Written by
Emily Dickinson |
A light exists in spring
Not present on the year
At any other period.
When March is scarcely here
A color stands abroad
On solitary hills
That science cannot overtake,
But human nature feels.
It waits upon the lawn;
It shows the furthest tree
Upon the furthest slope we know;
It almost speaks to me.
Then, as horizons step,
Or noons report away,
Without the formula of sound,
It passes, and we stay:
A quality of loss
Affecting our content,
As trade had suddenly encroached
Upon a sacrament.
|
Written by
Marianne Moore |
Another armored animal--scale
lapping scale with spruce-cone regularity until they
form the uninterrupted central
tail-row! This near artichoke with head and legs and grit-equipped
gizzard,
the night miniature artist engineer is,
yes, Leonardo da Vinci's replica--
impressive animal and toiler of whom we seldom hear.
Armor seems extra. But for him,
the closing ear-ridge--
or bare ear lacking even this small
eminence and similarly safe
contracting nose and eye apertures
impenetrably closable, are not; a true ant-eater,
not cockroach eater, who endures
exhausting solitary trips through unfamiliar ground at night,
returning before sunrise, stepping in the moonlight,
on the moonlight peculiarly, that the outside
edges of his hands may bear the weight and save the claws
for digging. Serpentined about
the tree, he draws
away from danger unpugnaciously,
with no sound but a harmless hiss; keeping
the fragile grace of the Thomas-
of-Leighton Buzzard Westminster Abbey wrought-iron vine, or
rolls himself into a ball that has
power to defy all effort to unroll it; strongly intailed, neat
head for core, on neck not breaking off, with curled-in-feet.
Nevertheless he has sting-proof scales; and nest
of rocks closed with earth from inside, which can thus
darken.
Sun and moon and day and night and man and beast
each with a splendor
which man in all his vileness cannot
set aside; each with an excellence!
"Fearfull yet to be feared," the armored
ant-eater met by the driver-ant does not turn back, but
engulfs what he can, the flattened sword-
edged leafpoints on the tail and artichoke set leg- and body-plates
quivering violently when it retaliates
and swarms on him. Compact like the furled fringed frill
on the hat-brim of Gargallo's hollow iron head of a
matador, he will drop and will
then walk away
unhurt, although if unintruded on,
he cautiously works down the tree, helped
by his tail. The giant-pangolin-
tail, graceful tool, as a prop or hand or broom or ax, tipped like
an elephant's trunkwith special skin,
is not lost on this ant- and stone-swallowing uninjurable
artichoke which simpletons thought a living fable
whom the stones had nourished, whereas ants had done
so. Pangolins are not aggressive animals; between
dusk and day they have not unchain-like machine-like
form and frictionless creep of a thing
made graceful by adversities, con-
versities. To explain grace requires
a curious hand. If that which is at all were not forever,
why would those who graced the spires
with animals and gathered there to rest, on cold luxurious
low stone seats--a monk and monk and monk--between the thus
ingenious roof supports, have slaved to confuse
grace with a kindly manner, time in which to pay a debt,
the cure for sins, a graceful use
of what are yet
approved stone mullions branching out across
the perpendiculars? A sailboat
was the first machine. Pangolins, made
for moving quietly also, are models of exactness,
on four legs; on hind feet plantigrade,
with certain postures of a man. Beneath sun and moon, man slaving
to make his life more sweet, leaves half the flowers worth having,
needing to choose wisely how to use his strength;
a paper-maker like the wasp; a tractor of foodstuffs,
like the ant; spidering a length
of web from bluffs
above a stream; in fighting, mechanicked
like the pangolin; capsizing in
disheartenment. Bedizened or stark
naked, man, the self, the being we call human, writing-
masters to this world, griffons a dark
"Like does not like like that is abnoxious"; and writes error with four
r's. Among animals, one has sense of humor.
Humor saves a few steps, it saves years. Unignorant,
modest and unemotional, and all emotion,
he has everlasting vigor,
power to grow,
though there are few creatures who can make one
breathe faster and make one erecter.
Not afraid of anything is he,
and then goes cowering forth, tread paced to meet an obstacle
at every step. Consistent with the
formula--warm blood, no gills, two pairs of hands and a few hairs--
that
is a mammal; there he sits on his own habitat,
serge-clad, strong-shod. The prey of fear, he, always
curtailed, extinguished, thwarted by the dusk, work partly
done,
says to the alternating blaze,
"Again the sun!
anew each day; and new and new and new,
that comes into and steadies my soul."
|
Written by
Pablo Neruda |
You are the daughter of the sea, oregano's first cousin.
Swimmer, your body is pure as the water;
cook, your blood is quick as the soil.
Everything you do is full of flowers, rich with the earth.
Your eyes go out toward the water, and the waves rise;
your hands go out to the earth and the seeds swell;
you know the deep essence of water and the earth,
conjoined in you like a formula for clay.
Naiad: cut your body into turquoise pieces,
they will bloom resurrected in the kitchen.
This is how you become everything that lives.
And so at last, you sleep, in the circle of my arms
that push back the shadows so that you can rest--
vegetables, seaweed, herbs: the foam of your dreams.
|
Written by
Edna St. Vincent Millay |
I am not resigned to the shutting away of loving hearts in the hard ground.
So it is, and so it will be, for so it has been, time out of mind:
Into the darkness they go, the wise and the lovely. Crowned
With lilies and with laurel they go; but I am not resigned.
Lovers and thinkers, into the earth with you.
Be one with the dull, the indiscriminate dust.
A fragment of what you felt, of what you knew,
A formula, a phrase remains,—but the best is lost.
The answers quick and keen, the honest look, the laughter, the
love,—
They are gone. They are gone to feed the roses. Elegant and curled
Is the blossom. Fragrant is the blossom. I know. But I do not
approve.
More precious was the light in your eyes than all the roses in the
world.
Down, down, down into the darkness of the grave
Gently they go, the beautiful, the tender, the kind;
Quietly they go, the intelligent, the witty, the brave.
I know. But I do not approve. And I am not resigned.
|
Written by
Emily Dickinson |
I got so I could take his name --
Without -- Tremendous gain --
That Stop-sensation -- on my Soul --
And Thunder -- in the Room --
I got so I could walk across
That Angle in the floor,
Where he turned so, and I turned -- how --
And all our Sinew tore --
I got so I could stir the Box --
In which his letters grew
Without that forcing, in my breath --
As Staples -- driven through --
Could dimly recollect a Grace --
I think, they call it "God" --
Renowned to ease Extremity --
When Formula, had failed --
And shape my Hands --
Petition's way,
Tho' ignorant of a word
That Ordination -- utters --
My Business, with the Cloud,
If any Power behind it, be,
Not subject to Despair --
It care, in some remoter way,
For so minute affair
As Misery --
Itself, too vast, for interrupting -- more --
|
Written by
George Eliot |
"I grant you ample leave
To use the hoary formula 'I am'
Naming the emptiness where thought is not;
But fill the void with definition, 'I'
Will be no more a datum than the words
You link false inference with, the 'Since' & 'so'
That, true or not, make up the atom-whirl.
Resolve your 'Ego', it is all one web
With vibrant ether clotted into worlds:
Your subject, self, or self-assertive 'I'
Turns nought but object, melts to molecules,
Is stripped from naked Being with the rest
Of those rag-garments named the Universe.
Or if, in strife to keep your 'Ego' strong
You make it weaver of the etherial light,
Space, motion, solids & the dream of Time --
Why, still 'tis Being looking from the dark,
The core, the centre of your consciousness,
That notes your bubble-world: sense, pleasure, pain,
What are they but a shifting otherness,
Phantasmal flux of moments? --"
|
Written by
Emily Dickinson |
I watched the Moon around the House
Until upon a Pane --
She stopped -- a Traveller's privilege -- for Rest --
And there upon
I gazed -- as at a stranger --
The Lady in the Town
Doth think no incivility
To lift her Glass -- upon --
But never Stranger justified
The Curiosity
Like Mine -- for not a Foot -- nor Hand --
Nor Formula -- had she --
But like a Head -- a Guillotine
Slid carelessly away --
Did independent, Amber --
Sustain her in the sky --
Or like a Stemless Flower --
Upheld in rolling Air
By finer Gravitations --
Than bind Philosopher --
No Hunger -- had she -- nor an Inn --
Her Toilette -- to suffice --
Nor Avocation -- nor Concern
For little Mysteries
As harass us -- like Life -- and Death --
And Afterwards -- or Nay --
But seemed engrossed to Absolute --
With shining -- and the Sky --
The privilege to scrutinize
Was scarce upon my Eyes
When, with a Silver practise --
She vaulted out of Gaze --
And next -- I met her on a Cloud --
Myself too far below
To follow her superior Road --
Or its advantage -- Blue --
|
Written by
Andrew Barton Paterson |
Kanzo Makame, the diver, sturdy and small Japanee,
Seeker of pearls and of pearl-shell down in the depths of the sea,
Trudged o'er the bed of the ocean, searching industriously.
Over the pearl-grounds the lugger drifted -- a little white speck:
Joe Nagasaki, the "tender", holding the life-line on deck,
Talked through the rope to the diver, knew when to drift or to check.
Kanzo was king of his lugger, master and diver in one,
Diving wherever it pleased him, taking instructions from none;
Hither and thither he wandered, steering by stars and by sun.
Fearless he was beyond credence, looking at death eye to eye:
This was his formula always, "All man go dead by and by --
S'posing time come no can help it -- s'pose time no come, then no die."
Dived in the depths of the Darnleys, down twenty fathom and five;
Down where by law, and by reason, men are forbidden to dive;
Down in a pressure so awful that only the strongest survive:
Sweated four men at the air pumps, fast as the handles could go,
Forcing the air down that reached him heated and tainted, and slow --
Kanzo Makame the diver stayed seven minutes below;
Came up on deck like a dead man, paralysed body and brain;
Suffered, while blood was returning, infinite tortures of pain:
Sailed once again to the Darnleys -- laughed and descended again!
Scarce grew the shell in the shallows, rarely a patch could they touch;
Always the take was so little, always the labour so much;
Always they thought of the Islands held by the lumbering Dutch --
Islands where shell was in plenty lying in passage and bay,
Islands where divers could gather hundreds of shell in a day.
But the lumbering Dutch in their gunboats they hunted the divers away.
Joe Nagasaki, the "tender", finding the profits grow small,
Said, "Let us go to the Islands, try for a number one haul!
If we get caught, go to prison -- let them take lugger and all!"
Kanzo Makame, the diver -- knowing full well what it meant --
Fatalist, gambler, and stoic, smiled a broad smile of content,
Flattened in mainsail and foresail, and off to the Islands they went.
Close to the headlands they drifted, picking up shell by the ton,
Piled up on deck were the oysters, opening wide in the sun,
When, from the lee of the headland, boomed the report of a gun.
Then if the diver was sighted, pearl-shell and lugger must go --
Joe Nagasaki decided (quick was the word and the blow),
Cut both the pipe and the life-line, leaving the diver below!
Kanzo Makame, the diver, failing to quite understand,
Pulled the "haul up" on the life-line, found it was slack in his hand;
Then, like a little brown stoic, lay down and died on the sand.
Joe Nagasaki, the "tender", smiling a sanctified smile,
Headed her straight for the gunboat--throwing out shells all the while --
Then went aboard and reported, "No makee dive in three mile!
"Dress no have got and no helmet -- diver go shore on the spree;
Plenty wind come and break rudder -- lugger get blown out to sea:
Take me to Japanee Consul, he help a poor Japanee!"
So the Dutch let him go; but they watched him, as off from the Islands he ran,
Doubting him much -- but what would you? You have to be sure of your man
Ere you wake up that nest-ful of hornets -- the little brown men of Japan.
Down in the ooze and the coral, down where earth's wonders are spread,
Helmeted, ghastly, and swollen, Kanzo Makame lies dead.
Joe Nagasaki, his "tender", is owner and diver instead.
Wearer of pearls in your necklace, comfort yourself if you can.
These are the risks of the pearling -- these are the ways of Japan;
"Plenty more Japanee diver plenty more little brown man!"
|
Written by
Walt Whitman |
ONE song, America, before I go,
I’d sing, o’er all the rest, with trumpet sound,
For thee—the Future.
I’d sow a seed for thee of endless Nationality;
I’d fashion thy Ensemble, including Body and Soul;
I’d show, away ahead, thy real Union, and how it may be accomplish’d.
(The paths to the House I seek to make,
But leave to those to come, the House itself.)
Belief I sing—and Preparation;
As Life and Nature are not great with reference to the Present only,
But greater still from what is yet to come,
Out of that formula for Thee I sing.
|
Written by
Emily Dickinson |
'Tis Seasons since the Dimpled War
In which we each were Conqueror
And each of us were slain
And Centuries 'twill be and more
Another Massacre before
So modest and so vain --
Without a Formula we fought
Each was to each the Pink Redoubt --
|