Written by
T S (Thomas Stearns) Eliot |
I
In my beginning is my end. In succession
Houses rise and fall, crumble, are extended,
Are removed, destroyed, restored, or in their place
Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires,
Old fires to ashes, and ashes to the earth
Which is already flesh, fur and faeces,
Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building
And a time for living and for generation
And a time for the wind to break the loosened pane
And to shake the wainscot where the field-mouse trots
And to shake the tattered arras woven with a silent motto.
In my beginning is my end. Now the light falls
Across the open field, leaving the deep lane
Shuttered with branches, dark in the afternoon,
Where you lean against a bank while a van passes,
And the deep lane insists on the direction
Into the village, in the electric heat
Hypnotised. In a warm haze the sultry light
Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.
In that open field
If you do not come too close, if you do not come too close,
On a summer midnight, you can hear the music
Of the weak pipe and the little drum
And see them dancing around the bonfire
The association of man and woman
In daunsinge, signifying matrimonie—
A dignified and commodiois sacrament.
Two and two, necessarye coniunction,
Holding eche other by the hand or the arm
Whiche betokeneth concorde. Round and round the fire
Leaping through the flames, or joined in circles,
Rustically solemn or in rustic laughter
Lifting heavy feet in clumsy shoes,
Earth feet, loam feet, lifted in country mirth
Mirth of those long since under earth
Nourishing the corn. Keeping time,
Keeping the rhythm in their dancing
As in their living in the living seasons
The time of the seasons and the constellations
The time of milking and the time of harvest
The time of the coupling of man and woman
And that of beasts. Feet rising and falling.
Eating and drinking. Dung and death.
Dawn points, and another day
Prepares for heat and silence. Out at sea the dawn wind
Wrinkles and slides. I am here
Or there, or elsewhere. In my beginning.
II
What is the late November doing
With the disturbance of the spring
And creatures of the summer heat,
And snowdrops writhing under feet
And hollyhocks that aim too high
Red into grey and tumble down
Late roses filled with early snow?
Thunder rolled by the rolling stars
Simulates triumphal cars
Deployed in constellated wars
Scorpion fights against the Sun
Until the Sun and Moon go down
Comets weep and Leonids fly
Hunt the heavens and the plains
Whirled in a vortex that shall bring
The world to that destructive fire
Which burns before the ice-cap reigns.
That was a way of putting it—not very satisfactory:
A periphrastic study in a worn-out poetical fashion,
Leaving one still with the intolerable wrestle
With words and meanings. The poetry does not matter.
It was not (to start again) what one had expected.
What was to be the value of the long looked forward to,
Long hoped for calm, the autumnal serenity
And the wisdom of age? Had they deceived us
Or deceived themselves, the quiet-voiced elders,
Bequeathing us merely a receipt for deceit?
The serenity only a deliberate hebetude,
The wisdom only the knowledge of dead secrets
Useless in the darkness into which they peered
Or from which they turned their eyes. There is, it seems to us,
At best, only a limited value
In the knowledge derived from experience.
The knowledge imposes a pattern, and falsifies,
For the pattern is new in every moment
And every moment is a new and shocking
Valuation of all we have been. We are only undeceived
Of that which, deceiving, could no longer harm.
In the middle, not only in the middle of the way
But all the way, in a dark wood, in a bramble,
On the edge of a grimpen, where is no secure foothold,
And menaced by monsters, fancy lights,
Risking enchantment. Do not let me hear
Of the wisdom of old men, but rather of their folly,
Their fear of fear and frenzy, their fear of possession,
Of belonging to another, or to others, or to God.
The only wisdom we can hope to acquire
Is the wisdom of humility: humility is endless.
The houses are all gone under the sea.
The dancers are all gone under the hill.
III
O dark dark dark. They all go into the dark,
The vacant interstellar spaces, the vacant into the vacant,
The captains, merchant bankers, eminent men of letters,
The generous patrons of art, the statesmen and the rulers,
Distinguished civil servants, chairmen of many committees,
Industrial lords and petty contractors, all go into the dark,
And dark the Sun and Moon, and the Almanach de Gotha
And the Stock Exchange Gazette, the Directory of Directors,
And cold the sense and lost the motive of action.
And we all go with them, into the silent funeral,
Nobody's funeral, for there is no one to bury.
I said to my soul, be still, and let the dark come upon you
Which shall be the darkness of God. As, in a theatre,
The lights are extinguished, for the scene to be changed
With a hollow rumble of wings, with a movement of darkness on darkness,
And we know that the hills and the trees, the distant panorama
And the bold imposing façade are all being rolled away—
Or as, when an underground train, in the tube, stops too long between stations
And the conversation rises and slowly fades into silence
And you see behind every face the mental emptiness deepen
Leaving only the growing terror of nothing to think about;
Or when, under ether, the mind is conscious but conscious of nothing—
I said to my soul, be still, and wait without hope
For hope would be hope for the wrong thing; wait without love,
For love would be love of the wrong thing; there is yet faith
But the faith and the love and the hope are all in the waiting.
Wait without thought, for you are not ready for thought:
So the darkness shall be the light, and the stillness the dancing.
Whisper of running streams, and winter lightning.
The wild thyme unseen and the wild strawberry,
The laughter in the garden, echoed ecstasy
Not lost, but requiring, pointing to the agony
Of death and birth.
You say I am repeating
Something I have said before. I shall say it again.
Shall I say it again? In order to arrive there,
To arrive where you are, to get from where you are not,
You must go by a way wherein there is no ecstasy.
In order to arrive at what you do not know
You must go by a way which is the way of ignorance.
In order to possess what you do not possess
You must go by the way of dispossession.
In order to arrive at what you are not
You must go through the way in which you are not.
And what you do not know is the only thing you know
And what you own is what you do not own
And where you are is where you are not.
IV
The wounded surgeon plies the steel
That questions the distempered part;
Beneath the bleeding hands we feel
The sharp compassion of the healer's art
Resolving the enigma of the fever chart.
Our only health is the disease
If we obey the dying nurse
Whose constant care is not to please
But to remind of our, and Adam's curse,
And that, to be restored, our sickness must grow worse.
The whole earth is our hospital
Endowed by the ruined millionaire,
Wherein, if we do well, we shall
Die of the absolute paternal care
That will not leave us, but prevents us everywhere.
The chill ascends from feet to knees,
The fever sings in mental wires.
If to be warmed, then I must freeze
And quake in frigid purgatorial fires
Of which the flame is roses, and the smoke is briars.
The dripping blood our only drink,
The bloody flesh our only food:
In spite of which we like to think
That we are sound, substantial flesh and blood—
Again, in spite of that, we call this Friday good.
V
So here I am, in the middle way, having had twenty years—
Twenty years largely wasted, the years of l'entre deux guerres
Trying to use words, and every attempt
Is a wholly new start, and a different kind of failure
Because one has only learnt to get the better of words
For the thing one no longer has to say, or the way in which
One is no longer disposed to say it. And so each venture
Is a new beginning, a raid on the inarticulate
With shabby equipment always deteriorating
In the general mess of imprecision of feeling,
Undisciplined squads of emotion. And what there is to conquer
By strength and submission, has already been discovered
Once or twice, or several times, by men whom one cannot hope
To emulate—but there is no competition—
There is only the fight to recover what has been lost
And found and lost again and again: and now, under conditions
That seem unpropitious. But perhaps neither gain nor loss.
For us, there is only the trying. The rest is not our business.
Home is where one starts from. As we grow older
The world becomes stranger, the pattern more complicated
Of dead and living. Not the intense moment
Isolated, with no before and after,
But a lifetime burning in every moment
And not the lifetime of one man only
But of old stones that cannot be deciphered.
There is a time for the evening under starlight,
A time for the evening under lamplight
(The evening with the photograph album).
Love is most nearly itself
When here and now cease to matter.
Old men ought to be explorers
Here or there does not matter
We must be still and still moving
Into another intensity
For a further union, a deeper communion
Through the dark cold and the empty desolation,
The wave cry, the wind cry, the vast waters
Of the petrel and the porpoise. In my end is my beginning.
|
Written by
Andrew Barton Paterson |
The boys had come back from the races
All silent and down on their luck;
They'd backed 'em, straight out and for places,
But never a winner they's struck.
They lost their good money on Slogan,
And fell most uncommonly flat
When Partner, the pride of the Bogan,
Was beaten by Aristocrat.
And one said, "I move that instanter
We sell out our horses and quit;
The brutes ought to win in a canter,
Such trials they do when they're fit.
The last one they ran was a snorter --
A gallop to gladden one's heart --
Two-twelve for a mile and a quarter,
And finished as straight as a dart.
"And then when I think that they're ready
To win me a nice little swag,
They are licked like the veriest neddy --
They're licked from the fall of the flag.
The mare held her own to the stable,
She died out to nothing at that,
And Partner he never seemed able
To pace with the Aristocrat.
"And times have been bad, and the seasons
Don't promise to be of the best;
In short, boys, there's plenty of reasons
For giving the racing a rest.
The mare can be kept on the station --
Her breeding is good as can be --
But Partner, his next destination
Is rather a trouble to me.
"We can't sell him here, for they know him
As well as the clerk of the course;
He's raced and won races till, blow him,
He's done as a handicap horse.
A jady, uncertain performer,
They weight him right out of the hunt,
And clap it on warmer and warmer
Whenever he gets near the front.
"It's no use to paint him or dot him
Or put any fake on his brand,
For bushmen are smart, and they'd spot him
In any sale-yard in the land.
The folk about here could all tell him,
Could swear to each separate hair;
Let us send him to Sydney and sell him,
There's plenty of Jugginses there.
"We'll call him a maiden, and treat 'em
To trials will open their eyes;
We'll run their best horses and beat 'em,
And then won't they think him a prize.
I pity the fellow that buys him,
He'll find in a very short space,
No matter how highly he tries him,
The beggar won't race in a race."
* * * * *
Next week, under "Seller and Buyer",
Appeared in the Daily Gazette:
"A racehorse for sale, and a flyer;
Has never been started as yet;
A trial will show what his pace is;
The buyer can get him in light,
And win all the handicap races.
Apply before Saturday night."
He sold for a hundred and thirty,
Because of a gallop he had
One morning with Bluefish and Bertie.
And donkey-licked both of 'em bad.
And when the old horse had departed,
The life on the station grew tame;
The race-track was dull and deserted,
The boys had gone back on the game.
* * * * *
The winter rolled by, and the station
Was green with the garland of Spring;
A spirit of glad exultation
Awoke in each animate thing;
And all the old love, the old longing,
Broke out in the breasts of the boys --
The visions of racing came thronging
With all its delirious joys.
The rushing of floods in their courses,
The rattle of rain on the roofs,
Recalled the fierce rush of the horses,
The thunder of galloping hoofs.
And soon one broke out: "I can suffer
No longer the life of a slug;
The man that don't race is a duffer,
Let's have one more run for the mug.
"Why, everything races, no matter
Whatever its method may be:
The waterfowl hold a regatta;
The possums run heats up a tree;
The emus are constantly sprinting
A handicap out on the plain;
It seems that all nature is hinting
'Tis ime to be at it again.
"The cockatoo parrots are talking
Of races to far-away lands;
The native companions are walking
A go-as-you-please on the sands;
The little foals gallop for pastime;
The wallabies race down the gap;
Let's try it once more for the last time --
Bring out the old jacket and cap.
"And now for a horse; we might try one
Of those that are bred on the place.
But I fancy it's better to buy one,
A horse that has proved he can race.
Let us send down to Sydney to Skinner,
A thorough good judge who can ride,
And ask him to buy us a spinner
To clean out the whole country-side."
They wrote him a letter as follows:
"we want you to buy us a horse;
He must have the speed to catch swallows,
And stamina with it, of course.
The price ain't a thing that'll grieve us,
It's getting a bad un annoys
The undersigned blokes, and believe us,
We're yours to a cinder, 'the boys'."
He answered: "I've bought you a hummer,
A horse that has never been raced;
I saw him run over the Drummer,
He held him outclassed and outpaced.
His breeding's not known, but they state he
Is born of a thoroughbred strain.
I've paid them a hundred and eighty,
And started the horse in the train."
They met him -- alas, that these verses
Aren't up to their subject's demands,
Can't set forth thier eloquent curses --
For Partner was back in their hands.
They went in to meet him with gladness
They opened his box with delight --
A silent procession of sadness
They crept to the station at night.
And life has grown dull on the station,
The boys are all silent and slow;
Their work is a daily vexation,
And sport is unknown to them now.
Whenever they think how they stranded,
They squeal just as guinea-pigs squeal;
They'd bit their own hook, and were landed
With fifty pounds loss on the deal.
|
Written by
Friedrich von Schiller |
Can I, my friend, with thee condole?--
Can I conceive the woes that try men,
When late repentance racks the soul
Ensnared into the toils of hymen?
Can I take part in such distress?--
Poor martyr,--most devoutly, "Yes!"
Thou weep'st because thy spouse has flown
To arms preferred before thine own;--
A faithless wife,--I grant the curse,--
And yet, my friend, it might be worse!
Just hear another's tale of sorrow,
And, in comparing, comfort borrow!
What! dost thou think thyself undone,
Because thy rights are shared with one!
O, happy man--be more resigned,
My wife belongs to all mankind!
My wife--she's found abroad--at home;
But cross the Alps and she's at Rome;
Sail to the Baltic--there you'll find her;
Lounge on the Boulevards--kind and kinder:
In short, you've only just to drop
Where'er they sell the last new tale,
And, bound and lettered in the shop,
You'll find my lady up for sale!
She must her fair proportions render
To all whose praise can glory lend her;--
Within the coach, on board the boat,
Let every pedant "take a note;"
Endure, for public approbation,
Each critic's "close investigation,"
And brave--nay, court it as a flattery--
Each spectacled Philistine's battery.
Just as it suits some scurvy carcase
In which she hails an Aristarchus,
Ready to fly with kindred souls,
O'er blooming flowers or burning coals,
To fame or shame, to shrine or gallows,
Let him but lead--sublimely callous!
A Leipsic man--(confound the wretch!)
Has made her topographic sketch,
A kind of map, as of a town,
Each point minutely dotted down;
Scarce to myself I dare to hint
What this d----d fellow wants to print!
Thy wife--howe'er she slight the vows--
Respects, at least, the name of spouse;
But mine to regions far too high
For that terrestrial name is carried;
My wife's "The famous Ninon!"--I
"The gentleman that Ninon married!"
It galls you that you scarce are able
To stake a florin at the table--
Confront the pit, or join the walk,
But straight all tongues begin to talk!
O that such luck could me befall,
Just to be talked about at all!
Behold me dwindling in my nook,
Edged at her left,--and not a look!
A sort of rushlight of a life,
Put out by that great orb--my wife!
Scarce is the morning gray--before
Postman and porter crowd the door;
No premier has so dear a levee--
She finds the mail-bag half its trade;
My God--the parcels are so heavy!
And not a parcel carriage-paid!
But then--the truth must be confessed--
They're all so charmingly addressed:
Whate'er they cost, they well requite her--
"To Madame Blank, the famous writer!"
Poor thing, she sleeps so soft! and yet
'Twere worth my life to spare her slumber;
"Madame--from Jena--the Gazette--
The Berlin Journal--the last number!"
Sudden she wakes; those eyes of blue
(Sweet eyes!) fall straight--on the Review!
I by her side--all undetected,
While those cursed columns are inspected;
Loud squall the children overhead,
Still she reads on, till all is read:
At last she lays that darling by,
And asks--"What makes the baby cry?"
Already now the toilet's care
Claims from her couch the restless fair;
The toilet's care!--the glass has won
Just half a glance, and all is done!
A snappish--pettish word or so
Warns the poor maid 'tis time to go:--
Not at her toilet wait the Graces
Uncombed Erynnys takes their places;
So great a mind expands its scope
Far from the mean details of--soap!
Now roll the coach-wheels to the muster--
Now round my muse her votaries cluster;
Spruce Abbe Millefleurs--Baron Herman--
The English Lord, who don't know German,--
But all uncommonly well read
From matchless A to deathless Z!
Sneaks in the corner, shy and small,
A thing which men the husband call!
While every fop with flattery fires her,
Swears with what passion he admires her.--
"'Passion!' 'admire!' and still you're dumb?"
Lord bless your soul, the worst's to come:--
I'm forced to bow, as I'm a sinner,--
And hope--the rogue will stay to dinner!
But oh, at dinner!--there's the sting;
I see my cellar on the wing!
You know if Burgundy is dear?--
Mine once emerged three times a year;--
And now to wash these learned throttles,
In dozens disappear the bottles;
They well must drink who well do eat
(I've sunk a capital on meat).
Her immortality, I fear, a
Death-blow will prove to my Madeira;
It has given, alas! a mortal shock
To that old friend--my Steinberg hock!
If Faust had really any hand
In printing, I can understand
The fate which legends more than hint;--
The devil take all hands that print!
And what my thanks for all?--a pout--
Sour looks--deep sighs; but what about?
About! O, that I well divine--
That such a pearl should fall to swine--
That such a literary ruby
Should grace the finger of a booby!
Spring comes;--behold, sweet mead and lea
Nature's green splendor tapestries o'er;
Fresh blooms the flower, and buds the tree;
Larks sing--the woodland wakes once more.
The woodland wakes--but not for her!
From Nature's self the charm has flown;
No more the Spring of earth can stir
The fond remembrance of our own!
The sweetest bird upon the bough
Has not one note of music now;
And, oh! how dull the grove's soft shade,
Where once--(as lovers then)--we strayed!
The nightingales have got no learning--
Dull creatures--how can they inspire her?
The lilies are so undiscerning,
They never say--"how they admire her!"
In all this jubilee of being,
Some subject for a point she's seeing--
Some epigram--(to be impartial,
Well turned)--there may be worse in Martial!
But, hark! the goddess stoops to reason:--
"The country now is quite in season,
I'll go!"--"What! to our country seat?"
"No!--Travelling will be such a treat;
Pyrmont's extremely full, I hear;
But Carlsbad's quite the rage this year!"
Oh yes, she loves the rural Graces;
Nature is gay--in watering-places!
Those pleasant spas--our reigning passion--
Where learned Dons meet folks of fashion;
Where--each with each illustrious soul
Familiar as in Charon's boat,
All sorts of fame sit cheek-by-jowl,
Pearls in that string--the table d'hote!
Where dames whom man has injured--fly,
To heal their wounds or to efface, them;
While others, with the waters, try
A course of flirting,--just to brace them!
Well, there (O man, how light thy woes
Compared with mine--thou need'st must see!)
My wife, undaunted, greatly goes--
And leaves the orphans (seven!!!) to me!
O, wherefore art thou flown so soon,
Thou first fair year--Love's honeymoon!
All, dream too exquisite for life!
Home's goddess--in the name of wife!
Reared by each grace--yet but to be
Man's household Anadyomene!
With mind from which the sunbeams fall,
Rejoice while pervading all;
Frank in the temper pleased to please--
Soft in the feeling waked with ease.
So broke, as native of the skies,
The heart-enthraller on my eyes;
So saw I, like a morn of May,
The playmate given to glad my way;
With eyes that more than lips bespoke,
Eyes whence--sweet words--"I love thee!" broke!
So--Ah, what transports then were mine!
I led the bride before the shrine!
And saw the future years revealed,
Glassed on my hope--one blooming field!
More wide, and widening more, were given
The angel-gates disclosing heaven;
Round us the lovely, mirthful troop
Of children came--yet still to me
The loveliest--merriest of the group
The happy mother seemed to be!
Mine, by the bonds that bind us more
Than all the oaths the priest before;
Mine, by the concord of content,
When heart with heart is music-blent;
When, as sweet sounds in unison,
Two lives harmonious melt in one!
When--sudden (O the villain!)--came
Upon the scene a mind profound!--
A bel esprit, who whispered "Fame,"
And shook my card-house to the ground.
What have I now instead of all
The Eden lost of hearth and hall?
What comforts for the heaven bereft?
What of the younger angel's left?
A sort of intellectual mule,
Man's stubborn mind in woman's shape,
Too hard to love, too frail to rule--
A sage engrafted on an ape!
To what she calls the realm of mind,
She leaves that throne, her sex, to crawl,
The cestus and the charm resigned--
A public gaping-show to all!
She blots from beauty's golden book
A name 'mid nature's choicest few,
To gain the glory of a nook
In Doctor Dunderhead's Review.
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