going to the war.) 
He moves a mighty turban on the timeless houri's knees, 
His turban that is woven of the sunsets and the seas. 
He shakes the peacock gardens as he rises from his ease, 
And he strides among the tree-tops and is taller than the trees; 
And his voice through all the garden is a thunder sent to bring 
Black Azrael and Ariel and Ammon on the wing. 
Giants and the Genii, 
Multiplex of wing and eye, 
Whose strong obedience broke the sky 
When Solomon was king. 

They rush in red and purple from the red clouds of the morn, 
From the temples where the yellow gods shut up their eyes in scorn; 
They rise in green robes roaring from the green hells of the sea 
Where fallen skies and evil hues and eyeless creatures be, 
On them the sea-valves cluster and the grey sea-forests curl, 
Splashed with a splendid sickness, the sickness of the pearl; 
They swell in sapphire smoke out of the blue cracks of the ground,-- 
They gather and they wonder and give worship to Mahound. 
And he saith, "Break up the mountains where the hermit-folk can hide, 
And sift the red and silver sands lest bone of saint abide, 
And chase the Giaours flying night and day, not giving rest, 
For that which was our trouble comes again out of the west. 
We have set the seal of Solomon on all things under sun, 
Of knowledge and of sorrow and endurance of things done. 
But a noise is in the mountains, in the mountains, and I know 
The voice that shook our palaces--four hundred years ago: 
It is he that saith not 'Kismet'; it is he that knows not Fate; 
It is Richard, it is Raymond, it is Godfrey at the gate! 
It is he whose loss is laughter when he counts the wager worth, 
Put down your feet upon him, that our peace be on the earth." 
For he heard drums groaning and he heard guns jar, 
(Don John of Austria is going to the war.) 
Sudden and still--hurrah! 
Bolt from Iberia! 
Don John of Austria 
Is gone by Alcalar. 

St. Michaels on his Mountain in the sea-roads of the north 
(Don John of Austria is girt and going forth.) 
Where the grey seas glitter and the sharp tides shift 
And the sea-folk labour and the red sails lift. 
He shakes his lance of iron and he claps his wings of stone; 
The noise is gone through Normandy; the noise is gone alone; 
The North is full of tangled things and texts and aching eyes, 
And dead is all the innocence of anger and surprise, 
And Christian killeth Christian in a narrow dusty room, 
And Christian dreadeth Christ that hath a newer face of doom, 
And Christian hateth Mary that God kissed in Galilee,-- 
But Don John of Austria is riding to the sea. 
Don John calling through the blast and the eclipse 
Crying with the trumpet, with the trumpet of his lips, 
Trumpet that sayeth ha! 
Domino gloria! 
Don John of Austria 
Is shouting to the ships. 

King Philip's in his closet with the Fleece about his neck 
(Don John of Austria is armed upon the deck.) 
The walls are hung with velvet that is black and soft as sin, 
And little dwarfs creep out of it and little dwarfs creep in. 
He holds a crystal phial that has colours like the moon, 
He touches, and it tingles, and he trembles very soon, 
And his face is as a fungus of a leprous white and grey 
Like plants in the high houses that are shuttered from the day, 
And death is in the phial and the end of noble work, 
But Don John of Austria has fired upon the Turk. 
Don John's hunting, and his hounds have bayed-- 
Booms away past Italy the rumour of his raid. 
Gun upon gun, ha! ha! 
Gun upon gun, hurrah! 
Don John of Austria 
Has loosed the cannonade. 

The Pope was in his chapel before day or battle broke, 
(Don John of Austria is hidden in the smoke.) 
The hidden room in man's house where God sits all the year, 
The secret window whence the world looks small and very dear. 
He sees as in a mirror on the monstrous twilight sea 
The crescent of his cruel ships whose name is mystery; 
They fling great shadows foe-wards, making Cross and Castle dark, 
They veil the plum?d lions on the galleys of St. Mark; 
And above the ships are palaces of brown, black-bearded chiefs, 
And below the ships are prisons, where with multitudinous griefs, 
Christian captives sick and sunless, all a labouring race repines 
Like a race in sunken cities, like a nation in the mines. 
They are lost like slaves that sweat, and in the skies of morning hung 
The stair-ways of the tallest gods when tyranny was young. 
They are countless, voiceless, hopeless as those fallen or fleeing on 
Before the high Kings' horses in the granite of Babylon. 
And many a one grows witless in his quiet room in hell 
Where a yellow face looks inward through the lattice of his cell, 
And he finds his God forgotten, and he seeks no more a sign-- 
(But Don John of Austria has burst the battle-line!) 
Don John pounding from the slaughter-painted poop, 
Purpling all the ocean like a bloody pirate's sloop, 
Scarlet running over on the silvers and the golds, 
Breaking of the hatches up and bursting of the holds, 
Thronging of the thousands up that labour under sea 
White for bliss and blind for sun and stunned for liberty. 

Vivat Hispania! 
Domino Gloria! 
Don John of Austria 
Has set his people free! 

Cervantes on his galley sets the sword back in the sheath 
(Don John of Austria rides homeward with a wreath.) 
And he sees across a weary land a straggling road in Spain, 
Up which a lean and foolish knight for ever rides in vain, 
And he smiles, but not as Sultans smile, and settles back the blade.... 
(But Don John of Austria rides home from the Crusade.)
Written by Robert Browning | Create an image from this poem

Childe Roland to the Dark Tower Came

My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the working of his lie
On mine, and mouth scarce able to afford
Suppression of the glee, that pursed and scored
Its edge, at one more victim gained thereby.

What else should he be set for, with his staff?
What, save to waylay with his lies, ensnare
All travellers who might find him posted there,
And ask the road? I guessed what skull-like laugh
Would break, what crutch 'gin write my epitaph
For pastime in the dusty thoroughfare,

If at his council I should turn aside
Into that ominous tract which, all agree,
Hides the Dark Tower. Yet acquiescingly
I did turn as he pointed: neither pride
Nor hope rekindling at the end descried,
So much as gladness that some end might be.

For, what with my whole world-wide wandering,
What with my search drawn out through years, my hope
Dwindled into a ghost not fit to cope
With that obstreperous joy success would bring, -
I hardly tried now to rebuke the spring
My heart made, finding failure in its scope.

As when a sick man very near to death
Seems dead indeed, and feels begin and end
The tears and takes the farewell of each friend,
And hears one bid the other go, draw breath
Freelier outside, ('since all is o'er,' he saith,
'And the blow fallen no grieving can amend';)

While some discuss if near the other graves
Be room enough for this, and when a day
Suits best for carrying the corpse away,
With care about the banners, scarves and staves:
And still the man hears all, and only craves
He may not shame such tender love and stay.

Thus, I had so long suffered in this quest,
Heard failure prophesied so oft, been writ
So many times among 'The Band' - to wit,
The knights who to the Dark Tower's search addressed
Their steps - that just to fail as they, seemed best,
And all the doubt was now - should I be fit?

So, quiet as despair, I turned from him,
That hateful cripple, out of his highway
Into the path he pointed. All the day
Had been a dreary one at best, and dim
Was settling to its close, yet shot one grim
Red leer to see the plain catch its estray.

For mark! no sooner was I fairly found
Pledged to the plain, after a pace or two,
Than, pausing to throw backward a last view
O'er the safe road, 'twas gone; grey plain all round:
Nothing but plain to the horizon's bound.
I might go on; naught else remained to do.

So, on I went. I think I never saw
Such starved ignoble nature; nothing throve:
For flowers - as well expect a cedar grove!
But cockle, spurge, according to their law
Might propagate their kind, with none to awe,
You'd think: a burr had been a treasure-trove.

No! penury, inertness and grimace,
In some strange sort, were the land's portion. 'See
Or shut your eyes,' said Nature peevishly,
'It nothing skills: I cannot help my case:
'Tis the Last Judgement's fire must cure this place,
Calcine its clods and set my prisoners free.'

If there pushed any ragged thistle-stalk
Above its mates, the head was chopped; the bents
Were jealous else. What made those holes and rents
In the dock's harsh swarth leaves, bruised as to balk
All hope of greeness? 'tis a brute must walk
Pushing their life out, with a brute's intents.

As for the grass, it grew as scant as hair
In leprosy; thin dry blades pricked the mud
Which underneath looked kneaded up with blood.
One stiff blind horse, his every bone a-stare,
Stood stupefied, however he came there:
Thrust out past service from the devil's stud!

Alive? he might be dead for aught I know,
With that red gaunt and colloped neck a-strain,
And shut eyes underneath the rusty mane;
Seldom went such grotesqueness with such woe;
I never saw a brute I hated so;
He must be wicked to deserve such pain.

I shut my eyes and turned them on my heart.
As a man calls for wine before he fights,
I asked one draught of earlier, happier sights,
Ere fitly I could hope to play my part.
Think first, fight afterwards - this soldier's art:
One taste of the old time sets all to rights.

Not it! I fancied Cuthbert's reddening face
Beneath its garniture of curly gold,
Dear fellow, till I almost felt him fold
An arm in mine to fix me to the place,
That way he used. Alas, one night's disgrace!
Out went my heart's new fire and left it cold.

Giles then, the soul of honour - there he stands
Frank as ten years ago when knighted first.
What honest man should dare (he said) he durst.
Good - but the scene shifts - faugh! what hangman-hands
Pin to his breast a parchment? His own bands
Read it. Poor traitor, spit upon and curst!

Better this present than a past like that;
Back therefore to my darkening path again!
No sound, no sight as far as eye could strain.
Will the night send a howlet or a bat?
I asked: when something on the dismal flat
Came to arrest my thoughts and change their train.

A sudden little river crossed my path
As unexpected as a serpent comes.
No sluggish tide congenial to the glooms;
This, as it frothed by, might have been a bath
For the fiend's glowing hoof - to see the wrath
Of its black eddy bespate with flakes and spumes.

So petty yet so spiteful! All along,
Low scrubby alders kneeled down over it;
Drenched willows flung them headlong in a fit
Of mute despair, a suicidal throng:
The river which had done them all the wrong,
Whate'er that was, rolled by, deterred no whit.

Which, while I forded, - good saints, how I feared
To set my foot upon a dead man's cheek,
Each step, or feel the spear I thrust to seek
For hollows, tangled in his hair or beard!
- It may have been a water-rat I speared,
But, ugh! it sounded like a baby's shriek.

Glad was I when I reached the other bank.
Now for a better country. Vain presage!
Who were the strugglers, what war did they wage,
Whose savage trample thus could pad the dank
Soil to a plash? Toads in a poisoned tank,
Or wild cats in a red-hot iron cage -

The fight must so have seemed in that fell cirque.
What penned them there, with all the plain to choose?
No foot-print leading to that horrid mews,
None out of it. Mad brewage set to work
Their brains, no doubt, like galley-slaves the Turk
Pits for his pastime, Christians against Jews.

And more than that - a furlong on - why, there!
What bad use was that engine for, that wheel,
Or brake, not wheel - that harrow fit to reel
Men's bodies out like silk? with all the air
Of Tophet's tool, on earth left unaware,
Or brought to sharpen its rusty teeth of steel.

Then came a bit of stubbed ground, once a wood,
Next a marsh, it would seem, and now mere earth
Desperate and done with; (so a fool finds mirth,
Makes a thing and then mars it, till his mood
Changes and off he goes!) within a rood -
Bog, clay and rubble, sand and stark black dearth.

Now blotches rankling, coloured gay and grim,
Now patches where some leanness of the soil's
Broke into moss or substances like boils;
Then came some palsied oak, a cleft in him
Like a distorted mouth that splits its rim
Gaping at death, and dies while it recoils.

And just as far as ever from the end!
Naught in the distance but the evening, naught
To point my footstep further! At the thought,
A great black bird, Apollyon's bosom-friend,
Sailed past, not beat his wide wing dragon-penned
That brushed my cap - perchance the guide I sought.

For, looking up, aware I somehow grew,
'Spite of the dusk, the plain had given place
All round to mountains - with such name to grace
Mere ugly heights and heaps now stolen in view.
How thus they had surprised me, - solve it, you!
How to get from then was no clearer case.

Yet half I seemed to recognise some trick
Of mischief happened to me, God knows when -
In a bad dream perhaps. Here ended, the,
Progress this way. When, in the very nick
Of giving up, one time more, came a click
As when a trap shuts - you're inside the den!

Burningly it came on me all at once,
This was the place! those two hills on the right,
Crouched like two bulls locked horn in horn in fight;
While to the left, a tall scalped mountain...Dunce,
Dotard, a-dozing at the very nonce,
After a life spent training for the sight!

What in the midst lay but the Tower itself?
The round squat turret, blind as the fool's heart,
Built of brown stone, without a counterpart
In the whole world. The tempest's mocking elf
Points to the shipman thus the unseen shelf
He strikes on, only when the timbers start.

Not see? because of night perhaps? - why, day
Came back again for that! before it left,
The dying sunset kindled through a cleft:
The hills, like giants at a hunting, lay,
Chin upon hand, to see the game at bay, -
'Now stab and end the creature - to the heft!'

Not hear? when noise was everywhere! it tolled
Increasing like a bell. Names in my ears
Of all the lost adventurers my peers, -
How such a one was strong, and such was bold,
And such was fortunate, yet each of old
Lost, lost! one moment knelled the woe of years.

There they stood, ranged along the hill-sides, met
To view the last of me, a living frame
For one more picture! in a sheet of flame
I saw them and I knew them all. And yet
Dauntless the slug-horn to my lips I set,
And blew. 'Childe Roland to the Dark Tower came.'
Written by David Lehman | Create an image from this poem

November 6

 Remember when Khrushchev said
"We will bury you!"
on the cover
of Time
I thought he was
employing a metaphor
as in "Braves Scalp Giants!"
on the back page
of the Daily News
I pictured the Russians
burying us under a mound
of all the rubble
that rubles could buy
when what he meant was
he had come not to praise Caesar
but to bury him

Book: Radiant Verses: A Journey Through Inspiring Poetry