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Best Famous Frisking Poems

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Written by Henry Wadsworth Longfellow | Create an image from this poem

Hiawathas Fishing

 Forth upon the Gitche Gumee, 
On the shining Big-Sea-Water, 
With his fishing-line of cedar, 
Of the twisted bark of cedar, 
Forth to catch the sturgeon Nahma, 
Mishe-Nahma, King of Fishes, 
In his birch canoe exulting 
All alone went Hiawatha.
Through the clear, transparent water 
He could see the fishes swimming 
Far down in the depths below him; 
See the yellow perch, the Sahwa, 
Like a sunbeam in the water,
See the Shawgashee, the craw-fish, 
Like a spider on the bottom, 
On the white and sandy bottom.
At the stern sat Hiawatha, 
With his fishing-line of cedar; 
In his plumes the breeze of morning 
Played as in the hemlock branches; 
On the bows, with tail erected, 
Sat the squirrel, Adjidaumo; 
In his fur the breeze of morning 
Played as in the prairie grasses.
On the white sand of the bottom 
Lay the monster Mishe-Nahma, 
Lay the sturgeon, King of Fishes; 
Through his gills he breathed the water, 
With his fins he fanned and winnowed, 
With his tail he swept the sand-floor.
There he lay in all his armor; 
On each side a shield to guard him, 
Plates of bone upon his forehead, 
Down his sides and back and shoulders
Plates of bone with spines projecting 
Painted was he with his war-paints, 
Stripes of yellow, red, and azure, 
Spots of brown and spots of sable; 
And he lay there on the bottom, 
Fanning with his fins of purple, 
As above him Hiawatha 
In his birch canoe came sailing, 
With his fishing-line of cedar.
"Take my bait," cried Hiawatha, 
Dawn into the depths beneath him, 
"Take my bait, O Sturgeon, Nahma! 
Come up from below the water, 
Let us see which is the stronger!" 
And he dropped his line of cedar 
Through the clear, transparent water, 
Waited vainly for an answer, 
Long sat waiting for an answer, 
And repeating loud and louder, 
"Take my bait, O King of Fishes!"
Quiet lay the sturgeon, Nahma, 
Fanning slowly in the water, 
Looking up at Hiawatha, 
Listening to his call and clamor, 
His unnecessary tumult, 
Till he wearied of the shouting; 
And he said to the Kenozha, 
To the pike, the Maskenozha, 
"Take the bait of this rude fellow, 
Break the line of Hiawatha!"
In his fingers Hiawatha 
Felt the loose line jerk and tighten, 
As he drew it in, it tugged so 
That the birch canoe stood endwise, 
Like a birch log in the water, 
With the squirrel, Adjidaumo, 
Perched and frisking on the summit.
Full of scorn was Hiawatha 
When he saw the fish rise upward, 
Saw the pike, the Maskenozha, 
Coming nearer, nearer to him, 
And he shouted through the water, 
"Esa! esa! shame upon you! 
You are but the pike, Kenozha, 
You are not the fish I wanted, 
You are not the King of Fishes!"
Reeling downward to the bottom 
Sank the pike in great confusion, 
And the mighty sturgeon, Nahma, 
Said to Ugudwash, the sun-fish, 
To the bream, with scales of crimson, 
"Take the bait of this great boaster, 
Break the line of Hiawatha!"
Slowly upward, wavering, gleaming, 
Rose the Ugudwash, the sun-fish, 
Seized the line of Hiawatha, 
Swung with all his weight upon it, 
Made a whirlpool in the water, 
Whirled the birch canoe in circles, 
Round and round in gurgling eddies, 
Till the circles in the water 
Reached the far-off sandy beaches, 
Till the water-flags and rushes 
Nodded on the distant margins.
But when Hiawatha saw him 
Slowly rising through the water, 
Lifting up his disk refulgent, 
Loud he shouted in derision, 
"Esa! esa! shame upon you! 
You are Ugudwash, the sun-fish, 
You are not the fish I wanted, 
You are not the King of Fishes!"
Slowly downward, wavering, gleaming, 
Sank the Ugudwash, the sun-fish, 
And again the sturgeon, Nahma, 
Heard the shout of Hiawatha,
Heard his challenge of defiance, 
The unnecessary tumult, 
Ringing far across the water.
From the white sand of the bottom 
Up he rose with angry gesture, 
Quivering in each nerve and fibre, 
Clashing all his plates of armor, 
Gleaming bright with all his war-paint; 
In his wrath he darted upward, 
Flashing leaped into the sunshine, 
Opened his great jaws, and swallowed 
Both canoe and Hiawatha.
Down into that darksome cavern 
Plunged the headlong Hiawatha, 
As a log on some black river 
Shoots and plunges down the rapids, 
Found himself in utter darkness, 
Groped about in helpless wonder, 
Till he felt a great heart beating, 
Throbbing in that utter darkness.
And he smote it in his anger, 
With his fist, the heart of Nahma, 
Felt the mighty King of Fishes 
Shudder through each nerve and fibre, 
Heard the water gurgle round him 
As he leaped and staggered through it, 
Sick at heart, and faint and weary.
Crosswise then did Hiawatha 
Drag his birch-canoe for safety, 
Lest from out the jaws of Nahma, 
In the turmoil and confusion, 
Forth he might be hurled and perish. 
And the squirrel, Adjidaumo, 
Frisked and chatted very gayly, 
Toiled and tugged with Hiawatha 
Till the labor was completed.
Then said Hiawatha to him, 
"O my little friend, the squirrel,
Bravely have you toiled to help me; 
Take the thanks of Hiawatha, 
And the name which now he gives you; 
For hereafter and forever 
Boys shall call you Adjidaumo, 
Tail-in-air the boys shall call you!"
And again the sturgeon, Nahma, 
Gasped and quivered in the water, 
Then was still, and drifted landward 
Till he grated on the pebbles, 
Till the listening Hiawatha 
Heard him grate upon the margin, 
Felt him strand upon the pebbles, 
Knew that Nahma, King of Fishes, 
Lay there dead upon the margin.
Then he heard a clang and flapping, 
As of many wings assembling, 
Heard a screaming and confusion, 
As of birds of prey contending, 
Saw a gleam of light above him, 
Shining through the ribs of Nahma, 
Saw the glittering eyes of sea-gulls, 
Of Kayoshk, the sea-gulls, peering, 
Gazing at him through the opening, 
Heard them saying to each other, 
"'T is our brother, Hiawatha!"
And he shouted from below them, 
Cried exulting from the caverns: 
"O ye sea-gulls! O my brothers! 
I have slain the sturgeon, Nahma; 
Make the rifts a little larger, 
With your claws the openings widen, 
Set me free from this dark prison, 
And henceforward and forever 
Men shall speak of your achievements, 
Calling you Kayoshk, the sea-gulls, 
Yes, Kayoshk, the Noble Scratchers!"
And the wild and clamorous sea-gulls
Toiled with beak and claws together, 
Made the rifts and openings wider 
In the mighty ribs of Nahma, 
And from peril and from prison, 
From the body of the sturgeon, 
From the peril of the water, 
They released my Hiawatha.
He was standing near his wigwam, 
On the margin of the water, 
And he called to old Nokomis, 
Called and beckoned to Nokomis, 
Pointed to the sturgeon, Nahma, 
Lying lifeless on the pebbles, 
With the sea-gulls feeding on him.
"I have slain the Mishe-Nahma,
Slain the King of Fishes!" said he' 
"Look! the sea-gulls feed upon him,
Yes, my friends Kayoshk, the sea-gulls; 
Drive them not away, Nokomis, 
They have saved me from great peril 
In the body of the sturgeon, 
Wait until their meal is ended, 
Till their craws are full with feasting, 
Till they homeward fly, at sunset, 
To their nests among the marshes; 
Then bring all your pots and kettles, 
And make oil for us in Winter."
And she waited till the sun set, 
Till the pallid moon, the Night-sun, 
Rose above the tranquil water, 
Till Kayoshk, the sated sea-gulls, 
From their banquet rose with clamor, 
And across the fiery sunset 
Winged their way to far-off islands, 
To their nests among the rushes.
To his sleep went Hiawatha, 
And Nokomis to her labor, 
Toiling patient in the moonlight,
Till the sun and moon changed places, 
Till the sky was red with sunrise, 
And Kayoshk, the hungry sea-gulls, 
Came back from the reedy islands, 
Clamorous for their morning banquet.
Three whole days and nights alternate 
Old Nokomis and the sea-gulls 
Stripped the oily flesh of Nahma, 
Till the waves washed through the rib-bones, 
Till the sea-gulls came no longer, 
And upon the sands lay nothing 
But the skeleton of Nahma.


Written by Robert Browning | Create an image from this poem

Garden Francies

 I. THE FLOWER'S NAME

Here's the garden she walked across,
Arm in my arm, such a short while since:
Hark, now I push its wicket, the moss
Hinders the hinges and makes them wince!
She must have reached this shrub ere she turned,
As back with that murmur the wicket swung;
For she laid the poor snail, my chance foot spurned,
To feed and forget it the leaves among.

II.

Down this side ofthe gravel-walk
She went while her rope's edge brushed the box:
And here she paused in her gracious talk
To point me a moth on the milk-white phlox.
Roses, ranged in valiant row,
I will never think that she passed you by!
She loves you noble roses, I know;
But yonder, see, where the rock-plants lie!

III.

This flower she stopped at, finger on lip,
Stooped over, in doubt, as settling its claim;
Till she gave me, with pride to make no slip,
Its soft meandering Spanish name:
What a name! Was it love or praise?
Speech half-asleep or song half-awake?
I must learn Spanish, one of these days,
Only for that slow sweet name's sake.

IV.

Roses, if I live and do well,
I may bring her, one of these days,
To fix you fast with as fine a spell,
Fit you each with his Spanish phrase;
But do not detain me now; for she lingers
There, like sunshine over the ground,
And ever I see her soft white fingers
Searching after the bud she found.

V.

Flower, you Spaniard, look that you grow not,
Stay as you are and be loved for ever!
Bud, if I kiss you 'tis that you blow not:
Mind, the shut pink mouth opens never!
For while it pouts, her fingers wrestle,
Twinkling the audacious leaves between,
Till round they turn and down they nestle---
Is not the dear mark still to be seen?

VI.

Where I find her not, beauties vanish;
Whither I follow ber, beauties flee;
Is there no method to tell her in Spanish
June's twice June since she breathed it with me?
Come, bud, show me the least of her traces,
Treasure my lady's lightest footfall!
---Ah, you may flout and turn up your faces---
Roses, you are not so fair after all!


II. SIBRANDUS SCHAFNABURGENSIS.

Plague take all your pedants, say I!
He who wrote what I hold in my hand,
Centuries back was so good as to die,
Leaving this rubbish to cumber the land;
This, that was a book in its time,
Printed on paper and bound in leather,
Last month in the white of a matin-prime
Just when the birds sang all together.

II.

Into the garden I brought it to read,
And under the arbute and laurustine
Read it, so help me grace in my need,
From title-page to closing line.
Chapter on chapter did I count,
As a curious traveller counts Stonehenge;
Added up the mortal amount;
And then proceeded to my revenge.

III.

Yonder's a plum-tree with a crevice
An owl would build in, were he but sage;
For a lap of moss, like a fine pont-levis
In a castle of the Middle Age,
Joins to a lip of gum, pure amber;
When he'd be private, there might he spend
Hours alone in his lady's chamber:
Into this crevice I dropped our friend. 

IV.

Splash, went he, as under he ducked,
---At the bottom, I knew, rain-drippings stagnate:
Next, a handful of blossoms I plucked
To bury him with, my bookshelf's magnate;
Then I went in-doors, brought out a loaf,
Half a cheese, and a bottle of Chablis;
Lay on the grass and forgot the oaf
Over a jolly chapter of Rabelais.

V.

Now, this morning, betwixt the moss
And gum that locked our friend in limbo,
A spider had spun his web across,
And sat in the midst with arms akimbo:
So, I took pity, for learning's sake,
And, _de profundis, accentibus ltis,
Cantate!_ quoth I, as I got a rake;
And up I fished his delectable treatise.

VI.

Here you have it, dry in the sun,
With all the binding all of a blister,
And great blue spots where the ink has run,
And reddish streaks that wink and glister
O'er the page so beautifully yellow:
Oh, well have the droppings played their tricks!
Did he guess how toadstools grow, this fellow?
Here's one stuck in his chapter six!

VII.

How did he like it when the live creatures
Tickled and toused and browsed him all over,
And worm, slug, eft, with serious features,
Came in, each one, for his right of trover? 
---When the water-beetle with great blind deaf face
Made of her eggs the stately deposit,
And the newt borrowed just so much of the preface
As tiled in the top of his black wife's closet?

VIII.

All that life and fun and romping,
All that frisking and twisting and coupling,
While slowly our poor friend's leaves were swamping
And clasps were cracking and covers suppling!
As if you bad carried sour John Knox
To the play-house at Paris, Vienna or Munich,
Fastened him into a front-row box,
And danced off the ballet with trousers and tunic.

IX.

Come, old martyr! What, torment enough is it?
Back to my room shall you take your sweet self.
Good-bye, mother-beetle; husband-eft, _sufficit!_
See the snug niche I have made on my shelf!
A.'s book shall prop you up, B.'s shall cover you,
Here's C. to be grave with, or D. to be gay,
And with E. on each side, and F. right over you,
Dry-rot at ease till the Judgment-day!
Written by Thomas Gray | Create an image from this poem

The Progress of Poesy

 A Pindaric Ode

Awake, Aeolian lyre, awake,
And give to rapture all thy trembling strings.
From Helicon's harmonious springs
A thousand rills their mazy progress take:
The laughing flowers that round them blow
Drink life and fragrance as they flow.
Now the rich stream of Music winds along,
Deep, majestic, smooth, and strong,
Thro' verdant vales, and Ceres' golden reign;
Now rolling down the steep amain,
Headlong, impetuous, see it pour;
The rocks and nodding groves re-bellow to the roar.

Oh! Sov'reign of the willing soul,
Parent of sweet and solemn-breathing airs,
Enchanting shell! the sullen Cares
And frantic Passions hear thy soft control.
On Thracia's hills the Lord of War
Has curbed the fury of his car,
And dropt his thirsty lance at thy command.
Perching on the sceptred hand
Of Jove, thy magic lulls the feathered king
With ruffled plumes and flagging wing:
Quenched in dark clouds of slumber lie
The terror of his beak, and lightnings of his eye.

Thee the voice, the dance, obey,
Tempered to thy warbled lay.
O'er Idalia's velvet-green
The rosy-crowned Loves are seen
On Cytherea's day,
With antic Sport, and blue-eyed Pleasures,
Frisking light in frolic measures;
Now pursuing, now retreating,
Now in circling troops they meet:
To brisk notes in cadence beating
Glance their many-twinkling feet.
Slow melting strains their Queen's approach declare:
Where'er she turns the Graces homage pay.
With arms sublime that float upon the air
In gliding state she wins her easy way:
O'er her warm cheek and rising bosom move
The bloom of young Desire and purple light of Love.

Man's feeble race what ills await!
Labour, and Penury, the racks of Pain,
Disease, and Sorrow's weeping train,
And Death, sad refuge from the storms of Fate!
The fond complaint, my song, disprove,
And justify the laws of Jove.
Say, has he giv'n in vain the heav'nly Muse?
Night and all her sickly dews,
Her sceptres wan, and birds of boding cry,
He gives to range the dreary sky;
Till down the eastern cliffs afar
Hyperion's march they spy, and glitt'ring shafts of war.

In climes beyond the solar road,
Where shaggy forms o'er ice-built mountains roam,
The Muse has broke the twilight gloom
To cheer the shivering Native's dull abode.
And oft, beneath the od'rous shade
Of Chili's boundless forests laid,
She deigns to hear the savage youth repeat,
In loose numbers wildly sweet,
Their feather-cinctured chiefs, and dusky loves.
Her track, where'er the Goddess roves,
Glory pursue, and gen'rous Shame,
Th' unconquerable Mind, and Freedom's holy flame.

Woods, that wave o'er Delphi's steep,
Isles, that crown th' Aegean deep,
Fields that cool Ilissus laves,
Or where Maeander's amber waves
In lingering lab'rinths creep,
How do your tuneful echoes languish,
Mute, but to the voice of anguish!
Where each old poetic mountain
Inspiration breathed around;
Ev'ry shade and hallowed fountain
Murmured deep a solemn sound:
Till the sad Nine, in Greece's evil hour,
Left their Parnassus for the Latian plains.
Alike they scorn the pomp of tyrant Power,
And coward Vice, that revels in her chains.
When Latium had her lofty spirit lost,
They sought, Oh Albion! next thy sea-encircled coast.

Far from the sun and summer-gale,
In thy green lap was Nature's Darling laid,
What time, where lucid Avon strayed,
To him the mighty mother did unveil
Her awful face: the dauntless child
Stretched forth his little arms, and smiled.
"This pencil take (she said), whose colours clear
Richly paint the vernal year:
Thine too these golden keys, immortal Boy!
This can unlock the gates of Joy;
Of Horror that, and thrilling Fears,
Or ope the sacred source of sympathetic Tears."

Nor second he, that rode sublime
Upon the seraph-wings of Ecstasy,
The secrets of th' Abyss to spy.
He passed the flaming bounds of place and time:
The living Throne, the sapphire-blaze,
Where Angels tremble while they gaze,
He saw; but, blasted with excess of light,
Closed his eyes in endless night.
Behold where Dryden's less presumptuous car
Wide o'er the fields of glory bear
Two coursers of ethereal race,
With necks in thunder clothed, and long-resounding pace.

Hark, his hands the lyre explore!
Bright-eyed Fancy, hovering o'er,
Scatters from her pictured urn
Thoughts that breathe, and words that burn.
But ah! 'tis heard no more— 
Oh! Lyre divine, what daring Spirit
Wakes thee now? Though he inherit
Nor the pride, nor ample pinion,
That the Theban eagle bear,
Sailing with supreme dominion
Through the azure deep of air:
Yet oft before his infant eyes would run
Such forms as glitter in the Muse's ray,
With orient hues, unborrowed of the Sun:
Yet shall he mount, and keep his distant way
Beyond the limits of a vulgar fate,
Beneath the Good how far—but far above the Great.
Written by William Cowper | Create an image from this poem

Epitaph on a Hare

 Here lies, whom hound did ne’er pursue,
Nor swiftewd greyhound follow,
Whose foot ne’er tainted morning dew,
Nor ear heard huntsman’s hallo’,

Old Tiney, surliest of his kind,
Who, nurs’d with tender care,
And to domestic bounds confin’d,
Was still a wild Jack-hare.

Though duly from my hand he took
His pittance ev’ry night,
He did it with a jealous look,
And, when he could, would bite.

His diet was of wheaten bread,
And milk, and oats, and straw,
Thistles, or lettuces instead,
With sand to scour his maw.

On twigs of hawthorn he regal’d,
On pippins’ russet peel;
And, when his juicy salads fail’d,
Slic’d carrot pleas’d him well.

A Turkey carpet was his lawn,
Whereon he lov’d to bound,
To skip and gambol like a fawn,
And swing his rump around.

His frisking wa at evening hours,
For then he lost his fear;
But most before approaching show’rs,
Or when a storm drew near.

Eight years and five round rolling moons
He thus saw steal away,
Dozing out all his idle noons,
And ev’ry night at play.

I kept him for his humour’s sake,
For he would oft beguile
My heart of thoughts that made it ache,
And force me to a smile.

But now, beneath this walnut-shade
He finds his long, last home,
And waits inn snug concealment laid,
‘Till gentler puss shall come.

He, still more aged, feels the shocks
From which no care can save,
And, partner once of Tiney’s box,
Must soon partake his grave.
Written by Robert Herrick | Create an image from this poem

The Hock-cart or Harvest Home

 To the Right Honourable Mildmay, Earl of Westmoreland

Come, sons of summer, by whose toil 
We are the lords of wine and oil; 
By whose tough labours, and rough hands, 
We rip up first, then reap our lands. 
Crown'd with the ears of corn, now come, 
And to the pipe sing Harvest Home. 
Come forth, my lord, and see the cart 
Dress'd up with all the country art. 
See, here a malkin, there a sheet, 
As spotless pure, as it is sweet; 
The horses, mares, and frisking fillies, 
(Clad, all, in linen, white as lilies.) 
The harvest swains and wenches bound 
For joy, to see the Hock-cart crown'd. 
About the cart, hear, how the rout 
Of rural younglings raise the shout; 
Pressing before, some coming after, 
Those with a shout, and these with laughter. 
Some bless the cart; some kisses the sheaves; 
Some prank them up with oaken leaves;
Some cross the fill-horse; some with great 
Devotion, stroke the home-borne wheat; 
While other rustics, less attent 
To prayers than to merriment, 
Run after with their breeches rent. 
Well, on, brave boys, to your lord's hearth, 
Glitt'ring with fire, where, for your mirth, 
Ye shall see first the large and chief 
Foundation of your feast, fat beef, 
With upper stories, mutton, veal, 
And bacon, (which makes full the meal) 
With sev'ral dishes standing by, 
As here a custard, there a pie, 
And here all tempting frumenty. 
And for to make the merry cheer, 
If smirking wine be wanting here, 
There's that which drowns all care, stout beer, 
Which freely drink to your lord's health, 
Then to the plough, (the common-wealth) 
Next to your flails, your fanes, your fats; 
Then to the maids with wheaten hats; 
To the rough sickle and crook'd scythe, 
Drink frolic boys, till all be blythe. 
Feed and grow fat; and as ye eat, 
Be mindful, that the lab'ring neat 
(As you) may have their fill of meat 
And know, besides, ye must revoke 
The patient ox unto the yoke, 
And all go back unto the plough 
And harrow, (though they're hang'd up now.) 
And, you must know, your lord's word's true, 
Feed him ye must, whose food fills you. 
And that this pleasure is like rain, 
Not sent ye for to drown your pain, 
But for to make it spring again.


Written by Thomas Gray | Create an image from this poem

Ode On The Pleasure Arising From Vicissitude

 Now the golden Morn aloft
Waves her dew-bespangled wing,
With vermeil cheek and whisper soft
She wooes the tardy Spring:
Till April starts, and calls around
The sleeping fragrance from the ground,
And lightly o'er the living scene
Scatters his freshest, tenderest green.

New-born flocks, in rustic dance,
Frisking ply their feeble feet;
Forgetful of their wintry trance
The birds his presence greet:
But chief, the skylark warbles high
His trembling thrilling ecstasy;
And, lessening from the dazzled sight,
Melts into air and liquid light.

Yesterday the sullen year
Saw the snowy whirlwind fly;
Mute was the music of the air,
The herd stood drooping by:
Their raptures now that wildly flow
No yesterday nor morrow know;
'Tis Man alone that joy descries
With forward and reverted eyes.

Smiles on past Misfortune's brow
Soft Reflection's hand can trace,
And o'er the cheek of Sorrow throw
A melancholy grace;
While Hope prolongs our happier hour,
Or deepest shades, that dimly lour
And blacken round our weary way,
Gilds with a gleam of distant day.

Still, where rosy Pleasure leads
See a kindred Grief pursue;
Behind the steps that Misery treads
Approaching Comfort view:
The hues of bliss more brightly glow
Chastised by sabler tints of woe,
And blended form, with artful strife,
The strength and harmony of life.

See the wretch that long has tost
On the thorny bed of pain,
At length repair his vigour lost,
And breathe and walk again:
The meanest floweret of the vale,
The simplest note that swells the gale,
The common sun, the air, the skies,
To him are opening Paradise.

Book: Reflection on the Important Things