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Best Famous Genuflect Poems

Here is a collection of the all-time best famous Genuflect poems. This is a select list of the best famous Genuflect poetry. Reading, writing, and enjoying famous Genuflect poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of genuflect poems.

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Written by Joyce Kilmer | Create an image from this poem

A Blue Valentine

 (For Aline)

Monsignore,
Right Reverend Bishop Valentinus,
Sometime of Interamna, which is called Ferni,
Now of the delightful Court of Heaven,
I respectfully salute you,
I genuflect
And I kiss your episcopal ring.
It is not, Monsignore, The fragrant memory of your holy life, Nor that of your shining and joyous martyrdom, Which causes me now to address you.
But since this is your august festival, Monsignore, It seems appropriate to me to state According to a venerable and agreeable custom, That I love a beautiful lady.
Her eyes, Monsignore, Are so blue that they put lovely little blue reflections On everything that she looks at, Such as a wall Or the moon Or my heart.
It is like the light coming through blue stained glass, Yet not quite like it, For the blueness is not transparent, Only translucent.
Her soul's light shines through, But her soul cannot be seen.
It is something elusive, whimsical, tender, wanton, infantile, wise And noble.
She wears, Monsignore, a blue garment, Made in the manner of the Japanese.
It is very blue -- I think that her eyes have made it more blue, Sweetly staining it As the pressure of her body has graciously given it form.
Loving her, Monsignore, I love all her attributes; But I believe That even if I did not love her I would love the blueness of her eyes, And her blue garment, made in the manner of the Japanese.
Monsignore, I have never before troubled you with a request.
The saints whose ears I chiefly worry with my pleas are the most exquisite and maternal Brigid, Gallant Saint Stephen, who puts fire in my blood, And your brother bishop, my patron, The generous and jovial Saint Nicholas of Bari.
But, of your courtesy, Monsignore, Do me this favour: When you this morning make your way To the Ivory Throne that bursts into bloom with roses because of her who sits upon it, When you come to pay your devoir to Our Lady, I beg you, say to her: "Madame, a poor poet, one of your singing servants yet on earth, Has asked me to say that at this moment he is especially grateful to you For wearing a blue gown.
"


Written by Amy Lowell | Create an image from this poem

Stravinskys Three Pieces

 First Movement
Thin-voiced, nasal pipes
Drawing sound out and out
Until it is a screeching thread,
Sharp and cutting, sharp and cutting,
It hurts.
Whee-e-e! Bump! Bump! Tong-ti-bump! There are drums here, Banging, And wooden shoes beating the round, grey stones Of the market-place.
Whee-e-e! Sabots slapping the worn, old stones, And a shaking and cracking of dancing bones; Clumsy and hard they are, And uneven, Losing half a beat Because the stones are slippery.
Bump-e-ty-tong! Whee-e-e! Tong! The thin Spring leaves Shake to the banging of shoes.
Shoes beat, slap, Shuffle, rap, And the nasal pipes squeal with their pigs' voices, Little pigs' voices Weaving among the dancers, A fine white thread Linking up the dancers.
Bang! Bump! Tong! Petticoats, Stockings, Sabots, Delirium flapping its thigh-bones; Red, blue, yellow, Drunkenness steaming in colours; Red, yellow, blue, Colours and flesh weaving together, In and out, with the dance, Coarse stuffs and hot flesh weaving together.
Pigs' cries white and tenuous, White and painful, White and -- Bump! Tong! Second Movement Pale violin music whiffs across the moon, A pale smoke of violin music blows over the moon, Cherry petals fall and flutter, And the white Pierrot, Wreathed in the smoke of the violins, Splashed with cherry petals falling, falling, Claws a grave for himself in the fresh earth With his finger-nails.
Third Movement An organ growls in the heavy roof-groins of a church, It wheezes and coughs.
The nave is blue with incense, Writhing, twisting, Snaking over the heads of the chanting priests.
`Requiem aeternam dona ei, Domine'; The priests whine their bastard Latin And the censers swing and click.
The priests walk endlessly Round and round, Droning their Latin Off the key.
The organ crashes out in a flaring chord, And the priests hitch their chant up half a tone.
`Dies illa, dies irae, Calamitatis et miseriae, Dies magna et amara valde.
' A wind rattles the leaded windows.
The little pear-shaped candle flames leap and flutter, `Dies illa, dies irae;' The swaying smoke drifts over the altar, `Calamitatis et miseriae;' The shuffling priests sprinkle holy water, `Dies magna et amara valde;' And there is a stark stillness in the midst of them Stretched upon a bier.
His ears are stone to the organ, His eyes are flint to the candles, His body is ice to the water.
Chant, priests, Whine, shuffle, genuflect, He will always be as rigid as he is now Until he crumbles away in a dust heap.
`Lacrymosa dies illa, Qua resurget ex favilla Judicandus *****reus.
' Above the grey pillars the roof is in darkness.

Book: Reflection on the Important Things