Written by
Phillis Wheatley |
Thy various works, imperial queen, we see,
How bright their forms! how deck'd with pomp by thee!
Thy wond'rous acts in beauteous order stand,
And all attest how potent is thine hand.
From Helicon's refulgent heights attend,
Ye sacred choir, and my attempts befriend:
To tell her glories with a faithful tongue,
Ye blooming graces, triumph in my song.
Now here, now there, the roving Fancy flies,
Till some lov'd object strikes her wand'ring eyes,
Whose silken fetters all the senses bind,
And soft captivity involves the mind.
Imagination! who can sing thy force?
Or who describe the swiftness of thy course?
Soaring through air to find the bright abode,
Th' empyreal palace of the thund'ring God,
We on thy pinions can surpass the wind,
And leave the rolling universe behind:
>From star to star the mental optics rove,
Measure the skies, and range the realms above.
There in one view we grasp the mighty whole,
Or with new worlds amaze th' unbounded soul.
Though Winter frowns to Fancy's raptur'd eyes
The fields may flourish, and gay scenes arise;
The frozen deeps may break their iron bands,
And bid their waters murmur o'er the sands.
Fair Flora may resume her fragrant reign,
And with her flow'ry riches deck the plain;
Sylvanus may diffuse his honours round,
And all the forest may with leaves be crown'd:
Show'rs may descend, and dews their gems disclose,
And nectar sparkle on the blooming rose.
Such is thy pow'r, nor are thine orders vain,
O thou the leader of the mental train:
In full perfection all thy works are wrought,
And thine the sceptre o'er the realms of thought.
Before thy throne the subject-passions bow,
Of subject-passions sov'reign ruler thou;
At thy command joy rushes on the heart,
And through the glowing veins the spirits dart.
Fancy might now her silken pinions try
To rise from earth, and sweep th' expanse on high:
>From Tithon's bed now might Aurora rise,
Her cheeks all glowing with celestial dies,
While a pure stream of light o'erflows the skies.
The monarch of the day I might behold,
And all the mountains tipt with radiant gold,
But I reluctant leave the pleasing views,
Which Fancy dresses to delight the Muse;
Winter austere forbids me to aspire,
And northern tempests damp the rising fire;
They chill the tides of Fancy's flowing sea,
Cease then, my song, cease the unequal lay.
|
Written by
Laura Riding Jackson |
The secrets of the mind convene splendidly,
Though the mind is meek.
To be aware inwardly
of brain and beauty
Is dark too recognizable.
Thought looking out on thought
Makes one an eye:
Which it shall be, both decide.
One is with the mind alone,
The other is with other thoughts gone
To be seen from afar and not known.
When openly these inmost sights
Flash and speak fully,
Each head at home shakes hopelessly
Of being never ready to see self
And sees a universe too soon.
The immense surmise swims round and round
And heads grow wise
With their own bigness beatified
In cosmos, and the idiot size
Of skulls spells Nature on the ground,
While ears listening the wrong way report
Echoes first and hear words before sounds
Because the mind, being quiet, seems late.
By ears words are copied into books,
By letters minds are taught self-ignorance.
From mouths spring forth vocabularies
To the assemblage of strange objects
Grown foreign to the faithful countryside
Of one king, poverty,
Of one line, humbleness.
Unavowed and false horizons claim pride
For spaces in the head
The native head sees outside.
The flood of wonder rushing from the eyes
Returns lesson by lesson.
The mind, shrunken of time,
Overflows too soon.
The complete vision is the same
As when the world-wideness began
Worlds to describe
The excessiveness of man.
But man's right portion rejects
The surplus in the whole.
This much, made secret first,
Now makes
The knowable, which was
Thought's previous flesh,
And gives instruction of substance to its intelligence
As far as flesh itself,
As bodies upon themselves to where
Understanding is the head
And the identity of breath and breathing are established
And the voice opening to cry: I know,
Closes around the entire declaration
With this evidence of immortality—
The total silence to say:
I am dead.
For death is all ugly, all lovely,
Forbids mysteries to make
Science of splendor, or any separate disclosing
Of beauty to the mind out of body's book
That page by page flutters a world in fragments,
Permits no scribbling in of more
Where spaces are,
Only to look.
Body as Body lies more than still.
The rest seems nothing and nothing is
If nothing need be.
But if need be,
Thought not divided anyway
Answers itself, thinking
All open and everything.
Dead is the mind that parted each head.
But now the secrets of the mind convene
Without pride, without pain
To any onlookers.
What they ordain alone
Cannot be known
The ordinary way of eyes and ears
But only prophesied
If an unnatural mind, refusing to divide,
Dies immediately
Of too plain beauty
Foreseen within too suddenly,
And lips break open of astonishment
Upon the living mouth and rehearse
Death, that seems a simple verse
And, of all ways to know,
Dead or alive, easiest.
|
Written by
Elizabeth Barrett Browning |
I.
Dead ! One of them shot by the sea in the east,
And one of them shot in the west by the sea.
Dead ! both my boys ! When you sit at the feast
And are wanting a great song for Italy free,
Let none look at me !
II.
Yet I was a poetess only last year,
And good at my art, for a woman, men said ;
But this woman, this, who is agonized here,
-- The east sea and west sea rhyme on in her head
For ever instead.
III.
What art can a woman be good at ? Oh, vain !
What art is she good at, but hurting her breast
With the milk-teeth of babes, and a smile at the pain ?
Ah boys, how you hurt ! you were strong as you pressed,
And I proud, by that test.
IV.
What art's for a woman ? To hold on her knees
Both darlings ! to feel all their arms round her throat,
Cling, strangle a little ! to sew by degrees
And 'broider the long-clothes and neat little coat ;
To dream and to doat.
V.
To teach them ... It stings there ! I made them indeed
Speak plain the word country. I taught them, no doubt,
That a country's a thing men should die for at need.
I prated of liberty, rights, and about
The tyrant cast out.
VI.
And when their eyes flashed ... O my beautiful eyes ! ...
I exulted ; nay, let them go forth at the wheels
Of the guns, and denied not. But then the surprise
When one sits quite alone ! Then one weeps, then one kneels !
God, how the house feels !
VII.
At first, happy news came, in gay letters moiled
With my kisses, -- of camp-life and glory, and how
They both loved me ; and, soon coming home to be spoiled
In return would fan off every fly from my brow
With their green laurel-bough.
VIII.
Then was triumph at Turin : `Ancona was free !'
And some one came out of the cheers in the street,
With a face pale as stone, to say something to me.
My Guido was dead ! I fell down at his feet,
While they cheered in the street.
IX.
I bore it ; friends soothed me ; my grief looked sublime
As the ransom of Italy. One boy remained
To be leant on and walked with, recalling the time
When the first grew immortal, while both of us strained
To the height he had gained.
X.
And letters still came, shorter, sadder, more strong,
Writ now but in one hand, `I was not to faint, --
One loved me for two -- would be with me ere long :
And Viva l' Italia ! -- he died for, our saint,
Who forbids our complaint."
XI.
My Nanni would add, `he was safe, and aware
Of a presence that turned off the balls, -- was imprest
It was Guido himself, who knew what I could bear,
And how 'twas impossible, quite dispossessed,
To live on for the rest."
XII.
On which, without pause, up the telegraph line
Swept smoothly the next news from Gaeta : -- Shot.
Tell his mother. Ah, ah, ` his, ' ` their ' mother, -- not ` mine, '
No voice says "My mother" again to me. What !
You think Guido forgot ?
XIII.
Are souls straight so happy that, dizzy with Heaven,
They drop earth's affections, conceive not of woe ?
I think not. Themselves were too lately forgiven
Through THAT Love and Sorrow which reconciled so
The Above and Below.
XIV.
O Christ of the five wounds, who look'dst through the dark
To the face of Thy mother ! consider, I pray,
How we common mothers stand desolate, mark,
Whose sons, not being Christs, die with eyes turned away,
And no last word to say !
XV.
Both boys dead ? but that's out of nature. We all
Have been patriots, yet each house must always keep one.
'Twere imbecile, hewing out roads to a wall ;
And, when Italy 's made, for what end is it done
If we have not a son ?
XVI.
Ah, ah, ah ! when Gaeta's taken, what then ?
When the fair wicked queen sits no more at her sport
Of the fire-balls of death crashing souls out of men ?
When the guns of Cavalli with final retort
Have cut the game short ?
XVII.
When Venice and Rome keep their new jubilee,
When your flag takes all heaven for its white, green, and red,
When you have your country from mountain to sea,
When King Victor has Italy's crown on his head,
(And I have my Dead) --
XVIII.
What then ? Do not mock me. Ah, ring your bells low,
And burn your lights faintly ! My country is there,
Above the star pricked by the last peak of snow :
My Italy 's THERE, with my brave civic Pair,
To disfranchise despair !
XIX.
Forgive me. Some women bear children in strength,
And bite back the cry of their pain in self-scorn ;
But the birth-pangs of nations will wring us at length
Into wail such as this -- and we sit on forlorn
When the man-child is born.
XX.
Dead ! One of them shot by the sea in the east,
And one of them shot in the west by the sea.
Both ! both my boys ! If in keeping the feast
You want a great song for your Italy free,
Let none look at me !
[This was Laura Savio, of Turin, a poetess and patriot, whose sonswere killed at Ancona and Gaeta.]
|
Written by
Vachel Lindsay |
"Bring me soft song," said Aladdin.
"This tailor-shop sings not at all.
Chant me a word of the twilight,
Of roses that mourn in the fall.
Bring me a song like hashish
That will comfort the stale and the sad,
For I would be mending my spirit,
Forgetting these days that are bad,
Forgetting companions too shallow,
Their quarrels and arguments thin,
Forgetting the shouting Muezzin:"--
"I AM YOUR SLAVE," said the Jinn.
"Bring me old wines," said Aladdin.
"I have been a starved pauper too long.
Serve them in vessels of jade and of shell,
Serve them with fruit and with song:--
Wines of pre-Adamite Sultans
Digged from beneath the black seas:--
New-gathered dew from the heavens
Dripped down from Heaven's sweet trees,
Cups from the angels' pale tables
That will make me both handsome and wise,
For I have beheld her, the princess,
Firelight and starlight her eyes.
Pauper I am, I would woo her.
And--let me drink wine, to begin,
Though the Koran expressly forbids it."
"I AM YOUR SLAVE," said the Jinn.
"Plan me a dome," said Aladdin,
"That is drawn like the dawn of the MOON,
When the sphere seems to rest on the mountains,
Half-hidden, yet full-risen soon."
Build me a dome," said Aladdin,"
That shall cause all young lovers to sigh,
The fullness of life and of beauty,
Peace beyond peace to the eye--
A palace of foam and of opal,
Pure moonlight without and within,
Where I may enthrone my sweet lady."
"I AM YOUR SLAVE," said the Jinn.
|
Written by
Kahlil Gibran |
In the silence of the night Death descended from God toward the earth. He hovered above a city and pierced the dwellings with his eyes. He say the spirits floating on wings of dreams, and the people who were surrendered to the Slumber.
When the moon fell below the horizon and the city became black, Death walked silently among the houses -- careful to touch nothing -- until he reached a palace. He entered through the bolted gates undisturbed, and stood by the rich man's bed; and as Death touched his forehead, the sleeper's eyes opened, showing great fright.
When he saw the specter, he summoned a voice mingled with fear and anger, and said, "God away, oh horrible dream; leave me, you dreadful ghost. Who are you? How did you enter this place? What do you want? Leave this place at once, for I am the lord of the house and will call my slaves and guards, and order them to kill you!"
Then Death spoke, softly but with smoldering thunder, "I am Death. Stand and bow!"
The man responded, "What do you want? What have you come here when I have not yet finished my affairs? What see you from strength such as mine? Go to the weak man, and take him away!
"I loathe the sight of your bloody paws and hollow face, and my eyes take sick at your horrible ribbed winds and cadaverous body."
After a moment of fearful realization he added, "No, No, oh merciful Death! Mind not talk, for even fear reveals what the heart forbids.
"Take a bushelful of my gold, or a handful of my slave's souls, but leave me. I have accounts with Life requiring settling; I have due from people much gold; my ships have not reached the harbor; my demand, but spare my life. Death, I own harems of supernatural beauty; your choice is my gift to you. Give heed, Death -- I have but one child, and I love him dearly for he is my only joy in this life. I offer supreme sacrifice -- take him, but spare me!"
Death murmured, "You are not rich, but pitifully poor." Then Death took the hand of that earthly slave, removed his reality, and gave to the angels the heavy task of correction.
And Death walked slowly amidst the dwellings of the poor until he reached the most miserable he could find. He entered and approached a bed upon which a youth slept fitfully. Death touched his eyes; the lad sprang up as he saw Death standing by, and, with a voice full of love and hope he said, "Here I am, my beautiful Death. Accept my soul, for you are the hope of my dreams. Be their accomplishment! Embrace me, oh beloved Death! You are merciful; do not leave me. You are God's messenger; deliver me to Him. You are the right hand of Truth and the heart of Kindness; do not neglect me.
"I have begged for you many times, but you did not come; I have sought you, but you avoided me; I called out to you, but you listened not. You hear me now -- embrace my soul, beloved Death!"
Death placed his softened hand upon the trembling lips, removed all reality, and enfolded it beneath his wings for secure conduct. And returning to the sky, Death looked back and whispered his warning:
"Only those return to Eternity
Who on earth seek out Eternity."
|
Written by
William Cowper |
Hark! 'tis the twanging horn! O'er yonder bridge,
That with its wearisome but needful length
Bestrides the wintry flood, in which the moon
Sees her unwrinkled face reflected bright,
He comes, the herald of a noisy world,
With spatter'd boots, strapp'd waist, and frozen locks;
News from all nations lumb'ring at his back.
True to his charge, the close-pack'd load behind,
Yet careless what he brings, his one concern
Is to conduct it to the destin'd inn:
And, having dropp'd th' expected bag, pass on.
He whistles as he goes, light-hearted wretch,
Cold and yet cheerful: messenger of grief
Perhaps to thousands, and of joy to some;
To him indiff'rent whether grief or joy.
Houses in ashes, and the fall of stocks,
Births, deaths, and marriages, epistles wet
With tears that trickled down the writer's cheeks
Fast as the periods from his fluent quill,
Or charg'd with am'rous sighs of absent swains,
Or nymphs responsive, equally affect
His horse and him, unconscious of them all.
But oh th' important budget! usher'd in
With such heart-shaking music, who can say
What are its tidings? have our troops awak'd?
Or do they still, as if with opium drugg'd,
Snore to the murmurs of th' Atlantic wave?
Is India free? and does she wear her plum'd
And jewell'd turban with a smile of peace,
Or do we grind her still? The grand debate,
The popular harangue, the tart reply,
The logic, and the wisdom, and the wit,
And the loud laugh--I long to know them all;
I burn to set th' imprison'd wranglers free,
And give them voice and utt'rance once again.
Now stir the fire, and close the shutters fast,
Let fall the curtains, wheel the sofa round,
And, while the bubbling and loud-hissing urn
Throws up a steamy column, and the cups,
That cheer but not inebriate, wait on each,
So let us welcome peaceful ev'ning in.
Not such his ev'ning, who with shining face
Sweats in the crowded theatre, and, squeez'd
And bor'd with elbow-points through both his sides,
Out-scolds the ranting actor on the stage:
Nor his, who patient stands till his feet throb,
And his head thumps, to feed upon the breath
Of patriots, bursting with heroic rage,
Or placemen, all tranquility and smiles.
This folio of four pages, happy work!
Which not ev'n critics criticise; that holds
Inquisitive attention, while I read,
Fast bound in chains of silence, which the fair,
Though eloquent themselves, yet fear to break;
What is it, but a map of busy life,
Its fluctuations, and its vast concerns?...
Oh winter, ruler of th' inverted year,
Thy scatter'd hair with sleet like ashes fill'd,
Thy breath congeal'd upon thy lips, thy cheeks
Fring'd with a beard made white with other snows
Than those of age, thy forehead wrapp'd in clouds,
A leafless branch thy sceptre, and thy throne
A sliding car, indebted to no wheels,
But urg'd by storms along its slipp'ry way,
I love thee, all unlovely as thou seem'st,
And dreaded as thou art! Thou hold'st the sun
A pris'ner in the yet undawning east,
Short'ning his journey between morn and noon,
And hurrying him, impatient of his stay,
Down to the rosy west; but kindly still
Compensating his loss with added hours
Of social converse and instructive ease,
And gath'ring, at short notice, in one group
The family dispers'd, and fixing thought,
Not less dispers'd by day-light and its cares.
I crown thee king of intimate delights,
Fire-side enjoyments, home-born happiness,
And all the comforts that the lowly roof
Of undisturb'd retirement, and the hours
Of long uninterrupted ev'ning, know.
No rattling wheels stop short before these gates;
No powder'd pert proficient in the art
Of sounding an alarm, assaults these doors
Till the street rings; no stationary steeds
Cough their own knell, while, heedless of the sound,
The silent circle fan themselves, and quake:
But here the needle plies its busy task,
The pattern grows, the well-depicted flow'r,
Wrought patiently into the snowy lawn,
Unfolds its bosom; buds, and leaves, and sprigs,
And curling tendrils, gracefully dispos'd,
Follow the nimble finger of the fair;
A wreath that cannot fade, or flow'rs that blow
With most success when all besides decay.
The poet's or historian's page, by one
Made vocal for th' amusement of the rest;
The sprightly lyre, whose treasure of sweet sounds
The touch from many a trembling chord shakes out;
And the clear voice symphonious, yet distinct,
And in the charming strife triumphant still;
Beguile the night, and set a keener edge
On female industry: the threaded steel
Flies swiftly, and, unfelt, the task proceeds.
The volume clos'd, the customary rites
Of the last meal commence. A Roman meal;
Such as the mistress of the world once found
Delicious, when her patriots of high note,
Perhaps by moonlight, at their humble doors,
And under an old oak's domestic shade,
Enjoy'd--spare feast!--a radish and an egg!
Discourse ensues, not trivial, yet not dull,
Nor such as with a frown forbids the play
Of fancy, or proscribes the sound of mirth:
Nor do we madly, like an impious world,
Who deem religion frenzy, and the God
That made them an intruder on their joys,
Start at his awful name, or deem his praise
A jarring note. Themes of a graver tone,
Exciting oft our gratitude and love,
While we retrace with mem'ry's pointing wand,
That calls the past to our exact review,
The dangers we have 'scaped, the broken snare,
The disappointed foe, deliv'rance found
Unlook'd for, life preserv'd and peace restor'd--
Fruits of omnipotent eternal love.
Oh ev'nings worthy of the gods! exclaim'd
The Sabine bard. Oh ev'nings, I reply,
More to be priz'd and coveted than yours,
As more illumin'd, and with nobler truths.
That I, and mine, and those we love, enjoy....
|
Written by
Algernon Charles Swinburne |
HER mouth is fragrant as a vine,
A vine with birds in all its boughs;
Serpent and scarab for a sign
Between the beauty of her brows
And the amorous deep lids divine.
Her great curled hair makes luminous
Her cheeks, her lifted throat and chin.
Shall she not have the hearts of us
To shatter, and the loves therein
To shred between her fingers thus?
Small ruined broken strays of light,
Pearl after pearl she shreds them through
Her long sweet sleepy fingers, white
As any pearl's heart veined with blue,
And soft as dew on a soft night.
As if the very eyes of love
Shone through her shutting lids, and stole
The slow looks of a snake or dove;
As if her lips absorbed the whole
Of love, her soul the soul thereof.
Lost, all the lordly pearls that were
Wrung from the sea's heart, from the green
Coasts of the Indian gulf-river;
Lost, all the loves of the world---so keen
Towards this queen for love of her.
You see against her throat the small
Sharp glittering shadows of them shake;
And through her hair the imperial
Curled likeness of the river snake,
Whose bite shall make an end of all.
Through the scales sheathing him like wings,
Through hieroglyphs of gold and gem,
The strong sense of her beauty stings,
Like a keen pulse of love in them,
A running flame through all his rings.
Under those low large lids of hers
She hath the histories of all time;
The fruit of foliage-stricken years;
The old seasons with their heavy chime
That leaves its rhyme in the world's ears.
She sees the hand of death made bare,
The ravelled riddle of the skies,
The faces faded that were fair,
The mouths made speechless that were wise,
The hollow eyes and dusty hair;
The shape and shadow of mystic things,
Things that fate fashions or forbids;
The staff of time-forgotten Kings
Whose name falls off the Pyramids,
Their coffin-lids and grave-clothings;
Dank dregs, the scum of pool or clod,
God-spawn of lizard-footed clans,
And those dog-headed hulks that trod
Swart necks of the old Egyptians,
Raw draughts of man's beginning God;
The poised hawk, quivering ere he smote,
With plume-like gems on breast and back;
The asps and water-worms afloat
Between the rush-flowers moist and slack;
The cat's warm black bright rising throat.
The purple days of drouth expand
Like a scroll opened out again;
The molten heaven drier than sand,
The hot red heaven without rain,
Sheds iron pain on the empty land.
All Egypt aches in the sun's sight;
The lips of men are harsh for drouth,
The fierce air leaves their cheeks burnt white,
Charred by the bitter blowing south,
Whose dusty mouth is sharp to bite.
All this she dreams of, and her eyes
Are wrought after the sense hereof.
There is no heart in her for sighs;
The face of her is more than love---
A name above the Ptolemies.
Her great grave beauty covers her
As that sleek spoil beneath her feet
Clothed once the anointed soothsayer;
The hallowing is gone forth from it
Now, made unmeet for priests to wear.
She treads on gods and god-like things,
On fate and fear and life and death,
On hate that cleaves and love that clings,
All that is brought forth of man's breath
And perisheth with what it brings.
She holds her future close, her lips
Hold fast the face of things to be;
Actium, and sound of war that dips
Down the blown valleys of the sea,
Far sails that flee, and storms of ships;
The laughing red sweet mouth of wine
At ending of life's festival;
That spice of cerecloths, and the fine
White bitter dust funereal
Sprinkled on all things for a sign;
His face, who was and was not he,
In whom, alive, her life abode;
The end, when she gained heart to see
Those ways of death wherein she trod,
Goddess by god, with Antony.
|
Written by
Robert Seymour Bridges |
WHEN from the craggy mountain's pathless steep,
Whose flinty brow hangs o'er the raging sea,
My wand'ring eye beholds the foamy deep,
I mark the restless surgeand think of THEE.
The curling waves, the passing breezes move,
Changing and treach'rous as the breath of LOVE;
The "sad similitude" awakes my smart,
And thy dear image twines about my heart.
When at the sober hour of sinking day,
Exhausted Nature steals to soft repose,
When the hush'd linnet slumbers on the spray,
And scarce a ZEPHYR fans the drooping ROSE;
I glance o'er scenes of bliss to friendship dear,
And at the fond remembrance drop a tear;
Nor can the balmy incense soothe my smart,
Still cureless sorrow preys upon my heart.
When the loud gambols of the village throng,
Drown the lorn murmurs of the ring-dove's throat;
I think I hear thy fascinating song,
Join the melodious minstrel's tuneful note
My list'ning ear soon tells me 'tis not THEE,
Nor THY lov'd songnor THY soft minstrelsy;
In vain I turn away to hide my smart,
Thy dulcet numbers vibrate in my heart.
When with the Sylvan train I seek the grove,
Where MAY'S soft breath diffuses incense round,
Where VENUS smiles serene, and sportive LOVE
With thornless ROSES spreads the fairy ground;
The voice of pleasure dies upon mine ear,
My conscious bosom sighsTHOU ART NOT HERE !
Soft tears of fond regret reveal its smart,
And sorrow, restless sorrow, chills my heart.
When at my matin pray'rs I prostrate kneel,
And Court RELIGION's aid to soothe my woe,
The meek-ey'd saint who pities what I feel,
Forbids the sigh to heave, the tear to flow;
For ah ! no vulgar passion fills my mind,
Calm REASON's hand illumes the flame refin'd,
ALL the pure feelings FRIENDSHIP can impart,
Live in the centre of my aching heart.
When at the still and solemn hour of night,
I press my lonely couch to find repose;
Joyless I watch the pale moon's chilling light,
Where thro' the mould'ring tow'r the north-wind blows;
My fev'rish lids no balmy slumbers own,
Still my sad bosom beats for thee alone:
Nor shall its aching fibres cease to smart,
'Till DEATH's cold SPELL is twin'd about my HEART.
|
Written by
Mary Darby Robinson |
"With female Fairies will thy tomb be haunted
"And worms will not come to thee." SHAKSPERE.
WHEN from Day's closing eye the lucid tears
Fall lightly on the bending lily's head;
When o'er the blushing sky night's curtains spread,
And the tall mountain's summit scarce appears;
When languid Evening, sinking to repose,
Her filmy mantle o'er the landscape throws;
Of THEE I'll sing; and as the mournful song
Glides in slow numbers the dark woods among;
My wand'ring steps shall seek the lonely shade,
Where all thy virtues, all thy griefs are laid!
Yes, hopeless suff'rer, friendless and forlorn,
Sweet victim of love's power; the silent tear
Shall oft at twilight's close, and glimm'ring morn
Gem the pale primrose that adorns thy bier,
And as the balmy dew ascends to heaven,
Thy crime shall steal away, thy frailty be forgiv'n.
Oft by the moon's wan beam the love-lorn maid,
Led by soft SYMPATHY, shall stroll along;
Oft shall she listen in the Lime-tree's * shade,
Her cold blood freezing at the night-owl's song:
Or, when she hears the death-bell's solemn sound,
Her light steps echoing o'er the hollow ground;
Oft shall the trickling tear adorn her cheek,
Thy pow'r, O SENSIBILITY ! in magic charms to speak!
For the poor PILGRIM, doom'd afar to roam
From the dear comforts of his native home,
A glitt'ring star puts forth a silv'ry ray,
Soothes his sad heart, and marks his tedious way;
The short-liv'd radiance cheers the gloom of night,
And decks Heaven's murky dome with transitory light.
So from the mournful CHARLOTTE's dark-orb'd lids,
The sainted tear of pitying VIRTUE flows;
And the last boon, the "churlish priest" forbids,
On thy lone grave the sacred drop bestows;
There shall the sparkling dews of Evening shine,
AND HEAVEN'S OWN INCENSE CONSECRATE THE SHRINE.
|
Written by
Philip Larkin |
"Of course I was drugged, and so heavily I did not regain
consciousness until the next morning. I was horrified to
discover that I had been ruined, and for some days I was inconsolable,
and cried like a child to be killed or sent back to my aunt."
--Mayhew, London Labour and the London Poor
Even so distant, I can taste the grief,
Bitter and sharp with stalks, he made you gulp.
The sun's occasional print, the brisk brief
Worry of wheels along the street outside
Where bridal London bows the other way,
And light, unanswerable and tall and wide,
Forbids the scar to heal, and drives
Shame out of hiding. All the unhurried day,
Your mind lay open like a drawer of knives.
Slums, years, have buried you. I would not dare
Console you if I could. What can be said,
Except that suffering is exact, but where
Desire takes charge, readings will grow erratic?
For you would hardly care
That you were less deceived, out on that bed,
Than he was, stumbling up the breathless stair
To burst into fulfillment's desolate attic.
|