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Best Famous Fundamental Poems

Here is a collection of the all-time best famous Fundamental poems. This is a select list of the best famous Fundamental poetry. Reading, writing, and enjoying famous Fundamental poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of fundamental poems.

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Written by Countee Cullen | Create an image from this poem

The Shroud of Color

 "Lord, being dark," I said, "I cannot bear
The further touch of earth, the scented air;
Lord, being dark, forewilled to that despair
My color shrouds me in, I am as dirt
Beneath my brother's heel; there is a hurt
In all the simple joys which to a child
Are sweet; they are contaminate, defiled
By truths of wrongs the childish vision fails
To see; too great a cost this birth entails.
I strangle in this yoke drawn tighter than The worth of bearing it, just to be man.
I am not brave enough to pay the price In full; I lack the strength to sacrifice I who have burned my hands upon a star, And climbed high hills at dawn to view the far Illimitable wonderments of earth, For whom all cups have dripped the wine of mirth, For whom the sea has strained her honeyed throat Till all the world was sea, and I a boat Unmoored, on what strange quest I willed to float; Who wore a many-colored coat of dreams, Thy gift, O Lord--I whom sun-dabbled streams Have washed, whose bare brown thighs have held the sun Incarcerate until his course was run, I who considered man a high-perfected Glass where loveliness could lie reflected, Now that I sway athwart Truth's deep abyss, Denuding man for what he was and is, Shall breath and being so inveigle me That I can damn my dreams to hell, and be Content, each new-born day, anew to see The steaming crimson vintage of my youth Incarnadine the altar-slab of Truth? Or hast Thou, Lord, somewhere I cannot see, A lamb imprisoned in a bush for me? Not so?Then let me render one by one Thy gifts, while still they shine; some little sun Yet gilds these thighs; my coat, albeit worn, Still hold its colors fast; albeit torn.
My heart will laugh a little yet, if I May win of Thee this grace, Lord:on this high And sacrificial hill 'twixt earth and sky, To dream still pure all that I loved, and die.
There is no other way to keep secure My wild chimeras, grave-locked against the lure Of Truth, the small hard teeth of worms, yet less Envenomed than the mouth of Truth, will bless Them into dust and happy nothingness.
Lord, Thou art God; and I, Lord, what am I But dust?With dust my place.
Lord, let me die.
" Across earth's warm, palpitating crust I flung my body in embrace; I thrust My mouth into the grass and sucked the dew, Then gave it back in tears my anguish drew; So hard I pressed against the ground, I felt The smallest sandgrain like a knife, and smelt The next year's flowering; all this to speed My body's dissolution, fain to feed The worms.
And so I groaned, and spent my strength Until, all passion spent, I lay full length And quivered like a flayed and bleeding thing.
So lay till lifted on a great black wing That had no mate nor flesh-apparent trunk To hamper it; with me all time had sunk Into oblivion; when I awoke The wing hung poised above two cliffs that broke The bowels of the earth in twain, and cleft The seas apart.
Below, above, to left, To right, I saw what no man saw before: Earth, hell, and heaven; sinew, vein, and core.
All things that swim or walk or creep or fly, All things that live and hunger, faint and die, Were made majestic then and magnified By sight so clearly purged and deified.
The smallest bug that crawls was taller than A tree, the mustard seed loomed like a man.
The earth that writhes eternally with pain Of birth, and woe of taking back her slain, Laid bare her teeming bosom to my sight, And all was struggle, gasping breath, and fight.
A blind worm here dug tunnels to the light, And there a seed, racked with heroic pain, Thrust eager tentacles to sun and rain: It climbed; it died; the old love conquered me To weep the blossom it would never be.
But here a bud won light; it burst and flowered Into a rose whose beauty challenged, "Coward!" There was no thing alive save only I That held life in contempt and longed to die.
And still I writhed and moaned, "The curse, the curse, Than animated death, can death be worse?" "Dark child of sorrow, mine no less, what art Of mine can make thee see and play thy part? The key to all strange things is in thy heart.
" What voice was this that coursed like liquid fire Along my flesh, and turned my hair to wire? I raised my burning eyes, beheld a field All multitudinous with carnal yield, A grim ensanguined mead whereon I saw Evolve the ancient fundamental law Of tooth and talon, fist and nail and claw.
There with the force of living, hostile hills Whose clash the hemmed-in vale with clamor fills, With greater din contended fierce majestic wills Of beast with beast, of man with man, in strife For love of what my heart despised, for life That unto me at dawn was now a prayer For night, at night a bloody heart-wrung tear For day again; for this, these groans From tangled flesh and interlocked bones.
And no thing died that did not give A testimony that it longed to live.
Man, strange composite blend of brute and god, Pushed on, nor backward glanced where last he trod: He seemed to mount a misty ladder flung Pendant from a cloud, yet never gained a rung But at his feet another tugged and clung.
My heart was still a pool of bitterness, Would yield nought else, nought else confess.
I spoke (although no form was there To see, I knew an ear was there to hear), "Well, let them fight; they can whose flesh is fair.
" Crisp lightning flashed; a wave of thunder shook My wing; a pause, and then a speaking, "Look.
" I scarce dared trust my ears or eyes for awe Of what they heard, and dread of what they saw; For, privileged beyond degree, this flesh Beheld God and His heaven in the mesh Of Lucifer's revolt, saw Lucifer Glow like the sun, and like a dulcimer I heard his sin-sweet voice break on the yell Of God's great warriors:Gabriel, Saint Clair and Michael, Israfel and Raphael.
And strange it was to see God with His back Against a wall, to see Christ hew and hack Till Lucifer, pressed by the mighty pair, And losing inch by inch, clawed at the air With fevered wings; then, lost beyond repair, He tricked a mass of stars into his hair; He filled his hands with stars, crying as he fell, "A star's a star although it burns in hell.
" So God was left to His divinity, Omnipotent at that most costly fee.
There was a lesson here, but still the clod In me was sycophant unto the rod, And cried, "Why mock me thus?Am I a god?" "One trial more:this failing, then I give You leave to die; no further need to live.
" Now suddenly a strange wild music smote A chord long impotent in me; a note Of jungles, primitive and subtle, throbbed Against my echoing breast, and tom-toms sobbed In every pulse-beat of my frame.
The din A hollow log bound with a python's skin Can make wrought every nerve to ecstasy, And I was wind and sky again, and sea, And all sweet things that flourish, being free.
Till all at once the music changed its key.
And now it was of bitterness and death, The cry the lash extorts, the broken breath Of liberty enchained; and yet there ran Through all a harmony of faith in man, A knowledge all would end as it began.
All sights and sounds and aspects of my race Accompanied this melody, kept pace With it; with music all their hopes and hates Were charged, not to be downed by all the fates.
And somehow it was borne upon my brain How being dark, and living through the pain Of it, is courage more than angels have.
I knew What storms and tumults lashed the tree that grew This body that I was, this cringing I That feared to contemplate a changing sky, This that I grovelled, whining, "Let me die," While others struggled in Life's abattoir.
The cries of all dark people near or far Were billowed over me, a mighty surge Of suffering in which my puny grief must merge And lose itself; I had no further claim to urge For death; in shame I raised my dust-grimed head, And though my lips moved not, God knew I said, "Lord, not for what I saw in flesh or bone Of fairer men; not raised on faith alone; Lord, I will live persuaded by mine own.
I cannot play the recreant to these; My spirit has come home, that sailed the doubtful seas.
" With the whiz of a sword that severs space, The wing dropped down at a dizzy pace, And flung me on my hill flat on my face; Flat on my face I lay defying pain, Glad of the blood in my smallest vein, And in my hands I clutched a loyal dream, Still spitting fire, bright twist and coil and gleam, And chiseled like a hound's white tooth.
"Oh, I will match you yet," I cried, "to truth.
" Right glad I was to stoop to what I once had spurned.
Glad even unto tears; I laughed aloud; I turned Upon my back, and though the tears for joy would run, My sight was clear; I looked and saw the rising sun.


Written by Leonard Cohen | Create an image from this poem

Democracy

 It's coming through a hole in the air,
 from those nights in Tiananmen Square.
It's coming from the feel that it ain't exactly real, or it's real, but it ain't exactly there.
From the wars against disorder, from the sirens night and day, from the fires of the homeless, from the ashes of the gay: Democracy is coming to the U.
S.
A.
It's coming through a crack in the wall, on a visionary flood of alcohol; from the staggering account of the Sermon on the Mount which I don't pretend to understand at all.
It's coming from the silence on the dock of the bay, from the brave, the bold, the battered heart of Chevrolet: Democracy is coming to the U.
S.
A.
It's coming from the sorrow on the street the holy places where the races meet; from the homicidal bitchin' that goes down in every kitchen to determine who will serve and who will eat.
From the wells of disappointment where the women kneel to pray for the grace of G-d in the desert here and the desert far away: Democracy is coming to the U.
S.
A.
Sail on, sail on o mighty Ship of State! To the Shores of Need past the Reefs of Greed through the Squalls of Hate Sail on, sail on It's coming to America first, the cradle of the best and the worst.
It's here they got the range and the machinery for change and it's here they got the spiritual thirst.
It's here the family's broken and it's here the lonely say that the heart has got to open in a fundamental way: Democracy is coming to the U.
S.
A.
It's coming from the women and the men.
O baby, we'll be making love again.
We'll be going down so deep that the river's going to weep, and the mountain's going to shout Amen! It's coming to the tidal flood beneath the lunar sway, imperial, mysterious in amorous array: Democracy is coming to the U.
S.
A.
Sail on, sail on o mighty Ship of State! To the Shores of Need past the Reefs of Greed through the Squalls of Hate Sail on, sail on I'm sentimental if you know what I mean: I love the country but I can't stand the scene.
And I'm neither left or right I'm just staying home tonight, getting lost in that hopeless little screen.
But I'm stubborn as those garbage bags that Time cannot decay, I'm junk but I'm still holding up this little wild bouquet: Democracy is coming to the U.
S.
A.
Written by Edwin Arlington Robinson | Create an image from this poem

Octaves

 I 

We thrill too strangely at the master's touch;
We shrink too sadly from the larger self
Which for its own completeness agitates
And undetermines us; we do not feel -- 
We dare not feel it yet -- the splendid shame
Of uncreated failure; we forget,
The while we groan, that God's accomplishment
Is always and unfailingly at hand.
II Tumultuously void of a clean scheme Whereon to build, whereof to formulate, The legion life that riots in mankind Goes ever plunging upward, up and down, Most like some crazy regiment at arms, Undisciplined of aught but Ignorance, And ever led resourcelessly along To brainless carnage by drunk trumpeters.
III To me the groaning of world-worshippers Rings like a lonely music played in hell By one with art enough to cleave the walls Of heaven with his cadence, but without The wisdom or the will to comprehend The strangeness of his own perversity, And all without the courage to deny The profit and the pride of his defeat.
IV While we are drilled in error, we are lost Alike to truth and usefulness.
We think We are great warriors now, and we can brag Like Titans; but the world is growing young, And we, the fools of time, are growing with it: -- We do not fight to-day, we only die; We are too proud of death, and too ashamed Of God, to know enough to be alive.
V There is one battle-field whereon we fall Triumphant and unconquered; but, alas! We are too fleshly fearful of ourselves To fight there till our days are whirled and blurred By sorrow, and the ministering wheels Of anguish take us eastward, where the clouds Of human gloom are lost against the gleam That shines on Thought's impenetrable mail.
VI When we shall hear no more the cradle-songs Of ages -- when the timeless hymns of Love Defeat them and outsound them -- we shall know The rapture of that large release which all Right science comprehends; and we shall read, With unoppressed and unoffended eyes, That record of All-Soul whereon God writes In everlasting runes the truth of Him.
VII The guerdon of new childhood is repose: -- Once he has read the primer of right thought, A man may claim between two smithy strokes Beatitude enough to realize God's parallel completeness in the vague And incommensurable excellence That equitably uncreates itself And makes a whirlwind of the Universe.
VIII There is no loneliness: -- no matter where We go, nor whence we come, nor what good friends Forsake us in the seeming, we are all At one with a complete companionship; And though forlornly joyless be the ways We travel, the compensate spirit-gleams Of Wisdom shaft the darkness here and there, Like scattered lamps in unfrequented streets.
IX When one that you and I had all but sworn To be the purest thing God ever made Bewilders us until at last it seems An angel has come back restigmatized, -- Faith wavers, and we wonder what there is On earth to make us faithful any more, But never are quite wise enough to know The wisdom that is in that wonderment.
X Where does a dead man go? -- The dead man dies; But the free life that would no longer feed On fagots of outburned and shattered flesh Wakes to a thrilled invisible advance, Unchained (or fettered else) of memory; And when the dead man goes it seems to me 'T were better for us all to do away With weeping, and be glad that he is gone.
XI So through the dusk of dead, blank-legended, And unremunerative years we search To get where life begins, and still we groan Because we do not find the living spark Where no spark ever was; and thus we die, Still searching, like poor old astronomers Who totter off to bed and go to sleep, To dream of untriangulated stars.
XII With conscious eyes not yet sincere enough To pierce the glimmered cloud that fluctuates Between me and the glorifying light That screens itself with knowledge, I discern The searching rays of wisdom that reach through The mist of shame's infirm credulity, And infinitely wonder if hard words Like mine have any message for the dead.
XIII I grant you friendship is a royal thing, But none shall ever know that royalty For what it is till he has realized His best friend in himself.
'T is then, perforce, That man's unfettered faith indemnifies Of its own conscious freedom the old shame, And love's revealed infinitude supplants Of its own wealth and wisdom the old scorn.
XIV Though the sick beast infect us, we are fraught Forever with indissoluble Truth, Wherein redress reveals itself divine, Transitional, transcendent.
Grief and loss, Disease and desolation, are the dreams Of wasted excellence; and every dream Has in it something of an ageless fact That flouts deformity and laughs at years.
XV We lack the courage to be where we are: -- We love too much to travel on old roads, To triumph on old fields; we love too much To consecrate the magic of dead things, And yieldingly to linger by long walls Of ruin, where the ruinous moonlight That sheds a lying glory on old stones Befriends us with a wizard's enmity.
XVI Something as one with eyes that look below The battle-smoke to glimpse the foeman's charge, We through the dust of downward years may scan The onslaught that awaits this idiot world Where blood pays blood for nothing, and where life Pays life to madness, till at last the ports Of gilded helplessness be battered through By the still crash of salvatory steel.
XVII To you that sit with Sorrow like chained slaves, And wonder if the night will ever come, I would say this: The night will never come, And sorrow is not always.
But my words Are not enough; your eyes are not enough; The soul itself must insulate the Real, Or ever you do cherish in this life -- In this life or in any life -- repose.
XVIII Like a white wall whereon forever breaks Unsatisfied the tumult of green seas, Man's unconjectured godliness rebukes With its imperial silence the lost waves Of insufficient grief.
This mortal surge That beats against us now is nothing else Than plangent ignorance.
Truth neither shakes Nor wavers; but the world shakes, and we shriek.
XIX Nor jewelled phrase nor mere mellifluous rhyme Reverberates aright, or ever shall, One cadence of that infinite plain-song Which is itself all music.
Stronger notes Than any that have ever touched the world Must ring to tell it -- ring like hammer-blows, Right-echoed of a chime primordial, On anvils, in the gleaming of God's forge.
XX The prophet of dead words defeats himself: Whoever would acknowledge and include The foregleam and the glory of the real, Must work with something else than pen and ink And painful preparation: he must work With unseen implements that have no names, And he must win withal, to do that work, Good fortitude, clean wisdom, and strong skill.
XXI To curse the chilled insistence of the dawn Because the free gleam lingers; to defraud The constant opportunity that lives Unchallenged in all sorrow; to forget For this large prodigality of gold That larger generosity of thought, -- These are the fleshly clogs of human greed, The fundamental blunders of mankind.
XXII Forebodings are the fiends of Recreance; The master of the moment, the clean seer Of ages, too securely scans what is, Ever to be appalled at what is not; He sees beyond the groaning borough lines Of Hell, God's highways gleaming, and he knows That Love's complete communion is the end Of anguish to the liberated man.
XXIII Here by the windy docks I stand alone, But yet companioned.
There the vessel goes, And there my friend goes with it; but the wake That melts and ebbs between that friend and me Love's earnest is of Life's all-purposeful And all-triumphant sailing, when the ships Of Wisdom loose their fretful chains and swing Forever from the crumbled wharves of Time.
Written by Emma Lazarus | Create an image from this poem

Chopin

 I

A dream of interlinking hands, of feet 
Tireless to spin the unseen, fairy woof 
Of the entangling waltz.
Bright eyebeams meet, Gay laughter echoes from the vaulted roof.
Warm perfumes rise; the soft unflickering glow Of branching lights sets off the changeful charms Of glancing gems, rich stuffs, the dazzling snow Of necks unkerchieft, and bare, clinging arms.
Hark to the music! How beneath the strain Of reckless revelry, vibrates and sobs One fundamental chord of constant pain, The pulse-beat of the poet's heart that throbs.
So yearns, though all the dancing waves rejoice, The troubled sea's disconsolate, deep voice.
II Who shall proclaim the golden fable false Of Orpheus' miracles? This subtle strain Above our prose-world's sordid loss and gain Lightly uplifts us.
With the rhythmic waltz, The lyric prelude, the nocturnal song Of love and languor, varied visions rise, That melt and blend to our enchanted eyes.
The Polish poet who sleeps silenced long, The seraph-souled musician, breathes again Eternal eloquence, immortal pain.
Revived the exalted face we know so well, The illuminated eyes, the fragile frame, Slowly consuming with its inward flame, We stir not, speak not, lest we break the spell.
III A voice was needed, sweet and true and fine As the sad spirit of the evening breeze, Throbbing with human passion, yet devine As the wild bird's untutored melodies.
A voice for him 'neath twilight heavens dim, Who mourneth for his dead, while round him fall The wan and noiseless leaves.
A voice for him Who sees the first green sprout, who hears the call Of the first robin on the first spring day.
A voice for all whom Fate hath set apart, Who, still misprized, must perish by the way, Longing with love, for that they lack the art Of their own soul's expression.
For all these Sing the unspoken hope, the vague, sad reveries.
IV Then Nature shaped a poet's heart--a lyre From out whose chords the lightest breeze that blows Drew trembling music, wakening sweet desire.
How shall she cherish him? Behold! she throws This precious, fragile treasure in the whirl Of seething passions; he is scourged and stung, Must dive in storm-vext seas, if but one pearl Of art or beauty therefrom may be wrung.
No pure-browed pensive nymph his Muse shall be, An amazon of thought with sovereign eyes, Whose kiss was poison, man-brained, worldy-wise, Inspired that elfin, delicate harmony.
Rich gain for us! But with him is it well? The poet who must sound earth, heaven, and hell!
Written by Matthew Arnold | Create an image from this poem

To a Republican Friend

 God knows it, I am with you.
If to prize Those virtues, priz'd and practis'd by too few, But priz'd, but lov'd, but eminent in you, Man's fundamental life: if to despise The barren optimistic sophistries Of comfortable moles, whom what they do Teaches the limit of the just and true-- And for such doing have no need of eyes: If sadness at teh long heart-wasting show Wherein earth's great ones are disquieted: If thoughts, not idle, while before me flow The armies of the homeless and unfed:-- If these are yours, if this is what you are, Then am I yours, and what you feel, I share.


Written by Emily Dickinson | Create an image from this poem

Two Lengths has every Day --

 Two Lengths has every Day --
Its absolute extent
And Area superior
By Hope or Horror lent --

Eternity will be
Velocity or Pause
At Fundamental Signals
From Fundamental Laws.
To die is not to go -- On Doom's consummate Chart No Territory new is staked -- Remain thou as thou art.
Written by Emily Dickinson | Create an image from this poem

Crumbling is not an instants Act

 Crumbling is not an instant's Act
A fundamental pause
Dilapidation's processes
Are organized Decays.
'Tis first a Cobweb on the Soul A Cuticle of Dust A Borer in the Axis An Elemental Rust -- Ruin is formal -- Devil's work Consecutive and slow -- Fail in an instant, no man did Slipping -- is Crash's law.
Written by Emily Dickinson | Create an image from this poem

Immortal is an ample word

 Immortal is an ample word
When what we need is by
But when it leaves us for a time
'Tis a necessity.
Of Heaven above the firmest proof We fundamental know Except for its marauding Hand It had been Heaven below.
Written by Emily Dickinson | Create an image from this poem

The joy that has no stem no core

 The joy that has no stem no core,
Nor seed that we can sow,
Is edible to longing.
But ablative to show.
By fundamental palates Those products are preferred Impregnable to transit And patented by pod.
Written by Emily Dickinson | Create an image from this poem

We do not know the time we lose --

 We do not know the time we lose --
The awful moment is
And takes its fundamental place
Among the certainties --

A firm appearance still inflates
The card -- the chance -- the friend --
The spectre of solidities
Whose substances are sand --

Book: Reflection on the Important Things