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Best Famous Forefinger Poems

Here is a collection of the all-time best famous Forefinger poems. This is a select list of the best famous Forefinger poetry. Reading, writing, and enjoying famous Forefinger poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of forefinger poems.

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Written by Annie Finch | Create an image from this poem

Elegy For My Father

 HLF, August 8, 1918—August 22, 1997

“Bequeath us to no earthly shore until
Is answered in the vortex of our grave
The seal’s wide spindrift gaze towards paradise.
” —Hart Crane, “Voyages” “If a lion could talk, we couldn’t understand it” —Ludwig Wittgenstein Under the ocean that stretches out wordlessly past the long edge of the last human shore, there are deep windows the waves haven't opened, where night is reflected through decades of glass.
There is the nursery, there is the nanny, there are my father’s unreachable eyes turned towards the window.
Is the child uneasy? His is the death that is circling the stars.
In the deep room where candles burn soundlessly and peace pours at last through the cells of our bodies, three of us are watching, one of us is staring with the wide gaze of a wild, wave-fed seal.
Incense and sage speak in smoke loud as waves, and crickets sing sand towards the edge of the hourglass.
We wait outside time, while night collects courage around us.
The vigil is wordless.
And you watch the longest, move the farthest, besieged by your breath, pulling into your body.
You stare towards your death, head arched on the pillow, your left fingers curled.
Your mouth sucking gently, unmoved by these hours and their vigil of salt spray, you show us how far you are going, and how long the long minutes are, while spiralling night watches over the room and takes you, until you watch us in turn.
Lions speak their own language.
You are still breathing.
Here is release.
Here is your pillow, cool like a handkerchief pressed in a pocket.
Here is your white tousled long growing hair.
Here is a kiss on your temple to hold you safe through your solitude’s long steady war; here, you can go.
We will stay with you, keeping the silence we all came here for.
Night, take his left hand, turning the pages.
Spin with the windows and doors that he mended.
Spin with his answers, patient, impatient.
Spin with his dry independence, his arms warmed by the needs of his family, his hands flying under the wide, carved gold ring, and the pages flying so his thought could fly.
His breath slows, lending its edges out to the night.
Here is his open mouth.
Silence is here like one more new question that he will not answer.
A leaf is his temple.
The dark is the prayer.
He has given his body; his hand lies above the sheets in a symbol of wholeness, a curve of thumb and forefinger, ringed with wide gold, and the instant that empties his breath is a flame faced with a sudden cathedral's new stone.


Written by Anne Sexton | Create an image from this poem

Oh

 It is snowing and death bugs me
as stubborn as insomnia.
The fierce bubbles of chalk, the little white lesions settle on the street outside.
It is snowing and the ninety year old woman who was combing out her long white wraith hair is gone, embalmed even now, even tonight her arms are smooth muskets at her side and nothing issues from her but her last word - "Oh.
" Surprised by death.
It is snowing.
Paper spots are falling from the punch.
Hello? Mrs.
Death is here! She suffers according to the digits of my hate.
I hear the filaments of alabaster.
I would lie down with them and lift my madness off like a wig.
I would lie outside in a room of wool and let the snow cover me.
Paris white or flake white or argentine, all in the washbasin of my mouth, calling, "Oh.
" I am empty.
I am witless.
Death is here.
There is no other settlement.
Snow! See the mark, the pock, the pock! Meanwhile you pour tea with your handsome gentle hands.
Then you deliberately take your forefinger and point it at my temple, saying, "You suicide *****! I'd like to take a corkscrew and screw out all your brains and you'd never be back ever.
" And I close my eyes over the steaming tea and see God opening His teeth.
"Oh.
" He says.
I see the child in me writing, "Oh.
" Oh, my dear, not why.
Written by Wendell Berry | Create an image from this poem

Sabbaths 2001

 I

He wakes in darkness.
All around are sounds of stones shifting, locks unlocking.
As if some one had lifted away a great weight, light falls on him.
He has been asleep or simply gone.
He has known a long suffering of himself, himself sharpen by the pain of his wound of separation he now no longer minds, for the pain is only himself now, grown small, become a little growing longing joy.
Something teaches him to rise, to stand and move out through the opening the light has made.
He stands on the green hilltop amid the cedars, the skewed stones, the earth all opened doors.
Half blind with light, he traces with a forefinger the moss-grown furrows of his name, hearing among the others one woman's cry.
She is crying and laughing, her voice a stream of silver he seems to see: "Oh William, honey, is it you? Oh!" II Surely it will be for this: the redbud pink, the wild plum white, yellow trout lilies in the morning light, the trees, the pastures turning green.
On the river, quiet at daybreak, the reflections of the trees, as in another world, lie across from shore to shore.
Yes, here is where they will come, the dead, when they rise from the grave.
III White dogwood flowers afloat in leafing woods untrouble my mind.
IV Ask the world to reveal its quietude— not the silence of machines when they are still, but the true quiet by which birdsongs, trees, bellows, snails, clouds, storms become what they are, and are nothing else.
V A mind that has confronted ruin for years Is half or more a ruined mind.
Nightmares Inhabit it, and daily evidence Of the clean country smeared for want of sense, Of freedom slack and dull among the free, Of faith subsumed in idiot luxury, And beauty beggared in the marketplace And clear-eyed wisdom bleary with dispraise.
VI Sit and be still until in the time of no rain you hear beneath the dry wind's commotion in the trees the sound of flowing water among the rocks, a stream unheard before, and you are where breathing is prayer.
VII The wind of the fall is here.
It is everywhere.
It moves every leaf of every tree.
It is the only motion of the river.
Green leaves grow weary of their color.
Now evening too is in the air.
The bright hawks of the day subside.
The owls waken.
Small creatures die because larger creatures are hungry.
How superior to this human confusion of greed and creed, blood and fire.
VIII The question before me, now that I am old, is not how to be dead, which I know from enough practice, but how to be alive, as these worn hills still tell, and some paintings of Paul Cezanne, and this mere singing wren, who thinks he's alive forever, this instant, and may be.
Written by Emily Dickinson | Create an image from this poem

The Angle of a Landscape

 The Angle of a Landscape --
That every time I wake --
Between my Curtain and the Wall
Upon an ample Crack --

Like a Venetian -- waiting --
Accosts my open eye --
Is just a Bough of Apples --
Held slanting, in the Sky --

The Pattern of a Chimney --
The Forehead of a Hill --
Sometimes -- a Vane's Forefinger --
But that's -- Occasional --

The Seasons -- shift -- my Picture --
Upon my Emerald Bough,
I wake -- to find no -- Emeralds --
Then -- Diamonds -- which the Snow

From Polar Caskets -- fetched me --
The Chimney -- and the Hill --
And just the Steeple's finger --
These -- never stir at all --
Written by Anne Sexton | Create an image from this poem

The Wedding Ring Dance

 I dance in circles holding
the moth of the marriage,
thin, sticky, fluttering
its skirts, its webs.
The moth oozing a tear, or is it a drop of urine? The moth, grinning like a pear, or is it teeth clamping the iron maiden shut? The moth, who is my mother, who is my father, who was my lover, floats airily out of my hands and I dance slower, pulling off the fat diamond engagement ring, pulling off the elopement wedding ring, and holding them, clicking them in thumb and forefinger, the indent of twenty-five years, like a tiny rip of a tiny earthquake.
Underneath the soil lies the violence, the shift, the crack of continents, the anger, and above only a cut, a half-inch space to stick a pencil in.
The finger is scared but it keeps its long numb place.
And I keep dancing, a sort of waltz, clicking the two rings, all of a life at its last cough, as I swim through the air of the kitchen, and the same radio plays its songs and I make a small path through them with my bare finger and my funny feet, doing the undoing dance, on April 14th, 1973, letting my history rip itself off me and stepping into something unknown and transparent, but all ten fingers stretched outward, flesh extended as metal waiting for a magnet.


Written by Robert Browning | Create an image from this poem

Up At A Villa— Down In The City

 (As Distinguished by an Italian Person of Quality)

I

Had I but plenty of money, money enough and to spare,
The house for me, no doubt, were a house in the city-square;
Ah, such a life, such a life, as one leads at the window there!

II

Something to see, by Bacchus, something to hear, at least!
There, the whole day long, one's life is a perfect feast;
While up at a villa one lives, I maintain it, no more than a beast.
III Well now, look at our villa! stuck like the horn of a bull Just on a mountain's edge as bare as the creature's skull, Save a mere shag of a bush with hardly a leaf to pull! - I scratch my own, sometimes, to see if the hair's turned wool.
IV But the city, oh the city—the square with the houses! Why? They are stone-faced, white as a curd, there's something to take the eye! Houses in four straight lines, not a single front awry! You watch who crosses and gossips, who saunters, who hurries by: Green blinds, as a matter of course, to draw when the sun gets high; And the shops with fanciful signs which are painted properly.
V What of a villa? Though winter be over in March by rights, 'Tis May perhaps ere the snow shall have withered well off the heights: You've the brown ploughed land before, where the oxen steam and wheeze, And the hills over-smoked behind by the faint grey olive trees.
VI Is it better in May, I ask you? You've summer all at once; In a day he leaps complete with a few strong April suns.
'Mid the sharp short emerald wheat, scarce risen three fingers well, The wild tulip, at end of its tube, blows out its great red bell Like a thin clear bubble of blood, for the children to pick and sell.
VII Is it ever hot in the square? There's a fountain to spout and splash! In the shade it sings and springs; in the shine such foam-bows flash On the horses with curling fish-tails, that prance and paddle and pash Round the lady atop in her conch—fifty gazers do not abash, Though all that she wears is some weeds round her waist in a sort of sash! VIII All the year long at the villa, nothing to see though you linger, Except yon cypress that points like Death's lean lifted forefinger.
Some think fireflies pretty, when they mix in the corn and mingle, Or thrid the stinking hemp till the stalks of it seem a-tingle.
Late August or early September, the stunning cicala is shrill, And the bees keep their tiresome whine round the resinous firs on the hill.
Enough of the seasons,—I spare you the months of the fever and chill.
IX Ere opening your eyes in the city, the blessed church-bells begin: No sooner the bells leave off than the diligence rattles in: You get the pick of the news, and it costs you never a pin.
By and by there's the travelling doctor gives pills, lets blood, draws teeth; Or the Pulcinello-trumpet breaks up the market beneath.
At the post-office such a scene-picture—the new play, piping hot! And a notice how, only this morning, three liberal thieves were shot.
Above it, behold the Archbishop's most fatherly of rebukes, And beneath, with his crown and his lion, some little new law of the Duke's! Or a sonnet with flowery marge, to the Reverend Don So-and-so Who is Dante, Boccaccio, Petrarca, Saint Jerome, and Cicero, "And moreover," (the sonnet goes rhyming,) "the skirts of Saint Paul has reached, Having preached us those six Lent-lectures more unctuous than ever he preached.
" Noon strikes,—here sweeps the procession! our Lady borne smiling and smart With a pink gauze gown all spangles, and seven swords stuck in her heart! Bang, whang, whang goes the drum, tootle-te-tootle the fife; No keeping one's haunches still: it's the greatest pleasure in life.
X But bless you, it's dear—it's dear! fowls, wine, at double the rate.
They have clapped a new tax upon salt, and what oil pays passing the gate It's a horror to think of.
And so, the villa for me, not the city! Beggars can scarcely be choosers: but still—ah, the pity, the pity! Look, two and two go the priests, then the monks with cowls and sandals, And the penitents dressed in white shirts, a-holding the yellow candles; One, he carries a flag up straight, and another a cross with handles, And the Duke's guard brings up the rear, for the better prevention of scandals.
Bang, whang, whang goes the drum, tootle-te-tootle the fife.
Oh, a day in the city-square, there is no such pleasure in life!
Written by Carl Sandburg | Create an image from this poem

White Hands

 FOR the second time in a year this lady with the white hands is brought to the west room second floor of a famous sanatorium.
Her husband is a cornice manufacturer in an Iowa town and the lady has often read papers on Victorian poets before the local literary club.
Yesterday she washed her hands forty seven times during her waking hours and in her sleep moaned restlessly attempting to clean imaginary soiled spots off her hands.
Now the head physician touches his chin with a crooked forefinger.
Written by Sidney Lanier | Create an image from this poem

The Hard Times In Elfland

 A Story of Christmas Eve.
Strange that the termagant winds should scold The Christmas Eve so bitterly! But Wife, and Harry the four-year-old, Big Charley, Nimblewits, and I, Blithe as the wind was bitter, drew More frontward of the mighty fire, Where wise Newfoundland Fan foreknew The heaven that Christian dogs desire -- Stretched o'er the rug, serene and grave, Huge nose on heavy paws reclined, With never a drowning boy to save, And warmth of body and peace of mind.
And, as our happy circle sat, The fire well capp'd the company: In grave debate or careless chat, A right good fellow, mingled he: He seemed as one of us to sit, And talked of things above, below, With flames more winsome than our wit, And coals that burned like love aglow.
While thus our rippling discourse rolled Smooth down the channel of the night, We spoke of Time: thereat, one told A parable of the Seasons' flight.
"Time was a Shepherd with four sheep.
In a certain Field he long abode.
He stood by the bars, and his flock bade leap One at a time to the Common Road.
"And first there leapt, like bird on wing, A lissome Lamb that played in the air.
I heard the Shepherd call him `Spring': Oh, large-eyed, fresh and snowy fair "He skipped the flowering Highway fast, Hurried the hedgerows green and white, Set maids and men a-yearning, passed The Bend, and gamboll'd out of sight.
"And next marched forth a matron Ewe (While Time took down a bar for her), Udder'd so large 'twas much ado E'en then to clear the barrier.
"Full softly shone her silken fleece What stately time she paced along: Each heartsome hoof-stroke wrought increase Of sunlight, substance, seedling, song, "In flower, in fruit, in field, in bird, Till the great globe, rich fleck'd and pied, Like some large peach half pinkly furred, Turned to the sun a glowing side "And hung in the heavenly orchard, bright, None-such, complete.
Then, while the Ewe Slow passed the Bend, a blur of light, The Shepherd's face in sadness grew: "`Summer!' he said, as one would say A sigh in syllables.
So, in haste (For shame of Summer's long delay, Yet gazing still what way she paced), "He summoned Autumn, slanting down The second bar.
Thereover strode A Wether, fleeced in burning brown, And largely loitered down the Road.
"Far as the farmers sight his shape Majestic moving o'er the way, All cry `To harvest,' crush the grape, And haul the corn and house the hay, "Till presently, no man can say, (So brown the woods that line that end) If yet the brown-fleeced Wether may, Or not, have passed beyond the Bend.
"Now turn I towards the Shepherd: lo, An aged Ram, flapp'd, gnarly-horn'd, With bones that crackle o'er the snow, Rheum'd, wind-gall'd, rag-fleec'd, burr'd and thorn'd.
"Time takes the third bar off for him, He totters down the windy lane.
'Tis Winter, still: the Bend lies dim.
O Lamb, would thou wouldst leap again!" Those seasons out, we talked of these: And I (with inward purpose sly To shield my purse from Christmas trees And stockings and wild robbery When Hal and Nimblewits invade My cash in Santa Claus's name) In full the hard, hard times surveyed; Denounced all waste as crime and shame; Hinted that "waste" might be a term Including skates, velocipedes, Kites, marbles, soldiers, towers infirm, Bows, arrows, cannon, Indian reeds, Cap-pistols, drums, mechanic toys, And all th' infernal host of horns Whereby to strenuous hells of noise Are turned the blessed Christmas morns; Thus, roused -- those horns! -- to sacred rage, I rose, forefinger high in air, When Harry cried (SOME war to wage), "Papa, is hard times ev'ywhere? "Maybe in Santa Claus's land It isn't hard times none at all!" Now, blessed Vision! to my hand Most pat, a marvel strange did fall.
Scarce had my Harry ceased, when "Look!" He cried, leapt up in wild alarm, Ran to my Comrade, shelter took Beneath the startled mother's arm.
And so was still: what time we saw A foot hang down the fireplace! Then, With painful scrambling scratched and raw, Two hands that seemed like hands of men Eased down two legs and a body through The blazing fire, and forth there came Before our wide and wondering view A figure shrinking half with shame, And half with weakness.
"Sir," I said, -- But with a mien of dignity The seedy stranger raised his head: "My friends, I'm Santa Claus," said he.
But oh, how changed! That rotund face The new moon rivall'd, pale and thin; Where once was cheek, now empty space; Whate'er stood out, did now stand in.
His piteous legs scarce propped him up: His arms mere sickles seemed to be: But most o'erflowed our sorrow's cup When that we saw -- or did not see -- His belly: we remembered how It shook like a bowl of jelly fine: An earthquake could not shake it now; He HAD no belly -- not a sign.
"Yes, yes, old friends, you well may stare: I HAVE seen better days," he said: "But now, with shrinkage, loss and care, Your Santa Claus scarce owns his head.
"We've had such hard, hard times this year For goblins! Never knew the like.
All Elfland's mortgaged! And we fear The gnomes are just about to strike.
"I once was rich, and round, and hale.
The whole world called me jolly brick; But listen to a piteous tale.
Young Harry, -- Santa Claus is sick! "'Twas thus: a smooth-tongued railroad man Comes to my house and talks to me: `I've got,' says he, `a little plan That suits this nineteenth century.
"`Instead of driving, as you do, Six reindeer slow from house to house, Let's build a Grand Trunk Railway through From here to earth's last terminus.
"`We'll touch at every chimney-top (An Elevated Track, of course), Then, as we whisk you by, you'll drop Each package down: just think, the force "`You'll save, the time! -- Besides, we'll make Our millions: look you, soon we will Compete for freights -- and then we'll take Dame Fortune's bales of good and ill "`(Why, she's the biggest shipper, sir, That e'er did business in this world!): Then Death, that ceaseless Traveller, Shall on his rounds by us be whirled.
"`When ghosts return to walk with men, We'll bring 'em cheap by steam, and fast: We'll run a Branch to heaven! and then We'll riot, man; for then, at last "`We'll make with heaven a contract fair To call, each hour, from town to town, And carry the dead folks' souls up there, And bring the unborn babies down!' "The plan seemed fair: I gave him cash, Nay, every penny I could raise.
My wife e'er cried, `'Tis rash, 'tis rash:' How could I know the stock-thief's ways? "But soon I learned full well, poor fool! My woes began, that wretched day.
The President plied me like a tool.
In lawyer's fees, and rights of way, "Injunctions, leases, charters, I Was meshed as in a mighty maze.
The stock ran low, the talk ran high: Then quickly flamed the final blaze.
"With never an inch of track -- 'tis true! The debts were large .
.
.
the oft-told tale.
The President rolled in splendor new -- He bought my silver at the sale.
"Yes, sold me out: we've moved away.
I've had to give up everything.
My reindeer, even, whom I .
.
.
pray, Excuse me" .
.
.
here, o'er-sorrowing, Poor Santa Claus burst into tears, Then calmed again: "my reindeer fleet, I gave them up: on foot, my dears, I now must plod through snow and sleet.
"Retrenchment rules in Elfland, now; Yes, every luxury is cut off.
-- Which, by the way, reminds me how I caught this dreadful hacking cough: "I cut off the tail of my Ulster furred To make young Kris a coat of state.
That very night the storm occurred! Thus we became the sport of Fate.
"For I was out till after one, Surveying chimney-tops and roofs, And planning how it could be done Without my reindeers' bouncing hoofs.
"`My dear,' says Mrs.
Claus, that night (A most superior woman she!) `It never, never can be right That you, deep-sunk in poverty, "`This year should leave your poor old bed, And trot about, bent down with toys, (There's Kris a-crying now for bread!) To give to other people's boys.
"`Since you've been out, the news arrives The Elfs' Insurance Company's gone.
Ah, Claus, those premiums! Now, our lives Depend on yours: thus griefs go on.
"`And even while you're thus harassed, I do believe, if out you went, You'd go, in spite of all that's passed, To the children of that President!' "Oh, Charley, Harry, Nimblewits, These eyes, that night, ne'er slept a wink.
My path seemed honeycombed with pits.
Naught could I do but think and think.
"But, with the day, my courage rose.
Ne'er shall my boys, MY boys (I cried), When Christmas morns their eyes unclose, Find empty stockings gaping wide! "Then hewed and whacked and whittled I; The wife, the girls and Kris took fire; They spun, sewed, cut, -- till by and by We made, at home, my pack entire!" (He handed me a bundle, here.
) "Now, hoist me up: there, gently: quick! Dear boys, DON'T look for much this year: Remember, Santa Claus is sick!"
Written by Carl Sandburg | Create an image from this poem

Palladiums

 IN the newspaper office—who are the spooks?
Who wears the mythic coat invisible?

Who pussyfoots from desk to desk
 with a speaking forefinger?
Who gumshoes amid the copy paper
 with a whispering thumb?

Speak softly—the sacred cows may hear.
Speak easy—the sacred cows must be fed.
Written by Carl Sandburg | Create an image from this poem

Slants at Buffalo New York

 A FOREFINGER of stone, dreamed by a sculptor, points to the sky.
It says: This way! this way! Four lions snore in stone at the corner of the shaft.
They too are the dream of a sculptor.
They too say: This way! this way! The street cars swing at a curve.
The middle-class passengers witness low life.
The car windows frame low life all day in pictures.
Two Italian cellar delicatessens sell red and green peppers.
The Florida bananas furnish a burst of yellow.
The lettuce and the cabbage give a green.
Boys play marbles in the cinders.
The boys’ hands need washing.
The boys are glad; they fight among each other.
A plank bridge leaps the Lehigh Valley railroad.
Then acres of steel rails, freight cars, smoke, And then … the blue lake shore …Erie with Norse blue eyes … and the white sun.

Book: Reflection on the Important Things