Written by
Matthew Arnold |
We cannot kindle when we will
The fire which in the heart resides;
The spirit bloweth and is still,
In mystery our soul abides.
But tasks in hours of insight will'd
Can be through hours of gloom fulfill'd.
With aching hands and bleeding feet
We dig and heap, lay stone on stone;
We bear the burden and the heat
Of the long day, and wish 'twere done.
Not till the hours of light return,
All we have built do we discern.
Then, when the clouds are off the soul,
When thou dost bask in Nature's eye,
Ask, how she view'd thy self-control,
Thy struggling, task'd morality--
Nature, whose free, light, cheerful air,
Oft made thee, in thy gloom, despair.
And she, whose censure thou dost dread,
Whose eye thou wast afraid to seek,
See, on her face a glow is spread,
A strong emotion on her cheek!
'Ah, child!' she cries, 'that strife divine,
Whence was it, for it is not mine?
'There is no effort on my brow--
I do not strive, I do not weep;
I rush with the swift spheres and glow
In joy, and when I will, I sleep.
Yet that severe, that earnest air,
I saw, I felt it once--but where?
'I knew not yet the gauge of time,
Nor wore the manacles of space;
I felt it in some other clime,
I saw it in some other place.
'Twas when the heavenly house I trod,
And lay upon the breast of God.
'
|
Written by
Thomas Hardy |
Thy shadow, Earth, from Pole to Central Sea,
Now steals along upon the Moon's meek shine
In even monochrome and curving line
Of imperturbable serenity.
How shall I link such sun-cast symmetry
With the torn troubled form I know as thine,
That profile, placid as a brow divine,
With continents of moil and misery?
And can immense Mortality but throw
So small a shade, and Heaven's high human scheme
Be hemmed within the coasts yon arc implies?
Is such the stellar gauge of earthly show,
Nation at war with nation, brains that teem,
Heroes, and women fairer than the skies?
|
Written by
Robert William Service |
Lone amid the cafe's cheer,
Sad of heart am I to-night;
Dolefully I drink my beer,
But no single line I write.
There's the wretched rent to pay,
Yet I glower at pen and ink:
Oh, inspire me, Muse, I pray,
It is later than you think!
Hello! there's a pregnant phrase.
Bravo! let me write it down;
Hold it with a hopeful gaze,
Gauge it with a fretful frown;
Tune it to my lyric lyre .
.
.
Ah! upon starvation's brink,
How the words are dark and dire:
It is later than you think.
Weigh them well.
.
.
.
Behold yon band,
Students drinking by the door,
Madly merry, bock in hand,
Saucers stacked to mark their score.
Get you gone, you jolly scamps;
Let your parting glasses clink;
Seek your long neglected lamps:
It is later than you think.
Look again: yon dainty blonde,
All allure and golden grace,
Oh so willing to respond
Should you turn a smiling face.
Play your part, poor pretty doll;
Feast and frolic, pose and prink;
There's the Morgue to end it all,
And it's later than you think.
Yon's a playwright -- mark his face,
Puffed and purple, tense and tired;
Pasha-like he holds his place,
Hated, envied and admired.
How you gobble life, my friend;
Wine, and woman soft and pink!
Well, each tether has its end:
Sir, it's later than you think.
See yon living scarecrow pass
With a wild and wolfish stare
At each empty absinthe glass,
As if he saw Heaven there.
Poor damned wretch, to end your pain
There is still the Greater Drink.
Yonder waits the sanguine Seine .
.
.
It is later than you think.
Lastly, you who read; aye, you
Who this very line may scan:
Think of all you planned to do .
.
.
Have you done the best you can?
See! the tavern lights are low;
Black's the night, and how you shrink!
God! and is it time to go?
Ah! the clock is always slow;
It is later than you think;
Sadly later than you think;
Far, far later than you think.
|
Written by
Anne Sexton |
Until tonight they were separate specialties,
different stories, the best of their own worst.
Riding my warm cabin home, I remember Betsy's
laughter; she laughed as you did, Rose, at the first
story.
Someday, I promised her, I'll be someone
going somewhere and we plotted it in the humdrum
school for proper girls.
The next April the plane
bucked me like a horse, my elevators turned
and fear blew down my throat, that last profane
gauge of a stomach coming up.
And then returned
to land, as unlovely as any seasick sailor,
sincerely eighteen; my first story, my funny failure.
Maybe Rose, there is always another story,
better unsaid, grim or flat or predatory.
Half a mile down the lights of the in-between cities
turn up their eyes at me.
And I remember Betsy's
story, the April night of the civilian air crash
and her sudden name misspelled in the evening paper,
the interior of shock and the paper gone in the trash
ten years now.
She used the return ticket I gave her.
This was the rude kill of her; two planes cracking
in mid-air over Washington, like blind birds.
And the picking up afterwards, the morticians tracking
bodies in the Potomac and piecing them like boards
to make a leg or a face.
There is only her miniature
photograph left, too long now for fear to remember.
Special tonight because I made her into a story
that I grew to know and savor.
A reason to worry,
Rose, when you fix an old death like that,
and outliving the impact, to find you've pretended.
We bank over Boston.
I am safe.
I put on my hat.
I am almost someone going home.
The story has ended.
|
Written by
Jean Ingelow |
A Scholar is musing on his want of success.)
To strive—and fail. Yes, I did strive and fail;
I set mine eyes upon a certain night
To find a certain star—and could not hail
With them its deep-set light.
Fool that I was! I will rehearse my fault:
I, wingless, thought myself on high to lift
Among the winged—I set these feet that halt
To run against the swift.
And yet this man, that loved me so, can write—
That loves me, I would say, can let me see;
Or fain would have me think he counts but light
These Honors lost to me.
(The letter of his friend.)
"What are they? that old house of yours which gave
Such welcome oft to me, the sunbeams fall
Yet, down the squares of blue and white which pave
Its hospitable hall.
"A brave old house! a garden full of bees,
Large dropping poppies, and Queen hollyhocks,
With butterflies for crowns—tree peonies
And pinks and goldilocks.
"Go, when the shadow of your house is long
Upon the garden—when some new-waked bird.
Pecking and fluttering, chirps a sudden song,
And not a leaf is stirred;
"But every one drops dew from either edge
Upon its fellow, while an amber ray
Slants up among the tree-tops like a wedge
Of liquid gold—to play
"Over and under them, and so to fall
Upon that lane of water lying below—
That piece of sky let in, that you do call
A pond, but which I know
"To be a deep and wondrous world; for I
Have seen the trees within it—marvellous things
So thick no bird betwixt their leaves could fly
But she would smite her wings;—
"Go there, I say; stand at the water's brink,
And shoals of spotted barbel you shall see
Basking between the shadows—look, and think
'This beauty is for me;
"'For me this freshness in the morning hours,
For me the water's clear tranquillity;
For me the soft descent of chestnut flowers;
The cushat's cry for me.
"'The lovely laughter of the wind-swayed wheat
The easy slope of yonder pastoral hill;
The sedgy brook whereby the red kine meet
And wade and drink their fill.'
"Then saunter down that terrace whence the sea
All fair with wing-like sails you may discern;
Be glad, and say 'This beauty is for me—
A thing to love and learn.
"'For me the bounding in of tides; for me
The laying bare of sands when they retreat;
The purple flush of calms, the sparkling glee
When waves and sunshine meet.'
"So, after gazing, homeward turn, and mount
To that long chamber in the roof; there tell
Your heart the laid-up lore it holds to count
And prize and ponder well.
"The lookings onward of the race before
It had a past to make it look behind;
Its reverent wonder, and its doubting sore,
Its adoration blind.
"The thunder of its war-songs, and the glow
Of chants to freedom by the old world sung;
The sweet love cadences that long ago
Dropped from the old-world tongue.
"And then this new-world lore that takes account
Of tangled star-dust; maps the triple whirl
Of blue and red and argent worlds that mount
And greet the IRISH EARL;
"Or float across the tube that HERSCHEL sways,
Like pale-rose chaplets, or like sapphire mist;
Or hang or droop along the heavenly ways,
Like scarves of amethyst.
"O strange it is and wide the new-world lore,
For next it treateth of our native dust!
Must dig out buried monsters, and explore
The green earth's fruitful crust;
"Must write the story of her seething youth—
How lizards paddled in her lukewarm seas;
Must show the cones she ripened, and forsooth
Count seasons on her trees;
"Must know her weight, and pry into her age,
Count her old beach lines by their tidal swell;
Her sunken mountains name, her craters gauge,
Her cold volcanoes tell;
"And treat her as a ball, that one might pass
From this hand to the other—such a ball
As he could measure with a blade of grass,
And say it was but small!
"Honors! O friend, I pray you bear with me:
The grass hath time to grow in meadow lands,
And leisurely the opal murmuring sea
Breaks on her yellow sands;
"And leisurely the ring-dove on her nest
Broods till her tender chick will peck the shell
And leisurely down fall from ferny crest
The dew-drops on the well;
"And leisurely your life and spirit grew,
With yet the time to grow and ripen free:
No judgment past withdraws that boon from you,
Nor granteth it to me.
"Still must I plod, and still in cities moil;
From precious leisure, learned leisure far,
Dull my best self with handling common soil;
Yet mine those honors are.
"Mine they are called; they are a name which means,
'This man had steady pulses, tranquil nerves:
Here, as in other fields, the most he gleans
Who works and never swerves.
"We measure not his mind; we cannot tell
What lieth under, over, or beside
The test we put him to; he doth excel,
We know, where he is tried;
"But, if he boast some farther excellence—
Mind to create as well as to attain;
To sway his peers by golden eloquence,
As wind doth shift a fane;
"'To sing among the poets—we are nought:
We cannot drop a line into that sea
And read its fathoms off, nor gauge a thought,
Nor map a simile.
"'It may be of all voices sublunar
The only one he echoes we did try;
We may have come upon the only star
That twinkles in his sky,'
"And so it was with me."
O false my friend!
False, false, a random charge, a blame undue;
Wrest not fair reasoning to a crooked end:
False, false, as you are true!
But I read on: "And so it was with me;
Your golden constellations lying apart
They neither hailed nor greeted heartily,
Nor noted on their chart.
"And yet to you and not to me belong
Those finer instincts that, like second sight
And hearing, catch creation's undersong,
And see by inner light.
"You are a well, whereon I, gazing, see
Reflections of the upper heavens—a well
From whence come deep, deep echoes up to me—
Some underwave's low swell.
"I cannot soar into the heights you show,
Nor dive among the deeps that you reveal;
But it is much that high things ARE to know,
That deep things ARE to feel.
"'Tis yours, not mine, to pluck out of your breast
Some human truth, whose workings recondite
Were unattired in words, and manifest
And hold it forth to light
"And cry, 'Behold this thing that I have found,'
And though they knew not of it till that day,
Nor should have done with no man to expound
Its meaning, yet they say,
"'We do accept it: lower than the shoals
We skim, this diver went, nor did create,
But find it for us deeper in our souls
Than we can penetrate.'
"You were to me the world's interpreter,
The man that taught me Nature's unknown tongue,
And to the notes of her wild dulcimer
First set sweet words, and sung.
"And what am I to you? A steady hand
To hold, a steadfast heart to trust withal;
Merely a man that loves you, and will stand
By you, whatever befall.
"But need we praise his tendance tutelar
Who feeds a flame that warms him? Yet 'tis true
I love you for the sake of what you are,
And not of what you do:—
"As heaven's high twins, whereof in Tyrian blue
The one revolveth: through his course immense
Might love his fellow of the damask hue,
For like, and difference.
"For different pathways evermore decreed
To intersect, but not to interfere;
For common goal, two aspects, and one speed,
One centre and one year;
"For deep affinities, for drawings strong,
That by their nature each must needs exert;
For loved alliance, and for union long,
That stands before desert.
"And yet desert makes brighter not the less,
For nearest his own star he shall not fail
To think those rays unmatched for nobleness,
That distance counts but pale.
"Be pale afar, since still to me you shine,
And must while Nature's eldest law shall hold;"—
Ah, there's the thought which makes his random line
Dear as refinèd gold!
Then shall I drink this draft of oxymel,
Part sweet, part sharp? Myself o'erprized to know
Is sharp; the cause is sweet, and truth to tell
Few would that cause forego,
Which is, that this of all the men on earth
Doth love me well enough to count me great—
To think my soul and his of equal girth—
O liberal estimate!
And yet it is so; he is bound to me,
For human love makes aliens near of kin;
By it I rise, there is equality:
I rise to thee, my twin.
"Take courage"—courage! ay, my purple peer
I will take courage; for thy Tyrian rays
Refresh me to the heart, and strangely dear
And healing is thy praise.
"Take courage," quoth he, "and respect the mind
Your Maker gave, for good your fate fulfil;
The fate round many hearts your own to wind."
Twin soul, I will! I will!
|
Written by
Gerard Manley Hopkins |
A Brother and Sister
O I admire and sorrow! The heart’s eye grieves
Discovering you, dark tramplers, tyrant years.
A juice rides rich through bluebells, in vine leaves,
And beauty’s dearest veriest vein is tears.
Happy the father, mother of these! Too fast:
Not that, but thus far, all with frailty, blest
In one fair fall; but, for time’s aftercast,
Creatures all heft, hope, hazard, interest.
And are they thus? The fine, the fingering beams
Their young delightful hour do feature down
That fleeted else like day-dissolv?d dreams
Or ringlet-race on burling Barrow brown.
She leans on him with such contentment fond
As well the sister sits, would well the wife;
His looks, the soul’s own letters, see beyond,
Gaze on, and fall directly forth on life.
But ah, bright forelock, cluster that you are
Of favoured make and mind and health and youth,
Where lies your landmark, seamark, or soul’s star?
There’s none but truth can stead you.
Christ is truth.
There ’s none but good can b? good, both for you
And what sways with you, maybe this sweet maid;
None good but God—a warning wav?d to
One once that was found wanting when Good weighed.
Man lives that list, that leaning in the will
No wisdom can forecast by gauge or guess,
The selfless self of self, most strange, most still,
Fast furled and all foredrawn to No or Yes.
Your feast of; that most in you earnest eye
May but call on your banes to more carouse.
Worst will the best.
What worm was here, we cry,
To have havoc-pocked so, see, the hung-heavenward boughs?
Enough: corruption was the world’s first woe.
What need I strain my heart beyond my ken?
O but I bear my burning witness though
Against the wild and wanton work of men.
.
.
.
.
.
.
.
|
Written by
Rudyard Kipling |
For the sake of him who showed
One wise Frog the Jungle-Road,
Keep the Law the Man-Pack make
For thy blind old Baloo's sake!
Clean or tainted, hot or stale,
Hold it as it were the Trail,
Through the day and through the night,
Questing neither left nor right.
For the sake of him who loves
Thee beyond all else that moves,
When thy Pack would make thee pain,
Say: " Tabaqui sings again.
"
When thy Pack would work thee ill,
Say: "Shere Khan is yet to kill.
"
When the knife is drawn to slay,
Keep the Law and go thy way.
(Root and honey, palm and spathe,
Guard a cub from harm and scathe!)
Wood and Water, Wind and Tree,
Jungle-Favour go with thee!
Kaa
Anger is the egg of Fear--
Only lidless eyes see clear.
Cobra-poison none may leech--
Even so with Cobra-speech.
Open talk shall call to thee
Strength, whose mate is Courtesy.
Send no lunge beyond thy length.
Lend no rotten bough thy strength.
Gauge thy gape with buck or goat,
Lest thine eye should choke thy throat.
After gorging, wouldst thou sleep ?
Look thy den be hid and deep,
Lest a wrong, by thee forgot,
Draw thy killer to the spot.
East and West and North and South,
Wash thy hide and close thy mouth.
(Pit and rift and blue pool-brim,
Middle-Jungle follow him!)
Wood and Water, Wind and Tree,
Jungle-Favour go with thee!
Bagheera
In the cage my life began;
Well I know the worth of Man.
By the Broken Lock that freed--
Man-cub, ware the Man-cub's breed!
Scenting-dew or starlight pale,
Choose no tangled tree-cat trail.
Pack or council, hunt or den,
Cry no truce with Jackal-Men.
Feed them silence when they say:
"Come with us an easy way.
"
Feed them silence when they seek
Help of thine to hurt the weak.
Make no bandar's boast of skill;
Hold thy peace above the kill.
Let nor call nor song nor sign
Turn thee from thy hunting-line.
(Morning mist or twilight clear,
Serve him, Wardens of the Deer!)
Wood and Water, Wind and Tree,
Jungle-Favour go with thee!
The Three
On the trail that thou must tread
To the threshold of our dread,
Where the Flower blossoms red;
Through the nights when thou shalt lie
Prisoned from our Mother-sky,
Hearing us, thy loves, go by;
In the dawns when thou.
shalt wake
To the toil thou canst not break,
Heartsick for the Jungle's sake;
Wood and Water, Wind air Tree,
Wisdom, Strength, and Courtesy,
Jungle-Favour go with thee!
|
Written by
Emily Dickinson |
'Twas like a Maelstrom, with a notch,
That nearer, every Day,
Kept narrowing its boiling Wheel
Until the Agony
Toyed coolly with the final inch
Of your delirious Hem --
And you dropt, lost,
When something broke --
And let you from a Dream --
As if a Goblin with a Gauge --
Kept measuring the Hours --
Until you felt your Second
Weigh, helpless, in his Paws --
And not a Sinew -- stirred -- could help,
And sense was setting numb --
When God -- remembered -- and the Fiend
Let go, then, Overcome --
As if your Sentence stood -- pronounced --
And you were frozen led
From Dungeon's luxury of Doubt
To Gibbets, and the Dead --
And when the Film had stitched your eyes
A Creature gasped "Reprieve"!
Which Anguish was the utterest -- then --
To perish, or to live?
|
Written by
Rudyard Kipling |
By the Laws of the Family Circle 'tis written in letters of brass
That only a Colonel from Chatham can manage the Railways of State,
Because of the gold on his breeks, and the subjects wherein he must pass;
Because in all matters that deal not with Railways his knowledge is great.
Now Exeter Battleby Tring had laboured from boyhood to eld
On the Lines of the East and the West, and eke of the North and South;
Many Lines had he built and surveyed -- important the posts which he held;
And the Lords of the Iron Horse were dumb when he opened his mouth.
Black as the raven his garb, and his heresies jettier still --
Hinting that Railways required lifetimes of study and knowledge --
Never clanked sword by his side -- Vauban he knew not nor drill --
Nor was his name on the list of the men who had passed through the "College.
"
Wherefore the Little Tin Gods harried their little tin souls,
Seeing he came not from Chatham, jingled no spurs at his heels,
Knowing that, nevertheless, was he first on the Government rolls
For the billet of "Railway Instructor to Little Tin Gods on Wheels.
"
Letters not seldom they wrote him, "having the honour to state,"
It would be better for all men if he were laid on the shelf.
Much would accrue to his bank-book, an he consented to wait
Until the Little Tin Gods built him a berth for himself,
"Special, well paid, and exempt from the Law of the Fifty and Five,
Even to Ninety and Nine" -- these were the terms of the pact:
Thus did the Little Tin Gods (lon may Their Highnesses thrive!)
Silence his mouth with rupees, keeping their Circle intact;
Appointing a Colonel from Chatham who managed the Bhamo State Line
(The wich was on mile and one furlong -- a guaranteed twenty-inch gauge),
So Exeter Battleby Tring consented his claims to resign,
And died, on four thousand a month, in the ninetieth year of his age!
|
Written by
Emile Verhaeren |
In his village grey
At foot of the dykes, that encompass him
With weary weaving of curves and lines
Toward the sea outstretching dim,
The rope-maker, visionary white.
Stepping backwards along the way,
Prudently 'twixt his hands combines
The distant threads, in their twisting play.
That come to him from the infinite.
When day is gone.
Through ardent, weary evenings, yon
The whirr of a wheel can yet be heard;
Something by unseen hands is stirred.
And parallel o'er the rakes, that trace
An even space
From point to point along all the way,
The flaxen hemp still plaits its chain
Ceaseless, for days and weeks amain.
With his poor, tired fingers, nimble still.
Fearing to break for want of skill
The fragments of gold that the gliding light
Threads through his toil so scantily—
Passing the walls and the houses by
The rope-maker, visionary white,
From depths of the evening's whirlpool dim,
Draws the horizons in to him.
Horizons that stretch back afar.
Where strife, regrets, hates, furies are:
Tears of the silence, and the tears
That find a voice: serenest years,
Or years convulsed with pang and throe:
Horizons of the long ago,
These gestures of the Past they shew.
Of old—as one in sleep, life, errant, strayed
Its wondrous morns and fabled evenings through;
When God's right hand toward far Canaan's blue
Traced golden paths, deep in the twilight shade.
Of old, 'twas life exasperate, huge and tense,
Swung savage at some stallion's mane—life, fleet.
With mighty lightnings flashing 'neath her feet,
Upreared immensely over space immense.
Of old, 'twas life evoking ardent will;
And hell's red cross and Heaven's cross of white
Each marched, with gleam of steely armours' light.
Through streams of blood, to heavens of victory still.
Of old—life, livid, foaming, came and went
'Mid strokes of tocsin and assassin's knife;
Proscribers, murderers, each with each at strife,
While, mad and splendid. Death above them bent.
'Twixt fields of flax and of osiers red.
On the road where nothing doth move or tread,
By houses and walls to left and right
The rope-maker, visionary white,
From depths of evening's treasury dim
Draws the horizons in to him.
Horizons that stretch yonder far.
Where work, strifes, ardours, science are;
Horizons that change—they pass and glide,
And on their way
They shew in mirrors of eventide
The mourning image of dark To-day.
Here—writhing fires that never rest nor end.
Where, in one giant effort all employed,
Sages cast down the Gods, to change the void
Whither the flights of human science tend.
Here—'tis a room where thought, assertive, saith
That there are weights exact to gauge her by,
That inane ether, only, rounds the sky.
And that in phials of glass men breed up death.
Here—'tis a workship, where, all fiery bright,
Matter intense vibrates with fierce turmoil
In vaults where wonders new, 'mid stress and toil,
Are forged, that can absorb space, time and night.
—A palace—of an architecture grown
Effete, and weary 'neath its hundred years.
Whence voices vast invoke, instinct with fears,
The thunder in its flights toward the Unknown.
On the silent, even road—his eyes
Still fixed towards the waning light
That skirts the houses and walls as it dies—
The rope-maker, visionary white,
From depths of the evening's halo dim
Draws the horizons in to him.
Horizons that are there afar
Where light, hope, wakenings, strivings are;
Horizons that he sees defined
As hope for some future, far and kind.
Beyond those distant shores and faint
That evening on the clouds doth paint.
Yon—'mid that distance calm and musical
Twin stairs of gold suspend their steps of blue,
The sage doth climb them, and the seer too,
Starting from sides opposed toward one goal.
Yon—contradiction's lightning-shocks lose power.
Doubt's sullen hand unclenches to the light,
The eye sees in their essence laws unite
Rays scattered once 'mid doctrines of an hour.
Yon—keenest spirits pierce beyond the land
Of seeming and of death. The heart hath ease,
And one would say that Mildness held the keys
Of the colossal silence in her hand.
Up yon—the God each soul is, once again
Creates, expands, gives, finds himself in all;
And rises higher, the lowlier he doth fall
Before meek tenderness and sacred pain.
And there is ardent, living peace—its urns
Of even bliss ranged 'mid these twilights, where
—Embers of hope upon the ashen air—
Each great nocturnal planet steadfast burns.
In his village at foot of the dykes, that bend,
Sinuous, weary, about him and wend
Toward that distance of eddying light,
The rope-maker, visionary white.
Along by each house and each garden wall.
Absorbs in himself the horizons all.
|