Written by
John Greenleaf Whittier |
I write my name as one,
On sands by waves o'errun
Or winter's frosted pane,
Traces a record vain.
Oblivion's blankness claims
Wiser and better names,
And well my own may pass
As from the strand or glass.
Wash on, O waves of time!
Melt, noons, the frosty rime!
Welcome the shadow vast,
The silence that shall last!
When I and all who know
And love me vanish so,
What harm to them or me
Will the lost memory be?
If any words of mine,
Through right of life divine,
Remain, what matters it
Whose hand the message writ?
Why should the "crowner's quest"
Sit on my worst or best?
Why should the showman claim
The poor ghost of my name?
Yet, as when dies a sound
Its spectre lingers round,
Haply my spent life will
Leave some faint echo still.
A whisper giving breath
Of praise or blame to death,
Soothing or saddening such
As loved the living much.
Therefore with yearnings vain
And fond I still would fain
A kindly judgment seek,
A tender thought bespeak.
And, while my words are read,
Let this at least be said:
"Whate'er his life's defeatures,
He loved his fellow-creatures.
"If, of the Law's stone table,
To hold he scarce was able
The first great precept fast,
He kept for man the last.
"Through mortal lapse and dulness
What lacks the Eternal Fulness,
If still our weakness can
Love Him in loving man?
"Age brought him no despairing
Of the world's future faring;
In human nature still
He found more good than ill.
"To all who dumbly suffered,
His tongue and pen he offered;
His life was not his own,
Nor lived for self alone.
"Hater of din and riot
He lived in days unquiet;
And, lover of all beauty,
Trod the hard ways of duty.
"He meant no wrong to any
He sought the good of many,
Yet knew both sin and folly, --
May God forgive him wholly!"
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Written by
Anne Sexton |
Where I waved at the sky
And waited your love through a February sleep,
I saw birds swinging in, watched them multiply
Into a tree, weaving on a branch, cradling a keep
In the arms of April sprung from the south to occupy
This slow lap of land, like cogs of some balance wheel.
I saw them build the air, with that motion birds feel.
Where I wave at the sky
And understand love, knowing our August heat,
I see birds pulling past the dim frosted thigh
Of Autumn, unlatched from the nest, and wing-beat
For the south, making their high dots across the sky,
Like beauty spots marking a still perfect cheek.
I see them bend the air, slipping away, for what birds seek.
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Written by
Robert Louis Stevenson |
Late lies the wintry sun a-bed,
A frosty, fiery sleepy-head;
Blinks but an hour or two; and then,
A blood-red orange, sets again.
Before the stars have left the skies,
At morning in the dark I rise;
And shivering in my nakedness,
By the cold candle, bathe and dress.
Close by the jolly fire I sit
To warm my frozen bones a bit;
Or with a reindeer-sled, explore
The colder countries round the door.
When to go out, my nurse doth wrap
Me in my comforter and cap;
The cold wind burns my face, and blows
Its frosty pepper up my nose.
Black are my steps on silver sod;
Thick blows my frosty breath abroad;
And tree and house, and hill and lake,
Are frosted like a wedding cake.
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Written by
Mary Darby Robinson |
BLEST be thy song, sweet NIGHTINGALE,
Lorn minstrel of the lonely vale !
Where oft I've heard thy dulcet strain
In mournful melody complain;
When in the POPLAR'S trembling shade,
At Evening's purple hour I've stray'd,
While many a silken folded flow'r
Wept on its couch of Gossamer,
And many a time in pensive mood
Upon the upland mead I've stood,
To mark grey twilight's shadows glide
Along the green hill's velvet side;
To watch the perfum'd hand of morn
Hang pearls upon the silver thorn,
Till rosy day with lustrous eye
In saffron mantle deck'd the sky,
And bound the mountain's brow with fire,
And ting'd with gold the village spire:
While o'er the frosted vale below
The amber tints began to glow:
And oft I seek the daisied plain
To greet the rustic nymph and swain,
When cowslips gay their bells unfold,
And flaunt their leaves of glitt'ring gold,
While from the blushes of the rose
A tide of musky essence flows,
And o'er the odour-breathing flow'rs
The woodlands shed their diamond show'rs,
When from the scented hawthorn bud
The BLACKBIRD sips the lucid flood,
While oft the twitt'ring THRUSH essays
To emulate the LINNET'S lays;
While the poiz'd LARK her carol sings
And BUTTERFLIES expand their wings,
And BEES begin their sultry toils
And load their limbs with luscious spoils,
I stroll along the pathless vale,
And smile, and bless thy soothing tale.
But ah ! when hoary winter chills
The plumy raceand wraps the hills
In snowy vest, I tell my pains
Beside the brook in icy chains
Bound its weedy banks between,
While sad I watch night's pensive queen,
Just emblem of MY weary woes:
For ah ! where'er the virgin goes,
Each flow'ret greets her with a tear
To sympathetic sorrow dear;
And when in black obtrusive clouds
The chilly MOON her pale cheek shrouds,
I mark the twinkling starry train
Exulting glitter in her wane,
And proudly gleam their borrow'd light
To gem the sombre dome of night.
Then o'er the meadows cold and bleak,
The glow-worm's glimm'ring lamp I seek.
Or climb the craggy cliff to gaze
On some bright planet's azure blaze,
And o'er the dizzy height inclin'd
I listen to the passing wind,
That loves my mournful song to seize,
And bears it to the mountain breeze.
Or where the sparry caves among
Dull ECHO sits with aëry tongue,
Or gliding on the ZEPHYR'S wings
From hill to hill her cadence flings,
O, then my melancholy tale
Dies on the bosom of the gale,
While awful stillness reigning round
Blanches my cheek with chilling fear;
Till from the bushy dell profound,
The woodman's song salutes mine ear.
When dark NOVEMBER'S boist'rous breath
Sweeps the blue hill and desart heath,
When naked trees their white tops wave
O'er many a famish'd REDBREAST'S grave,
When many a clay-built cot lays low
Beneath the growing hills of snow,
Soon as the SHEPHERD's silv'ry head
Peeps from his tottering straw-roof'd shed,
To hail the glimm'ring glimpse of day,
With feeble steps he ventures forth
Chill'd by the bleak breath of the North,
And to the forest bends his way,
To gather from the frozen ground
Each branch the night-blast scatter'd round.
If in some bush o'erspread with snow
He hears thy moaning wail of woe,
A flush of warmth his cheek o'erspreads,
With anxious timid care he treads,
And when his cautious hands infold
Thy little breast benumb'd with cold,
"Come, plaintive fugitive," he cries,
While PITY dims his aged eyes,
"Come to my glowing heart, and share
"My narrow cell, my humble fare,
"Tune thy sweet carolplume thy wing,
"And quaff with me the limpid spring,
"And peck the crumbs my meals supply,
"And round my rushy pillow fly."
O, MINSTREL SWEET, whose jocund lay
Can make e'en POVERTY look gay,
Who can the poorest swain inspire
And while he fans his scanty fire,
When o'er the plain rough Winter pours
Nocturnal blasts, and whelming show'rs,
Canst thro' his little mansion fling
The rapt'rous melodies of spring.
To THEE with eager gaze I turn,
Blest solace of the aching breast;
Each gaudy, glitt'ring scene I spurn,
And sigh for solitude and rest,
For art thou not, blest warbler, say,
My mind's best balm, my bosom's friend ?
Didst thou not trill thy softest lay,
And with thy woes my sorrows blend ?
YES, darling Songstress ! when of late
I sought thy leafy-fringed bow'r,
The victim of relentless fate,
Fading in life's dark ling'ring hour,
Thou heard'st my plaint, and pour'd thy strain
Thro' the sad mansion of my breast,
And softly, sweetly lull'd to rest
The throbbing anguish of my brain.
AH ! while I tread this vale of woe,
Still may thy downy measures flow,
To wing my solitary hours
With kind, obliterating pow'rs;
And tho' my pensive, patient heart
No wild, extatic bliss shall prove,
Tho' life no raptures shall impart,
No boundless joy, or, madd'ning love,
Sweet NIGHTINGALE, thy lenient strain
Shall mock Despair, AND BLUNT THE SHAFT OF PAIN.
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Written by
Elizabeth Bishop |
In the cold, cold parlor
my mother laid out Arthur
beneath the chromographs:
Edward, Prince of Wales,
with Princess Alexandra,
and King George with Queen Mary.
Below them on the table
stood a stuffed loon
shot and stuffed by Uncle
Arthur, Arthur's father.
Since Uncle Arthur fired
a bullet into him,
he hadn't said a word.
He kept his own counsel
on his white, frozen lake,
the marble-topped table.
His breast was deep and white,
cold and caressable;
his eyes were red glass,
much to be desired.
"Come," said my mother,
"Come and say good-bye
to your little cousin Arthur."
I was lifted up and given
one lily of the valley
to put in Arthur's hand.
Arthur's coffin was
a little frosted cake,
and the red-eyed loon eyed it
from his white, frozen lake.
Arthur was very small.
He was all white, like a doll
that hadn't been painted yet.
Jack Frost had started to paint him
the way he always painted
the Maple Leaf (Forever).
He had just begun on his hair,
a few red strokes, and then
Jack Frost had dropped the brush
and left him white, forever.
The gracious royal couples
were warm in red and ermine;
their feet were well wrapped up
in the ladies' ermine trains.
They invited Arthur to be
the smallest page at court.
But how could Arthur go,
clutching his tiny lily,
with his eyes shut up so tight
and the roads deep in snow?
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Written by
Anna Akhmatova |
I have enough treasures from the past
to last me longer than I need, or want.
You know as well as I . . . malevolent memory
won't let go of half of them:
a modest church, with its gold cupola
slightly askew; a harsh chorus
of crows; the whistle of a train;
a birch tree haggard in a field
as if it had just been sprung from jail;
a secret midnight conclave
of monumental Bible-oaks;
and a tiny rowboat that comes drifting out
of somebody's dreams, slowly foundering.
Winter has already loitered here,
lightly powdering these fields,
casting an impenetrable haze
that fills the world as far as the horizon.
I used to think that after we are gone
there's nothing, simply nothing at all.
Then who's that wandering by the porch
again and calling us by name?
Whose face is pressed against the frosted pane?
What hand out there is waving like a branch?
By way of reply, in that cobwebbed corner
a sunstruck tatter dances in the mirror.
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Written by
Hart Crane |
Often beneath the wave, wide from this ledge
The dice of drowned men's bones he saw bequeath
An embassy. Their numbers as he watched,
Beat on the dusty shore and were obscured.
And wrecks passed without sound of bells,
The calyx of death's bounty giving back
A scattered chapter, livid hieroglyph,
The portent wound in corridors of shells.
Then in the circuit calm of one vast coil,
Its lashings charmed and malice reconciled,
Frosted eyes there were that lifted altars;
And silent answers crept across the stars.
Compass, quadrant and sextant contrive
No farther tides . . . High in the azure steeps
Monody shall not wake the mariner.
This fabulous shadow only the sea keeps.
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Written by
John Greenleaf Whittier |
How strange to greet, this frosty morn,
In graceful counterfeit of flower,
These children of the meadows, born
Of sunshine and of showers!
How well the conscious wood retains
The pictures of its flower-sown home,
The lights and shades, the purple stains,
And golden hues of bloom!
It was a happy thought to bring
To the dark season's frost and rime
This painted memory of spring,
This dream of summertime.
Our hearts are lighter for its sake,
Our fancy's age renews its youth,
And dim-remembered fictions take
The guise of present truth.
A wizard of the Merrimac, -
So old ancestral legends say, -
Could call green leaf and blossom back
To frosted stem and spray.
The dry logs of the cottage wall,
Beneath his touch, put out their leaves;
The clay-bound swallow, at his call,
Played round the icy eaves.
The settler saw his oaken flail
Take bud, and bloom before his eyes;
From frozen pools he saw the pale
Sweet summer lilies rise.
To their old homes, by man profaned
Came the sad dryads, exiled long,
And through their leafy tongues complained
Of household use and wrong.
The beechen platter sprouted wild,
The pipkin wore its old-time green,
The cradle o'er the sleeping child
Became a leafy screen.
Haply our gentle friend hath met,
While wandering in her sylvan quest,
Haunting his native woodlands yet,
That Druid of the West;
And while the dew on leaf and flower
Glistened in the moonlight clear and still,
Learned the dusk wizard's spell of power,
And caught his trick of skill.
But welcome, be it new or old,
The gift which makes the day more bright,
And paints, upon the ground of cold
And darkness, warmth and light!
Without is neither gold nor green;
Within, for birds, the birch-logs sing;
Yet, summer-like, we sit between
The autumn and the spring.
The one, with bridal blush of rose,
And sweetest breath of woodland balm,
And one whose matron lips unclose
In smiles of saintly calm.
Fill soft and deep, O winter snow!
The sweet azalea's oaken dells,
And hide the banks where roses blow
And swing the azure bells!
O'erlay the amber violet's leaves,
The purple aster's brookside home,
Guard all the flowers her pencil gives
A live beyond their bloom.
And she, when spring comes round again,
By greening slope and singing flood
Shall wander, seeking, not in vain
Her darlings of the wood.
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Written by
Ezra Pound |
For the Marriage in Cana of Galilee
Dark-eyed,
O woman of my dreams,
Ivory sandalled,
There is none like thee among the dancers,
None with swift feet.
I have not found thee in the tents,
In the broken darkness.
I have not found thee at the well-head
Among the women with pitchers.
Thine arms are as a young sapling under the bark;
Thy face as a river with lights.
White as an almond are thy shoulders;
As new almonds stripped from the husk.
They guard thee not with eunuchs;
Not with bars of copper.
Gilt turquoise and silver are in the place of thy rest.
A brown robe, with threads of gold woven in
patterns, hast thou gathered about thee,
O Nathat-Ikanaie, 'Tree-at-the-river'.
As a rillet among the sedge are thy hands upon me;
Thy fingers a frosted stream.
Thy maidens are white like pebbles;
Their music about thee!
There is none like thee among the dancers;
None with swift feet.
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Written by
D. H. Lawrence |
Not every man has gentians in his house
in Soft September, at slow, Sad Michaelmas.
Bavarian gentians, big and dark, only dark
darkening the daytime torchlike with the smoking blueness of Pluto's
gloom,
ribbed and torchlike, with their blaze of darkness spread blue
down flattening into points, flattened under the sweep of white day
torch-flower of the blue-smoking darkness, Pluto's dark-blue daze,
black lamps from the halls of Dis, burning dark blue,
giving off darkness, blue darkness, as Demeter's pale lamps give off
light,
lead me then, lead me the way.
Reach me a gentian, give me a torch
let me guide myself with the blue, forked torch of this flower
down the darker and darker stairs, where blue is darkened on blueness.
even where Persephone goes, just now, from the frosted September
to the sightless realm where darkness was awake upon the dark
and Persephone herself is but a voice
or a darkness invisible enfolded in the deeper dark
of the arms Plutonic, and pierced with the passion of dense gloom,
among the splendor of torches of darkness, shedding darkness on the
lost bride and groom.
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