Written by
Robert Browning |
I
Oh Galuppi, Baldassaro, this is very sad to find!
I can hardly misconceive you; it would prove me deaf and blind;
But although I give you credit, 'tis with such a heavy mind!
II
Here you come with your old music, and here's all the good it brings.
What, they lived once thus at Venice, where the merchants were the kings,
Where Saint Mark's is, where the Doges used to wed the sea with rings?
III
Ay, because the sea's the street there; and 'tis arched by... what you call
... Shylock's bridge with houses on it, where they kept the carnival;
I was never out of England—it's as if I saw it all!
IV
Did young people take their pleasure when the sea was warm in May?
Balls and masks begun at midnight, burning ever to mid-day,
When they made up fresh adventures for the morrow, do you say?
V
Was a lady such a lady, cheeks so round and lips so red,—
On her neck the small face buoyant, like a bell-flower on its bed,
O'er the breast's superb abundance where a man might base his head?
VI
Well (and it was graceful of them) they'd break talk off and afford
—She, to bite her mask's black velvet, he to finger on his sword,
While you sat and played Toccatas, stately at the clavichord?
VII
What? Those lesser thirds so plaintive, sixths diminished sigh on sigh,
Told them something? Those suspensions, those solutions—"Must we die?"
Those commiserating sevenths—"Life might last! we can but try!"
VIII
"Were you happy?"—"Yes."—"And are you still as happy?"—"Yes—and you?"
—"Then, more kisses!"—"Did I stop them, when a million seemed so few?"
Hark—the dominant's persistence till it must be answered to!
IX
So an octave struck the answer. Oh, they praised you, I dare say!
"Brave Galuppi! that was music! good alike at grave and gay!
I can always leave off talking when I hear a master play!"
X
Then they left you for their pleasure: till in due time, one by one,
Some with lives that came to nothing, some with deeds as well undone,
Death stepped tacitly and took them where they never see the sun.
XI
But when I sit down to reason,—think to take my stand nor swerve
While I triumph o'er a secret wrung from nature's close reserve,
In you come with your cold music, till I creep thro' every nerve.
XII
Yes, you, like a ghostly cricket, creaking where a house was burned—
"Dust and ashes, dead and done with, Venice spent what Venice earned!
The soul, doubtless, is immortal—where a soul can be discerned.
XIII
"Yours for instance: you know physics, something of geology,
Mathematics are your pastime; souls shall rise in their degree;
Butterflies may dread extinction,—you'll not die, it cannot be!
XIV
"As for Venice and its people, merely born to bloom and drop,
Here on earth they bore their fruitage, mirth and folly were the crop:
What of soul was left, I wonder, when the kissing had to stop?
XV
"Dust and ashes!" So you creak it, and I want the heart to scold.
Dear dead women, with such hair, too—what's become of all the gold
Used to hang and brush their bosoms? I feel chilly and grown old.
|
Written by
Samuel Butler |
i
She was too kind, wooed too persistently,
Wrote moving letters to me day by day;
The more she wrote, the more unmoved was I,
The more she gave, the less could I repay.
Therefore I grieve, not that I was not loved,
But that, being loved, I could not love again.
I liked, but like and love are far removed;
Hard though I tried to love I tried in vain.
For she was plain and lame and fat and short,
Forty and over-kind. Hence it befell
That though I loved her in a certain sort,
Yet did I love too wisely but not well.
Ah! had she been more beauteous or less kind
She might have found me of another mind.
ii
And now, though twenty years are come and gone,
That little lame lady's face is with me still;
Never a day but what, on every one,
She dwells with me, as dwell she ever will.
She said she wished I knew not wrong from right;
It was not that; I knew, and would have chosen
Wrong if I could, but, in my own despite,
Power to choose wrong in my chilled veins was frozen.
'Tis said that if a woman woo, no man
Should leave her till she have prevailed; and, true,
A man will yield for pity, if he can,
But if the flesh rebels what can he do?
I could not. Hence I grieve my whole life long
The wrong I did, in that I did no wrong.
iii
Had I been some young sailor, continent
Perforce three weeks and then well plied with wine,
I might in time have tried to yield consent
And almost (though I doubt it) made her mine.
Or had it been but once and never again,
Come what come might, she should have had her way;
But yielding once were yielding twice, and then
I had been hers for ever and a day.
Or had she only been content to crave
A marriage of true minds, her wish was granted;
My mind was hers, I was her willing slave
In all things else except the one she wanted:
And here, alas! at any rate to me
She was an all too, too impossible she.
|
Written by
Andrew Barton Paterson |
Beyond the land where Leichhardt went,
Beyond Sturt's Western track,
The rolling tide of change has sent
Some strange J.P.'s out back.
And Saltbush Bill, grown old and grey,
And worn for want of sleep,
Received the news in camp one day
Behind the travelling sheep
That Edward Rex, confiding in
His known integrity,
By hand and seal on parchment skin
Had made hiim a J.P.
He read the news with eager face
But found no word of pay.
"I'd like to see my sister's place
And kids on Christmas Day.
"I'd like to see green grass again,
And watch clear water run,
Away from this unholy plain,
And flies, and dust, and sun."
At last one little clause he found
That might some hope inspire,
"A magistrate may charge a pound
For inquest on a fire."
A big blacks' camp was built close by,
And Saltbush Bill, says he,
"I think that camp might well supply
A job for a J.P."
That night, by strange coincidence,
A most disastrous fire
Destroyed the country residence
Of Jacky Jack, Esquire.
'Twas mostly leaves, and bark, and dirt;
The party most concerned
Appeared to think it wouldn't hurt
If forty such were burned.
Quite otherwise thought Saltbush Bill,
Who watched the leaping flame.
"The home is small," said he, "but still
The principle's the same.
"Midst palaces though you should roam,
Or follow pleasure's tracks,
You'll find," he said, "no place like home --
At least like Jacky Jack's.
"Tell every man in camp, 'Come quick,'
Tell every black Maria
I give tobacco, half a stick --
Hold inquest long-a fire."
Each juryman received a name
Well suited to a Court.
"Long Jack" and "Stumpy Bill" became
"John Long" and "William Short".
While such as "Tarpot", "Bullock Dray",
And "Tommy Wait-a-While",
Became, for ever and a day,
"Scot", "Dickens", and "Carlyle".
And twelve good sable men and true
Were soon engaged upon
The conflagration that o'erthrew
The home of John A. John.
Their verdict, "Burnt by act of Fate",
They scarcely had returned
When, just behind the magistrate,
Another humpy burned!
The jury sat again and drew
Another stick of plug.
Said Saltbush Bill, "It's up to you
Put some one long-a Jug."
"I'll camp the sheep," he said, "and sift
The evidence about."
For quite a week he couldn't shift,
The way the fires broke out.
The jury thought the whole concern
As good as any play.
They used to "take him oath" and earn
Three sticks of plug a day.
At last the tribe lay down to sleep
Homeless, beneath a tree;
And onward with his travelling sheep
Went Saltbush bill, J.P.
His sheep delivered, safe and sound,
His horse to town he turned,
And drew some five-and-twenty pound
For fees that he had earned.
And where Monaro's ranges hide
Their little farms away --
His sister's children by his side --
He spent his Christmas Day.
The next J.P. that went out back
Was shocked, or pained, or both,
At hearing every pagan black
Repeat the juror's oath.
No matter how he turned and fled
They followed faster still;
"You make it inkwich, boss," they said,
"All same like Saltbush Bill."
They even said they'd let him see
The fires originate.
When he refused they said that he
Was "No good magistrate".
And out beyond Sturt's western track,
And Leichhardt's farthest tree,
They wait till fate shall send them back
Their Saltbush Bill, J.P.
|
Written by
A E Housman |
The star-filled seas are smooth tonight
From France to England strown;
Black towers above Portland light
The felon-quarried stone.
On yonder island; not to rise,
Never to stir forth free,
Far from his folk a dead lad lies
That once was friends with me.
Lie you easy, dream you light,
And sleep you fast for aye;
And luckier may you find the night
Than you ever found the day.
|
Written by
Dorothy Parker |
This is what I vow;
He shall have my heart to keep,
Sweetly will we stir and sleep,
All the years, as now.
Swift the measured sands may run;
Love like this is never done;
He and I are welded one:
This is what I vow.
This is what I pray:
Keep him by me tenderly;
Keep him sweet in pride of me,
Ever and a day;
Keep me from the old distress;
Let me, for our happiness,
Be the one to love the less:
This is what I pray.
This is what I know:
Lovers' oaths are thin as rain;
Love's a harbinger of pain-
Would it were not so!
Ever is my heart a-thirst,
Ever is my love accurst;
He is neither last nor first:
This is what I know.
|
Written by
Alexander Pope |
Close by those meads, for ever crown'd with flow'rs,
Where Thames with pride surveys his rising tow'rs,
There stands a structure of majestic frame,
Which from the neighb'ring Hampton takes its name.
Here Britain's statesmen oft the fall foredoom
Of foreign tyrants and of nymphs at home;
Here thou, great Anna! whom three realms obey,
Dost sometimes counsel take--and sometimes tea.
Hither the heroes and the nymphs resort,
To taste awhile the pleasures of a court;
In various talk th' instructive hours they pass'd,
Who gave the ball, or paid the visit last;
One speaks the glory of the British queen,
And one describes a charming Indian screen;
A third interprets motions, looks, and eyes;
At ev'ry word a reputation dies.
Snuff, or the fan, supply each pause of chat,
With singing, laughing, ogling, and all that.
Meanwhile, declining from the noon of day,
The sun obliquely shoots his burning ray;
The hungry judges soon the sentence sign,
And wretches hang that jury-men may dine;
The merchant from th' Exchange returns in peace,
And the long labours of the toilet cease.
Belinda now, whom thirst of fame invites,
Burns to encounter two adventrous knights,
At ombre singly to decide their doom;
And swells her breast with conquests yet to come.
Straight the three bands prepare in arms to join,
Each band the number of the sacred nine.
Soon as she spreads her hand, th' aerial guard
Descend, and sit on each important card:
First Ariel perch'd upon a Matadore,
Then each, according to the rank they bore;
For Sylphs, yet mindful of their ancient race,
Are, as when women, wondrous fond of place.
Behold, four Kings in majesty rever'd,
With hoary whiskers and a forky beard;
And four fair Queens whose hands sustain a flow'r,
Th' expressive emblem of their softer pow'r;
Four Knaves in garbs succinct, a trusty band,
Caps on their heads, and halberds in their hand;
And parti-colour'd troops, a shining train,
Draw forth to combat on the velvet plain.
The skilful nymph reviews her force with care:
"Let Spades be trumps!" she said, and trumps they were.
Now move to war her sable Matadores,
In show like leaders of the swarthy Moors.
Spadillio first, unconquerable lord!
Led off two captive trumps, and swept the board.
As many more Manillio forc'd to yield,
And march'd a victor from the verdant field.
Him Basto follow'd, but his fate more hard
Gain'd but one trump and one plebeian card.
With his broad sabre next, a chief in years,
The hoary Majesty of Spades appears;
Puts forth one manly leg, to sight reveal'd;
The rest, his many-colour'd robe conceal'd.
The rebel Knave, who dares his prince engage,
Proves the just victim of his royal rage.
Ev'n mighty Pam, that kings and queens o'erthrew
And mow'd down armies in the fights of loo,
Sad chance of war! now destitute of aid,
Falls undistinguish'd by the victor Spade!
Thus far both armies to Belinda yield;
Now to the baron fate inclines the field.
His warlike Amazon her host invades,
Th' imperial consort of the crown of Spades.
The Club's black tyrant first her victim died,
Spite of his haughty mien, and barb'rous pride:
What boots the regal circle on his head,
His giant limbs, in state unwieldy spread;
That long behind he trails his pompous robe,
And of all monarchs, only grasps the globe?
The baron now his diamonds pours apace;
Th' embroider'd King who shows but half his face,
And his refulgent Queen, with pow'rs combin'd
Of broken troops an easy conquest find.
Clubs, Diamonds, Hearts, in wild disorder seen,
With throngs promiscuous strow the level green.
Thus when dispers'd a routed army runs,
Of Asia's troops, and Afric's sable sons,
With like confusion diff'rent nations fly,
Of various habit, and of various dye,
The pierc'd battalions disunited fall.
In heaps on heaps; one fate o'erwhelms them all.
The Knave of Diamonds tries his wily arts,
And wins (oh shameful chance!) the Queen of Hearts.
At this, the blood the virgin's cheek forsook,
A livid paleness spreads o'er all her look;
She sees, and trembles at th' approaching ill,
Just in the jaws of ruin, and codille.
And now (as oft in some distemper'd state)
On one nice trick depends the gen'ral fate.
An Ace of Hearts steps forth: The King unseen
Lurk'd in her hand, and mourn'd his captive Queen:
He springs to vengeance with an eager pace,
And falls like thunder on the prostrate Ace.
The nymph exulting fills with shouts the sky;
The walls, the woods, and long canals reply.
Oh thoughtless mortals! ever blind to fate,
Too soon dejected, and too soon elate!
Sudden, these honours shall be snatch'd away,
And curs'd for ever this victorious day.
For lo! the board with cups and spoons is crown'd,
The berries crackle, and the mill turns round.
On shining altars of Japan they raise
The silver lamp; the fiery spirits blaze.
From silver spouts the grateful liquors glide,
While China's earth receives the smoking tide.
At once they gratify their scent and taste,
And frequent cups prolong the rich repast.
Straight hover round the fair her airy band;
Some, as she sipp'd, the fuming liquor fann'd,
Some o'er her lap their careful plumes display'd,
Trembling, and conscious of the rich brocade.
Coffee, (which makes the politician wise,
And see through all things with his half-shut eyes)
Sent up in vapours to the baron's brain
New stratagems, the radiant lock to gain.
Ah cease, rash youth! desist ere 'tis too late,
Fear the just gods, and think of Scylla's fate!
Chang'd to a bird, and sent to flit in air,
She dearly pays for Nisus' injur'd hair!
But when to mischief mortals bend their will,
How soon they find fit instruments of ill!
Just then, Clarissa drew with tempting grace
A two-edg'd weapon from her shining case;
So ladies in romance assist their knight
Present the spear, and arm him for the fight.
He takes the gift with rev'rence, and extends
The little engine on his fingers' ends;
This just behind Belinda's neck he spread,
As o'er the fragrant steams she bends her head.
Swift to the lock a thousand sprites repair,
A thousand wings, by turns, blow back the hair,
And thrice they twitch'd the diamond in her ear,
Thrice she look'd back, and thrice the foe drew near.
Just in that instant, anxious Ariel sought
The close recesses of the virgin's thought;
As on the nosegay in her breast reclin'd,
He watch'd th' ideas rising in her mind,
Sudden he view'd, in spite of all her art,
An earthly lover lurking at her heart.
Amaz'd, confus'd, he found his pow'r expir'd,
Resign'd to fate, and with a sigh retir'd.
The peer now spreads the glitt'ring forfex wide,
T' inclose the lock; now joins it, to divide.
Ev'n then, before the fatal engine clos'd,
A wretched Sylph too fondly interpos'd;
Fate urg'd the shears, and cut the Sylph in twain,
(But airy substance soon unites again).
The meeting points the sacred hair dissever
From the fair head, for ever, and for ever!
Then flash'd the living lightning from her eyes,
And screams of horror rend th' affrighted skies.
Not louder shrieks to pitying Heav'n are cast,
When husbands or when lap-dogs breathe their last,
Or when rich China vessels, fall'n from high,
In glitt'ring dust and painted fragments lie!
"Let wreaths of triumph now my temples twine,"
The victor cried, "the glorious prize is mine!
While fish in streams, or birds delight in air,
Or in a coach and six the British fair,
As long at Atalantis shall be read,
Or the small pillow grace a lady's bed,
While visits shall be paid on solemn days,
When num'rous wax-lights in bright order blaze,
While nymphs take treats, or assignations give,
So long my honour, name, and praise shall live!
What time would spare, from steel receives its date,
And monuments, like men, submit to fate!
Steel could the labour of the gods destroy,
And strike to dust th' imperial tow'rs of Troy;
Steel could the works of mortal pride confound,
And hew triumphal arches to the ground.
What wonder then, fair nymph! thy hairs should feel
The conqu'ring force of unresisted steel?"
|
Written by
Paul Laurence Dunbar |
There is a heaven, for ever, day by day,
The upward longing of my soul doth tell me so.
There is a hell, I'm quite as sure; for pray
If there were not, where would my neighbours go?
|
Written by
James Whitcomb Riley |
A goddess, with a siren's grace,--
A sun-haired girl on a craggy place
Above a bay where fish-boats lay
Drifting about like birds of prey.
Wrought was she of a painter's dream,--
Wise only as are artists wise,
My artist-friend, Rolf Herschkelhiem,
With deep sad eyes of oversize,
And face of melancholy guise.
I pressed him that he tell to me
This masterpiece's history.
He turned--REturned--and thus beguiled
Me with the tale of Orlie Wilde:--
"We artists live ideally:
We breed our firmest facts of air;
We make our own reality--
We dream a thing and it is so.
The fairest scenes we ever see
Are mirages of memory;
The sweetest thoughts we ever know
We plagiarize from Long Ago:
And as the girl on canvas there
Is marvelously rare and fair,
'Tis only inasmuch as she
Is dumb and may not speak to me!"
He tapped me with his mahlstick--then
The picture,--and went on again:
"Orlie Wilde, the fisher's child--
I see her yet, as fair and mild
As ever nursling summer day
Dreamed on the bosom of the bay:
For I was twenty then, and went
Alone and long-haired--all content
With promises of sounding name
And fantasies of future fame,
And thoughts that now my mind discards
As editor a fledgling bard's.
"At evening once I chanced to go,
With pencil and portfolio,
Adown the street of silver sand
That winds beneath this craggy land,
To make a sketch of some old scurf
Of driftage, nosing through the surf
A splintered mast, with knarl and strand
Of rigging-rope and tattered threads
Of flag and streamer and of sail
That fluttered idly in the gale
Or whipped themselves to sadder shreds.
The while I wrought, half listlessly,
On my dismantled subject, came
A sea-bird, settling on the same
With plaintive moan, as though that he
Had lost his mate upon the sea;
And--with my melancholy trend--
It brought dim dreams half understood--
It wrought upon my morbid mood,--
I thought of my own voyagings
That had no end--that have no end.--
And, like the sea-bird, I made moan
That I was loveless and alone.
And when at last with weary wings
It went upon its wanderings,
With upturned face I watched its flight
Until this picture met my sight:
A goddess, with a siren's grace,--
A sun-haired girl on a craggy place
Above a bay where fish-boats lay
Drifting about like birds of prey.
"In airy poise she, gazing, stood
A machless form of womanhood,
That brought a thought that if for me
Such eyes had sought across the sea,
I could have swum the widest tide
That ever mariner defied,
And, at the shore, could on have gone
To that high crag she stood upon,
To there entreat and say, 'My Sweet,
Behold thy servant at thy feet.'
And to my soul I said: 'Above,
There stands the idol of thy love!'
"In this rapt, awed, ecstatic state
I gazed--till lo! I was aware
A fisherman had joined her there--
A weary man, with halting gait,
Who toiled beneath a basket's weight:
Her father, as I guessed, for she
Had run to meet him gleefully
And ta'en his burden to herself,
That perched upon her shoulder's shelf
So lightly that she, tripping, neared
A jutting crag and disappeared;
But she left the echo of a song
That thrills me yet, and will as long
As I have being! . . .
. . . "Evenings came
And went,--but each the same--the same:
She watched above, and even so
I stood there watching from below;
Till, grown so bold at last, I sung,--
(What matter now the theme thereof!)--
It brought an answer from her tongue--
Faint as the murmur of a dove,
Yet all the more the song of love. . . .
"I turned and looked upon the bay,
With palm to forehead--eyes a-blur
In the sea's smile--meant but for her!--
I saw the fish-boats far away
In misty distance, lightly drawn
In chalk-dots on the horizon--
Looked back at her, long, wistfully;--
And, pushing off an empty skiff,
I beckoned her to quit the cliff
And yield me her rare company
Upon a little pleasure-cruise.--
She stood, as loathful to refuse,
To muse for full a moment's time,--
Then answered back in pantomime
'She feared some danger from the sea
Were she discovered thus with me.'
I motioned then to ask her if
I might not join her on the cliff
And back again, with graceful wave
Of lifted arm, she anwer gave
'She feared some danger from the sea.'
"Impatient, piqued, impetuous, I
Sprang in the boat, and flung 'Good-by'
From pouted mouth with angry hand,
And madly pulled away from land
With lusty stroke, despite that she
Held out her hands entreatingly:
And when far out, with covert eye
I shoreward glanced, I saw her fly
In reckless haste adown the crag,
Her hair a-flutter like a flag
Of gold that danced across the strand
In little mists of silver sand.
All curious I, pausing, tried
To fancy what it all implied,--
When suddenly I found my feet
Were wet; and, underneath the seat
On which I sat, I heard the sound
Of gurgling waters, and I found
The boat aleak alarmingly. . . .
I turned and looked upon the sea,
Whose every wave seemed mocking me;
I saw the fishers' sails once more--
In dimmer distance than before;
I saw the sea-bird wheeling by,
With foolish wish that _I_ could fly:
I thought of firm earth, home and friends--
I thought of everything that tends
To drive a man to frenzy and
To wholly lose his own command;
I thought of all my waywardness--
Thought of a mother's deep distress;
Of youthful follies yet unpurged--
Sins, as the seas, about me surged--
Thought of the printer's ready pen
To-morrow drowning me again;--
A million things without a name--
I thought of everything but--Fame. . . .
"A memory yet is in my mind,
So keenly clear and sharp-defined,
I picture every phase and line
Of life and death, and neither mine,--
While some fair seraph, golden-haired,
Bends over me,--with white arms bared,
That strongly plait themselves about
My drowning weight and lift me out--
With joy too great for words to state
Or tongue to dare articulate!
"And this seraphic ocean-child
And heroine was Orlie Wilde:
And thus it was I came to hear
Her voice's music in my ear--
Ay, thus it was Fate paved the way
That I walk desolate to-day!" . . .
The artist paused and bowed his face
Within his palms a little space,
While reverently on his form
I bent my gaze and marked a storm
That shook his frame as wrathfully
As some typhoon of agony,
And fraught with sobs--the more profound
For that peculiar laughing sound
We hear when strong men weep. . . . I leant
With warmest sympathy--I bent
To stroke with soothing hand his brow,
He murmuring--"Tis over now!--
And shall I tie the silken thread
Of my frail romance?" "Yes," I said.--
He faintly smiled; and then, with brow
In kneading palm, as one in dread--
His tasseled cap pushed from his head
" 'Her voice's music,' I repeat,"
He said,--" 'twas sweet--O passing sweet!--
Though she herself, in uttering
Its melody, proved not the thing
Of loveliness my dreams made meet
For me--there, yearning, at her feet--
Prone at her feet--a worshiper,--
For lo! she spake a tongue," moaned he,
"Unknown to me;--unknown to me
As mine to her--as mine to her."
|
Written by
J R R Tolkien |
O Orofarne, Lassemista, Carnimirie!
O rowan fair, upon your hair how white the blossom lay!
O rowan mine, I saw you shine upon a summer's day,
Your rind so bright, your leaves so light, your voice so cool and soft!
Upon your head how golden-red the crown you bare aloft!
O rowan dead, upon your head your haif is dry and grey;
Your crown is spilled, your voice is stilled for ever and a day.
O Orofarne, Lassemista, Carnimirie!
|
Written by
Robert Herrick |
A PASTORAL UPON THE BIRTH OF PRINCE CHARLES:
PRESENTED TO THE KING, AND SET BY MR NIC. LANIERE
THE SPEAKERS: MIRTILLO, AMINTAS, AND AMARILLIS
AMIN. Good day, Mirtillo. MIRT. And to you no less;
And all fair signs lead on our shepherdess.
AMAR. With all white luck to you. MIRT. But say,
What news
Stirs in our sheep-walk? AMIN. None, save that my
ewes,
My wethers, lambs, and wanton kids are well,
Smooth, fair, and fat; none better I can tell:
Or that this day Menalchas keeps a feast
For his sheep-shearers. MIRT. True, these are the least.
But dear Amintas, and sweet Amarillis,
Rest but a while here by this bank of lilies;
And lend a gentle ear to one report
The country has. AMIN. From whence? AMAR. From
whence? MIRT. The Court.
Three days before the shutting-in of May,
(With whitest wool be ever crown'd that day!)
To all our joy, a sweet-faced child was born,
More tender than the childhood of the morn.
CHORUS:--Pan pipe to him, and bleats of lambs and
sheep
Let lullaby the pretty prince asleep!
MIRT. And that his birth should be more singular,
At noon of day was seen a silver star,
Bright as the wise men's torch, which guided them
To God's sweet babe, when born at Bethlehem;
While golden angels, some have told to me,
Sung out his birth with heav'nly minstrelsy.
AMIN. O rare! But is't a trespass, if we three
Should wend along his baby-ship to see?
MIRT. Not so, not so. CHOR. But if it chance to prove
At most a fault, 'tis but a fault of love.
AMAR. But, dear Mirtillo, I have heard it told,
Those learned men brought incense, myrrh, and gold,
From countries far, with store of spices sweet,
And laid them down for offerings at his feet.
MIRT. 'Tis true, indeed; and each of us will bring
Unto our smiling and our blooming King,
A neat, though not so great an offering.
AMAR. A garland for my gift shall be,
Of flowers ne'er suck'd by th' thieving bee;
And all most sweet, yet all less sweet than he.
AMIN. And I will bear along with you
Leaves dropping down the honied dew,
With oaten pipes, as sweet, as new.
MIRT. And I a sheep-hook will bestow
To have his little King-ship know,
As he is Prince, he's Shepherd too.
CHOR. Come, let's away, and quickly let's be drest,
And quickly give:--the swiftest grace is best.
And when before him we have laid our treasures,
We'll bless the babe:--then back to country pleasures.
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