10 Best Famous Foots Poems

Here is a collection of the top 10 all-time best famous Foots poems. This is a select list of the best famous Foots poetry. Reading, writing, and enjoying famous Foots poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of foots poems.

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Three HaPence a Foot

by Marriott Edgar
 I'll tell you an old-fashioned story 
That Grandfather used to relate, 
Of a joiner and building contractor; 
'Is name, it were Sam Oglethwaite.

In a shop on the banks of the Irwell, 
Old Sam used to follow 'is trade, 
In a place you'll have 'eard of, called Bury; 
You know, where black puddings is made.

One day, Sam were filling a knot 'ole 
Wi' putty, when in thro' the door 
Came an old feller fair wreathed wi' whiskers; 
T'ould chap said 'Good morning, I'm Noah.' 

Sam asked Noah what was 'is business, 
And t'ould chap went on to remark, 
That not liking the look of the weather, 
'E were thinking of building an Ark. 

'E'd gotten the wood for the bulwarks, 
And all t'other shipbuilding junk, 
And wanted some nice Bird's Eye Maple 
To panel the side of 'is bunk.

Now Maple were Sam's Monopoly; 
That means it were all 'is to cut, 
And nobody else 'adn't got none; 
So 'e asked Noah three ha'pence a foot.

'A ha'penny too much,' replied Noah 
'A Penny a foot's more the mark; 
A penny a foot, and when t'rain comes, 
I'll give you a ride in me Ark.' 
But neither would budge in the bargain; 
The whole daft thing were kind of a jam, 
So Sam put 'is tongue out at Noah, 
And Noah made 'Long Bacon ' at Sam 

In wrath and ill-feeling they parted, 
Not knowing when they'd meet again, 
And Sam had forgot all about it, 
'Til one day it started to rain. 

It rained and it rained for a fortni't, 
And flooded the 'ole countryside. 
It rained and it kept' on raining, 
'Til the Irwell were fifty mile wide.

The 'ouses were soon under water, 
And folks to the roof 'ad to climb. 
They said 'twas the rottenest summer 
That Bury 'ad 'ad for some time. 

The rain showed no sign of abating, 
And water rose hour by hour, 
'Til the only dry land were at Blackpool, 
And that were on top of the Tower.

So Sam started swimming to Blackpool; 
It took 'im best part of a week. 
'Is clothes were wet through when 'e got there, 
And 'is boots were beginning to leak.

'E stood to 'is watch-chain in water, 
On Tower top, just before dark, 
When who should come sailing towards 'im 
But old Noah, steering 'is Ark.

They stared at each other in silence, 
'Til Ark were alongside, all but, 
Then Noah said: 'What price yer Maple?' 
Sam answered 'Three ha'pence a foot.'

Noah said 'Nay; I'll make thee an offer, 
The same as I did t'other day. 
A penny a foot and a free ride. 
Now, come on, lad, what does tha say?' 

'Three ha'pence a foot,' came the answer.
So Noah 'is sail 'ad to hoist, 
And sailed off again in a dudgeon, 
While Sam stood determined, but moist.

Noah cruised around, flying 'is pigeons, 
'Til fortieth day of the wet, 
And on 'is way back, passing Blackpool, 
'E saw old Sam standing there yet.

'Is chin just stuck out of the water; 
A comical figure 'e cut, 
Noah said: 'Now what's the price of yer Maple?' 
Sam answered: 'Three ha'pence a foot.' 

Said Noah: 'Ye'd best take my offer; 
It's last time I'll be hereabout; 
And if water comes half an inch higher, 
I'll happen get Maple for nowt.' 

'Three ha'pence a foot it'll cost yer, 
And as fer me,' Sam said, 'don't fret. 
The sky's took a turn since this morning; 
I think it'll brighten up yet.'

No Buyers

by Thomas Hardy
 A Load of brushes and baskets and cradles and chairs
Labours along the street in the rain:
With it a man, a woman, a pony with whiteybrown hairs. --
The man foots in front of the horse with a shambling sway
At a slower tread than a funeral train,
While to a dirge-like tune he chants his wares,
Swinging a Turk's-head brush (in a drum-major's way
When the bandsmen march and play).

A yard from the back of the man is the whiteybrown pony's nose:
He mirrors his master in every item of pace and pose:
He stops when the man stops, without being told,
And seems to be eased by a pause; too plainly he's old,
Indeed, not strength enough shows
To steer the disjointed waggon straight,
Which wriggles left and right in a rambling line,
Deflected thus by its own warp and weight,
And pushing the pony with it in each incline.

The woman walks on the pavement verge,
Parallel to the man:
She wears an apron white and wide in span,
And carries a like Turk's-head, but more in nursing-wise:
Now and then she joins in his dirge,
But as if her thoughts were on distant things,
The rain clams her apron till it clings. --
So, step by step, they move with their merchandize,
And nobody buys.

Count Eberhard The Groaner Of Wurtembert. A War Song

by Friedrich von Schiller
 Now hearken, ye who take delight
In boasting of your worth!
To many a man, to many a knight,
Beloved in peace and brave in fight,
The Swabian land gives birth.

Of Charles and Edward, Louis, Guy,
And Frederick, ye may boast;
Charles, Edward, Louis, Frederick, Guy--
None with Sir Eberhard can vie--
Himself a mighty host!

And then young Ulerick, his son,
Ha! how he loved the fray!
Young Ulerick, the Count's bold son,
When once the battle had begun,
No foot's-breadth e'er gave way.

The Reutlingers, with gnashing teeth,
Saw our bright ranks revealed
And, panting for the victor's wreath,
They drew the sword from out the sheath,
And sought the battle-field.

He charged the foe,--but fruitlessly,--
Then, mail-clad, homeward sped;
Stern anger filled his father's eye,
And made the youthful warrior fly,
And tears of anguish shed.

Now, rascals, quake!--This grieved him sore,
And rankled in his brain;
And by his father's beard he swore,
With many a craven townsman's gore
To wash out this foul stain.

Ere long the feud raged fierce and loud,--
Then hastened steed and man
To Doeffingen in thronging crowd,
While joy inspired the youngster proud,--
And soon the strife began.

Our army's signal-word that day
Was the disastrous fight;
It spurred us on like lightning's ray,
And plunged us deep in bloody fray,
And in the spears' black night.

The youthful Count his ponderous mace
With lion's rage swung round;
Destruction stalked before his face,
While groans and howlings filled the place
And hundreds bit the ground.

Woe! Woe! A heavy sabre-stroke
Upon his neck descended;
The sight each warrior's pity woke--
In vain! In vain! No word he spoke--
His course on earth was ended.

Loud wept both friend and foeman then,
Checked was the victor's glow;
The count cheered thus his knights again--
"My son is like all other men,--
March, children, 'gainst the foe!"

With greater fury whizzed each lance,
Revenge inflamed the blood;
O'er corpses moved the fearful dance
The townsmen fled in random chance
O'er mountain, vale, and flood.

Then back to camp, with trumpet's bray,
We hied in joyful haste;
And wife and child, with roundelay,
With clanging cup and waltzes gay,
Our glorious triumph graced.

And our old Count,--what now does he?
His son lies dead before him;
Within his tent all woefully
He sits alone in agony,
And drops one hot tear o'er him.

And so, with true affection warm,
The Count our lord we love;
Himself a mighty hero-swarm--
The thunders rest within his arm--
He shines like star above!

Farewell, then, ye who take delight
In boasting of your worth!
To many a man, to many a knight,
Beloved in peace, and brave in fight,
The Swabian land gives birth!

The Parsons Son

by Robert William Service
 This is the song of the parson's son, as he squats in his shack alone,
On the wild, weird nights, when the Northern Lights shoot up from the frozen zone,
And it's sixty below, and couched in the snow the hungry huskies moan:

"I'm one of the Arctic brotherhood, I'm an old-time pioneer.
I came with the first -- O God! how I've cursed this Yukon -- but still I'm here.
I've sweated athirst in its summer heat, I've frozen and starved in its cold;
I've followed my dreams by its thousand streams, I've toiled and moiled for its gold.

"Look at my eyes -- been snow-blind twice; look where my foot's half gone;
And that gruesome scar on my left cheek, where the frost-fiend bit to the bone.
Each one a brand of this devil's land, where I've played and I've lost the game,
A broken wreck with a craze for `hooch', and never a cent to my name.

"This mining is only a gamble; the worst is as good as the best;
I was in with the bunch and I might have come out right on top with the rest;
With Cormack, Ladue and Macdonald -- O God! but it's hell to think
Of the thousands and thousands I've squandered on cards and women and drink.

"In the early days we were just a few, and we hunted and fished around,
Nor dreamt by our lonely camp-fires of the wealth that lay under the ground.
We traded in skins and whiskey, and I've often slept under the shade
Of that lone birch tree on Bonanza, where the first big find was made.

"We were just like a great big family, and every man had his squaw,
And we lived such a wild, free, fearless life beyond the pale of the law;
Till sudden there came a whisper, and it maddened us every man,
And I got in on Bonanza before the big rush began.

"Oh, those Dawson days, and the sin and the blaze, and the town all open wide!
(If God made me in His likeness, sure He let the devil inside.)
But we all were mad, both the good and the bad, and as for the women, well --
No spot on the map in so short a space has hustled more souls to hell.

"Money was just like dirt there, easy to get and to spend.
I was all caked in on a dance-hall jade, but she shook me in the end.
It put me *****, and for near a year I never drew sober breath,
Till I found myself in the bughouse ward with a claim staked out on death.

"Twenty years in the Yukon, struggling along its creeks;
Roaming its giant valleys, scaling its god-like peaks;
Bathed in its fiery sunsets, fighting its fiendish cold --
Twenty years in the Yukon . . . twenty years -- and I'm old.

"Old and weak, but no matter, there's `hooch' in the bottle still.
I'll hitch up the dogs to-morrow, and mush down the trail to Bill.
It's so long dark, and I'm lonesome -- I'll just lay down on the bed;
To-morrow I'll go . . . to-morrow . . . I guess I'll play on the red.

". . . Come, Kit, your pony is saddled. I'm waiting, dear, in the court . . .
. . . Minnie, you devil, I'll kill you if you skip with that flossy sport . . .
. . . How much does it go to the pan, Bill? . . . play up, School, and play the game . . .
. . . Our Father, which art in heaven, hallowed be Thy name . . ."

This was the song of the parson's son, as he lay in his bunk alone,
Ere the fire went out and the cold crept in, and his blue lips ceased to moan,
And the hunger-maddened malamutes had torn him flesh from bone.

Mushrooms

by Sylvia Plath
 Overnight, very
Whitely, discreetly,
Very quietly

Our toes, our noses
Take hold on the loam,
Acquire the air.

Nobody sees us,
Stops us, betrays us;
The small grains make room.

Soft fists insist on
Heaving the needles,
The leafy bedding,

Even the paving.
Our hammers, our rams,
Earless and eyeless,

Perfectly voiceless,
Widen the crannies,
Shoulder through holes. We

Diet on water,
On crumbs of shadow,
Bland-mannered, asking

Little or nothing.
So many of us!
So many of us!

We are shelves, we are
Tables, we are meek,
We are edible,

Nudgers and shovers
In spite of ourselves.
Our kind multiplies:

We shall by morning
Inherit the earth.
Our foot's in the door.

The Grey Rock

by William Butler Yeats
 Poets with whom I learned my trade.
Companions of the Cheshire Cheese,
Here's an old story I've remade,
Imagining 'twould better please
Your cars than stories now in fashion,
Though you may think I waste my breath
Pretending that there can be passion
That has more life in it than death,
And though at bottling of your wine
Old wholesome Goban had no say;
The moral's yours because it's mine.

When cups went round at close of day --
Is not that how good stories run? --
The gods were sitting at the board
In their great house at Slievenamon.
They sang a drowsy song, Or snored,
For all were full of wine and meat.
The smoky torches made a glare
On metal Goban 'd hammered at,
On old deep silver rolling there
Or on somc still unemptied cup
That he, when frenzy stirred his thews,
Had hammered out on mountain top
To hold the sacred stuff he brews
That only gods may buy of him.

Now from that juice that made them wise
All those had lifted up the dim
Imaginations of their eyes,
For one that was like woman made
Before their sleepy eyelids ran
And trembling with her passion said,
'Come out and dig for a dead man,
Who's burrowing Somewhere in the ground
And mock him to his face and then
Hollo him on with horse and hound,
For he is the worst of all dead men.'

We should be dazed and terror-struck,
If we but saw in dreams that room,
Those wine-drenched eyes, and curse our luck
That empticd all our days to come.
I knew a woman none could please,
Because she dreamed when but a child
Of men and women made like these;
And after, when her blood ran wild,
Had ravelled her own story out,
And said, 'In two or in three years
I needs must marry some poor lout,'
And having said it, burst in tears.

Since, tavern comrades, you have died,
Maybe your images have stood,
Mere bone and muscle thrown aside,
Before that roomful or as good.
You had to face your ends when young -
'Twas wine or women, or some curse -
But never made a poorer song
That you might have a heavier purse,
Nor gave loud service to a cause
That you might have a troop of friends,
You kept the Muses' sterner laws,
And unrepenting faced your ends,
And therefore earned the right - and yet
Dowson and Johnson most I praise - 
To troop with those the world's forgot,
And copy their proud steady gaze.

'The Danish troop was driven out
Between the dawn and dusk,' she said;
'Although the event was long in doubt.
Although the King of Ireland's dead
And half the kings, before sundown
All was accomplished.

 'When this day
Murrough, the King of Ireland's son,
Foot after foot was giving way,
He and his best troops back to back
Had perished there, but the Danes ran,
Stricken with panic from the attack,
The shouting of an unseen man;
And being thankful Murrough found,
Led by a footsole dipped in blood
That had made prints upon the ground,
Where by old thorn-trees that man stood;
And though when he gazed here and there,
He had but gazed on thorn-trees, spoke,
"Who is the friend that seems but air
And yet could give so fine a stroke?"
Thereon a young man met his eye,
Who said, "Because she held me in
Her love, and would not have me die,
Rock-nurtured Aoife took a pin,
And pushing it into my shirt,
Promised that for a pin's sake
No man should see to do me hurt;
But there it's gone; I will not take
The fortune that had been my shame
Seeing, King's son, what wounds you have."
'Twas roundly spoke, but when night came
He had betrayed me to his grave,
For he and the King's son were dead.
I'd promised him two hundred years,
And when for all I'd done or said --
And these immortal eyes shed tears --
He claimed his country's need was most,
I'd saved his life, yet for the sake
Of a new friend he has turned a ghost.
What does he cate if my heart break?
I call for spade and horse and hound
That we may harry him.' Thereon
She cast herself upon the ground
And rent her clothes and made her moan:
'Why are they faithless when their might
Is from the holy shades that rove
The grey rock and the windy light?
Why should the faithfullest heart most love
The bitter sweetness of false faces?
Why must the lasting love what passes,
Why are the gods by men betrayed?'

But thereon every god stood up
With a slow smile and without sound,
And Stretching forth his arm and cup
To where she moaned upon the ground,
Suddenly drenched her to the skin;
And she with Goban's wine adrip,
No more remembering what had been.
Stared at the gods with laughing lip.

I have kept my faith, though faith was tried,
To that rock-born, rock-wandering foot,
And thc world's altered since you died,
And I am in no good repute
With the loud host before the sea,
That think sword-strokes were better meant
Than lover's music -- let that be,
So that the wandering foot's content.

Zara, The Bather

by Victor Hugo
 ("Sara, belle d'indolence.") 
 
 {XIX., August, 1828.} 


 In a swinging hammock lying, 
 Lightly flying, 
 Zara, lovely indolent, 
 O'er a fountain's crystal wave 
 There to lave 
 Her young beauty—see her bent. 
 
 As she leans, so sweet and soft, 
 Flitting oft, 
 O'er the mirror to and fro, 
 Seems that airy floating bat, 
 Like a feather 
 From some sea-gull's wing of snow. 
 
 Every time the frail boat laden 
 With the maiden 
 Skims the water in its flight, 
 Starting from its trembling sheen, 
 Swift are seen 
 A white foot and neck so white. 
 
 As that lithe foot's timid tips 
 Quick she dips, 
 Passing, in the rippling pool, 
 (Blush, oh! snowiest ivory!) 
 Frolic, she 
 Laughs to feel the pleasant cool. 
 
 Here displayed, but half concealed— 
 Half revealed, 
 Each bright charm shall you behold, 
 In her innocence emerging, 
 As a-verging 
 On the wave her hands grow cold. 
 
 For no star howe'er divine 
 Has the shine 
 Of a maid's pure loveliness, 
 Frightened if a leaf but quivers 
 As she shivers, 
 Veiled with naught but dripping trees. 
 
 By the happy breezes fanned 
 See her stand,— 
 Blushing like a living rose, 
 On her bosom swelling high 
 If a fly 
 Dare to seek a sweet repose. 
 
 In those eyes which maiden pride 
 Fain would hide, 
 Mark how passion's lightnings sleep! 
 And their glance is brighter far 
 Than the star 
 Brightest in heaven's bluest deep. 
 
 O'er her limbs the glittering current 
 In soft torrent 
 Rains adown the gentle girl, 
 As if, drop by drop, should fall, 
 One and all 
 From her necklace every pearl. 
 
 Lengthening still the reckless pleasure 
 At her leisure, 
 Care-free Zara ever slow 
 As the hammock floats and swings 
 Smiles and sings, 
 To herself, so sweet and low. 
 
 "Oh, were I a capitana, 
 Or sultana, 
 Amber should be always mixt 
 In my bath of jewelled stone, 
 Near my throne, 
 Griffins twain of gold betwixt. 
 
 "Then my hammock should be silk, 
 White as milk; 
 And, more soft than down of dove, 
 Velvet cushions where I sit 
 Should emit 
 Perfumes that inspire love. 
 
 "Then should I, no danger near, 
 Free from fear, 
 Revel in my garden's stream; 
 Nor amid the shadows deep 
 Dread the peep, 
 Of two dark eyes' kindling gleam. 
 
 "He who thus would play the spy, 
 On the die 
 For such sight his head must throw; 
 In his blood the sabre naked 
 Would be slakèd, 
 Of my slaves of ebon brow. 
 
 "Then my rich robes trailing show 
 As I go, 
 None to chide should be so bold; 
 And upon my sandals fine 
 How should shine 
 Rubies worked in cloth-of-gold!" 
 
 Fancying herself a queen, 
 All unseen, 
 Thus vibrating in delight; 
 In her indolent coquetting 
 Quite forgetting 
 How the hours wing their flight. 
 
 As she lists the showery tinkling 
 Of the sprinkling 
 By her wanton curvets made; 
 Never pauses she to think 
 Of the brink 
 Where her wrapper white is laid. 
 
 To the harvest-fields the while, 
 In long file, 
 Speed her sisters' lively band, 
 Like a flock of birds in flight 
 Streaming light, 
 Dancing onward hand in hand. 
 
 And they're singing, every one, 
 As they run 
 This the burden of their lay: 
 "Fie upon such idleness! 
 Not to dress 
 Earlier on harvest-day!" 
 
 JOHN L. O'SULLIVAN. 


 




Joy And Sorrow

by Johann Wolfgang von Goethe
 As a fisher-boy I fared

To the black rock in the sea,
And, while false gifts I prepared.

Listen'd and sang merrily,
Down descended the decoy,

Soon a fish attack'd the bait;
One exultant shout of joy,--

And the fish was captured straight.

Ah! on shore, and to the wood

Past the cliffs, o'er stock and stone,
One foot's traces I pursued,

And the maiden was alone.
Lips were silent, eyes downcast

As a clasp-knife snaps the bait,
With her snare she seized me fast,

And the boy was captured straight.

Heav'n knows who's the happy swain

That she rambles with anew!
I must dare the sea again,

Spite of wind and weather too.
When the great and little fish

Wail and flounder in my net,
Straight returns my eager wish

In her arms to revel yet!

1815.

Storm and Sunlight

by Siegfried Sassoon
 I

In barns we crouch, and under stacks of straw, 
Harking the storm that rides a hurtling legion 
Up the arched sky, and speeds quick heels of panic 
With growling thunder loosed in fork and clap 
That echoes crashing thro’ the slumbrous vault.
The whispering woodlands darken: vulture Gloom 
Stoops, menacing the skeltering flocks of Light, 
Where the gaunt shepherd shakes his gleaming staff 
And foots with angry tidings down the slope. 
Drip, drip; the rain steals in through soaking thatch
By cob-webbed rafters to the dusty floor. 
Drums shatter in the tumult; wrathful Chaos 
Points pealing din to the zenith, then resolves 
Terror in wonderment with rich collapse. 

II

Now from drenched eaves a swallow darts to skim 
The crystal stillness of an air unveiled 
To tremulous blue. Raise your bowed heads, and let 
Your horns adore the sky, ye patient kine! 
Haste, flashing brooks! Small, chuckling rills, rejoice! 
Be open-eyed for Heaven, ye pools of peace! 
Shine, rain-bow hills! Dream on, fair glimps?d vale 
In haze of drifting gold! And all sweet birds, 
Sing out your raptures to the radiant leaves! 
And ye, close huddling Men, come forth to stand 
A moment simple in the gaze of God
That sweeps along your pastures! Breathe his might! 
Lift your blind faces to be filled with day, 
And share his benediction with the flowers.

Sonnet 18 - I never gave a lock of hair away

by Elizabeth Barrett Browning
 I never gave a lock of hair away
To a man, Dearest, except this to thee,
Which now upon my fingers thoughtfully,
I ring out to the full brown length and say
'Take it.' My day of youth went yesterday;
My hair no longer bounds to my foot's glee,
Nor plant I it from rose or myrtle-tree,
As girls do, any more: it only may
Now shade on two pale cheeks the mark of tears,
Taught drooping from the head that hangs aside
Through sorrow's trick. I thought the funeral-shears
Would take this first, but Love is justified,—
Take it thou,—finding pure, from all those years,
The kiss my mother left here when she died.
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