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Best Famous Gestured Poems

Here is a collection of the all-time best famous Gestured poems. This is a select list of the best famous Gestured poetry. Reading, writing, and enjoying famous Gestured poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of gestured poems.

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Written by Dylan Thomas | Create an image from this poem

Especially When The October Wind

 Especially when the October wind
With frosty fingers punishes my hair,
Caught by the crabbing sun I walk on fire
And cast a shadow crab upon the land,
By the sea's side, hearing the noise of birds,
Hearing the raven cough in winter sticks,
My busy heart who shudders as she talks
Sheds the syllabic blood and drains her words.
Shut, too, in a tower of words, I mark On the horizon walking like the trees The wordy shapes of women, and the rows Of the star-gestured children in the park.
Some let me make you of the vowelled beeches, Some of the oaken voices, from the roots Of many a thorny shire tell you notes, Some let me make you of the water's speeches.
Behind a post of ferns the wagging clock Tells me the hour's word, the neural meaning Flies on the shafted disk, declaims the morning And tells the windy weather in the cock.
Some let me make you of the meadow's signs; The signal grass that tells me all I know Breaks with the wormy winter through the eye.
Some let me tell you of the raven's sins.
Especially when the October wind (Some let me make you of autumnal spells, The spider-tongued, and the loud hill of Wales) With fists of turnips punishes the land, Some let me make of you the heartless words.
The heart is drained that, spelling in the scurry Of chemic blood, warned of the coming fury.
By the sea's side hear the dark-vowelled birds.


Written by Wallace Stevens | Create an image from this poem

The Idea of Order at Key West

She sang beyond the genius of the sea.
The water never formed to mind or voice, Like a body wholly body, fluttering Its empty sleeves; and yet its mimic motion Made constant cry, caused constantly a cry, That was not ours although we understood, Inhuman, of the veritable ocean.
The sea was not a mask.
No more was she.
The song and water were not medleyed sound Even if what she sang was what she heard.
Since what she sang was uttered word by word.
It may be that in all her phrases stirred The grinding water and the gasping wind; But it was she and not the sea we heard.
For she was the maker of the song she sang.
The ever-hooded, tragic-gestured sea Was merely a place by which she walked to sing.
Whose spirit is this? we said, because we knew It was the spirit that we sought and knew That we should ask this often as she sang.
If it was only the dark voice of the sea That rose, or even colored by many waves; If it was only the outer voice of sky And cloud, of the sunken coral water-walled, However clear, it would have been deep air, The heaving speech of air, a summer sound Repeated in a summer without end And sound alone.
But it was more than that, More even than her voice, and ours, among The meaningless plungings of water and the wind, Theatrical distances, bronze shadows heaped On high horizons, mountainous atmospheres Of sky and sea.
It was her voice that made The sky acutest at its vanishing.
She measured to the hour its solitude.
She was the single artificer of the world In which she sang.
And when she sang, the sea, Whatever self it had, became the self That was her song, for she was the maker.
Then we, As we beheld her striding there alone, Knew that there never was a world for her Except the one she sang and, singing, made.
Ramon Fernandez, tell me, if you know, Why, when the singing ended and we turned Toward the town, tell why the glassy lights, The lights in the fishing boats at anchor there, As night descended, tilting in the air, Mastered the night and portioned out the sea, Fixing emblazoned zones and fiery poles, Arranging, deepening, enchanting night.
Oh! Blessed rage for order, pale Ramon, The maker's rage to order words of the sea, Words of the fragrant portals, dimly-starred, And of ourselves and of our origins, In ghostlier demarcations, keener sounds.
Written by Wilfred Owen | Create an image from this poem

The Last Laugh

 'O Jesus Christ! I'm hit,' he said; and died.
Whether he vainly cursed, or prayed indeed, The Bullets chirped - 'In vain! vain! vain!' Machine-guns chuckled, 'Tut-tut! Tut-tut!' And the Big Gun guffawed.
Another sighed, - 'O Mother, Mother! Dad!' Then smiled, at nothing, childlike, being dead.
And the lofty Shrapnel-cloud Leisurely gestured, - 'Fool!' And the falling splinters tittered.
'My Love!' one moaned.
Love-languid seemed his mood, Till, slowly lowered, his whole face kissed the mud.
And the Bayonets' long teeth grinned; Rabbles of Shells hooted and groaned; And the Gas hissed.

Book: Shattered Sighs