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Best Famous Fortresses Poems

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Written by Edgar Bowers | Create an image from this poem

Elegy: Walking the Line

 Every month or so, Sundays, we walked the line,
The limit and the boundary.
Past the sweet gum Superb above the cabin, along the wall— Stones gathered from the level field nearby When first we cleared it.
(Angry bumblebees Stung the two mules.
They kicked.
Thirteen, I ran.
) And then the field: thread-leaf maple, deciduous Magnolia, hybrid broom, and, further down, In light shade, one Franklinia Alatamaha In solstice bloom, all white, most graciously.
On the sunnier slope, the wild plums that my mother Later would make preserves of, to give to friends Or sell, in autumn, with the foxgrape, quince, Elderberry, and muscadine.
Around The granite overhang, moist den of foxes; Gradually up a long hill, high in pine, Park-like, years of dry needles on the ground, And dogwood, slopes the settlers terraced; pine We cut at Christmas, berries, hollies, anise, And cones for sale in Mister Haymore’s yard In town, below the Courthouse Square.
James Haymore, One of the two good teachers at Boys’ High, Ironic and demanding, chemistry; Mary Lou Culver taught us English: essays, Plot summaries, outlines, meters, kinds of clauses (Noun, adjective, and adverb, five at a time), Written each day and then revised, and she Up half the night to read them once again Through her pince-nez, under a single lamp.
Across the road, on a steeper hill, the settlers Set a house, unpainted, the porch fallen in, The road a red clay strip without a bridge, A shallow stream that liked to overflow.
Oliver Brand’s mules pulled our station wagon Out of the gluey mire, earth’s rust.
Then, here And there, back from the road, the specimen Shrubs and small trees my father planted, some Taller than we were, some in bloom, some berried, And some we still brought water to.
We always Paused at the weed-filled hole beside the beech That, one year, brought forth beech nuts by the thousands, A hole still reminiscent of the man Chewing tobacco in among his whiskers My father happened on, who, discovered, told Of dreaming he should dig there for the gold And promised to give half of what he found.
During the wars with Germany and Japan, Descendents of the settlers, of Oliver Brand And of that man built Flying Fortresses For Lockheed, in Atlanta; now they build Brick mansions in the woods they left, with lawns To paved and lighted streets, azaleas, camellias Blooming among the pines and tulip trees— Mercedes Benz and Cadillac Republicans.
There was another stream further along Divided through a marsh, lined by the fence We stretched to posts with Mister Garner’s help The time he needed cash for his son’s bail And offered all his place.
A noble spring Under the oak root cooled his milk and butter.
He called me “honey,” working with us there (My father bought three acres as a gift), His wife pale, hair a country orange, voice Uncanny, like a ghost’s, through the open door Behind her, chickens scratching on the floor.
Barred Rocks, our chickens; one, a rooster, splendid Sliver and grey, red comb and long sharp spurs, Once chased Aunt Jennie as far as the daphne bed The two big king snakes were familiars of.
My father’s dog would challenge him sometimes To laughter and applause.
Once, in Stone Mountain, Travelers, stopped for gas, drove off with Smokey; Angrily, grievingly, leaving his work, my father Traced the car and found them way far south, Had them arrested and, bringing Smokey home, Was proud as Sherlock Holmes, and happier.
Above the spring, my sister’s cats, black Amy, Grey Junior, down to meet us.
The rose trees, Domestic, Asiatic, my father’s favorites.
The bridge, marauding dragonflies, the bullfrog, Camellias cracked and blackened by the freeze, Bay tree, mimosa, mountain laurel, apple, Monkey pine twenty feet high, banana shrub, The owls’ tall pine curved like a flattened S.
The pump house Mort and I built block by block, Smooth concrete floor, roof pale aluminum Half-covered by a clematis, the pump Thirty feet down the mountain’s granite foot.
Mort was the hired man sent to us by Fortune, Childlike enough to lead us.
He brought home, Although he could not even drive a tractor, Cheated, a worthless car, which we returned.
When, at the trial to garnishee his wages, Frank Guess, the judge, Grandmother’s longtime neighbor, Whose children my mother taught in Cradle Roll, Heard Mort’s examination, he broke in As if in disbelief on the bank’s attorneys: “Gentlemen, must we continue this charade?” Finally, past the compost heap, the garden, Tomatoes and sweet corn for succotash, Okra for frying, Kentucky Wonders, limas, Cucumbers, squashes, leeks heaped round with soil, Lavender, dill, parsley, and rosemary, Tithonia and zinnias between the rows; The greenhouse by the rock wall, used for cuttings In late spring, frames to grow them strong for planting Through winter into summer.
Early one morning Mort called out, lying helpless by the bridge.
His ashes we let drift where the magnolia We planted as a stem divides the path The others lie, too young, at Silver Hill, Except my mother.
Ninety-five, she lives Three thousand miles away, beside the bare Pacific, in rooms that overlook the Mission, The Riviera, and the silver range La Cumbre east.
Magnolia grandiflora And one druidic live oak guard the view.
Proudly around the walls, she shows her paintings Of twenty years ago: the great oak’s arm Extended, Zeuslike, straight and strong, wisteria Tangled among the branches, amaryllis Around the base; her cat, UC, at ease In marigolds; the weeping cherry, pink And white arms like a blessing to the blue Bird feeder Mort made; cabin, scarlet sweet gum Superb when tribes migrated north and south.
Alert, still quick of speech, a little blind, Active, ready for laughter, open to fear, Pity, and wonder that such things may be, Some Sundays, I think, she must walk the line, Aunt Jennie, too, if she were still alive, And Eleanor, whose story is untold, Their presences like muses, prompting me In my small study, all listening to the sea, All of one mind, the true posterity.


Written by Rg Gregory | Create an image from this poem

from Proverbs of Hell

 (a) radical

ban all fires
and places where people congregate
to create comfort
put an end to sleep
good cooking
and the delectation of wine
tear lovers apart
piss on the sun and moon
degut all heavenly harmony
strike out across the bitter ice
and the poisonous marshes

make (if you dare) a better world

(b) expect poison from standing water
  (iii)
lake erie
why not as a joke one night
pick up your bed and walk
to washington – sleep
your damned sleep in its streets
so that one bright metallic morning
it can wake up to the stench
and fermentation of flesh
the gutrot of nerves – the blood’s
green effervescence so active
your skin has a job to keep it all in

isn’t that what things with the palsy
are supposed to do – lovely lake
give the world the miracle it waits for
what a laugh that would be

especially if washington lost its temper
and screamed christ lake erie
i don’t even know what to do
with my own garbage

pollution is just one of those things

go on lake erie
do it tonight

(c) drive your cart and your plow over the bones of the dead

(i)
isn't the next one
easter egg

  i don't want to live any more in an old way

yes it is

  to be a socialist wearing capitalism's cap
  a teacher in the shadow of a dead headmaster
  a tree using somebody else's old sap

  i want to build my future out of new emotions
  to seek more than my own in a spring surround
  to move amongst people keen to move outwards
  putting love and ideas into fresh ground

  who will come with me across this border
  not anywhere but in the bonds we make
  taking the old apart to find new order
  living ourselves boldly for each other's sake

then love is

  if you ask me today what love is
  i should have to name the people i love
  and perhaps because it's spring
  and i cannot control the knife that's in me
  their names would surprise me as much as you

  for years i have assumed that love is bloody
  a thing locked up in house and a family tree
  but suddenly its ache goes out beyond me
  and the first love is greater for the new

  this year more than any other
  the winter has savaged my deepest roots
  and the easter sun is banging hard against the window
  the arms of my loves are flowering widely
  and over the fields a new definition is running

  even though the streets we walk cannot be altered
  and faces there are that will not understand
  we have a sun born of our mutual longings
  whose shine is a hard fact - love is a new land

new spartans

  i haven't felt this young for twenty years
  yesterday i felt twenty years older
  then i had the curtains drawn over recluse fears
  today the sun comes in and instantly it's colder

  must shave and get dressed - i'm being nagged
  to shove my suspicions in a corner and get out
  what use the sun if being plagued with new life
  i can't throw off this centrally-heated doubt

  accept people with ice in their brows
  are the new spartans - they wait
      shall i go with them
  indoor delights that slowly breed into lies
  need to be dumped out of doors - and paralysis with them

no leave it
there's still one more
the need now

  the need now is to chronicle new times
  by their own statutes not as ***-ends of the old
  ideas stand out bravely against the surrounding grey
  seeking their own order in what themselves proclaim
  fortresses no longer belong by right to an older day

  i want to gather in my hands things i believe in
  not to be told that other rules prevail - there is
  a treading forward to be done of great excitement
  and people to be found who by the old laws
  should be little more than dead
      this enlightment

  is cutting like spring into a bitter winter
  and there is this smashing of many concrete shells
  a dream with the cheek to be aggressive has assumed
  its own flesh and bone and will not put up with sleep
  as its prime condition - life out of death is exhumed

it's the other side
is so disappointing
no thanks
leave it for now

(ii)

there follows a brief interlude in honour of mr vasko popa
(the yugoslav poet who in a short visit to this country
has stayed a long time)
and it will not now take place

  this game is called x
  no one else can play

  when the game is over
  we have all joined in

  those who have not been playing
  have to give in an ear

  if you don't have an ear
  use one of those lying about

  left over from the last time
  the game wasn't played

  this game is not to do with ears
  shooting must be done from the heart

  x sits in the middle of the ring - he
  has gone for a stroll up his left nostril

  how can he seize a left-over ear
  and drag it under the ground

  hands up if you have been shot from the heart
  x comes up in the middle of himself

  in this way the game is over before
  it began and everyone willy-nilly

  has had to go home
  before he could put a foot outside


(d) enough! – or too much

   reading popa
   i let fly
   too many words

   i bang away
   at the seed
   but can’t break it

   hurt i turn to
   constructing
   castles with cards

   if you can’t split
   the atom
   man stop writing
Written by Dale Harcombe | Create an image from this poem

Homes Kid (For Glenn)

 This time I know
  I will never see him again.
For a time he played the game, like a child experimenting with blocks, building towers and fortresses but never bridges.
Bridges are hard.
Invariably his feet would slip, before he found the acceptance parents had denied and other children refused him.
Acceptance he couldn't recognise even when it came, like waves gentling in his life.
Institutions, foster homes, he knew them all.
Fourteen going on ninety.
Knowledge gleamed in his eyes.
Though he has since been swept out of reach, particles of sand cling and memories are water-cold companions.
*first published Westerly Autumn 1995
Written by Barry Tebb | Create an image from this poem

A GRIEF

 Rivers, tow paths, caravan parks

From Kirkstall to Keighley

The track’s ribbon flaps

Like Margaret’s whirling and twirling

At ten with her pink-tied hair

And blue-check patterned frock

O my lost beloved



Mills fall like doomed fortresses

Their domes topple, stopped clocks

Chime midnight forever and ever

Amen to the lost hegemony of mill girls

Flocking through dawn fog, their clogs clacking,

Their beauty, only Vermeer could capture

O my lost beloved

In a field one foal tries to mount another,

The mare nibbling April grass;

The train dawdles on this country track

As an old man settles to his paperback.
The chatter of market stalls soothes me More than the armoury of medication I keep with me.
Woodyards, scrapyards, The stone glories of Yorkshire spring- How many more winters must I endure O my lost beloved?
Written by Andrew Barton Paterson | Create an image from this poem

Johnny Boer

 Men fight all shapes and sizes as the racing horses run, 
And no man knows his courage till he stands before a gun.
At mixed-up fighting, hand to hand, and clawing men about They reckon Fuzzy-Wuzzy is the hottest fighter out.
But Fuzzy gives himself away -- his style is out of date, He charges like a driven grouse that rushes on its fate; You've nothing in the world to do but pump him full of lead: But when you're fighting Johhny Boer you have to use your head; He don't believe in front attacks or charging at the run, He fights you from a kopje with his little Maxim gun.
For when the Lord He made the earth, it seems uncommon clear, He gave the job of Africa to some good engineer, Who started building fortresses on fashions of his own -- Lunettes, redoubts, and counterscarps all made of rock and stone.
The Boer need only bring a gun, for ready to his hand He finds these heaven-built fortresses all scattered through the land; And there he sits and winks his eye and wheels his gun about, And we must charge across the plain to hunt the beggar out.
It ain't a game that grows on us -- there's lots of better fun Than charging at old Johnny with his little Maxim gun.
On rocks a goat could scarcely climb, steep as the walls of Troy, He wheels a four-point-seven about as easy as a toy; With bullocks yoked and drag-ropes manned, he lifts her up the rocks And shifts her every now and then, as cunning as a fox.
At night you mark her right ahead, you see her clean and clear, Next day at dawn -- "What, ho! she bumps" -- from somewhere in the rear.
Or else the keenest-eyed patrol will miss him with the glass -- He's lying hidden in the rocks to let the leaders pass; But when the mainguard comes along he opens up the fun; There's lots of ammunition for the little Maxim gun.
But after all the job is sure, although the job is slow.
We have to see the business through, the Boer has got to go.
With Nordenfeldt and lyddite shell it's certain, soon or late, We'll hunt him from his kopjes and across the Orange State; And then across those open flats you'll see the beggar run, And we'll be running after him with our little Maxim gun.


Written by Rg Gregory | Create an image from this poem

Transformations

 WHAT miracle was it that made this grey Rathgar
Seem holy earth, a leaping-place from star to star?
I know I strode along grey streets disconsolate,
Seeing nowhere a glimmer of the Glittering Gate,
My vision baffled amid many dreams, for still
The airy walls rose up in fabulous hill on hill.
The stars were fortresses upon the dizzy slope And one and all were unassailable by hope.
And then I turned and looked beyond high Terenure Where the last jewel breath of twilight floated pure, As if god Angus there, with his enchanted lyre, Sat swaying his bright body and hair of misty fire, And smote the slumber-string within the heavenly house That eve might lay upon the earth her tender brows, Her moth-dim tresses, and lip’s invisible bloom, And eye’s light shadowed under eyelids of the gloom, Till all that dark divine pure being, breast to breast, Lay cool upon the sleepy isle from east to west.
Then I took thought remembering many a famous tale Told of those heavenly adventurers the Gael, Ere to a far-brought alien worship they inclined, And that its sorceries had left them shorn and blind, Crownless and sceptreless, while yet their magic might Could bow the lordly pillars of the day and night, And topple in one golden wreckage stars and sun, And mix their precious fires till heaven and earth were one.
Then god and hero mingled, and the veil was rent That hid the fairy turrets in the firmament, The lofty god-uplifted cities that flash on high Dense with the silver-radiant deities of sky, And the gay populace that under ocean bide Unknowing of the flowing of the ponderous tide, And worlds where Time is full, where all with one accord Turn the flushed beauty of their faces to the Lord, Where the last ecstasy lights up each hill and glade And love is not remembered between man and maid, For lips laugh there at beauty the heart imagineth, And feet dance there at the holy Bridal of Love and Death.
And as, with heart upborne and speedier footsteps, I Strode on my way, that twilight-burnished sky Seemed to heave up as from a mystic fountain thrown.
And world on world those magic voyagers had known Glowed in the vast with burning hill and glittering stream, And all their shining folk, till earth was as a dream, A memory fleeting moth-like in the light to be Scorched by the fiery Dreamer of Eternity.
And the bright host swept by me like a blazing wind O’er the dark churches where the blind mislead the blind.
Written by Robert Louis Stevenson | Create an image from this poem

Now Bare To The Beholders Eye

 NOW bare to the beholder's eye
Your late denuded bindings lie,
Subsiding slowly where they fell,
A disinvested citadel;
The obdurate corset, Cupid's foe,
The Dutchman's breeches frilled below.
Those that the lover notes to note, And white and crackling petticoat.
From these, that on the ground repose, Their lady lately re-arose; And laying by the lady's name, A living woman re-became.
Of her, that from the public eye They do enclose and fortify, Now, lying scattered as they fell, An indiscreeter tale they tell: Of that more soft and secret her Whose daylong fortresses they were, By fading warmth, by lingering print, These now discarded scabbards hint.
A twofold change the ladies know: First, in the morn the bugles blow, And they, with floral hues and scents, Man their beribboned battlements.
But let the stars appear, and they Shed inhumanities away; And from the changeling fashion see, Through comic and through sweet degree, In nature's toilet unsurpassed, Forth leaps the laughing girl at last.
Written by Marcin Malek | Create an image from this poem

For life and death of a Poet

Poets
In literal meaning
Are not responsive
To normative rules of dying

Moreover 
Just like the Saints
They do not fit into a
Written conventions

Of the existence
Of the survival
At all costs
At the cost of their own greatness

They rather resemble
Orphaned fortresses
Which has to be taken
Meter by meter - as in the past

With the severe blood loss

Or permanently straining
Among the yellow fields
Mossy towers with no vaults
But with the ever-vigilant gaze

Poet as gaper
- Windblown
- Caressed by storms 
Until he not falls


Never measures 
Himself as the one
- And then all fading behind
For life and death of a Poet
There is no proper time

He lives in himself
Stirring up higher and higher
By the abandoned fortification
Of horror of consequences

To the moment in which
He is taken - far far away 

Book: Shattered Sighs