Written by
A R Ammons |
1) An individual spider web
identifies a species:
an order of instinct prevails
through all accidents of circumstance,
though possibility is
high along the peripheries of
spider
webs:
you can go all
around the fringing attachments
and find
disorder ripe,
entropy rich, high levels of random,
numerous occasions of accident:
2) the possible settings
of a web are infinite:
how does
the spider keep
identity
while creating the web
in a particular place?
how and to what extent
and by what modes of chemistry
and control?
it is
wonderful
how things work: I will tell you
about it
because
it is interesting
and because whatever is
moves in weeds
and stars and spider webs
and known
is loved:
in that love,
each of us knowing it,
I love you,
for it moves within and beyond us,
sizzles in
to winter grasses, darts and hangs with bumblebees
by summer windowsills:
I will show you
the underlying that takes no image to itself,
cannot be shown or said,
but weaves in and out of moons and bladderweeds,
is all and
beyond destruction
because created fully in no
particular form:
if the web were perfectly pre-set,
the spider could
never find
a perfect place to set it in: and
if the web were
perfectly adaptable,
if freedom and possibility were without limit,
the web would
lose its special identity:
the row-strung garden web
keeps order at the center
where space is freest (intersecting that the freest
"medium" should
accept the firmest order)
and that
order
diminishes toward the
periphery
allowing at the points of contact
entropy equal to entropy.
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Written by
Kahlil Gibran |
And an orator said, "Speak to us of Freedom."
And he answered:
At the city gate and by your fireside I have seen you prostrate yourself and worship your own freedom,
Even as slaves humble themselves before a tyrant and praise him though he slays them.
Ay, in the grove of the temple and in the shadow of the citadel I have seen the freest among you wear their freedom as a yoke and a handcuff.
And my heart bled within me; for you can only be free when even the desire of seeking freedom becomes a harness to you, and when you cease to speak of freedom as a goal and a fulfillment.
You shall be free indeed when your days are not without a care nor your nights without a want and a grief,
But rather when these things girdle your life and yet you rise above them naked and unbound.
And how shall you rise beyond your days and nights unless you break the chains which you at the dawn of your understanding have fastened around your noon hour?
In truth that which you call freedom is the strongest of these chains, though its links glitter in the sun and dazzle the eyes.
And what is it but fragments of your own self you would discard that you may become free?
If it is an unjust law you would abolish, that law was written with your own hand upon your own forehead.
You cannot erase it by burning your law books nor by washing the foreheads of your judges, though you pour the sea upon them.
And if it is a despot you would dethrone, see first that his throne erected within you is destroyed.
For how can a tyrant rule the free and the proud, but for a tyranny in their own freedom and a shame in their won pride?
And if it is a care you would cast off, that care has been chosen by you rather than imposed upon you.
And if it is a fear you would dispel, the seat of that fear is in your heart and not in the hand of the feared.
Verily all things move within your being in constant half embrace, the desired and the dreaded, the repugnant and the cherished, the pursued and that which you would escape.
These things move within you as lights and shadows in pairs that cling.
And when the shadow fades and is no more, the light that lingers becomes a shadow to another light.
And thus your freedom when it loses its fetters becomes itself the fetter of a greater freedom.
|
Written by
Walt Whitman |
1
HARK! some wild trumpeter—some strange musician,
Hovering unseen in air, vibrates capricious tunes to-night.
I hear thee, trumpeter—listening, alert, I catch thy notes,
Now pouring, whirling like a tempest round me,
Now low, subdued—now in the distance lost.
2
Come nearer, bodiless one—haply, in thee resounds
Some dead composer—haply thy pensive life
Was fill’d with aspirations high—unform’d ideals,
Waves, oceans musical, chaotically surging,
That now, ecstatic ghost, close to me bending, thy cornet echoing, pealing,
Gives out to no one’s ears but mine—but freely gives to mine,
That I may thee translate.
3
Blow, trumpeter, free and clear—I follow thee,
While at thy liquid prelude, glad, serene,
The fretting world, the streets, the noisy hours of day, withdraw;
A holy calm descends, like dew, upon me,
I walk, in cool refreshing night, the walks of Paradise,
I scent the grass, the moist air, and the roses;
Thy song expands my numb’d, imbonded spirit—thou freest, launchest me,
Floating and basking upon Heaven’s lake.
4
Blow again, trumpeter! and for my sensuous eyes,
Bring the old pageants—show the feudal world.
What charm thy music works!—thou makest pass before me,
Ladies and cavaliers long dead—barons are in their castle halls—the troubadours
are
singing;
Arm’d knights go forth to redress wrongs—some in quest of the Holy Grail:
I see the tournament—I see the contestants, encased in heavy armor, seated on
stately,
champing horses;
I hear the shouts—the sounds of blows and smiting steel:
I see the Crusaders’ tumultuous armies—Hark! how the cymbals clang!
Lo! where the monks walk in advance, bearing the cross on high!
5
Blow again, trumpeter! and for thy theme,
Take now the enclosing theme of all—the solvent and the setting;
Love, that is pulse of all—the sustenace and the pang;
The heart of man and woman all for love;
No other theme but love—knitting, enclosing, all-diffusing love.
O, how the immortal phantoms crowd around me!
I see the vast alembic ever working—I see and know the flames that heat the world;
The glow, the blush, the beating hearts of lovers,
So blissful happy some—and some so silent, dark, and nigh to death:
Love, that is all the earth to lovers—Love, that mocks time and space;
Love, that is day and night—Love, that is sun and moon and stars;
Love, that is crimson, sumptuous, sick with perfume;
No other words, but words of love—no other thought but Love.
6
Blow again, trumpeter—conjure war’s Wild alarums.
Swift to thy spell, a shuddering hum like distant thunder rolls;
Lo! where the arm’d men hasten—Lo! mid the clouds of dust, the glint of
bayonets;
I see the grime-faced cannoniers—I mark the rosy flash amid the smoke—I hear the
cracking of the guns:
—Nor war alone—thy fearful music-song, wild player, brings every sight of fear,
The deeds of ruthless brigands—rapine, murder—I hear the cries for help!
I see ships foundering at sea—I behold on deck, and below deck, the terrible
tableaux.
7
O trumpeter! methinks I am myself the instrument thou playest!
Thou melt’st my heart, my brain—thou movest, drawest, changest them, at will:
And now thy sullen notes send darkness through me;
Thou takest away all cheering light—all hope:
I see the enslaved, the overthrown, the hurt, the opprest of the whole earth;
I feel the measureless shame and humiliation of my race—it becomes all mine;
Mine too the revenges of humanity—the wrongs of ages—baffled feuds and hatreds;
Utter defeat upon me weighs—all lost! the foe victorious!
(Yet ’mid the ruins Pride colossal stands, unshaken to the last;
Endurance, resolution, to the last.)
8
Now, trumpeter, for thy close,
Vouchsafe a higher strain than any yet;
Sing to my soul—renew its languishing faith and hope;
Rouse up my slow belief—give me some vision of the future;
Give me, for once, its prophecy and joy.
O glad, exulting, culminating song!
A vigor more than earth’s is in thy notes!
Marches of victory—man disenthrall’d—the conqueror at last!
Hymns to the universal God, from universal Man—all joy!
A reborn race appears—a perfect World, all joy!
Women and Men, in wisdom, innocence and health—all joy!
Riotous, laughing bacchanals, fill’d with joy!
War, sorrow, suffering gone—The rank earth purged—nothing but joy left!
The ocean fill’d with joy—the atmosphere all joy!
Joy! Joy! in freedom, worship, love! Joy in the ecstacy of life!
Enough to merely be! Enough to breathe!
Joy! Joy! all over Joy!
|
Written by
William Cullen Bryant |
The country ever has a lagging Spring,
Waiting for May to call its violets forth,
And June its roses--showers and sunshine bring,
Slowly, the deepening verdure o'er the earth;
To put their foliage out, the woods are slack,
And one by one the singing-birds come back.
Within the city's bounds the time of flowers
Comes earlier. Let a mild and sunny day,
Such as full often, for a few bright hours,
Breathes through the sky of March the airs of May,
Shine on our roofs and chase the wintry gloom--
And lo! our borders glow with sudden bloom.
For the wide sidewalks of Broadway are then
Gorgeous as are a rivulet's banks in June,
That overhung with blossoms, through its glen,
Slides soft away beneath the sunny noon,
And they who search the untrodden wood for flowers
Meet in its depths no lovelier ones than ours.
For here are eyes that shame the violet,
Or the dark drop that on the pansy lies,
And foreheads, white, as when in clusters set,
The anemonies by forest fountains rise;
And the spring-beauty boasts no tenderer streak
Than the soft red on many a youthful cheek.
And thick about those lovely temples lie
Locks that the lucky Vignardonne has curled,
Thrice happy man! whose trade it is to buy,
And bake, and braid those love-knots of the world;
Who curls of every glossy colour keepest,
And sellest, it is said, the blackest cheapest.
And well thou may'st--for Italy's brown maids
Send the dark locks with which their brows are dressed,
And Gascon lasses, from their jetty braids,
Crop half, to buy a riband for the rest;
But the fresh Norman girls their tresses spare,
And the Dutch damsel keeps her flaxen hair.
Then, henceforth, let no maid nor matron grieve,
To see her locks of an unlovely hue,
Frouzy or thin, for liberal art shall give
Such piles of curls as nature never knew.
Eve, with her veil of tresses, at the sight
Had blushed, outdone, and owned herself a fright.
Soft voices and light laughter wake the street,
Like notes of woodbirds, and where'er the eye
Threads the long way, plumes wave, and twinkling feet
Fall light, as hastes that crowd of beauty by.
The ostrich, hurrying o'er the desert space,
Scarce bore those tossing plumes with fleeter pace.
No swimming Juno gait, of languor born,
Is theirs, but a light step of freest grace,
Light as Camilla's o'er the unbent corn,
A step that speaks the spirit of the place,
Since Quiet, meek old dame, was driven away
To Sing Sing and the shores of Tappan bay.
Ye that dash by in chariots! who will care
For steeds or footmen now? ye cannot show
Fair face, and dazzling dress, and graceful air,
And last edition of the shape! Ah no,
These sights are for the earth and open sky,
And your loud wheels unheeded rattle by.
|
Written by
Kahlil Gibran |
And an old priest said, "Speak to us of Religion."
And he said:
Have I spoken this day of aught else?
Is not religion all deeds and all reflection,
And that which is neither deed nor reflection, but a wonder and a surprise ever springing in the soul, even while the hands hew the stone or tend the loom?
Who can separate his faith from his actions, or his belief from his occupations?
Who can spread his hours before him, saying, "This for God and this for myself; This for my soul, and this other for my body?"
All your hours are wings that beat through space from self to self.
He who wears his morality but as his best garment were better naked.
The wind and the sun will tear no holes in his skin.
And he who defines his conduct by ethics imprisons his song-bird in a cage.
The freest song comes not through bars and wires.
And he to whom worshipping is a window, to open but also to shut, has not yet visited the house of his soul whose windows are from dawn to dawn.
Your daily life is your temple and your religion.
Whenever you enter into it take with you your all.
Take the plough and the forge and the mallet and the lute,
The things you have fashioned in necessity or for delight.
For in revery you cannot rise above your achievements nor fall lower than your failures.
And take with you all men:
For in adoration you cannot fly higher than their hopes nor humble yourself lower than their despair.
And if you would know God be not therefore a solver of riddles.
Rather look about you and you shall see Him playing with your children.
And look into space; you shall see Him walking in the cloud, outstretching His arms in the lightning and descending in rain.
You shall see Him smiling in flowers, then rising and waving His hands in trees.
|
Written by
Walt Whitman |
ONE’S-SELF I sing—a simple, separate Person;
Yet utter the word Democratic, the word En-masse.
Of Physiology from top to toe I sing;
Not physiognomy alone, nor brain alone, is worthy for the muse—I say the
Form complete is worthier far;
The Female equally with the male I sing.
Of Life immense in passion, pulse, and power,
Cheerful—for freest action form’d, under the laws divine,
The Modern Man I sing.
|
Written by
Robert William Service |
'Twas on an iron, icy day
I saw a pirate gull down-plane,
And hover in a wistful way
Nigh where my chickens picked their grain.
An outcast gull, so grey and old,
Withered of leg I watched it hop,
By hunger goaded and by cold,
To where each fowl full-filled its crop.
They hospitably welcomed it,
And at the food rack gave it place;
It ate and ate, it preened a bit,
By way way of gratitude and grace.
It parleyed with my barnyard cock,
Then resolutely winged away;
But I am fey in feather talk,
And this is what I heard it say:
"I know that you and all your tribe
Are shielded warm and fenced from fear;
With food and comfort you would bribe
My weary wings to linger here.
An outlaw scarred and leather-lean,
I battle with the winds of woe:
You think me scaly and unclean...
And yet my soul you do not know,
"I storm the golden gates of day,
I wing the silver lanes of night;
I plumb the deep for finny prey,
On wave I sleep in tempest height.
Conceived was I by sea and sky,
Their elements are fused in me;
Of brigand birds that float and fly
I am the freest of the free.
"From peak to plain, from palm to pine
I coast creation at my will;
The chartless solitudes are mine,
And no one seeks to do me ill.
Until some cauldron of the sea
Shall gulp for me and I shall cease...
Oh I have lived enormously
And I shall have prodigious peace."
With yellow bill and beady eye
This spoke, I think, that old grey gull;
And as I watched it Southward fly
Life seemed to be a-sudden dull.
For I have often held this thought -
If I could change this mouldy me,
By heaven! I would choose the lot,
Of all the gypsy birds, to be
A gull that spans the spacious sea.
|
Written by
Helen Hunt Jackson |
The silken threads by viewless spinners spun,
Which float so idly on the summer air,
And help to make each summer morning fair,
Shining like silver in the summer sun,
Are caught by wayward breezes, one by one,
Are blown to east and west and fastened there,
Weaving on all the roads their sudden snare.
No sign which road doth safest, freest run,
The wingèd insects know, that soar so gay
To meet their death upon each summer day.
How dare we any human deed arraign;
Attempt to recon any moment's cost;
Or any pathway trust as safe and plain
Because we see not where the threads have crossed?
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Written by
Rudyard Kipling |
The Law whereby my lady moves
Was never Law to me,
But 'tis enough that she approves
Whatever Law it be.
For in that Law, and by that Law
My constant course I'll steer;
Not that I heed or deem it dread,
But that she holds it dear.
Tho' Asia sent for my content
Her richest argosies,
Those would I spurn, and bid return,
If that should give her ease.
With equal heart I'd watch depart
Each spiced sail from sight;
Sans bitterness, desiring less
Great gear than her delight.
Though Kings made swift with many a gift
My proven sword to hire--
I would not go nor serve 'em so--
Except at her desire.
With even mind, I'd put behind
Adventure and acclaim,
And clean give o'er, esteeming more
Her favour than my fame.
Yet such am I, yea, such am I--
Sore bond and freest free,
The Law that sways my lady's ways
Is mystery to me!
|
Written by
Victor Hugo |
("Devant la blanche ferme.")
{XV., May, 1837.}
Before the farm where, o'er the porch, festoon
Wild creepers red, and gaffer sits at noon,
Whilst strutting fowl display their varied crests,
And the old watchdog slumberously rests,
They half-attentive to the clarion of their king,
Resplendent in the sunshine op'ning wing—
There stood a cow, with neck-bell jingling light,
Superb, enormous, dappled red and white—
Soft, gentle, patient as a hind unto its young,
Letting the children swarm until they hung
Around her, under—rustics with their teeth
Whiter than marble their ripe lips beneath,
And bushy hair fresh and more brown
Than mossy walls at old gates of a town,
Calling to one another with loud cries
For younger imps to be in at the prize;
Stealing without concern but tremulous with fear
They glance around lest Doll the maid appear;—
Their jolly lips—that haply cause some pain,
And all those busy fingers, pressing now and 'gain,
The teeming udders whose small, thousand pores
Gush out the nectar 'mid their laughing roars,
While she, good mother, gives and gives in heaps,
And never moves. Anon there creeps
A vague soft shiver o'er the hide unmarred,
As sharp they pull, she seems of stone most hard.
Dreamy of large eye, seeks she no release,
And shrinks not while there's one still to appease.
Thus Nature—refuge 'gainst the slings of fate!
Mother of all, indulgent as she's great!
Lets us, the hungered of each age and rank,
Shadow and milk seek in the eternal flank;
Mystic and carnal, foolish, wise, repair,
The souls retiring and those that dare,
Sages with halos, poets laurel-crowned,
All creep beneath or cluster close around,
And with unending greed and joyous cries,
From sources full, draw need's supplies,
Quench hearty thirst, obtain what must eftsoon
Form blood and mind, in freest boon,
Respire at length thy sacred flaming light,
From all that greets our ears, touch, scent or sight—
Brown leaves, blue mountains, yellow gleams, green sod—
Thou undistracted still dost dream of God.
TORU DUTT.
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