Written by
Robert Pinsky |
to Robert Hass and in memory of Elliot Gilbert
Slow dulcimer, gavotte and bow, in autumn,
Bashõ and his friends go out to view the moon;
In summer, gasoline rainbow in the gutter,
The secret courtesy that courses like ichor
Through the old form of the rude, full-scale joke,
Impossible to tell in writing.
"Bashõ"
He named himself, "Banana Tree": banana
After the plant some grateful students gave him,
Maybe in appreciation of his guidance
Threading a long night through the rules and channels
Of their collaborative linking-poem
Scored in their teacher's heart: live, rigid, fluid
Like passages etched in a microscopic cicuit.
Elliot had in his memory so many jokes
They seemed to breed like microbes in a culture
Inside his brain, one so much making another
It was impossible to tell them all:
In the court-culture of jokes, a top banana.
Imagine a court of one: the queen a young mother,
Unhappy, alone all day with her firstborn child
And her new baby in a squalid apartment
Of too few rooms, a different race from her neighbors.
She tells the child she's going to kill herself.
She broods, she rages.
Hoping to distract her,
The child cuts capers, he sings, he does imitations
Of different people in the building, he jokes,
He feels if he keeps her alive until the father
Gets home from work, they'll be okay till morning.
It's laughter versus the bedroom and the pills.
What is he in his efforts but a courtier?
Impossible to tell his whole delusion.
In the first months when I had moved back East
From California and had to leave a message
On Bob's machine, I used to make a habit
Of telling the tape a joke; and part-way through,
I would pretend that I forgot the punchline,
Or make believe that I was interrupted--
As though he'd be so eager to hear the end
He'd have to call me back.
The joke was Elliot's,
More often than not.
The doctors made the blunder
That killed him some time later that same year.
One day when I got home I found a message
On my machine from Bob.
He had a story
About two rabbis, one of them tall, one short,
One day while walking along the street together
They see the corpse of a Chinese man before them,
And Bob said, sorry, he forgot the rest.
Of course he thought that his joke was a dummy,
Impossible to tell--a dead-end challenge.
But here it is, as Elliot told it to me:
The dead man's widow came to the rabbis weeping,
Begging them, if they could, to resurrect him.
Shocked, the tall rabbi said absolutely not.
But the short rabbi told her to bring the body
Into the study house, and ordered the shutters
Closed so the room was night-dark.
Then he prayed
Over the body, chanting a secret blessing
Out of Kabala.
"Arise and breathe," he shouted;
But nothing happened.
The body lay still.
So then
The little rabbi called for hundreds of candles
And danced around the body, chanting and praying
In Hebrew, then Yiddish, then Aramaic.
He prayed
In Turkish and Egyptian and Old Galician
For nearly three hours, leaping about the coffin
In the candlelight so that his tiny black shoes
Seemed not to touch the floor.
With one last prayer
Sobbed in the Spanish of before the Inquisition
He stopped, exhausted, and looked in the dead man's face.
Panting, he raised both arms in a mystic gesture
And said, "Arise and breathe!" And still the body
Lay as before.
Impossible to tell
In words how Elliot's eyebrows flailed and snorted
Like shaggy mammoths as--the Chinese widow
Granting permission--the little rabbi sang
The blessing for performing a circumcision
And removed the dead man's foreskin, chanting blessings
In Finnish and Swahili, and bathed the corpse
From head to foot, and with a final prayer
In Babylonian, gasping with exhaustion,
He seized the dead man's head and kissed the lips
And dropped it again and leaping back commanded,
"Arise and breathe!" The corpse lay still as ever.
At this, as when Bashõ's disciples wind
Along the curving spine that links the renga
Across the different voices, each one adding
A transformation according to the rules
Of stasis and repetition, all in order
And yet impossible to tell beforehand,
Elliot changes for the punchline: the wee
Rabbi, still panting, like a startled boxer,
Looks at the dead one, then up at all those watching,
A kind of Mel Brooks gesture: "Hoo boy!" he says,
"Now that's what I call really dead.
" O mortal
Powers and princes of earth, and you immortal
Lords of the underground and afterlife,
Jehovah, Raa, Bol-Morah, Hecate, Pluto,
What has a brilliant, living soul to do with
Your harps and fires and boats, your bric-a-brac
And troughs of smoking blood? Provincial stinkers,
Our languages don't touch you, you're like that mother
Whose small child entertained her to beg her life.
Possibly he grew up to be the tall rabbi,
The one who washed his hands of all those capers
Right at the outset.
Or maybe he became
The author of these lines, a one-man renga
The one for whom it seems to be impossible
To tell a story straight.
It was a routine
Procedure.
When it was finished the physicians
Told Sandra and the kids it had succeeded,
But Elliot wouldn't wake up for maybe an hour,
They should go eat.
The two of them loved to bicker
In a way that on his side went back to Yiddish,
On Sandra's to some Sicilian dialect.
He used to scold her endlessly for smoking.
When she got back from dinner with their children
The doctors had to tell them about the mistake.
Oh swirling petals, falling leaves! The movement
Of linking renga coursing from moment to moment
Is meaning, Bob says in his Haiku book.
Oh swirling petals, all living things are contingent,
Falling leaves, and transient, and they suffer.
But the Universal is the goal of jokes,
Especially certain ethnic jokes, which taper
Down through the swirling funnel of tongues and gestures
Toward their preposterous Ithaca.
There's one
A journalist told me.
He heard it while a hero
Of the South African freedom movement was speaking
To elderly Jews.
The speaker's own right arm
Had been blown off by right-wing letter-bombers.
He told his listeners they had to cast their ballots
For the ANC--a group the old Jews feared
As "in with the Arabs.
" But they started weeping
As the old one-armed fighter told them their country
Needed them to vote for what was right, their vote
Could make a country their children could return to
From London and Chicago.
The moved old people
Applauded wildly, and the speaker's friend
Whispered to the journalist, "It's the Belgian Army
Joke come to life.
" I wish I could tell it
To Elliot.
In the Belgian Army, the feud
Between the Flemings and Walloons grew vicious,
So out of hand the army could barely function.
Finally one commander assembled his men
In one great room, to deal with things directly.
They stood before him at attention.
"All Flemings,"
He ordered, "to the left wall.
" Half the men
Clustered to the left.
"Now all Walloons," he ordered,
"Move to the right.
" An equal number crowded
Against the right wall.
Only one man remained
At attention in the middle: "What are you, soldier?"
Saluting, the man said, "Sir, I am a Belgian.
"
"Why, that's astonishing, Corporal--what's your name?"
Saluting again, "Rabinowitz," he answered:
A joke that seems at first to be a story
About the Jews.
But as the renga describes
Religious meaning by moving in drifting petals
And brittle leaves that touch and die and suffer
The changing winds that riffle the gutter swirl,
So in the joke, just under the raucous music
Of Fleming, Jew, Walloon, a courtly allegiance
Moves to the dulcimer, gavotte and bow,
Over the banana tree the moon in autumn--
Allegiance to a state impossible to tell.
|
Written by
Countee Cullen |
"Lord, being dark," I said, "I cannot bear
The further touch of earth, the scented air;
Lord, being dark, forewilled to that despair
My color shrouds me in, I am as dirt
Beneath my brother's heel; there is a hurt
In all the simple joys which to a child
Are sweet; they are contaminate, defiled
By truths of wrongs the childish vision fails
To see; too great a cost this birth entails.
I strangle in this yoke drawn tighter than
The worth of bearing it, just to be man.
I am not brave enough to pay the price
In full; I lack the strength to sacrifice
I who have burned my hands upon a star,
And climbed high hills at dawn to view the far
Illimitable wonderments of earth,
For whom all cups have dripped the wine of mirth,
For whom the sea has strained her honeyed throat
Till all the world was sea, and I a boat
Unmoored, on what strange quest I willed to float;
Who wore a many-colored coat of dreams,
Thy gift, O Lord--I whom sun-dabbled streams
Have washed, whose bare brown thighs have held the sun
Incarcerate until his course was run,
I who considered man a high-perfected
Glass where loveliness could lie reflected,
Now that I sway athwart Truth's deep abyss,
Denuding man for what he was and is,
Shall breath and being so inveigle me
That I can damn my dreams to hell, and be
Content, each new-born day, anew to see
The steaming crimson vintage of my youth
Incarnadine the altar-slab of Truth?
Or hast Thou, Lord, somewhere I cannot see,
A lamb imprisoned in a bush for me?
Not so?Then let me render one by one
Thy gifts, while still they shine; some little sun
Yet gilds these thighs; my coat, albeit worn,
Still hold its colors fast; albeit torn.
My heart will laugh a little yet, if I
May win of Thee this grace, Lord:on this high
And sacrificial hill 'twixt earth and sky,
To dream still pure all that I loved, and die.
There is no other way to keep secure
My wild chimeras, grave-locked against the lure
Of Truth, the small hard teeth of worms, yet less
Envenomed than the mouth of Truth, will bless
Them into dust and happy nothingness.
Lord, Thou art God; and I, Lord, what am I
But dust?With dust my place.
Lord, let me die.
"
Across earth's warm, palpitating crust
I flung my body in embrace; I thrust
My mouth into the grass and sucked the dew,
Then gave it back in tears my anguish drew;
So hard I pressed against the ground, I felt
The smallest sandgrain like a knife, and smelt
The next year's flowering; all this to speed
My body's dissolution, fain to feed
The worms.
And so I groaned, and spent my strength
Until, all passion spent, I lay full length
And quivered like a flayed and bleeding thing.
So lay till lifted on a great black wing
That had no mate nor flesh-apparent trunk
To hamper it; with me all time had sunk
Into oblivion; when I awoke
The wing hung poised above two cliffs that broke
The bowels of the earth in twain, and cleft
The seas apart.
Below, above, to left,
To right, I saw what no man saw before:
Earth, hell, and heaven; sinew, vein, and core.
All things that swim or walk or creep or fly,
All things that live and hunger, faint and die,
Were made majestic then and magnified
By sight so clearly purged and deified.
The smallest bug that crawls was taller than
A tree, the mustard seed loomed like a man.
The earth that writhes eternally with pain
Of birth, and woe of taking back her slain,
Laid bare her teeming bosom to my sight,
And all was struggle, gasping breath, and fight.
A blind worm here dug tunnels to the light,
And there a seed, racked with heroic pain,
Thrust eager tentacles to sun and rain:
It climbed; it died; the old love conquered me
To weep the blossom it would never be.
But here a bud won light; it burst and flowered
Into a rose whose beauty challenged, "Coward!"
There was no thing alive save only I
That held life in contempt and longed to die.
And still I writhed and moaned, "The curse, the curse,
Than animated death, can death be worse?"
"Dark child of sorrow, mine no less, what art Of mine can make thee see
and play thy part? The key to all strange things is in thy heart.
"
What voice was this that coursed like liquid fire
Along my flesh, and turned my hair to wire?
I raised my burning eyes, beheld a field
All multitudinous with carnal yield,
A grim ensanguined mead whereon I saw
Evolve the ancient fundamental law
Of tooth and talon, fist and nail and claw.
There with the force of living, hostile hills
Whose clash the hemmed-in vale with clamor fills,
With greater din contended fierce majestic wills
Of beast with beast, of man with man, in strife
For love of what my heart despised, for life
That unto me at dawn was now a prayer
For night, at night a bloody heart-wrung tear
For day again; for this, these groans
From tangled flesh and interlocked bones.
And no thing died that did not give
A testimony that it longed to live.
Man, strange composite blend of brute and god,
Pushed on, nor backward glanced where last he trod:
He seemed to mount a misty ladder flung
Pendant from a cloud, yet never gained a rung
But at his feet another tugged and clung.
My heart was still a pool of bitterness,
Would yield nought else, nought else confess.
I spoke (although no form was there
To see, I knew an ear was there to hear),
"Well, let them fight; they can whose flesh is fair.
"
Crisp lightning flashed; a wave of thunder shook
My wing; a pause, and then a speaking, "Look.
"
I scarce dared trust my ears or eyes for awe
Of what they heard, and dread of what they saw;
For, privileged beyond degree, this flesh
Beheld God and His heaven in the mesh
Of Lucifer's revolt, saw Lucifer
Glow like the sun, and like a dulcimer
I heard his sin-sweet voice break on the yell
Of God's great warriors:Gabriel,
Saint Clair and Michael, Israfel and Raphael.
And strange it was to see God with His back
Against a wall, to see Christ hew and hack
Till Lucifer, pressed by the mighty pair,
And losing inch by inch, clawed at the air
With fevered wings; then, lost beyond repair,
He tricked a mass of stars into his hair;
He filled his hands with stars, crying as he fell,
"A star's a star although it burns in hell.
"
So God was left to His divinity,
Omnipotent at that most costly fee.
There was a lesson here, but still the clod
In me was sycophant unto the rod,
And cried, "Why mock me thus?Am I a god?"
"One trial more:this failing, then I give You leave to die; no
further need to live.
"
Now suddenly a strange wild music smote
A chord long impotent in me; a note
Of jungles, primitive and subtle, throbbed
Against my echoing breast, and tom-toms sobbed
In every pulse-beat of my frame.
The din
A hollow log bound with a python's skin
Can make wrought every nerve to ecstasy,
And I was wind and sky again, and sea,
And all sweet things that flourish, being free.
Till all at once the music changed its key.
And now it was of bitterness and death,
The cry the lash extorts, the broken breath
Of liberty enchained; and yet there ran
Through all a harmony of faith in man,
A knowledge all would end as it began.
All sights and sounds and aspects of my race
Accompanied this melody, kept pace
With it; with music all their hopes and hates
Were charged, not to be downed by all the fates.
And somehow it was borne upon my brain
How being dark, and living through the pain
Of it, is courage more than angels have.
I knew
What storms and tumults lashed the tree that grew
This body that I was, this cringing I
That feared to contemplate a changing sky,
This that I grovelled, whining, "Let me die,"
While others struggled in Life's abattoir.
The cries of all dark people near or far
Were billowed over me, a mighty surge
Of suffering in which my puny grief must merge
And lose itself; I had no further claim to urge
For death; in shame I raised my dust-grimed head,
And though my lips moved not, God knew I said,
"Lord, not for what I saw in flesh or bone
Of fairer men; not raised on faith alone;
Lord, I will live persuaded by mine own.
I cannot play the recreant to these;
My spirit has come home, that sailed the doubtful seas.
"
With the whiz of a sword that severs space,
The wing dropped down at a dizzy pace,
And flung me on my hill flat on my face;
Flat on my face I lay defying pain,
Glad of the blood in my smallest vein,
And in my hands I clutched a loyal dream,
Still spitting fire, bright twist and coil and gleam,
And chiseled like a hound's white tooth.
"Oh, I will match you yet," I cried, "to truth.
"
Right glad I was to stoop to what I once had spurned.
Glad even unto tears; I laughed aloud; I turned
Upon my back, and though the tears for joy would run,
My sight was clear; I looked and saw the rising sun.
|
Written by
Maggie Estep |
I was a 20 year old unemployed receptionist with
dyed orange dreadlocks sprouting out of my skull.
I needed a job, but first,
I needed a haircut.
So I head for this beauty salon on Avenue B.
I'm gonna get a hairdo.
I'm gonna look just like those hot Spanish haircut models, become brown
and bodacious, grow some 7 inch fingernails painted ***** red and rake
them down the chalkboard of the job market's soul.
So I go in the beauty salon.
This beautiful Puerto Rican girl in tight white spandex and a push-up bra
sits me down and starts chopping my hair:
"Girlfriend," she says, "what the hell you got growing outta
your head there, what is that, hair implants? Yuck, you want me to touch
that ****, whadya got in there, sandwiches?"
I just go: "I'm sorry.
"
She starts snipping my carefully cultivated Johnny Lydon post-Pistols hairdo.
My foul little dreadlocks are flying around all over the place but I'm
not looking in the mirror cause I just don't want to know.
"So what's your name anyway?" My stylist demands then.
"Uh, Maggie.
"
"Maggie? Well, that's an okay name, but my name is Suzy.
"
"Yeah, so?"
"Yeah so it ain't just Suzy S.
U.
Z.
Y, I spell it S.
U.
Z.
E.
E, the extra
"e" is for extra Suzee.
"
I nod emphatically.
Suzee tells me when she's not busy chopping hair, she works as an exotic
dancer at night to support her boyfriend named Rocco.
Suzee loves Rocco,
she loves him so much she's got her eyes closed as she describes him:
"6 foot 2, 193 pounds and, girlfriend, his arms so big and long they
wrap around me twice like I'm a little Suzee sandwich.
"
Little Suzee Sandwich is rapt, she blindly snips and clips at my poor punk
head.
She snips and clips and snips and clips, she pauses, I look in the
mirror: "Holy ****, I'm bald.
"
"Holy ****, baby, you're bald.
" Suzee says, finally opening her
eyes and then gasping.
All I've got left is little post-nuke clumps of orange fuzz.
And I'll never
get a receptionist job now.
But Suzy waves her manicured finger in my face: "Don't you worry,
baby, I'm gonna get you a job at the dancing club.
"
"What?"
"Baby, let me tell you, the boys are gonna like a bald go go dancer.
"
That said, she whips out some clippers, shaves my head smooth and insists
I'm gonna love getting naked for a living.
None of this sounds like my idea of a good time, but I'm broke and I'm
bald so I go home and get my best panties.
Suzee lends me some 6 inch pumps,
paints my lips bright red, and gives me 7 shots of Jack Daniels to relax
me.
8pm that night I take the stage.
I'm bald,
I'm drunk,
and by god,
I'm naked.
HOLY **** I'M NAKED IN A ROOM FULL OF STRANGERS THIS IS NOT ONE OF THOSE
RECURRING NIGHTMARES WE ALL HAVE ABOUT BEING BUTT NAKED IN PUBLIC, I AM
NAKED, I DON'T KNOW THESE PEOPLE, THIS REALLY SUCKS.
A few guys feel sorry for me and risk getting their hands bitten off by
sticking dollars in my garter belt.
My disheveled pubic hairs stand at
full attention, ready to poke the guys' eyes out if they get too close.
Then I notice this bald guy in the audience, I've got a new empathy for
bald people, I figure maybe it works both ways, maybe this guy will stick
10 bucks in my garter.
I saunter over.
I'm teetering around unrhythmically, I'm the surliest, unsexiest dancer
that ever go-go across this hemisphere.
The bald guy looks down into his
beer, he'd much rather look at that than at my pubic mound which has now
formed into one vicious spike so it looks like I've got a unicorn in my
crotch.
I stand there weaving through the air.
The strobe light is illuminating my pubic unicorn.
Madonna's song Borderline
is pumping through the club's speaker system for the 5th time tonight:
"BORDERLINE BORDERLINE BORDERLINE/LOVE ME TIL I JUST CAN'T SEE.
"
And suddenly, I start to wonder: What does that mean anyway?
"LOVE ME TIL I JUST CAN'T SEE"
What?
Screw me so much my eyes pop out, I go blind, end up walking down 2nd Avenue
crazy, horny, naked and blind? What?
There's a glitch in the tape and it starts to skip.
"Borderl.
.
.
ooop.
.
.
.
.
Borderl.
.
.
.
ooop.
.
.
Borderlin.
.
.
.
.
ooop"
I stumble and twist my ankle.
My g-string rides between my buttcheeks making
me twitch with pain.
My head starts spinning, my knees wobble, I go down
on all fours and puke all over the bald guy's lap.
So there I am.
Butt naked on all fours.
But before I have time to regain
my composure, the strip club manager comes over, points his smarmy strip
club manager finger at me and goes:
"You're bald, you're drunk, you can't dance and you're fired.
"
I stand up.
"Oh yeah, well you stink like a sneaker, pal.
" I peel off one
of my pumps and throw it in the direction of his fat head then I get the
hell out of there.
A few days later I run into Suzee on Avenue A.
Turns out she got fired
for getting me a job there in the first place.
But she was completely undaunted,
she dragged me up to this wig store on 14th Street, bought me a mouse brown
shag wig, then got us both telemarketing jobs on Wall Street.
And I never went to a beauty salon again.
|
Written by
Mary Darby Robinson |
TERRIFIC FIEND! thou Monster fell,
Condemn'd in haunts profane to dwell,
Why quit thy solitary Home,
O'er wide Creation's paths to roam?
Pale Tyrant of the timid Heart,
Whose visionary spells can bind
The strongest passions of the mind,
Freezing Life's current with thy baneful Art.
Nature recoils when thou art near,
For round thy form all plagues are seen;
Thine is the frantic tone, the sullen mien,
The glance of petrifying fear,
The haggard Brow, the low'ring Eye,
The hollow Cheek, the smother'd Sigh,
When thy usurping fangs assail,
The sacred Bonds of Friendship fail.
Meek-bosom'd Pity sues in vain;
Imperious Sorrow spurns relief,
Feeds on the luxury of Grief,
Drinks the hot Tear, and hugs the galling Chain.
AH! plunge no more thy ruthless dart,
In the dark centre of the guilty Heart;
The POW'R SUPREME, with pitying eye,
Looks on the erring Child of Misery;
MERCY arrests the wing of Time;
To expiate the wretch's crime;
Insulted HEAV'N consign'd thy brand
To the first Murd'rer's crimson hand.
Swift o'er the earth the Monster flew,
And round th' ensanguin'd Poisons threw,
By CONSCIENCE goadeddriven by FEAR,
Till the meek Cherub HOPE subdued his fell career.
Thy Reign is past, when erst the brave
Imbib'd contagion o'er the midnight lamp,
Close pent in loathsome cells, where poisons damp
Hung round the confines of a Living Grave; *
Where no glimm'ring ray illum'd
The flinty walls, where pond'rous chains
Bound the wan Victim to the humid earth,
Where VALOUR, GENIUS, TASTE, and WORTH,
In pestilential caves entomb'd,
Sought thy cold arms, and smiling mock'd their pains.
THERE,each procrastinated hour
The woe-worn suff'rer gasping lay,
While by his side in proud array
Stalk'd the HUGE FIEND, DESPOTIC POW'R.
There REASON clos'd her radiant eye,
And fainting HOPE retir'd to die,
Truth shrunk appall'd,
In spells of icy Apathy enthrall'd;
Till FREEDOM spurn'd the ignominious chain,
And roused from Superstition's night,
Exulting Nature claim'd her right,
And call'd dire Vengeance from her dark domain.
Now take thy solitary flight
Amid the turbid gales of night,
Where Spectres starting from the tomb,
Glide along th' impervious gloom;
Or, stretch'd upon the sea-beat shore,
Let the wild winds, as they roar,
Rock Thee on thy Bed of Stone;
Or, in gelid caverns pent,
Listen to the sullen moan
Of subterranean winds;or glut thy sight
Where stupendous mountains rent
Hurl their vast fragments from their dizzy height.
At Thy approach the rifted Pine
Shall o'er the shatter'd Rock incline,
Whose trembling brow, with wild weeds drest,
Frowns on the tawny EAGLE's nest;
THERE enjoy the 'witching hour,
And freeze in Frenzy's dire conceit,
Or seek the Screech-owl's lone retreat,
On the bleak rampart of some nodding Tow'r.
In some forest long and drear,
Tempt the fierce BANDITTI's rage,
War with famish'd Tygers wage,
And mock the taunts of Fear.
When across the yawning deep,
The Demons of the Tempest sweep,
Or deaf'ning Thunders bursting cast
Their red bolts on the shivering mast,
While fix'd below the sea-boy stands,
As threat'ning Death his soul dismays,
He lifts his supplicating hands,
And shrieks, and groans, and weeps, and prays,
Till lost amid the floating fire
The agonizing crew expire;
THEN let thy transports rend the air,
For mad'ning Anguish feeds DESPAIR.
When o'er the couch of pale Disease
The MOTHER bends, with tearful eye,
And trembles, lest her quiv'ring sigh,
Should wake the darling of her breast,
Now, by the taper's feeble rays,
She steals a last, fond, eager gaze.
Ah, hapless Parent! gaze no more,
Thy CHERUB soars among the Blest,
Life's crimson Fount begins to freeze,
His transitory scene is o'er.
She startsshe ravesher burning brain,
Consumes, unconscious of its fires,
Dead to the Heart's convulsive Pain,
Bewilder'd Memory retires.
See! See! she grasps her flowing hair,
From her fix'd eye the big drops roll,
Her proud Affliction mocks controul,
And riots in DESPAIR,
Such are thy haunts, malignant Pow'r,
There all thy murd'rous Poisons pour;
But come not near my calm retreat,
Where Peace and holy FRIENDSHIP meet;
Where SCIENCE sheds a gentle ray,
And guiltless Mirth beguiles the day,
Where Bliss congenial to the MUSE
Shall round my Heart her sweets diffuse,
Where, from each restless Passion free,
I give my noiseless hours, BLESS'D POETRY, TO THEE.
|
Written by
Thomas Gray |
Now the storm begins to lower,
(Haste, the loom of Hell prepares!)
Iron-sleet of arrowy shower
Hurtles in the darkened air.
Glittering lances are the loom,
Where the dusky warp we strain,
Weaving many a soldier's doom,
Orkney's woe and Randver's bane.
See the grisly texture grow,
('Tis of human entrails made!)
And the weights that play below,
Each a gasping warrior's head.
Shafts for shuttles, dipped in gore,
Shoot the trembling cords along.
Sword, that once a monarch bore,
Keep the tissue close and strong.
Mista, black, terrific maid,
Sangrida, and Hilda, see,
Join the wayward work to aid;
'Tis the woof of victory.
Ere the ruddy sun be set,
Pikes must shiver, javelins sing,
Blade with clattering buckler meet,
Hauberk crash, and helmet ring.
(Weave the crimson web of war!)
Let us go, and let us fly
Where our friends the conflict share,
Where they triumph, where they die.
As the paths of fate we tread,
Wading through the ensanguined field,
Gondula and Geira, spread
O'er the youthful king your shield.
We the reins to slaughter give;
Ours to kill, and ours to spare;
Spite the dangers he shall live.
(Weave the crimson web of war!)
They whom once the desert beach
Pent within its bleak domain,
Soon their ample sway shall stretch
O'er the plenty of the plain.
Low the dauntless earl is laid,
Gored with many a gaping wound;
Fate demands a nobler head;
Soon a king shall bite the ground.
Long his loss shall Eirin weep
Ne'er again his likeness see;
Long her strains in sorrow steep,
Strains of immortality!
Horror covers all the heath;
Clouds of carnage blot the sun.
Sisters, weave the web of death;
Sisters, cease, the work is done.
Hail the task, and hail the hands!
Songs of joy and triumph sing!
Joy to the victorious bands
Triumph to the younger king.
Mortal, thou that hear'st the tale,
Learn the tenor of our song.
Scotland, through each winding vale
Far and wide the notes prolong.
Sisters, hence with spurs of speed;
Each her thundering falchion wield;
Each bestride her sable steed.
Hurry, hurry to the field!
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Written by
Billy Jno Hope |
folly cracked the mirror
a soul gasping wound
voodoo induced vertigo
psychedelic blackouts
in the cracks
between art and blasphemy
paralyzing paranoia of becoming
the vision that heals
cast shadows to douse the flames
starved enlightenment
i betrayed my muse
i wallowed in nostalgic fumes
blood clots from yesteryears insurrection mad dissident desire found wanting a rage dissipating in the twilight of friendship a facade evolved.
|
Written by
Alan Seeger |
Do you remember once, in Paris of glad faces,
The night we wandered off under the third moon's rays
And, leaving far behind bright streets and busy places,
Stood where the Seine flowed down between its quiet quais?
The city's voice was hushed; the placid, lustrous waters
Mirrored the walls across where orange windows burned.
Out of the starry south provoking rumors brought us
Far promise of the spring already northward turned.
And breast drew near to breast, and round its soft desire
My arm uncertain stole and clung there unrepelled.
I thought that nevermore my heart would hover nigher
To the last flower of bliss that Nature's garden held.
There, in your beauty's sweet abandonment to pleasure,
The mute, half-open lips and tender, wondering eyes,
I saw embodied first smile back on me the treasure
Long sought across the seas and back of summer skies.
Dear face, when courted Death shall claim my limbs and find them
Laid in some desert place, alone or where the tides
Of war's tumultuous waves on the wet sands behind them
Leave rifts of gasping life when their red flood subsides,
Out of the past's remote delirious abysses
Shine forth once more as then you shone, -- beloved head,
Laid back in ecstasy between our blinding kisses,
Transfigured with the bliss of being so coveted.
And my sick arms will part, and though hot fever sear it,
My mouth will curve again with the old, tender flame.
And darkness will come down, still finding in my spirit
The dream of your brief love, and on my lips your name.
II
You loved me on that moonlit night long since.
You were my queen and I the charming prince
Elected from a world of mortal men.
You loved me once.
.
.
.
What pity was it, then,
You loved not Love.
.
.
.
Deep in the emerald west,
Like a returning caravel caressed
By breezes that load all the ambient airs
With clinging fragrance of the bales it bears
From harbors where the caravans come down,
I see over the roof-tops of the town
The new moon back again, but shall not see
The joy that once it had in store for me,
Nor know again the voice upon the stair,
The little studio in the candle-glare,
And all that makes in word and touch and glance
The bliss of the first nights of a romance
When will to love and be beloved casts out
The want to question or the will to doubt.
You loved me once.
.
.
.
Under the western seas
The pale moon settles and the Pleiades.
The firelight sinks; outside the night-winds moan --
The hour advances, and I sleep alone.
III
Farewell, dear heart, enough of vain despairing!
If I have erred I plead but one excuse --
The jewel were a lesser joy in wearing
That cost a lesser agony to lose.
I had not bid for beautifuller hours
Had I not found the door so near unsealed,
Nor hoped, had you not filled my arms with flowers,
For that one flower that bloomed too far afield.
If I have wept, it was because, forsaken,
I felt perhaps more poignantly than some
The blank eternity from which we waken
And all the blank eternity to come.
And I betrayed how sweet a thing and tender
(In the regret with which my lip was curled)
Seemed in its tragic, momentary splendor
My transit through the beauty of the world.
|
Written by
Mary Darby Robinson |
Come, bright-eyed maid,
Pure offspring of the tranquil mind,
Haste, my fev'rish temples bind
With olive wreaths of em'rald hue
Steep'd in morn's ethereal dew,
Where in mild HELVETIA's shade,
Blushing summer round her flings
Warm gales and sunny show'rs that hang upon her wings.
I'll seek thee in ITALIA's bow'rs,
Where supine on beds of flow'rs
Melody's soul-touching throng
Strike the soft lute or trill the melting song:
Where blithe FANCY, queen of pleasure,
Pours each rich luxuriant treasure.
For thee I'll climb the breezy hill,
While the balmy dews distill
Odours from the budding thorn,
Drop'd from the lust'rous lids of morn;
Who, starting from her shad'wy bed,
Binds her gold fillet round the mountain's head.
There I'll press from herbs and flow'rs
Juices bless'd with opiate pow'rs,
Whose magic potency can heal
The throb of agonizing pain,
And thro' the purple swelling vein
With subtle influence steal:
Heav'n opes for thee its aromatic store
To bathe each languid gasping pore;
But where, O where, shall cherish'd sorrow find
The lenient balm to soothe the feeling mind.
O, mem'ry! busy barb'rous foe,
At thy fell touch I wake to woe:
Alas! the flatt'ring dream is o'er,
From thee the bright illusions fly,
Thou bidst the glitt'ring phantoms die,
And hope, and youth, and fancy, charm no more.
No more for me the tip-toe SPRING
Drops flowrets from her infant wing;
For me in vain the wild thymes bloom
Thro' the forest flings perfume;
In vain I climb th'embroider'd hill
To breathe the clear autumnal air;
In vain I quaff the lucid rill
Since jocund HEALTH delights not there
To greet my heart:no more I view,
With sparkling eye, the silv'ry dew
Sprinkling May's tears upon the folded rose,
As low it droops its young and blushing head,
Press'd by grey twilight to its mossy bed:
No more I lave amidst the tide,
Or bound along the tufted grove,
Or o'er enamel'd meadows rove,
Where, on Zephyr's pinions, glide
Salubrious airs that waft the nymph repose.
Lightly o'er the yellow heath
Steals thy soft and fragrant breath,
Breath inhal'd from musky flow'rs
Newly bath'd in perfum'd show'rs.
See the rosy-finger'd morn
Opes her bright refulgent eye,
Hills and valleys to adorn,
While from her burning glance the scatter'd vapours fly.
Soon, ah soon! the painted scene,
The hill's blue top, the valley's green,
Midst clouds of snow, and whirlwinds drear,
Shall cold and comfortless appear:
The howling blast shall strip the plain,
And bid my pensive bosom learn,
Tho' NATURE's face shall smile again,
And, on the glowing breast of Spring
Creation all her gems shall fling,
YOUTH's April morn shall ne'er return.
Then come, Oh quickly come, Hygeian Maid!
Each throbbing pulse, each quiv'ring nerve pervade.
Flash thy bright fires across my languid eye,
Tint my pale visage with thy roseate die,
Bid my heart's current own a temp'rate glow,
And from its crimson source in tepid channels flow.
O HEALTH, celestial Nymph! without thy aid
Creation sickens in oblivions shade:
Along the drear and solitary gloom
We steal on thorny footsteps to the tomb;
Youth, age, wealth, poverty alike agree
To live is anguish, when depriv'd of Thee.
To THEE indulgent Heav'n benignly gave
The touch to heal, the extacy to save.
The balmy incense of thy fost'ring breath
Wafts the wan victim from the fangs of Death,
Robs the grim Tyrant of his trembling prize,
Cheers the faint soul, and lifts it to the skies.
Let not the gentle rose thy bounty drest
To meet the rising son with od'rous breast,
Which glow'd with artless tints at noon-tide hour,
And shed soft tears upon each drooping flower,
With with'ring anguish mourn the parting Day,
Shrink to the Earth, and sorrowing fade away.
|
Written by
Thomas Carew |
Can we not force from widow'd poetry,
Now thou art dead (great Donne) one elegy
To crown thy hearse? Why yet dare we not trust,
Though with unkneaded dough-bak'd prose, thy dust,
Such as th' unscissor'd churchman from the flower
Of fading rhetoric, short-liv'd as his hour,
Dry as the sand that measures it, should lay
Upon thy ashes, on the funeral day?
Have we no voice, no tune? Didst thou dispense
Through all our language, both the words and sense?
'Tis a sad truth.
The pulpit may her plain
And sober Christian precepts still retain,
Doctrines it may, and wholesome uses, frame,
Grave homilies and lectures, but the flame
Of thy brave soul (that shot such heat and light
As burnt our earth and made our darkness bright,
Committed holy rapes upon our will,
Did through the eye the melting heart distil,
And the deep knowledge of dark truths so teach
As sense might judge what fancy could not reach)
Must be desir'd forever.
So the fire
That fills with spirit and heat the Delphic quire,
Which, kindled first by thy Promethean breath,
Glow'd here a while, lies quench'd now in thy death.
The Muses' garden, with pedantic weeds
O'erspread, was purg'd by thee; the lazy seeds
Of servile imitation thrown away,
And fresh invention planted; thou didst pay
The debts of our penurious bankrupt age;
Licentious thefts, that make poetic rage
A mimic fury, when our souls must be
Possess'd, or with Anacreon's ecstasy,
Or Pindar's, not their own; the subtle cheat
Of sly exchanges, and the juggling feat
Of two-edg'd words, or whatsoever wrong
By ours was done the Greek or Latin tongue,
Thou hast redeem'd, and open'd us a mine
Of rich and pregnant fancy; drawn a line
Of masculine expression, which had good
Old Orpheus seen, or all the ancient brood
Our superstitious fools admire, and hold
Their lead more precious than thy burnish'd gold,
Thou hadst been their exchequer, and no more
They each in other's dust had rak'd for ore.
Thou shalt yield no precedence, but of time,
And the blind fate of language, whose tun'd chime
More charms the outward sense; yet thou mayst claim
From so great disadvantage greater fame,
Since to the awe of thy imperious wit
Our stubborn language bends, made only fit
With her tough thick-ribb'd hoops to gird about
Thy giant fancy, which had prov'd too stout
For their soft melting phrases.
As in time
They had the start, so did they cull the prime
Buds of invention many a hundred year,
And left the rifled fields, besides the fear
To touch their harvest; yet from those bare lands
Of what is purely thine, thy only hands,
(And that thy smallest work) have gleaned more
Than all those times and tongues could reap before.
But thou art gone, and thy strict laws will be
Too hard for libertines in poetry;
They will repeal the goodly exil'd train
Of gods and goddesses, which in thy just reign
Were banish'd nobler poems; now with these,
The silenc'd tales o' th' Metamorphoses
Shall stuff their lines, and swell the windy page,
Till verse, refin'd by thee, in this last age
Turn ballad rhyme, or those old idols be
Ador'd again, with new apostasy.
Oh, pardon me, that break with untun'd verse
The reverend silence that attends thy hearse,
Whose awful solemn murmurs were to thee,
More than these faint lines, a loud elegy,
That did proclaim in a dumb eloquence
The death of all the arts; whose influence,
Grown feeble, in these panting numbers lies,
Gasping short-winded accents, and so dies.
So doth the swiftly turning wheel not stand
In th' instant we withdraw the moving hand,
But some small time maintain a faint weak course,
By virtue of the first impulsive force;
And so, whilst I cast on thy funeral pile
Thy crown of bays, oh, let it crack awhile,
And spit disdain, till the devouring flashes
Suck all the moisture up, then turn to ashes.
I will not draw the envy to engross
All thy perfections, or weep all our loss;
Those are too numerous for an elegy,
And this too great to be express'd by me.
Though every pen should share a distinct part,
Yet art thou theme enough to tire all art;
Let others carve the rest, it shall suffice
I on thy tomb this epitaph incise:
Here lies a king, that rul'd as he thought fit
The universal monarchy of wit;
Here lie two flamens, and both those, the best,
Apollo's first, at last, the true God's priest.
|
Written by
Charles Baudelaire |
Reubens, river of forgetfulness, garden of sloth,
Pillow of wet flesh that one cannot love,
But where life throngs and seethes without cease
Like the air in the sky and the water in the sea.
Leonardo da Vinci, sinister mirror,
Where these charming angels with sweet smiles
Charged with mystery, appear in shadows
Of glaciers and pines that close off the country.
Rembrandt, sad hospital full of murmurs
Decorated only with a crucifix,
Where tearful prayers arise from filth
And a ray of winter light crosses brusquely.
Michelangelo, a wasteland where one sees Hercules
Mingling with Christ, and rising in a straight line
Powerful phantoms that in the twilight
Tear their shrouds with stretching fingers.
Rage of a boxer, impudence of a faun,
You who gather together the beauty of the boor,
Your big heart swelling with pride at man defective and yellow,
Puget, melancholy emperor of the poor.
Watteau, this carnival of illustrious hearts
Like butterflies, errant and flamboyant,
In the cool decor, with delicate lightning in the chandeliers
Crossing the madness of the twirling ball.
Goya, nightmare of unknown things,
Fetuses roasting on the spit,
Harridans in the mirror and naked children
Tempting demons by loosening their stockings.
Delacroix, haunted lake of blood and evil angels,
Shaded by evergreen forests of dark firs,
Where, under a grieving sky, strange fanfares
Pass, like a gasping breath of Weber.
These curses, these blasphemies, these moans,
These ecstasies, these tears, these cries of "Te Deum"
Are an echo reiterated in a thousand mazes;
It is for mortal hearts a divine opium!
It is a cry repeated by a thousand sentinels,
An order returned by a thousand megaphones,
A beacon lighting a thousand citadels
A summons to hunters lost in the wide woods.
For truly, O Lord, what better testimony
Can we give to our dignity
Than this burning sob that rolls from age to age
And comes to die on the shore of Your eternity?
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