10 Best Famous Giants Poems

Here is a collection of the top 10 all-time best famous Giants poems. This is a select list of the best famous Giants poetry. Reading, writing, and enjoying famous Giants poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of giants poems.

See Also:

Things I Didnt Know I Loved

by Nazim Hikmet
 it's 1962 March 28th
I'm sitting by the window on the Prague-Berlin train 
night is falling
I never knew I liked
night descending like a tired bird on a smoky wet plain 
I don't like
comparing nightfall to a tired bird

I didn't know I loved the earth
can someone who hasn't worked the earth love it 
I've never worked the earth
it must be my only Platonic love

and here I've loved rivers all this time
whether motionless like this they curl skirting the hills
European hills crowned with chateaus
or whether stretched out flat as far as the eye can see
I know you can't wash in the same river even once
I know the river will bring new lights you'll never see
I know we live slightly longer than a horse but not nearly as long as a crow
I know this has troubled people before
 and will trouble those after me
I know all this has been said a thousand times before 
 and will be said after me

I didn't know I loved the sky 
cloudy or clear
the blue vault Andrei studied on his back at Borodino
in prison I translated both volumes of War and Peace into Turkish 
I hear voices
not from the blue vault but from the yard 
the guards are beating someone again
I didn't know I loved trees
bare beeches near Moscow in Peredelkino
they come upon me in winter noble and modest 
beeches are Russian the way poplars are Turkish 
"the poplars of Izmir
losing their leaves. . .
they call me The Knife. . .
 lover like a young tree. . .
I blow stately mansions sky-high"
in the Ilgaz woods in 1920 I tied an embroidered linen handkerchief 
 to a pine bough for luck

I never knew I loved roads 
even the asphalt kind
Vera's behind the wheel we're driving from Moscow to the Crimea 
 Koktebele
 formerly "Goktepé ili" in Turkish 
the two of us inside a closed box
the world flows past on both sides distant and mute 
I was never so close to anyone in my life
bandits stopped me on the red road between Bolu and Geredé
 when I was eighteen
apart from my life I didn't have anything in the wagon they could take 
and at eighteen our lives are what we value least
I've written this somewhere before
wading through a dark muddy street I'm going to the shadow play 
Ramazan night
a paper lantern leading the way
maybe nothing like this ever happened
maybe I read it somewhere an eight-year-old boy
 going to the shadow play
Ramazan night in Istanbul holding his grandfather's hand 
 his grandfather has on a fez and is wearing the fur coat
 with a sable collar over his robe
 and there's a lantern in the servant's hand
 and I can't contain myself for joy
flowers come to mind for some reason 
poppies cactuses jonquils
in the jonquil garden in Kadikoy Istanbul I kissed Marika 
fresh almonds on her breath
I was seventeen
my heart on a swing touched the sky 
I didn't know I loved flowers
friends sent me three red carnations in prison

I just remembered the stars 
I love them too
whether I'm floored watching them from below 
or whether I'm flying at their side

I have some questions for the cosmonauts 
were the stars much bigger
did they look like huge jewels on black velvet
 or apricots on orange
did you feel proud to get closer to the stars
I saw color photos of the cosmos in Ogonek magazine now don't 
 be upset comrades but nonfigurative shall we say or abstract 
 well some of them looked just like such paintings which is to 
 say they were terribly figurative and concrete
my heart was in my mouth looking at them 
they are our endless desire to grasp things
seeing them I could even think of death and not feel at all sad 
I never knew I loved the cosmos

snow flashes in front of my eyes
both heavy wet steady snow and the dry whirling kind 
I didn't know I liked snow

I never knew I loved the sun
even when setting cherry-red as now
in Istanbul too it sometimes sets in postcard colors 
but you aren't about to paint it that way
I didn't know I loved the sea
 except the Sea of Azov
or how much

I didn't know I loved clouds
whether I'm under or up above them
whether they look like giants or shaggy white beasts

moonlight the falsest the most languid the most petit-bourgeois 
strikes me
I like it

I didn't know I liked rain
whether it falls like a fine net or splatters against the glass my 
 heart leaves me tangled up in a net or trapped inside a drop 
 and takes off for uncharted countries I didn't know I loved 
 rain but why did I suddenly discover all these passions sitting 
 by the window on the Prague-Berlin train
is it because I lit my sixth cigarette 
one alone could kill me
is it because I'm half dead from thinking about someone back in Moscow
her hair straw-blond eyelashes blue

the train plunges on through the pitch-black night
I never knew I liked the night pitch-black
sparks fly from the engine
I didn't know I loved sparks
I didn't know I loved so many things and I had to wait until sixty 
 to find it out sitting by the window on the Prague-Berlin train 
 watching the world disappear as if on a journey of no return

 19 April 1962
 Moscow

Mementos

by Charlotte Bronte
 ARRANGING long-locked drawers and shelves 
Of cabinets, shut up for years, 
What a strange task we've set ourselves ! 
How still the lonely room appears ! 
How strange this mass of ancient treasures, 
Mementos of past pains and pleasures; 
These volumes, clasped with costly stone, 
With print all faded, gilding gone; 

These fans of leaves, from Indian trees­ 
These crimson shells, from Indian seas­ 
These tiny portraits, set in rings­ 
Once, doubtless, deemed such precious things; 
Keepsakes bestowed by Love on Faith, 
And worn till the receiver's death, 
Now stored with cameos, china, shells, 
In this old closet's dusty cells. 

I scarcely think, for ten long years, 
A hand has touched these relics old; 
And, coating each, slow-formed, appears, 
The growth of green and antique mould. 

All in this house is mossing over; 
All is unused, and dim, and damp; 
Nor light, nor warmth, the rooms discover­ 
Bereft for years of fire and lamp. 

The sun, sometimes in summer, enters 
The casements, with reviving ray; 
But the long rains of many winters 
Moulder the very walls away. 

And outside all is ivy, clinging 
To chimney, lattice, gable grey; 
Scarcely one little red rose springing 
Through the green moss can force its way. 

Unscared, the daw, and starling nestle, 
Where the tall turret rises high, 
And winds alone come near to rustle 
The thick leaves where their cradles lie. 

I sometimes think, when late at even 
I climb the stair reluctantly, 
Some shape that should be well in heaven, 
Or ill elsewhere, will pass by me. 

I fear to see the very faces, 
Familiar thirty years ago, 
Even in the old accustomed places 
Which look so cold and gloomy now. 

I've come, to close the window, hither, 
At twilight, when the sun was down, 
And Fear, my very soul would wither, 
Lest something should be dimly shown. 

Too much the buried form resembling, 
Of her who once was mistress here; 
Lest doubtful shade, or moonbeam trembling, 
Might take her aspect, once so dear. 

Hers was this chamber; in her time 
It seemed to me a pleasant room, 
For then no cloud of grief or crime 
Had cursed it with a settled gloom; 

I had not seen death's image laid 
In shroud and sheet, on yonder bed. 
Before she married, she was blest­ 
Blest in her youth, blest in her worth; 
Her mind was calm, its sunny rest 
Shone in her eyes more clear than mirth. 

And when attired in rich array, 
Light, lustrous hair about her brow, 
She yonder sat­a kind of day 
Lit up­what seems so gloomy now. 
These grim oak walls, even then were grim; 
That old carved chair, was then antique; 
But what around looked dusk and dim 
Served as a foil to her fresh cheek; 
Her neck, and arms, of hue so fair, 
Eyes of unclouded, smiling, light; 
Her soft, and curled, and floating hair, 
Gems and attire, as rainbow bright. 

Reclined in yonder deep recess, 
Ofttimes she would, at evening, lie 
Watching the sun; she seemed to bless 
With happy glance the glorious sky. 
She loved such scenes, and as she gazed, 
Her face evinced her spirit's mood; 
Beauty or grandeur ever raised 
In her, a deep-felt gratitude. 

But of all lovely things, she loved 
A cloudless moon, on summer night; 
Full oft have I impatience proved 
To see how long, her still delight 
Would find a theme in reverie. 
Out on the lawn, or where the trees 
Let in the lustre fitfully, 
As their boughs parted momently, 
To the soft, languid, summer breeze. 
Alas ! that she should e'er have flung 
Those pure, though lonely joys away­ 
Deceived by false and guileful tongue, 
She gave her hand, then suffered wrong; 
Oppressed, ill-used, she faded young, 
And died of grief by slow decay. 

Open that casket­look how bright 
Those jewels flash upon the sight; 
The brilliants have not lost a ray 
Of lustre, since her wedding day. 
But see­upon that pearly chain­ 
How dim lies time's discolouring stain ! 
I've seen that by her daughter worn: 
For, e'er she died, a child was born; 
A child that ne'er its mother knew, 
That lone, and almost friendless grew; 
For, ever, when its step drew nigh, 
Averted was the father's eye; 
And then, a life impure and wild 
Made him a stranger to his child; 
Absorbed in vice, he little cared 
On what she did, or how she fared. 
The love withheld, she never sought, 
She grew uncherished­learnt untaught; 
To her the inward life of thought 
Full soon was open laid. 
I know not if her friendlessness 
Did sometimes on her spirit press, 
But plaint she never made. 

The book-shelves were her darling treasure, 
She rarely seemed the time to measure 
While she could read alone. 
And she too loved the twilight wood, 
And often, in her mother's mood, 
Away to yonder hill would hie, 
Like her, to watch the setting sun, 
Or see the stars born, one by one, 
Out of the darkening sky. 
Nor would she leave that hill till night 
Trembled from pole to pole with light; 
Even then, upon her homeward way, 
Long­long her wandering steps delayed 
To quit the sombre forest shade, 
Through which her eerie pathway lay. 

You ask if she had beauty's grace ? 
I know not­but a nobler face 
My eyes have seldom seen; 
A keen and fine intelligence, 
And, better still, the truest sense 
Were in her speaking mien. 
But bloom or lustre was there none, 
Only at moments, fitful shone 
An ardour in her eye, 
That kindled on her cheek a flush, 
Warm as a red sky's passing blush 
And quick with energy. 
Her speech, too, was not common speech, 
No wish to shine, or aim to teach, 
Was in her words displayed: 
She still began with quiet sense, 
But oft the force of eloquence 
Came to her lips in aid; 
Language and voice unconscious changed, 
And thoughts, in other words arranged, 
Her fervid soul transfused 
Into the hearts of those who heard, 
And transient strength and ardour stirred, 
In minds to strength unused. 
Yet in gay crowd or festal glare, 
Grave and retiring was her air; 
'Twas seldom, save with me alone, 
That fire of feeling freely shone; 
She loved not awe's nor wonder's gaze, 
Nor even exaggerated praise, 
Nor even notice, if too keen 
The curious gazer searched her mien. 
Nature's own green expanse revealed 
The world, the pleasures, she could prize; 
On free hill-side, in sunny field, 
In quiet spots by woods concealed, 
Grew wild and fresh her chosen joys, 
Yet Nature's feelings deeply lay 
In that endowed and youthful frame; 
Shrined in her heart and hid from day, 
They burned unseen with silent flame; 
In youth's first search for mental light, 
She lived but to reflect and learn, 
But soon her mind's maturer might 
For stronger task did pant and yearn; 
And stronger task did fate assign, 
Task that a giant's strength might strain; 
To suffer long and ne'er repine, 
Be calm in frenzy, smile at pain. 

Pale with the secret war of feeling, 
Sustained with courage, mute, yet high; 
The wounds at which she bled, revealing 
Only by altered cheek and eye; 

She bore in silence­but when passion 
Surged in her soul with ceaseless foam, 
The storm at last brought desolation, 
And drove her exiled from her home. 

And silent still, she straight assembled 
The wrecks of strength her soul retained; 
For though the wasted body trembled, 
The unconquered mind, to quail, disdained. 

She crossed the sea­now lone she wanders 
By Seine's, or Rhine's, or Arno's flow; 
Fain would I know if distance renders 
Relief or comfort to her woe. 

Fain would I know if, henceforth, ever, 
These eyes shall read in hers again, 
That light of love which faded never, 
Though dimmed so long with secret pain. 

She will return, but cold and altered, 
Like all whose hopes too soon depart; 
Like all on whom have beat, unsheltered, 
The bitter blasts that blight the heart. 

No more shall I behold her lying 
Calm on a pillow, smoothed by me; 
No more that spirit, worn with sighing, 
Will know the rest of infancy. 

If still the paths of lore she follow, 
'Twill be with tired and goaded will; 
She'll only toil, the aching hollow, 
The joyless blank of life to fill. 

And oh ! full oft, quite spent and weary, 
Her hand will pause, her head decline; 
That labour seems so hard and dreary, 
On which no ray of hope may shine. 

Thus the pale blight of time and sorrow 
Will shade with grey her soft, dark hair 
Then comes the day that knows no morrow, 
And death succeeds to long despair. 

So speaks experience, sage and hoary; 
I see it plainly, know it well, 
Like one who, having read a story, 
Each incident therein can tell. 

Touch not that ring, 'twas his, the sire 
Of that forsaken child; 
And nought his relics can inspire 
Save memories, sin-defiled. 

I, who sat by his wife's death-bed, 
I, who his daughter loved, 
Could almost curse the guilty dead, 
For woes, the guiltless proved. 

And heaven did curse­they found him laid, 
When crime for wrath was rife, 
Cold­with the suicidal blade 
Clutched in his desperate gripe. 

'Twas near that long deserted hut, 
Which in the wood decays, 
Death's axe, self-wielded, struck his root, 
And lopped his desperate days. 

You know the spot, where three black trees, 
Lift up their branches fell, 
And moaning, ceaseless as the seas, 
Still seem, in every passing breeze, 
The deed of blood to tell. 

They named him mad, and laid his bones 
Where holier ashes lie; 
Yet doubt not that his spirit groans, 
In hell's eternity. 

But, lo ! night, closing o'er the earth, 
Infects our thoughts with gloom; 
Come, let us strive to rally mirth, 
Where glows a clear and tranquil hearth 
In some more cheerful room.

Child Development

by Billy Collins
 As sure as prehistoric fish grew legs
and sauntered off the beaches into forests
working up some irregular verbs for their
first conversation, so three-year-old children
enter the phase of name-calling.

Every day a new one arrives and is added
to the repertoire. You Dumb Goopyhead,
You Big Sewerface, You Poop-on-the-Floor
(a kind of Navaho ring to that one)
they yell from knee level, their little mugs
flushed with challenge.
Nothing Samuel Johnson would bother tossing out
in a pub, but then the toddlers are not trying
to devastate some fatuous Enlightenment hack.

They are just tormenting their fellow squirts
or going after the attention of the giants
way up there with their cocktails and bad breath
talking baritone nonsense to other giants,
waiting to call them names after thanking
them for the lovely party and hearing the door close.

The mature save their hothead invective
for things: an errant hammer, tire chains,
or receding trains missed by seconds,
though they know in their adult hearts,
even as they threaten to banish Timmy to bed
for his appalling behavior,
that their bosses are Big Fatty Stupids,
their wives are Dopey Dopeheads
and that they themselves are Mr. Sillypants.

I think I was enchanted

by Emily Dickinson
 I think I was enchanted
When first a sombre Girl --
I read that Foreign Lady --
The Dark -- felt beautiful --

And whether it was noon at night --
Or only Heaven -- at Noon --
For very Lunacy of Light
I had not power to tell --

The Bees -- became as Butterflies --
The Butterflies -- as Swans --
Approached -- and spurned the narrow Grass --
And just the meanest Tunes

That Nature murmured to herself
To keep herself in Cheer --
I took for Giants -- practising
Titanic Opera --

The Days -- to Mighty Metres stept --
The Homeliest -- adorned
As if unto a Jubilee
'Twere suddenly confirmed --

I could not have defined the change --
Conversion of the Mind
Like Sanctifying in the Soul --
Is witnessed -- not explained --

'Twas a Divine Insanity --
The Danger to be Sane
Should I again experience --
'Tis Antidote to turn --

To Tomes of solid Witchcraft --
Magicians be asleep --
But Magic -- hath an Element
Like Deity -- to keep --

Celebrity

by Johann Wolfgang von Goethe
 [A satire on his own Sorrows of Werther.]

ON bridges small and bridges great
Stands Nepomucks in ev'ry state,
Of bronze, wood, painted, or of stone,
Some small as dolls, some giants grown;
Each passer must worship before Nepomuck,
Who to die on a bridge chanced to have the ill luck,
When once a man with head and ears
A saint in people's eyes appears,
Or has been sentenced piteously
Beneath the hangman's hand to die,
He's as a noted person prized,
In portrait is immortalized.
Engravings, woodcuts, are supplied,
And through the world spread far and wide.
Upon them all is seen his name,
And ev'ry one admits his claim;
Even the image of the Lord
Is not with greater zeal ador'd.
Strange fancy of the human race!
Half sinner frail, half child of grace
We see HERR WERTHER of the story
In all the pomp of woodcut glory.
His worth is first made duly known,
By having his sad features shown
At ev'ry fair the country round;
In ev'ry alehouse too they're found.
His stick is pointed by each dunce
"The ball would reach his brain at once!"
And each says, o'er his beer and bread:
"Thank Heav'n that 'tis not we are dead!"

 1815.*

The Epic Of The Lion

by Victor Hugo
 ("Un lion avait pris un enfant.") 
 
 {XIII.} 


 A Lion in his jaws caught up a child— 
 Not harming it—and to the woodland, wild 
 With secret streams and lairs, bore off his prey— 
 The beast, as one might cull a bud in May. 
 It was a rosy boy, a king's own pride, 
 A ten-year lad, with bright eyes shining wide, 
 And save this son his majesty beside 
 Had but one girl, two years of age, and so 
 The monarch suffered, being old, much woe; 
 His heir the monster's prey, while the whole land 
 In dread both of the beast and king did stand; 
 Sore terrified were all. 
 
 By came a knight 
 That road, who halted, asking, "What's the fright?" 
 They told him, and he spurred straight for the site! 
 The beast was seen to smile ere joined they fight, 
 The man and monster, in most desperate duel, 
 Like warring giants, angry, huge, and cruel. Beneath his shield, all blood and mud and mess: 
 Whereat the lion feasted: then it went 
 Back to its rocky couch and slept content. 
 Sudden, loud cries and clamors! striking out 
 Qualm to the heart of the quiet, horn and shout 
 Causing the solemn wood to reel with rout. 
 Terrific was this noise that rolled before; 
 It seemed a squadron; nay, 'twas something more— 
 A whole battalion, sent by that sad king 
 With force of arms his little prince to bring, 
 Together with the lion's bleeding hide. 
 
 Which here was right or wrong? Who can decide? 
 Have beasts or men most claim to live? God wots! 
 He is the unit, we the cipher-dots. 
 Ranged in the order a great hunt should have, 
 They soon between the trunks espy the cave. 
 "Yes, that is it! the very mouth of the den!" 
 The trees all round it muttered, warning men; 
 Still they kept step and neared it. Look you now, 
 Company's pleasant, and there were a thou— 
 Good Lord! all in a moment, there's its face! 
 Frightful! they saw the lion! Not one pace 
 Further stirred any man; but bolt and dart 
 Made target of the beast. He, on his part, 
 As calm as Pelion in the rain or hail, 
 Bristled majestic from the teeth to tail, 
 And shook full fifty missiles from his hide, 
 But no heed took he; steadfastly he eyed, 
 And roared a roar, hoarse, vibrant, vengeful, dread, 
 A rolling, raging peal of wrath, which spread, 
 Making the half-awakened thunder cry, 
 "Who thunders there?" from its black bed of sky. 
 This ended all! Sheer horror cleared the coast; 
 As fogs are driven by the wind, that valorous host 
 Melted, dispersed to all the quarters four, 
 Clean panic-stricken by that monstrous roar. 
 Then quoth the lion, "Woods and mountains, see, 
 A thousand men, enslaved, fear one beast free!" 
 He followed towards the hill, climbed high above, 
 Lifted his voice, and, as the sowers sow 
 The seed down wind, thus did that lion throw 
 His message far enough the town to reach: 
 "King! your behavior really passes speech! 
 Thus far no harm I've wrought to him your son; 
 But now I give you notice—when night's done, 
 I will make entry at your city-gate, 
 Bringing the prince alive; and those who wait 
 To see him in my jaws—your lackey-crew— 
 Shall see me eat him in your palace, too!" 
 Next morning, this is what was viewed in town: 
 Dawn coming—people going—some adown 
 Praying, some crying; pallid cheeks, swift feet, 
 And a huge lion stalking through the street. 
 It seemed scarce short of rash impiety 
 To cross its path as the fierce beast went by. 
 So to the palace and its gilded dome 
 With stately steps unchallenged did he roam; 
 He enters it—within those walls he leapt! 
 No man! 
 
 For certes, though he raged and wept, 
 His majesty, like all, close shelter kept, 
 Solicitous to live, holding his breath 
 Specially precious to the realm. Now death 
 Is not thus viewed by honest beasts of prey; 
 And when the lion found him fled away, 
 Ashamed to be so grand, man being so base, 
 He muttered to himself, "A wretched king! 
 'Tis well; I'll eat his boy!" Then, wandering, 
 Lordly he traversed courts and corridors, 
 Paced beneath vaults of gold on shining floors, 
 Glanced at the throne deserted, stalked from hall 
 To hall—green, yellow, crimson—empty all! 
 Rich couches void, soft seats unoccupied! 
 And as he walked he looked from side to side 
 To find some pleasant nook for his repast, 
 Since appetite was come to munch at last 
 The princely morsel!—Ah! what sight astounds 
 That grisly lounger? 
 
 In the palace grounds 
 An alcove on a garden gives, and there 
 A tiny thing—forgot in the general fear, 
 Lulled in the flower-sweet dreams of infancy, 
 Bathed with soft sunlight falling brokenly 
 Through leaf and lattice—was at that moment waking; 
 A little lovely maid, most dear and taking, 
 The prince's sister—all alone, undressed— 
 She sat up singing: children sing so best. 
 Charming this beauteous baby-maid; and so 
 The beast caught sight of her and stopped— 
 
 And then 
 Entered—the floor creaked as he stalked straight in. 
 Above the playthings by the little bed 
 The lion put his shaggy, massive head, 
 Dreadful with savage might and lordly scorn, 
 More dreadful with that princely prey so borne; 
 Which she, quick spying, "Brother, brother!" cried, 
 "Oh, my own brother!" and, unterrified, 
 She gazed upon that monster of the wood, 
 Whose yellow balls not Typhon had withstood, 
 And—well! who knows what thoughts these small heads hold? 
 She rose up in her cot—full height, and bold, 
 And shook her pink fist angrily at him. 
 Whereon—close to the little bed's white rim, 
 All dainty silk and laces—this huge brute 
 Set down her brother gently at her foot, 
 Just as a mother might, and said to her, 
 "Don't be put out, now! There he is, dear, there!" 
 
 EDWIN ARNOLD, C.S.I. 


 




45 Mercy Street

by Anne Sexton
 In my dream, 
drilling into the marrow 
of my entire bone, 
my real dream, 
I'm walking up and down Beacon Hill 
searching for a street sign -- 
namely MERCY STREET. 
Not there. 

I try the Back Bay. 
Not there. 
Not there. 
And yet I know the number. 
45 Mercy Street. 
I know the stained-glass window 
of the foyer, 
the three flights of the house 
with its parquet floors. 
I know the furniture and 
mother, grandmother, great-grandmother, 
the servants. 
I know the cupboard of Spode 
the boat of ice, solid silver, 
where the butter sits in neat squares 
like strange giant's teeth 
on the big mahogany table. 
I know it well. 
Not there. 

Where did you go? 
45 Mercy Street, 
with great-grandmother 
kneeling in her whale-bone corset 
and praying gently but fiercely 
to the wash basin, 
at five A.M. 
at noon 
dozing in her wiggy rocker, 
grandfather taking a nap in the pantry, 
grandmother pushing the bell for the downstairs maid, 
and Nana rocking Mother with an oversized flower 
on her forehead to cover the curl 
of when she was good and when she was... 
And where she was begat 
and in a generation 
the third she will beget, 
me, 
with the stranger's seed blooming 
into the flower called Horrid. 

I walk in a yellow dress 
and a white pocketbook stuffed with cigarettes, 
enough pills, my wallet, my keys, 
and being twenty-eight, or is it forty-five? 
I walk. I walk. 
I hold matches at street signs 
for it is dark, 
as dark as the leathery dead 
and I have lost my green Ford, 
my house in the suburbs, 
two little kids 
sucked up like pollen by the bee in me 
and a husband 
who has wiped off his eyes 
in order not to see my inside out 
and I am walking and looking 
and this is no dream 
just my oily life 
where the people are alibis 
and the street is unfindable for an 
entire lifetime. 

Pull the shades down -- 
I don't care! 
Bolt the door, mercy, 
erase the number, 
rip down the street sign, 
what can it matter, 
what can it matter to this cheapskate 
who wants to own the past 
that went out on a dead ship 
and left me only with paper? 

Not there. 

I open my pocketbook, 
as women do, 
and fish swim back and forth 
between the dollars and the lipstick. 
I pick them out, 
one by one 
and throw them at the street signs, 
and shoot my pocketbook 
into the Charles River. 
Next I pull the dream off 
and slam into the cement wall 
of the clumsy calendar 
I live in, 
my life, 
and its hauled up 
notebooks.

Look What You Did Christopher!

by Ogden Nash
 In fourteen hundred and ninety-two,
Someone sailed the ocean blue.
Somebody borrowed the fare in Spain
For a business trip on the bounding main,
And to prove to the people, by actual test,
You could get to the East by sailing West.
Somebody said, Sail on! Sail on!
And studied China and China's lingo,
And cried from the bow, There's China now!
And promptly bumped into San Domingo.
Somebody murmured, Oh dear, oh dear!
I've discovered the Western Hemisphere.

And that, you may think, my friends, was that.
But it wasn't. Not by a fireman's hat.
Well enough wasn't left alone,
And Columbus was only a cornerstone.
There came the Spaniards,
There came the Greeks,
There came the Pilgrims in leather breeks.
There came the Dutch,
And the Poles and Swedes,
The Persians, too,
And perhaps the Medes,
The Letts, the Lapps, and the Lithuanians,
Regal Russians, and ripe Roumanians.
There came the French
And there came the Finns,
And the Japanese
With their formal grins.
The Tartars came,
And the Terrible Turks -
In a word, humanity shot the works.
And the country that should have been Cathay
Decided to be
The U.S.A.

And that, you may think, my friends, was that.
But it wasn't. Not by a fireman's hat.
Christopher C. was the cornerstone,
And well enough wasn't left alone.
For those who followed
When he was through,
They burned to discover something, too.
Somebody, bored with rural scenery,
Went to work and invented machinery,
While a couple of other mental giants
Got together
And thought up Science.
Platinum blondes
(They were once peroxide),
Peruvian bonds
And carbon monoxide,
Tax evaders
And Vitamin A,
Vice crusaders,
And tattletale gray -
These, with many another phobia,
We owe to that famous Twelfth of Octobia.
O misery, misery, mumble and moan!
Someone invented the telephone,
And interrupted a nation's slumbers,
Ringing wrong but similar numbers.
Someone devised the silver screen
And the intimate Hollywood magazine,
And life is a Hades
Of clicking cameras,
And foreign ladies
Behaving amorous.
Gags have erased
Amusing dialog,
As gas has replaced
The crackling firelog.
All that glitters is sold as gold,
And our daily diet grows odder and odder,
And breakfast foods are dusty and cold -
It's a wise child
That knows its fodder.
Someone invented the automobile,
And good Americans took the wheel
To view American rivers and rills
And justly famous forests and hills -
But someone equally enterprising
Had invented billboard advertising.
You linger at home
In dark despair,
And wistfully try the electric air.
You hope against hope for a quiz imperial,
And what do they give you?
A doctor serial.
Oh, Columbus was only a cornerstone,
And well enough wasn't left alone,
For the Inquisition was less tyrannical
Than the iron rules of an age mechanical,
Which, because of an error in '92,
Are clamped like corsets on me and you,
While Children of Nature we'd be today
If San Domingo
Had been Cathay.

And that, you may think, my friends, is that.
But it isn't - not by a fireman's hat.
The American people,
With grins jocose,
Always survive the fatal dose.
And though our systems are slightly wobbly,
We'll fool the doctor this time, probly.

Lepanto

by G K Chesterton
 White founts falling in the Courts of the sun, 
And the Soldan of Byzantium is smiling as they run; 
There is laughter like the fountains in that face of all men feared, 
It stirs the forest darkness, the darkness of his beard; 
It curls the blood-red crescent, the crescent of his lips; 
For the inmost sea of all the earth is shaken with his ships. 
They have dared the white republics up the capes of Italy, 
They have dashed the Adriatic round the Lion of the Sea, 
And the Pope has cast his arms abroad for agony and loss, 
And called the kings of Christendom for swords about the Cross. 
The cold queen of England is looking in the glass; 
The shadow of the Valois is yawning at the Mass; 
From evening isles fantastical rings faint the Spanish gun, 
And the Lord upon the Golden Horn is laughing in the sun. 

Dim drums throbbing, in the hills half heard, 
Where only on a nameless throne a crownless prince has stirred, 
Where, risen from a doubtful seat and half attainted stall, 
The last knight of Europe takes weapons from the wall, 
The last and lingering troubadour to whom the bird has sung, 
That once went singing southward when all the world was young. 
In that enormous silence, tiny and unafraid, 
Comes up along a winding road the noise of the Crusade. 
Strong gongs groaning as the guns boom far, 
Don John of Austria is going to the war, 
Stiff flags straining in the night-blasts cold 
In the gloom black-purple, in the glint old-gold, 
Torchlight crimson on the copper kettle-drums, 
Then the tuckets, then the trumpets, then the cannon, and he comes. 
Don John laughing in the brave beard curled, 
Spurning of his stirrups like the thrones of all the world, 
Holding his head up for a flag of all the free. 
Love-light of Spain--hurrah! 
Death-light of Africa! 
Don John of Austria 
Is riding to the sea. 

Mahound is in his paradise above the evening star, 
(Don John of Austria is going to the war.) 
He moves a mighty turban on the timeless houri's knees, 
His turban that is woven of the sunsets and the seas. 
He shakes the peacock gardens as he rises from his ease, 
And he strides among the tree-tops and is taller than the trees; 
And his voice through all the garden is a thunder sent to bring 
Black Azrael and Ariel and Ammon on the wing. 
Giants and the Genii, 
Multiplex of wing and eye, 
Whose strong obedience broke the sky 
When Solomon was king. 

They rush in red and purple from the red clouds of the morn, 
From the temples where the yellow gods shut up their eyes in scorn; 
They rise in green robes roaring from the green hells of the sea 
Where fallen skies and evil hues and eyeless creatures be, 
On them the sea-valves cluster and the grey sea-forests curl, 
Splashed with a splendid sickness, the sickness of the pearl; 
They swell in sapphire smoke out of the blue cracks of the ground,-- 
They gather and they wonder and give worship to Mahound. 
And he saith, "Break up the mountains where the hermit-folk can hide, 
And sift the red and silver sands lest bone of saint abide, 
And chase the Giaours flying night and day, not giving rest, 
For that which was our trouble comes again out of the west. 
We have set the seal of Solomon on all things under sun, 
Of knowledge and of sorrow and endurance of things done. 
But a noise is in the mountains, in the mountains, and I know 
The voice that shook our palaces--four hundred years ago: 
It is he that saith not 'Kismet'; it is he that knows not Fate; 
It is Richard, it is Raymond, it is Godfrey at the gate! 
It is he whose loss is laughter when he counts the wager worth, 
Put down your feet upon him, that our peace be on the earth." 
For he heard drums groaning and he heard guns jar, 
(Don John of Austria is going to the war.) 
Sudden and still--hurrah! 
Bolt from Iberia! 
Don John of Austria 
Is gone by Alcalar. 

St. Michaels on his Mountain in the sea-roads of the north 
(Don John of Austria is girt and going forth.) 
Where the grey seas glitter and the sharp tides shift 
And the sea-folk labour and the red sails lift. 
He shakes his lance of iron and he claps his wings of stone; 
The noise is gone through Normandy; the noise is gone alone; 
The North is full of tangled things and texts and aching eyes, 
And dead is all the innocence of anger and surprise, 
And Christian killeth Christian in a narrow dusty room, 
And Christian dreadeth Christ that hath a newer face of doom, 
And Christian hateth Mary that God kissed in Galilee,-- 
But Don John of Austria is riding to the sea. 
Don John calling through the blast and the eclipse 
Crying with the trumpet, with the trumpet of his lips, 
Trumpet that sayeth ha! 
Domino gloria! 
Don John of Austria 
Is shouting to the ships. 

King Philip's in his closet with the Fleece about his neck 
(Don John of Austria is armed upon the deck.) 
The walls are hung with velvet that is black and soft as sin, 
And little dwarfs creep out of it and little dwarfs creep in. 
He holds a crystal phial that has colours like the moon, 
He touches, and it tingles, and he trembles very soon, 
And his face is as a fungus of a leprous white and grey 
Like plants in the high houses that are shuttered from the day, 
And death is in the phial and the end of noble work, 
But Don John of Austria has fired upon the Turk. 
Don John's hunting, and his hounds have bayed-- 
Booms away past Italy the rumour of his raid. 
Gun upon gun, ha! ha! 
Gun upon gun, hurrah! 
Don John of Austria 
Has loosed the cannonade. 

The Pope was in his chapel before day or battle broke, 
(Don John of Austria is hidden in the smoke.) 
The hidden room in man's house where God sits all the year, 
The secret window whence the world looks small and very dear. 
He sees as in a mirror on the monstrous twilight sea 
The crescent of his cruel ships whose name is mystery; 
They fling great shadows foe-wards, making Cross and Castle dark, 
They veil the plum?d lions on the galleys of St. Mark; 
And above the ships are palaces of brown, black-bearded chiefs, 
And below the ships are prisons, where with multitudinous griefs, 
Christian captives sick and sunless, all a labouring race repines 
Like a race in sunken cities, like a nation in the mines. 
They are lost like slaves that sweat, and in the skies of morning hung 
The stair-ways of the tallest gods when tyranny was young. 
They are countless, voiceless, hopeless as those fallen or fleeing on 
Before the high Kings' horses in the granite of Babylon. 
And many a one grows witless in his quiet room in hell 
Where a yellow face looks inward through the lattice of his cell, 
And he finds his God forgotten, and he seeks no more a sign-- 
(But Don John of Austria has burst the battle-line!) 
Don John pounding from the slaughter-painted poop, 
Purpling all the ocean like a bloody pirate's sloop, 
Scarlet running over on the silvers and the golds, 
Breaking of the hatches up and bursting of the holds, 
Thronging of the thousands up that labour under sea 
White for bliss and blind for sun and stunned for liberty. 

Vivat Hispania! 
Domino Gloria! 
Don John of Austria 
Has set his people free! 

Cervantes on his galley sets the sword back in the sheath 
(Don John of Austria rides homeward with a wreath.) 
And he sees across a weary land a straggling road in Spain, 
Up which a lean and foolish knight for ever rides in vain, 
And he smiles, but not as Sultans smile, and settles back the blade.... 
(But Don John of Austria rides home from the Crusade.)

By Candlelight

by Sylvia Plath
 This is winter, this is night, small love --
A sort of black horsehair,
A rough, dumb country stuff
Steeled with the sheen
Of what green stars can make it to our gate.
I hold you on my arm.
It is very late.
The dull bells tongue the hour.
The mirror floats us at one candle power.

This is the fluid in which we meet each other,
This haloey radiance that seems to breathe
And lets our shadows wither
Only to blow
Them huge again, violent giants on the wall.
One match scratch makes you real.

At first the candle will not bloom at all --
It snuffs its bud
To almost nothing, to a dull blue dud.

I hold my breath until you creak to life,
Balled hedgehog,
Small and cross. The yellow knife
Grows tall. You clutch your bars.
My singing makes you roar.
I rock you like a boat
Across the Indian carpet, the cold floor,
While the brass man
Kneels, back bent, as best he can

Hefting his white pillar with the light
That keeps the sky at bay,
The sack of black! It is everywhere, tight, tight!
He is yours, the little brassy Atlas --
Poor heirloom, all you have,
At his heels a pile of five brass cannonballs,
No child, no wife.
Five balls! Five bright brass balls!
To juggle with, my love, when the sky falls.
Get a Premium Membership
Turn off ads, get more exposure for your poetry, and get more features with a Premium Membership.
Book: Diverse Voices: The Poetry of Human Rights and the Pursuit of Peace