Written by
Rudyard Kipling |
"Let us now praise famous men"--
Men of little showing--
For their work continueth,
And their work continueth,
Broad and deep continues,
Greater then their knowing!
Western wind and open surge
Took us from our mothers--
Flung us on a naked shore
(Twelve bleak houses by the shore.
Seven summers by the shore! )
'Mid two hundred brothers.
There we met with famous men
Set in office o'er us;
And they beat on us with rods--
Faithfully with many rods--
Daily beat us on with rods,
For the love they bore us!
Out of Egypt unto Troy--
Over Himalaya--
Far and sure our bands have gone--
Hy-Brazil or Babylon,
Islands of the Southern Run,
And Cities of Cathaia!
And we all praise famous men--
Ancients of the College;
For they taught us common sense--
Tried to teach us common sense--
Truth and God's Own Common Sense,
Which is more than knowledge!
Each degree of Latitude
Strung about Creation
Seeth one or more of us
(Of one muster each of us),
Diligent in that he does,
Keen in his vocation.
This we learned from famous men,
Knowing not its uses,
When they showed, in daily work--
Man must finish off his work--
Right or wrong, his daily work--
And without excuses.
Servant of the Staff and chain,
Mine and fuse and grapnel--
Some, before the face of Kings,
Stand before the face of Kings;
Bearing gifts to divers Kings--
Gifts of case and shrapnel.
This we learned from famous men
Teaching in our borders,
Who declared it was best,
Safest, easiest, and best--
Expeditious, wise, and best--
To obey your orders.
Some beneath the further stars
Bear the greater burden:
Set to serve the lands they rule,
(Save he serve no man may rule ),
Serve and love the lands they rule;
Seeking praise nor guerdon.
This we learned from famous men,
Knowing not we learned it.
Only, as the years went by--
Lonely, as the years went by--
Far from help as years went by,
Plainer we discerned it.
Wherefore praise we famous men
From whose bays we borrow--
They that put aside To-day--
All the joys of their To-day--
And with toil of their To-day
Bought for us To-morrow!
Bless and praise we famous men--
Men of little showing--
For their work continueth,
And their work continueth,
Broad and deep continueth,
Great beyond their knowing!
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Written by
Walt Whitman |
AS I walk these broad, majestic days of peace,
(For the war, the struggle of blood finish’d, wherein, O terrific Ideal!
Against vast odds, having gloriously won,
Now thou stridest on—yet perhaps in time toward denser wars,
Perhaps to engage in time in still more dreadful contests, dangers,
Longer campaigns and crises, labors beyond all others;
—As I walk solitary, unattended,
Around me I hear that eclat of the world—politics, produce,
The announcements of recognized things—science,
The approved growth of cities, and the spread of inventions.
I see the ships, (they will last a few years,)
The vast factories, with their foremen and workmen,
And here the indorsement of all, and do not object to it.
But I too announce solid things;
Science, ships, politics, cities, factories, are not nothing—I watch them,
Like a grand procession, to music of distant bugles, pouring, triumphantly moving—and
grander heaving in sight;
They stand for realities—all is as it should be.
Then my realities;
What else is so real as mine?
Libertad, and the divine average—Freedom to every slave on the face of the earth,
The rapt promises and luminé of seers—the spiritual world—these centuries
lasting songs,
And our visions, the visions of poets, the most solid announcements of any.
For we support all, fuse all,
After the rest is done and gone, we remain;
There is no final reliance but upon us;
Democracy rests finally upon us (I, my brethren, begin it,)
And our visions sweep through eternity.
|
Written by
Alfred Lord Tennyson |
THE groundflame of the crocus breaks the mould,
Fair Spring slides hither o'er the Southern sea,
Wavers on her thin stem the snowdrop cold
That trembles not to kisses of the bee:
Come Spring, for now from all the dripping eaves
The spear of ice has wept itself away,
And hour by hour unfolding woodbine leaves
O'er his uncertain shadow droops the day.
She comes! The loosen'd rivulets run;
The frost-bead melts upon her golden hair;
Her mantle, slowly greening in the Sun,
Now wraps her close, now arching leaves her bar
To breaths of balmier air;
Up leaps the lark, gone wild to welcome her,
About her glance the ****, and shriek the jays,
Before her skims the jubilant woodpecker,
The linnet's bosom blushes at her gaze,
While round her brows a woodland culver flits,
Watching her large light eyes and gracious looks,
And in her open palm a halcyon sits
Patient--the secret splendour of the brooks.
Come Spring! She comes on waste and wood,
On farm and field: but enter also here,
Diffuse thyself at will thro' all my blood,
And, tho' thy violet sicken into sere,
Lodge with me all the year!
Once more a downy drift against the brakes,
Self-darken'd in the sky, descending slow!
But gladly see I thro' the wavering flakes
Yon blanching apricot like snow in snow.
These will thine eyes not brook in forest-paths,
On their perpetual pine, nor round the beech;
They fuse themselves to little spicy baths,
Solved in the tender blushes of the peach;
They lose themselves and die
On that new life that gems the hawthorn line;
Thy gay lent-lilies wave and put them by,
And out once more in varnish'd glory shine
Thy stars of celandine.
She floats across the hamlet. Heaven lours,
But in the tearful splendour of her smiles
I see the slowl-thickening chestnut towers
Fill out the spaces by the barren tiles.
Now past her feet the swallow circling flies,
A clamorous cuckoo stoops to meet her hand;
Her light makes rainbows in my closing eyes,
I hear a charm of song thro' all the land.
Come, Spring! She comes, and Earth is glad
To roll her North below thy deepening dome,
But ere thy maiden birk be wholly clad,
And these low bushes dip their twigs in foam,
Make all true hearths thy home.
Across my garden! and the thicket stirs,
The fountain pulses high in sunnier jets,
The blackcap warbles, and the turtle purrs,
The starling claps his tiny castanets.
Still round her forehead wheels the woodland dove,
And scatters on her throat the sparks of dew,
The kingcup fills her footprint, and above
Broaden the glowing isles of vernal blue.
Hail ample presence of a Queen,
Bountiful, beautiful, apparell'd gay,
Whose mantle, every shade of glancing green,
Flies back in fragrant breezes to display
A tunic white as May!
She whispers, 'From the South I bring you balm,
For on a tropic mountain was I born,
While some dark dweller by the coco-palm
Watch'd my far meadow zoned with airy morn;
From under rose a muffled moan of floods;
I sat beneath a solitude of snow;
There no one came, the turf was fresh, the woods
Plunged gulf on gulf thro' all their vales below
I saw beyond their silent tops
The steaming marshes of the scarlet cranes,
The slant seas leaning oll the mangrove copse,
And summer basking in the sultry plains
About a land of canes;
'Then from my vapour-girdle soaring forth
I scaled the buoyant highway of the birds,
And drank the dews and drizzle of the North,
That I might mix with men, and hear their words
On pathway'd plains; for--while my hand exults
Within the bloodless heart of lowly flowers
To work old laws of Love to fresh results,
Thro' manifold effect of simple powers--
I too would teach the man
Beyond the darker hour to see the bright,
That his fresh life may close as it began,
The still-fulfilling promise of a light
Narrowing the bounds of night.'
So wed thee with my soul, that I may mark
The coming year's great good and varied ills,
And new developments, whatever spark
Be struck from out the clash of warring wills;
Or whether, since our nature cannot rest,
The smoke of war's volcano burst again
From hoary deeps that belt the changeful West,
Old Empires, dwellings of the kings of men;
Or should those fail, that hold the helm,
While the long day of knowledge grows and warms,
And in the heart of this most ancient realm
A hateful voice be utter'd, and alarms
Sounding 'To arms! to arms!'
A simpler, saner lesson might he learn
Who reads thy gradual process, Holy Spring.
Thy leaves possess the season in their turn,
And in their time thy warblers rise on wing.
How surely glidest thou from March to May,
And changest, breathing it, the sullen wind,
Thy scope of operation, day by day,
Larger and fuller, like the human mind '
Thy warmths from bud to bud
Accomplish that blind model in the seed,
And men have hopes, which race the restless blood
That after many changes may succeed
Life, which is Life indeed.
|
Written by
Anne Sexton |
She is all there.
She was melted carefully down for you
and cast up from your childhood,
cast up from your one hundred favorite aggies.
She has always been there, my darling.
She is, in fact, exquisite.
Fireworks in the dull middle of February
and as real as a cast-iron pot.
Let's face it, I have been momentary.
vA luxury. A bright red sloop in the harbor.
My hair rising like smoke from the car window.
Littleneck clams out of season.
She is more than that. She is your have to have,
has grown you your practical your tropical growth.
This is not an experiment. She is all harmony.
She sees to oars and oarlocks for the dinghy,
has placed wild flowers at the window at breakfast,
sat by the potter's wheel at midday,
set forth three children under the moon,
three cherubs drawn by Michelangelo,
done this with her legs spread out
in the terrible months in the chapel.
If you glance up, the children are there
like delicate balloons resting on the ceiling.
She has also carried each one down the hall
after supper, their heads privately bent,
two legs protesting, person to person,
her face flushed with a song and their little sleep.
I give you back your heart.
I give you permission --
for the fuse inside her, throbbing
angrily in the dirt, for the ***** in her
and the burying of her wound --
for the burying of her small red wound alive --
for the pale flickering flare under her ribs,
for the drunken sailor who waits in her left pulse,
for the mother's knee, for the stocking,
for the garter belt, for the call --
the curious call
when you will burrow in arms and breasts
and tug at the orange ribbon in her hair
and answer the call, the curious call.
She is so naked and singular
She is the sum of yourself and your dream.
Climb her like a monument, step after step.
She is solid.
As for me, I am a watercolor.
I wash off.
|
Written by
Emily Dickinson |
A Man may make a Remark --
In itself -- a quiet thing
That may furnish the Fuse unto a Spark
In dormant nature -- lain --
Let us deport -- with skill --
Let us discourse -- with care --
Powder exists in Charcoal --
Before it exists in Fire.
|
Written by
Walt Whitman |
WHILE my wife at my side lies slumbering, and the wars are over long,
And my head on the pillow rests at home, and the vacant midnight passes,
And through the stillness, through the dark, I hear, just hear, the breath of my infant,
There in the room, as I wake from sleep, this vision presses upon me:
The engagement opens there and then, in fantasy unreal;
The skirmishers begin—they crawl cautiously ahead—I hear the irregular snap!
snap!
I hear the sounds of the different missiles—the short t-h-t! t-h-t! of the
rifle
balls;
I see the shells exploding, leaving small white clouds—I hear the great shells
shrieking
as
they pass;
The grape, like the hum and whirr of wind through the trees, (quick, tumultuous, now the
contest
rages!)
All the scenes at the batteries themselves rise in detail before me again;
The crashing and smoking—the pride of the men in their pieces;
The chief gunner ranges and sights his piece, and selects a fuse of the right time;
After firing, I see him lean aside, and look eagerly off to note the effect;
—Elsewhere I hear the cry of a regiment charging—(the young colonel leads
himself
this
time, with brandish’d sword;)
I see the gaps cut by the enemy’s volleys, (quickly fill’d up, no delay;)
I breathe the suffocating smoke—then the flat clouds hover low, concealing all;
Now a strange lull comes for a few seconds, not a shot fired on either side;
Then resumed, the chaos louder than ever, with eager calls, and orders of officers;
While from some distant part of the field the wind wafts to my ears a shout of applause,
(some
special success;)
And ever the sound of the cannon, far or near, (rousing, even in dreams, a devilish
exultation,
and
all the old mad joy, in the depths of my soul;)
And ever the hastening of infantry shifting positions—batteries, cavalry, moving
hither
and
thither;
(The falling, dying, I heed not—the wounded, dripping and red, I heed not—some
to the
rear
are hobbling;)
Grime, heat, rush—aid-de-camps galloping by, or on a full run;
With the patter of small arms, the warning s-s-t of the rifles, (these in my vision
I
hear or
see,)
And bombs busting in air, and at night the vari-color’d rockets.
|
Written by
Herman Melville |
In placid hours well-pleased we dream
Of many a brave unbodied scheme.
But form to lend, pulsed life create,
What unlike things must meet and mate:
A flame to melt--a wind to freeze;
Sad patience--joyous energies;
Humility--yet pride and scorn;
Instinct and study; love and hate;
Audacity--reverence. These must mate,
And fuse with Jacob's mystic heart,
To wrestle with the angel--Art.
|
Written by
Robert William Service |
"Hae ye heard whit ma auld mither's postit tae me?
It fair maks me hamesick," says Private McPhee.
"And whit did she send ye?" says Private McPhun,
As he cockit his rifle and bleezed at a Hun.
"A haggis! A Haggis!" says Private McPhee;
"The brawest big haggis I ever did see.
And think! it's the morn when fond memory turns
Tae haggis and whuskey--the Birthday o' Burns.
We maun find a dram; then we'll ca' in the rest
O' the lads, and we'll hae a Burns' Nicht wi' the best."
"Be ready at sundoon," snapped Sergeant McCole;
"I want you two men for the List'nin' Patrol."
Then Private McPhee looked at Private McPhun:
"I'm thinkin', ma lad, we're confoundedly done."
Then Private McPhun looked at Private McPhee:
"I'm thinkin' auld chap, it's a' aff wi' oor spree."
But up spoke their crony, wee Wullie McNair:
"Jist lea' yer braw haggis for me tae prepare;
And as for the dram, if I search the camp roun',
We maun hae a drappie tae jist haud it doon.
Sae rin, lads, and think, though the nicht it be black,
O' the haggis that's waitin' ye when ye get back."
My! but it wis waesome on Naebuddy's Land,
And the deid they were rottin' on every hand.
And the rockets like corpse candles hauntit the sky,
And the winds o' destruction went shudderin' by.
There wis skelpin' o' bullets and skirlin' o' shells,
And breengin' o' bombs and a thoosand death-knells;
But cooryin' doon in a Jack Johnson hole
Little fashed the twa men o' the List'nin' Patrol.
For sweeter than honey and bricht as a gem
Wis the thocht o' the haggis that waitit for them.
Yet alas! in oor moments o' sunniest cheer
Calamity's aften maist cruelly near.
And while the twa talked o' their puddin' divine
The Boches below them were howkin' a mine.
And while the twa cracked o' the feast they would hae,
The fuse it wis burnin' and burnin' away.
Then sudden a roar like the thunner o' doom,
A hell-leap o' flame . . . then the wheesht o' the tomb.
"Haw, Jock! Are ye hurtit?" says Private McPhun.
"Ay, Geordie, they've got me; I'm fearin' I'm done.
It's ma leg; I'm jist thinkin' it's aff at the knee;
Ye'd best gang and leave me," says Private McPhee.
"Oh leave ye I wunna," says Private McPhun;
"And leave ye I canna, for though I micht run,
It's no faur I wud gang, it's no muckle I'd see:
I'm blindit, and that's whit's the maitter wi' me."
Then Private McPhee sadly shakit his heid:
"If we bide here for lang, we'll be bidin' for deid.
And yet, Geordie lad, I could gang weel content
If I'd tasted that haggis ma auld mither sent."
"That's droll," says McPhun; "ye've jist speakit ma mind.
Oh I ken it's a terrible thing tae be blind;
And yet it's no that that embitters ma lot--
It's missin' that braw muckle haggis ye've got."
For a while they were silent; then up once again
Spoke Private McPhee, though he whussilt wi' pain:
"And why should we miss it? Between you and me
We've legs for tae run, and we've eyes for tae see.
You lend me your shanks and I'll lend you ma sicht,
And we'll baith hae a kyte-fu' o' haggis the nicht."
Oh the sky it wis dourlike and dreepin' a wee,
When Private McPhun gruppit Private McPhee.
Oh the glaur it wis fylin' and crieshin' the grun',
When Private McPhee guidit Private McPhun.
"Keep clear o' them corpses--they're maybe no deid!
Haud on! There's a big muckle crater aheid.
Look oot! There's a sap; we'll be haein' a coup.
A staur-shell! For Godsake! Doun, lad, on yer daup.
Bear aff tae yer richt. . . . Aw yer jist daein' fine:
Before the nicht's feenished on haggis we'll dine."
There wis death and destruction on every hand;
There wis havoc and horror on Naebuddy's Land.
And the shells bickered doun wi' a crump and a glare,
And the hameless wee bullets were dingin' the air.
Yet on they went staggerin', cooryin' doun
When the stutter and cluck o' a Maxim crept roun'.
And the legs o' McPhun they were sturdy and stoot,
And McPhee on his back kept a bonnie look-oot.
"On, on, ma brave lad! We're no faur frae the goal;
I can hear the braw sweerin' o' Sergeant McCole."
But strength has its leemit, and Private McPhun,
Wi' a sab and a curse fell his length on the grun'.
Then Private McPhee shoutit doon in his ear:
"Jist think o' the haggis! I smell it from here.
It's gushin' wi' juice, it's embaumin' the air;
It's steamin' for us, and we're--jist--aboot--there."
Then Private McPhun answers: "Dommit, auld chap!
For the sake o' that haggis I'll gang till I drap."
And he gets on his feet wi' a heave and a strain,
And onward he staggers in passion and pain.
And the flare and the glare and the fury increase,
Till you'd think they'd jist taken a' hell on a lease.
And on they go reelin' in peetifu' plight,
And someone is shoutin' away on their right;
And someone is runnin', and noo they can hear
A sound like a prayer and a sound like a cheer;
And swift through the crash and the flash and the din,
The lads o' the Hielands are bringin' them in.
"They're baith sairly woundit, but is it no droll
Hoo they rave aboot haggis?" says Sergeant McCole.
When hirplin alang comes wee Wullie McNair,
And they a' wonnert why he wis greetin' sae sair.
And he says: "I'd jist liftit it oot o' the pot,
And there it lay steamin' and savoury hot,
When sudden I dooked at the fleech o' a shell,
And it--dropped on the haggis and dinged it tae hell."
And oh but the lads were fair taken aback;
Then sudden the order wis passed tae attack,
And up from the trenches like lions they leapt,
And on through the nicht like a torrent they swept.
On, on, wi' their bayonets thirstin' before!
On, on tae the foe wi' a rush and a roar!
And wild to the welkin their battle-cry rang,
And doon on the Boches like tigers they sprang:
And there wisna a man but had death in his ee,
For he thocht o' the haggis o' Private McPhee.
|
Written by
Keith Douglas |
Under the parabola of a ball,
a child turning into a man,
I looked into the air too long.
The ball fell in my hand, it sang
in the closed fist: Open Open
Behold a gift designed to kill.
Now in my dial of glass appears
the soldier who is going to die.
He smiles, and moves about in ways
his mother knows, habits of his.
The wires touch his face: I cry
NOW. Death, like a familiar, hears
And look, has made a man of dust
of a man of flesh. This sorcery
I do. Being damned, I am amused
to see the centre of love diffused
and the wave of love travel into vacancy.
How easy it is to make a ghost.
The weightless mosquito touches
her tiny shadow on the stone,
and with how like, how infinite
a lightness, man and shadow meet.
They fuse. A shadow is a man
when the mosquito death approaches
|
Written by
Rudyard Kipling |
When the Waters were dried an' the Earth did appear,
("It's all one," says the Sapper),
The Lord He created the Engineer,
Her Majesty's Royal Engineer,
With the rank and pay of a Sapper!
When the Flood come along for an extra monsoon,
'Twas Noah constructed the first pontoon
To the plans of Her Majesty's, etc.
But after fatigue in the wet an' the sun,
Old Noah got drunk, which he wouldn't ha' done
If he'd trained with, etc.
When the Tower o' Babel had mixed up men's bat,
Some clever civilian was managing that,
An' none of, etc.
When the Jews had a fight at the foot of a hill,
Young Joshua ordered the sun to stand still,
For he was a Captain of Engineers, etc.
When the Children of Israel made bricks without straw,
They were learnin' the regular work of our Corps,
The work of, etc.
For ever since then, if a war they would wage,
Behold us a-shinin' on history's page --
First page for, etc.
We lay down their sidings an' help 'em entrain,
An' we sweep up their mess through the bloomin' campaign,
In the style of, etc.
They send us in front with a fuse an' a mine
To blow up the gates that are rushed by the Line,
But bent by, etc.
They send us behind with a pick an' a spade,
To dig for the guns of a bullock-brigade
Which has asked for, etc.
We work under escort in trousers and shirt,
An' the heathen they plug us tail-up in the dirt,
Annoying, etc.
We blast out the rock an' we shovel the mud,
We make 'em good roads an' -- they roll down the khud,
Reporting, etc.
We make 'em their bridges, their wells, an' their huts,
An' the telegraph-wire the enemy cuts,
An' it's blamed on, etc.
An' when we return, an' from war we would cease,
They grudge us adornin' the billets of peace,
Which are kept for, etc.
We build 'em nice barracks -- they swear they are bad,
That our Colonels are Methodist, married or mad,
Insultin', etc.
They haven't no manners nor gratitude too,
For the more that we help 'em, the less will they do,
But mock at, etc.
Now the Line's but a man with a gun in his hand,
An' Cavalry's only what horses can stand,
When helped by, etc.
Artillery moves by the leave o' the ground,
But we are the men that do something all round,
For we are, etc.
I have stated it plain, an' my argument's thus
("It's all one," says the Sapper),
There's only one Corps which is perfect -- that's us;
An' they call us Her Majesty's Engineers,
Her Majesty's Royal Engineers,
With the rank and pay of a Sapper!
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