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Best Famous Foresees Poems

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Written by Algernon Charles Swinburne | Create an image from this poem

To Walt Whitman In America

 Send but a song oversea for us,
Heart of their hearts who are free,
Heart of their singer, to be for us
More than our singing can be;
Ours, in the tempest at error,
With no light but the twilight of terror;
Send us a song oversea!

Sweet-smelling of pine-leaves and grasses,
And blown as a tree through and through
With the winds of the keen mountain-passes,
And tender as sun-smitten dew;
Sharp-tongued as the winter that shakes
The wastes of your limitless lakes,
Wide-eyed as the sea-line's blue.
O strong-winged soul with prophetic Lips hot with the bloodheats of song, With tremor of heartstrings magnetic, With thoughts as thunders in throng, With consonant ardours of chords That pierce men's souls as with swords And hale them hearing along, Make us too music, to be with us As a word from a world's heart warm, To sail the dark as a sea with us, Full-sailed, outsinging the storm, A song to put fire in our ears Whose burning shall burn up tears, Whose sign bid battle reform; A note in the ranks of a clarion, A word in the wind of cheer, To consume as with lightning the carrion That makes time foul for us here; In the air that our dead things infest A blast of the breath of the west, Till east way as west way is clear.
Out of the sun beyond sunset, From the evening whence morning shall be, With the rollers in measureless onset, With the van of the storming sea, With the world-wide wind, with the breath That breaks ships driven upon death, With the passion of all things free, With the sea-steeds footless and frantic, White myriads for death to bestride In the charge of the ruining Atlantic Where deaths by regiments ride, With clouds and clamours of waters, With a long note shriller than slaughter's On the furrowless fields world-wide, With terror, with ardour and wonder, With the soul of the season that wakes When the weight of a whole year's thunder In the tidestream of autumn breaks, Let the flight of the wide-winged word Come over, come in and be heard, Take form and fire for our sakes.
For a continent bloodless with travail Here toils and brawls as it can, And the web of it who shall unravel Of all that peer on the plan; Would fain grow men, but they grow not, And fain be free, but they know not One name for freedom and man? One name, not twain for division; One thing, not twain, from the birth; Spirit and substance and vision, Worth more than worship is worth; Unbeheld, unadored, undivined, The cause, the centre, the mind, The secret and sense of the earth.
Here as a weakling in irons, Here as a weanling in bands, As a prey that the stake-net environs, Our life that we looked for stands; And the man-child naked and dear, Democracy, turns on us here Eyes trembling with tremulous hands It sees not what season shall bring to it Sweet fruit of its bitter desire; Few voices it hears yet sing to it, Few pulses of hearts reaspire; Foresees not time, nor forehears The noises of imminent years, Earthquake, and thunder, and fire: When crowned and weaponed and curbless It shall walk without helm or shield The bare burnt furrows and herbless Of war's last flame-stricken field, Till godlike, equal with time, It stand in the sun sublime, In the godhead of man revealed.
Round your people and over them Light like raiment is drawn, Close as a garment to cover them Wrought not of mail nor of lawn; Here, with hope hardly to wear, Naked nations and bare Swim, sink, strike out for the dawn.
Chains are here, and a prison, Kings, and subjects, and shame; If the God upon you be arisen, How should our songs be the same? How, in confusion of change, How shall we sing, in a strange Land, songs praising his name? God is buried and dead to us, Even the spirit of earth, Freedom; so have they said to us, Some with mocking and mirth, Some with heartbreak and tears; And a God without eyes, without ears, Who shall sing of him, dead in the birth? The earth-god Freedom, the lonely Face lightening, the footprint unshod, Not as one man crucified only Nor scourged with but one life's rod; The soul that is substance of nations, Reincarnate with fresh generations; The great god Man, which is God.
But in weariest of years and obscurest Doth it live not at heart of all things, The one God and one spirit, a purest Life, fed from unstanchable springs? Within love, within hatred it is, And its seed in the stripe as the kiss, And in slaves is the germ, and in kings.
Freedom we call it, for holier Name of the soul's there is none; Surelier it labours if slowlier, Than the metres of star or of sun; Slowlier than life into breath, Surelier than time into death, It moves till its labour be done.
Till the motion be done and the measure Circling through season and clime, Slumber and sorrow and pleasure, Vision of virtue and crime; Till consummate with conquering eyes, A soul disembodied, it rise From the body transfigured of time.
Till it rise and remain and take station With the stars of the worlds that rejoice; Till the voice of its heart's exultation Be as theirs an invariable voice; By no discord of evil estranged, By no pause, by no breach in it changed, By no clash in the chord of its choice.
It is one with the world's generations, With the spirit, the star, and the sod; With the kingless and king-stricken nations, With the cross, and the chain, and the rod; The most high, the most secret, most lonely, The earth-soul Freedom, that only Lives, and that only is God.


Written by Alexander Pope | Create an image from this poem

The Rape of the Lock: Canto 4

 But anxious cares the pensive nymph oppress'd, 
And secret passions labour'd in her breast.
Not youthful kings in battle seiz'd alive, Not scornful virgins who their charms survive, Not ardent lovers robb'd of all their bliss, Not ancient ladies when refus'd a kiss, Not tyrants fierce that unrepenting die, Not Cynthia when her manteau's pinn'd awry, E'er felt such rage, resentment, and despair, As thou, sad virgin! for thy ravish'd hair.
For, that sad moment, when the Sylphs withdrew, And Ariel weeping from Belinda flew, Umbriel, a dusky, melancholy sprite, As ever sullied the fair face of light, Down to the central earth, his proper scene, Repair'd to search the gloomy cave of Spleen.
Swift on his sooty pinions flits the Gnome, And in a vapour reach'd the dismal dome.
No cheerful breeze this sullen region knows, The dreaded East is all the wind that blows.
Here, in a grotto, shelter'd close from air, And screen'd in shades from day's detested glare, She sighs for ever on her pensive bed, Pain at her side, and Megrim at her head.
Two handmaids wait the throne: alike in place, But diff'ring far in figure and in face.
Here stood Ill Nature like an ancient maid, Her wrinkled form in black and white array'd; With store of pray'rs, for mornings, nights, and noons, Her hand is fill'd; her bosom with lampoons.
There Affectation, with a sickly mien, Shows in her cheek the roses of eighteen, Practis'd to lisp, and hang the head aside, Faints into airs, and languishes with pride, On the rich quilt sinks with becoming woe, Wrapp'd in a gown, for sickness, and for show.
The fair ones feel such maladies as these, When each new night-dress gives a new disease.
A constant vapour o'er the palace flies; Strange phantoms, rising as the mists arise; Dreadful, as hermit's dreams in haunted shades, Or bright, as visions of expiring maids.
Now glaring fiends, and snakes on rolling spires, Pale spectres, gaping tombs, and purple fires: Now lakes of liquid gold, Elysian scenes, And crystal domes, and angels in machines.
Unnumber'd throngs on ev'ry side are seen, Of bodies chang'd to various forms by Spleen.
Here living teapots stand, one arm held out, One bent; the handle this, and that the spout: A pipkin there, like Homer's tripod walks; Here sighs a jar, and there a goose pie talks; Men prove with child, as pow'rful fancy works, And maids turn'd bottles, call aloud for corks.
Safe pass'd the Gnome through this fantastic band, A branch of healing spleenwort in his hand.
Then thus address'd the pow'r: "Hail, wayward Queen! Who rule the sex to fifty from fifteen: Parent of vapours and of female wit, Who give th' hysteric, or poetic fit, On various tempers act by various ways, Make some take physic, others scribble plays; Who cause the proud their visits to delay, And send the godly in a pet to pray.
A nymph there is, that all thy pow'r disdains, And thousands more in equal mirth maintains.
But oh! if e'er thy gnome could spoil a grace, Or raise a pimple on a beauteous face, Like citron waters matrons' cheeks inflame, Or change complexions at a losing game; If e'er with airy horns I planted heads, Or rumpled petticoats, or tumbled beds, Or caus'd suspicion when no soul was rude, Or discompos'd the head-dress of a prude, Or e'er to costive lap-dog gave disease, Which not the tears of brightest eyes could ease: Hear me, and touch Belinda with chagrin; That single act gives half the world the spleen.
" The goddess with a discontented air Seems to reject him, though she grants his pray'r.
A wondrous bag with both her hands she binds, Like that where once Ulysses held the winds; There she collects the force of female lungs, Sighs, sobs, and passions, and the war of tongues.
A vial next she fills with fainting fears, Soft sorrows, melting griefs, and flowing tears.
The Gnome rejoicing bears her gifts away, Spreads his black wings, and slowly mounts to day.
Sunk in Thalestris' arms the nymph he found, Her eyes dejected and her hair unbound.
Full o'er their heads the swelling bag he rent, And all the Furies issu'd at the vent.
Belinda burns with more than mortal ire, And fierce Thalestris fans the rising fire.
"Oh wretched maid!" she spread her hands, and cried, (While Hampton's echoes, "Wretched maid!" replied, "Was it for this you took such constant care The bodkin, comb, and essence to prepare? For this your locks in paper durance bound, For this with tort'ring irons wreath'd around? For this with fillets strain'd your tender head, And bravely bore the double loads of lead? Gods! shall the ravisher display your hair, While the fops envy, and the ladies stare! Honour forbid! at whose unrivall'd shrine Ease, pleasure, virtue, all, our sex resign.
Methinks already I your tears survey, Already hear the horrid things they say, Already see you a degraded toast, And all your honour in a whisper lost! How shall I, then, your helpless fame defend? 'Twill then be infamy to seem your friend! And shall this prize, th' inestimable prize, Expos'd through crystal to the gazing eyes, And heighten'd by the diamond's circling rays, On that rapacious hand for ever blaze? Sooner shall grass in Hyde Park Circus grow, And wits take lodgings in the sound of Bow; Sooner let earth, air, sea, to chaos fall, Men, monkeys, lap-dogs, parrots, perish all!" She said; then raging to Sir Plume repairs, And bids her beau demand the precious hairs: (Sir Plume, of amber snuff-box justly vain, And the nice conduct of a clouded cane) With earnest eyes, and round unthinking face, He first the snuffbox open'd, then the case, And thus broke out--"My Lord, why, what the devil? Z{-}{-}{-}ds! damn the lock! 'fore Gad, you must be civil! Plague on't! 'tis past a jest--nay prithee, pox! Give her the hair"--he spoke, and rapp'd his box.
"It grieves me much," replied the peer again, "Who speaks so well should ever speak in vain.
But by this lock, this sacred lock I swear, (Which never more shall join its parted hair; Which never more its honours shall renew, Clipp'd from the lovely head where late it grew) That while my nostrils draw the vital air, This hand, which won it, shall for ever wear.
" He spoke, and speaking, in proud triumph spread The long-contended honours of her head.
But Umbriel, hateful gnome! forbears not so; He breaks the vial whence the sorrows flow.
Then see! the nymph in beauteous grief appears, Her eyes half-languishing, half-drown'd in tears; On her heav'd bosom hung her drooping head, Which, with a sigh, she rais'd; and thus she said: "For ever curs'd be this detested day, Which snatch'd my best, my fav'rite curl away! Happy! ah ten times happy, had I been, If Hampton Court these eyes had never seen! Yet am not I the first mistaken maid, By love of courts to num'rous ills betray'd.
Oh had I rather unadmir'd remain'd In some lone isle, or distant northern land; Where the gilt chariot never marks the way, Where none learn ombre, none e'er taste bohea! There kept my charms conceal'd from mortal eye, Like roses, that in deserts bloom and die.
What mov'd my mind with youthful lords to roam? Oh had I stay'd, and said my pray'rs at home! 'Twas this, the morning omens seem'd to tell, Thrice from my trembling hand the patch-box fell; The tott'ring china shook without a wind, Nay, Poll sat mute, and Shock was most unkind! A Sylph too warn'd me of the threats of fate, In mystic visions, now believ'd too late! See the poor remnants of these slighted hairs! My hands shall rend what ev'n thy rapine spares: These, in two sable ringlets taught to break, Once gave new beauties to the snowy neck.
The sister-lock now sits uncouth, alone, And in its fellow's fate foresees its own; Uncurl'd it hangs, the fatal shears demands And tempts once more thy sacrilegious hands.
Oh hadst thou, cruel! been content to seize Hairs less in sight, or any hairs but these!"
Written by Francesco Petrarch | Create an image from this poem

SESTINA III

SESTINA III.

L' aere gravato, e l' importuna nebbia.

HE COMPARES LAURA TO WINTER, AND FORESEES THAT SHE WILL ALWAYS BE THE SAME.

The overcharged air, the impending cloud,
Compress'd together by impetuous winds,
Must presently discharge themselves in rain;
Already as of crystal are the streams,
And, for the fine grass late that clothed the vales,
Is nothing now but the hoar frost and ice.
And I, within my heart, more cold than ice,
Of heavy thoughts have such a hovering cloud,
As sometimes rears itself in these our vales,
Lowly, and landlock'd against amorous winds,
Environ'd everywhere with stagnant streams,
When falls from soft'ning heaven the smaller rain.
Lasts but a brief while every heavy rain;
And summer melts away the snows and ice,
When proudly roll th' accumulated streams:
[Pg 65]Nor ever hid the heavens so thick a cloud,
Which, overtaken by the furious winds,
Fled not from the first hills and quiet vales.
But ah! what profit me the flowering vales?
Alike I mourn in sunshine and in rain,
Suffering the same in warm and wintry winds;
For only then my lady shall want ice
At heart, and on her brow th' accustom'd cloud,
When dry shall be the seas, the lakes, and streams.
While to the sea descend the mountain streams,
As long as wild beasts love umbrageous vales,
O'er those bright eyes shall hang th' unfriendly cloud
My own that moistens with continual rain;
And in that lovely breast be harden'd ice
Which forces still from mine so dolorous winds.
Yet well ought I to pardon all the winds
But for the love of one, that 'mid two streams
Shut me among bright verdure and pure ice;
So that I pictured then in thousand vales
The shade wherein I was, which heat or rain
Esteemeth not, nor sound of broken cloud.
But fled not ever cloud before the winds,
As I that day: nor ever streams with rain
Nor ice, when April's sun opens the vales.
Macgregor.
CASTLE OF ST.<br> ANGELO & ST.<br> PETERS.<br>
CASTLE OF ST.
ANGELO & ST.
PETERS.
Written by Francesco Petrarch | Create an image from this poem

SONNET LXXXVII

SONNET LXXXVII.

Perseguendomi Amor al luogo usato.

HE IS BEWILDERED AT THE UNEXPECTED ARRIVAL OF LAURA.

As Love his arts in haunts familiar tried,
Watchful as one expecting war is found,
Who all foresees and guards the passes round,
I in the armour of old thoughts relied:
Turning, I saw a shadow at my side
Cast by the sun, whose outline on the ground
I knew for hers, who—be my judgment sound—
Deserves in bliss immortal to abide.
I whisper'd to my heart, Nay, wherefore fear?
[Pg 104]But scarcely did the thought arise within
Than the bright rays in which I burn were here.
As thunders with the lightning-flash begin,
So was I struck at once both blind and mute,
By her dear dazzling eyes and sweet salute.
Macgregor.

Book: Shattered Sighs