Written by
Amy Clampitt |
While the sun stops, or
seems to, to define a term
for the indeterminable,
the human aspect, here
in the West Village, spindles
to a mutilated dazzle—
niched shards of solitude
embedded in these brownstone
walkups such that the Hudson
at the foot of Twelfth Street
might be a thing that's
done with mirrors: definition
by deracination—grunge,
hip-hop, Chinese takeout,
co-ops—while the globe's
elixir caters, year by year,
to the resurgence of this
climbing tentpole, frilled and stippled
yet again with bloom
to greet the solstice:
What year was it it over-
took the fire escape? The
roof's its next objective.
Will posterity (if there
is any)pause to regret
such layerings of shade,
their cadenced crests' trans-
valuation of decay, the dust
and perfume of an all
too terminable process?
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Written by
Lucy Maud Montgomery |
Now on the hill
The fitful wind is so still
That never a wimpling mist uplifts,
Nor a trembling leaf drop-laden stirs;
From the ancient firs
Aroma of balsam drifts,
And the silent places are filled
With elusive odors distilled
By the rain from asters empearled and frilled,
And a wild wet savor that dwells
Far adown in tawny fallows and bracken dells.
Then with a rush,
Breaking the beautiful hush
Where the only sound was the lisping, low
Converse of raindrops, or the dear sound
Close to the ground,
That grasses make when they grow,
Comes the wind in a gay,
Rollicking, turbulent way,
To winnow each bough and toss each spray,
Piping and whistling in glee
With the vibrant notes of a merry minstrelsy.
The friendly rain
Sings many a haunting strain,
Now of gladness and now of dole,
Anon of the glamor and the dream
That ever seem
To wait on a pilgrim soul;
Yea, we can hear
The grief of an elder year,
And laughter half-forgotten and dear;
In the wind and the rain we find
Fellowship meet for each change of mood or mind.
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Written by
Emily Dickinson |
We wear our sober Dresses when we die,
But Summer, frilled as for a Holiday
Adjourns her sigh --
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Written by
Robert Louis Stevenson |
NOW bare to the beholder's eye
Your late denuded bindings lie,
Subsiding slowly where they fell,
A disinvested citadel;
The obdurate corset, Cupid's foe,
The Dutchman's breeches frilled below.
Those that the lover notes to note,
And white and crackling petticoat.
From these, that on the ground repose,
Their lady lately re-arose;
And laying by the lady's name,
A living woman re-became.
Of her, that from the public eye
They do enclose and fortify,
Now, lying scattered as they fell,
An indiscreeter tale they tell:
Of that more soft and secret her
Whose daylong fortresses they were,
By fading warmth, by lingering print,
These now discarded scabbards hint.
A twofold change the ladies know:
First, in the morn the bugles blow,
And they, with floral hues and scents,
Man their beribboned battlements.
But let the stars appear, and they
Shed inhumanities away;
And from the changeling fashion see,
Through comic and through sweet degree,
In nature's toilet unsurpassed,
Forth leaps the laughing girl at last.
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