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Best Famous Fooling Poems

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Written by Robert Frost | Create an image from this poem

A Servant to Servants

 I didn't make you know how glad I was 
To have you come and camp here on our land. 
I promised myself to get down some day 
And see the way you lived, but I don't know! 
With a houseful of hungry men to feed 
I guess you'd find.... It seems to me 
I can't express my feelings any more 
Than I can raise my voice or want to lift 
My hand (oh, I can lift it when I have to). 
Did ever you feel so? I hope you never. 
It's got so I don't even know for sure 
Whether I am glad, sorry, or anything. 
There's nothing but a voice-like left inside 
That seems to tell me how I ought to feel, 
And would feel if I wasn't all gone wrong. 
You take the lake. I look and look at it. 
I see it's a fair, pretty sheet of water. 
I stand and make myself repeat out loud 
The advantages it has, so long and narrow, 
Like a deep piece of some old running river 
Cut short off at both ends. It lies five miles 
Straight away through the mountain notch 
From the sink window where I wash the plates, 
And all our storms come up toward the house, 
Drawing the slow waves whiter and whiter and whiter. 
It took my mind off doughnuts and soda biscuit 
To step outdoors and take the water dazzle 
A sunny morning, or take the rising wind 
About my face and body and through my wrapper, 
When a storm threatened from the Dragon's Den, 
And a cold chill shivered across the lake. 
I see it's a fair, pretty sheet of water, 
Our Willoughby! How did you hear of it? 
I expect, though, everyone's heard of it. 
In a book about ferns? Listen to that! 
You let things more like feathers regulate 
Your going and coming. And you like it here? 
I can see how you might. But I don't know! 
It would be different if more people came, 
For then there would be business. As it is, 
The cottages Len built, sometimes we rent them, 
Sometimes we don't. We've a good piece of shore 
That ought to be worth something, and may yet. 
But I don't count on it as much as Len. 
He looks on the bright side of everything, 
Including me. He thinks I'll be all right 
With doctoring. But it's not medicine-- 
Lowe is the only doctor's dared to say so-- 
It's rest I want--there, I have said it out-- 
From cooking meals for hungry hired men 
And washing dishes after them--from doing 
Things over and over that just won't stay done. 
By good rights I ought not to have so much 
Put on me, but there seems no other way. 
Len says one steady pull more ought to do it. 
He says the best way out is always through. 
And I agree to that, or in so far 
As that I can see no way out but through-- 
Leastways for me--and then they'll be convinced. 
It's not that Len don't want the best for me. 
It was his plan our moving over in 
Beside the lake from where that day I showed you 
We used to live--ten miles from anywhere. 
We didn't change without some sacrifice, 
But Len went at it to make up the loss. 
His work's a man's, of course, from sun to sun, 
But he works when he works as hard as I do-- 
Though there's small profit in comparisons. 
(Women and men will make them all the same.) 
But work ain't all. Len undertakes too much. 
He's into everything in town. This year 
It's highways, and he's got too many men 
Around him to look after that make waste. 
They take advantage of him shamefully, 
And proud, too, of themselves for doing so. 
We have four here to board, great good-for-nothings, 
Sprawling about the kitchen with their talk 
While I fry their bacon. Much they care! 
No more put out in what they do or say 
Than if I wasn't in the room at all. 
Coming and going all the time, they are: 
I don't learn what their names are, let alone 
Their characters, or whether they are safe 
To have inside the house with doors unlocked. 
I'm not afraid of them, though, if they're not 
Afraid of me. There's two can play at that. 
I have my fancies: it runs in the family. 
My father's brother wasn't right. They kept him 
Locked up for years back there at the old farm. 
I've been away once--yes, I've been away. 
The State Asylum. I was prejudiced; 
I wouldn't have sent anyone of mine there; 
You know the old idea--the only asylum 
Was the poorhouse, and those who could afford, 
Rather than send their folks to such a place, 
Kept them at home; and it does seem more human. 
But it's not so: the place is the asylum. 
There they have every means proper to do with, 
And you aren't darkening other people's lives-- 
Worse than no good to them, and they no good 
To you in your condition; you can't know 
Affection or the want of it in that state. 
I've heard too much of the old-fashioned way. 
My father's brother, he went mad quite young. 
Some thought he had been bitten by a dog, 
Because his violence took on the form 
Of carrying his pillow in his teeth; 
But it's more likely he was crossed in love, 
Or so the story goes. It was some girl. 
Anyway all he talked about was love. 
They soon saw he would do someone a mischief 
If he wa'n't kept strict watch of, and it ended 
In father's building him a sort of cage, 
Or room within a room, of hickory poles, 
Like stanchions in the barn, from floor to ceiling,-- 
A narrow passage all the way around. 
Anything they put in for furniture 
He'd tear to pieces, even a bed to lie on. 
So they made the place comfortable with straw, 
Like a beast's stall, to ease their consciences. 
Of course they had to feed him without dishes. 
They tried to keep him clothed, but he paraded 
With his clothes on his arm--all of his clothes. 
Cruel--it sounds. I 'spose they did the best 
They knew. And just when he was at the height, 
Father and mother married, and mother came, 
A bride, to help take care of such a creature, 
And accommodate her young life to his. 
That was what marrying father meant to her. 
She had to lie and hear love things made dreadful 
By his shouts in the night. He'd shout and shout 
Until the strength was shouted out of him, 
And his voice died down slowly from exhaustion. 
He'd pull his bars apart like bow and bow-string, 
And let them go and make them twang until 
His hands had worn them smooth as any ox-bow. 
And then he'd crow as if he thought that child's play-- 
The only fun he had. I've heard them say, though, 
They found a way to put a stop to it. 
He was before my time--I never saw him; 
But the pen stayed exactly as it was 
There in the upper chamber in the ell, 
A sort of catch-all full of attic clutter. 
I often think of the smooth hickory bars. 
It got so I would say--you know, half fooling-- 
"It's time I took my turn upstairs in jail"-- 
Just as you will till it becomes a habit. 
No wonder I was glad to get away. 
Mind you, I waited till Len said the word. 
I didn't want the blame if things went wrong. 
I was glad though, no end, when we moved out, 
And I looked to be happy, and I was, 
As I said, for a while--but I don't know! 
Somehow the change wore out like a prescription. 
And there's more to it than just window-views 
And living by a lake. I'm past such help-- 
Unless Len took the notion, which he won't, 
And I won't ask him--it's not sure enough. 
I 'spose I've got to go the road I'm going: 
Other folks have to, and why shouldn't I? 
I almost think if I could do like you, 
Drop everything and live out on the ground-- 
But it might be, come night, I shouldn't like it, 
Or a long rain. I should soon get enough, 
And be glad of a good roof overhead. 
I've lain awake thinking of you, I'll warrant, 
More than you have yourself, some of these nights. 
The wonder was the tents weren't snatched away 
From over you as you lay in your beds. 
I haven't courage for a risk like that. 
Bless you, of course, you're keeping me from work, 
But the thing of it is, I need to be kept. 
There's work enough to do--there's always that; 
But behind's behind. The worst that you can do 
Is set me back a little more behind. 
I sha'n't catch up in this world, anyway.
I'd rather you'd not go unless you must.


Written by Carl Sandburg | Create an image from this poem

Theme In Yellow

 I spot the hills
With yellow balls in autumn.
I light the prairie cornfields
Orange and tawny gold clusters
And I am called pumpkins.
On the last of October
When dusk is fallen
Children join hands
And circle round me
Singing ghost songs
And love to the harvest moon;
I am a jack-o'-lantern
With terrible teeth
And the children know
I am fooling.
Written by Wilfred Owen | Create an image from this poem

Insensibility

 I

Happy are men who yet before they are killed
Can let their veins run cold.
Whom no compassion fleers
Or makes their feet
Sore on the alleys cobbled with their brothers.
The front line withers,
But they are troops who fade, not flowers
For poets' tearful fooling:
Men, gaps for filling
Losses who might have fought
Longer; but no one bothers.


 II

And some cease feeling
Even themselves or for themselves.
Dullness best solves
The tease and doubt of shelling,
And Chance's strange arithmetic
Comes simpler than the reckoning of their shilling.
They keep no check on Armies' decimation.


 III

Happy are these who lose imagination:
They have enough to carry with ammunition.
Their spirit drags no pack.
Their old wounds save with cold can not more ache.
Having seen all things red,
Their eyes are rid
Of the hurt of the colour of blood for ever.
And terror's first constriction over,
Their hearts remain small drawn.
Their senses in some scorching cautery of battle
Now long since ironed,
Can laugh among the dying, unconcerned.


 IV

Happy the soldier home, with not a notion
How somewhere, every dawn, some men attack,
And many sighs are drained.
Happy the lad whose mind was never trained:
His days are worth forgetting more than not.
He sings along the march
Which we march taciturn, because of dusk,
The long, forlorn, relentless trend
From larger day to huger night.


 V

We wise, who with a thought besmirch
Blood over all our soul,
How should we see our task
But through his blunt and lashless eyes?
Alive, he is not vital overmuch;
Dying, not mortal overmuch;
Nor sad, nor proud,
Nor curious at all.
He cannot tell
Old men's placidity from his.


 VI

But cursed are dullards whom no cannon stuns,
That they should be as stones.
Wretched are they, and mean
With paucity that never was simplicity.
By choice they made themselves immune
To pity and whatever mourns in man
Before the last sea and the hapless stars;
Whatever mourns when many leave these shores;
Whatever shares
The eternal reciprocity of tears.
Written by Robert William Service | Create an image from this poem

While The Bannock Bakes

 Light up your pipe again, old chum, and sit awhile with me;
I've got to watch the bannock bake -- how restful is the air!
You'd little think that we were somewhere north of Sixty-three,
Though where I don't exactly know, and don't precisely care.
The man-size mountains palisade us round on every side;
The river is a-flop with fish, and ripples silver-clear;
The midnight sunshine brims yon cleft -- we think it's the Divide;
We'll get there in a month, maybe, or maybe in a year.

It doesn't matter, does it, pal? We're of that breed of men
With whom the world of wine and cards and women disagree;
Your trouble was a roofless game of poker now and then,
And "raising up my elbow", that's what got away with me.
We're merely "Undesirables", artistic more or less;
My horny hands are Chopin-wise; you quote your Browning well;
And yet we're fooling round for gold in this damned wilderness:
The joke is, if we found it, we would both go straight to hell.

Well, maybe we won't find it -- and at least we've got the "life".
We're both as brown as berries, and could wrestle with a bear:
(That bannock's raising nicely, pal; just jab it with your knife.)
Fine specimens of manhood they would reckon us out there.
It's the tracking and the packing and the poling in the sun;
It's the sleeping in the open, it's the rugged, unfaked food;
It's the snow-shoe and the paddle, and the campfire and the gun,
And when I think of what I was, I know that it is good.

Just think of how we've poled all day up this strange little stream;
Since life began no eye of man has seen this place before;
How fearless all the wild things are! the banks with goose-grass gleam,
And there's a bronzy musk-rat sitting sniffing at his door.
A mother duck with brood of ten comes squattering along;
The tawny, white-winged ptarmigan are flying all about;
And in that swirly, golden pool, a restless, gleaming throng,
The trout are waiting till we condescend to take them out.

Ah, yes, it's good! I'll bet that there's no doctor like the Wild:
(Just turn that bannock over there; it's getting nicely brown.)
I might be in my grave by now, forgotten and reviled,
Or rotting like a sickly cur in some far, foreign town.
I might be that vile thing I was, -- it all seems like a dream;
I owed a man a grudge one time that only life could pay;
And yet it's half-forgotten now -- how petty these things seem!
(But that's "another story", pal; I'll tell it you some day.)

How strange two "irresponsibles" should chum away up here!
But round the Arctic Circle friends are few and far between.
We've shared the same camp-fire and tent for nigh on seven year,
And never had a word that wasn't cheering and serene.
We've halved the toil and split the spoil, and borne each other's packs;
By all the Wild's freemasonry we're brothers, tried and true;
We've swept on danger side by side, and fought it back to back,
And you would die for me, old pal, and I would die for you.

Now there was that time I got lost in Rory Bory Land,
(How quick the blizzards sweep on one across that Polar sea!)
You formed a rescue crew of One, and saw a frozen hand
That stuck out of a drift of snow -- and, partner, it was Me.
But I got even, did I not, that day the paddle broke?
White water on the Coppermine -- a rock -- a split canoe --
Two fellows struggling in the foam (one couldn't swim a stroke):
A half-drowned man I dragged ashore . . . and partner, it was You.

* * * * *

In Rory Borealis Land the winter's long and black.
The silence seems a solid thing, shot through with wolfish woe;
And rowelled by the eager stars the skies vault vastly back,
And man seems but a little mite on that weird-lit plateau.
No thing to do but smoke and yarn of wild and misspent lives,
Beside the camp-fire there we sat -- what tales you told to me
Of love and hate, and chance and fate, and temporary wives!
In Rory Borealis Land, beside the Arctic Sea.

One yarn you told me in those days I can remember still;
It seemed as if I visioned it, so sharp you sketched it in;
Bellona was the name, I think; a coast town in Brazil,
Where nobody did anything but serenade and sin.
I saw it all -- the jewelled sea, the golden scythe of sand,
The stately pillars of the palms, the feathery bamboo,
The red-roofed houses and the swart, sun-dominated land,
The people ever children, and the heavens ever blue.

You told me of that girl of yours, that blossom of old Spain,
All glamour, grace and witchery, all passion, verve and glow.
How maddening she must have been! You made me see her plain,
There by our little camp-fire, in the silence and the snow.
You loved her and she loved you. She'd a husband, too, I think,
A doctor chap, you told me, whom she treated like a dog,
A white man living on the beach, a hopeless slave to drink --
(Just turn that bannock over there, that's propped against the log.)

That story seemed to strike me, pal -- it happens every day:
You had to go away awhile, then somehow it befell
The doctor chap discovered, gave her up, and disappeared;
You came back, tired of her in time . . . there's nothing more to tell.
Hist! see those willows silvering where swamp and river meet!
Just reach me up my rifle quick; that's Mister Moose, I know --
There now, I've got him dead to rights . . . but hell! we've lots to eat
I don't believe in taking life -- we'll let the beggar go.

Heigh ho! I'm tired; the bannock's cooked; it's time we both turned in.
The morning mist is coral-kissed, the morning sky is gold.
The camp-fire's a confessional -- what funny yarns we spin!
It sort of made me think a bit, that story that you told.
The fig-leaf belt and Rory Bory are such odd extremes,
Yet after all how very small this old world seems to be . . .
Yes, that was quite a yarn, old pal, and yet to me it seems
You missed the point: the point is that the "doctor chap" . . . was ME. . . .
Written by Robert William Service | Create an image from this poem

The Man From Athabaska

 Oh the wife she tried to tell me that 'twas nothing but the thrumming
 Of a wood-pecker a-rapping on the hollow of a tree;
And she thought that I was fooling when I said it was the drumming
 Of the mustering of legions, and 'twas calling unto me;
 'Twas calling me to pull my freight and hop across the sea.

And a-mending of my fish-nets sure I started up in wonder,
 For I heard a savage roaring and 'twas coming from afar;
Oh the wife she tried to tell me that 'twas only summer thunder,
 And she laughed a bit sarcastic when I told her it was War;
 'Twas the chariots of battle where the mighty armies are.

Then down the lake came Half-breed Tom with russet sail a-flying,
 And the word he said was "War" again, so what was I to do?
Oh the dogs they took to howling, and the missis took to crying,
 As I flung my silver foxes in the little birch canoe:
 Yes, the old girl stood a-blubbing till an island hid the view.

Says the factor: "Mike, you're crazy! They have soldier men a-plenty.
 You're as grizzled as a badger, and you're sixty year or so."
"But I haven't missed a scrap," says I, "since I was one and twenty.
 And shall I miss the biggest? You can bet your whiskers -- no!"
 So I sold my furs and started . . . and that's eighteen months ago.

For I joined the Foreign Legion, and they put me for a starter
 In the trenches of the Argonne with the Boche a step away;
And the partner on my right hand was an apache from Montmartre;
 On my left there was a millionaire from Pittsburg, U. S. A.
 (Poor fellow! They collected him in bits the other day.)

But I'm sprier than a chipmunk, save a touch of the lumbago,
 And they calls me Old Methoosalah, and `blagues' me all the day.
I'm their exhibition sniper, and they work me like a Dago,
 And laugh to see me plug a Boche a half a mile away.
 Oh I hold the highest record in the regiment, they say.

And at night they gather round me, and I tell them of my roaming
 In the Country of the Crepuscule beside the Frozen Sea,
Where the musk-ox runs unchallenged, and the cariboo goes homing;
 And they sit like little children, just as quiet as can be:
 Men of every crime and colour, how they harken unto me!

And I tell them of the Furland, of the tumpline and the paddle,
 Of secret rivers loitering, that no one will explore;
And I tell them of the ranges, of the pack-strap and the saddle,
 And they fill their pipes in silence, and their eyes beseech for more;
 While above the star-shells fizzle and the high explosives roar.

And I tell of lakes fish-haunted, where the big bull moose are calling,
 And forests still as sepulchres with never trail or track;
And valleys packed with purple gloom, and mountain peaks appalling,
 And I tell them of my cabin on the shore at Fond du Lac;
 And I find myself a-thinking: Sure I wish that I was back.

So I brag of bear and beaver while the batteries are roaring,
 And the fellows on the firing steps are blazing at the foe;
And I yarn of fur and feather when the `marmites' are a-soaring,
 And they listen to my stories, seven `poilus' in a row,
 Seven lean and lousy poilus with their cigarettes aglow.

And I tell them when it's over how I'll hike for Athabaska;
 And those seven greasy poilus they are crazy to go too.
And I'll give the wife the "pickle-tub" I promised, and I'll ask her
 The price of mink and marten, and the run of cariboo,
 And I'll get my traps in order, and I'll start to work anew.

For I've had my fill of fighting, and I've seen a nation scattered,
 And an army swung to slaughter, and a river red with gore,
And a city all a-smoulder, and . . . as if it really mattered,
 For the lake is yonder dreaming, and my cabin's on the shore;
And the dogs are leaping madly, and the wife is singing gladly,
 And I'll rest in Athabaska, and I'll leave it nevermore.


Written by Carolyn Forche | Create an image from this poem

The Colonel

 What you have heard is true. I was in his house. 
His wife carried a tray of coffee and sugar. His 
daughter filed her nails, his son went out for the 
night. There were daily papers, pet dogs, a pistol 
on the cushion beside him. The moon swung bare on 
its black cord over the house. On the television 
was a cop show. It was in English. Broken bottles 
were embedded in the walls around the house to 
scoop the kneecaps from a man's legs or cut his 
hands to lace. On the windows there were gratings 
like those in liquor stores. We had dinner, rack of 
lamb, good wine, a gold bell was on the table for 
calling the maid. The maid brought green mangoes, 
salt, a type of bread. I was asked how I enjoyed 
the country. There was a brief commercial in 
Spanish. His wife took everything away. There was 
some talk of how difficult it had become to govern. 
The parrot said hello on the terrace. The colonel 
told it to shut up, and pushed himself from the 
table. My friend said to me with his eyes: say 
nothing. The colonel returned with a sack used to 
bring groceries home. He spilled many human ears on 
the table. They were like dried peach halves. There 
is no other way to say this. He took one of them in 
his hands, shook it in our faces, dropped it into a 
water glass. It came alive there. I am tired of 
fooling around he said. As for the rights of anyone, 
tell your people they can go f--- themselves. He 
swept the ears to the floor with his arm and held 
the last of his wine in the air. Something for your 
poetry, no? he said. Some of the ears on the floor 
caught this scrap of his voice. Some of the ears on 
the floor were pressed to the ground. 

May 1978
Written by Russell Edson | Create an image from this poem

The Fall

 There was a man who found two leaves and came 
indoors holding them out saying to his parents 
that he was a tree.

 To which they said then go into the yard and do 
not grow in the living room as your roots may 
ruin the carpet.

 He said I was fooling I am not a tree and he 
dropped his leaves.

 But his parents said look it is fall.
Written by Charles Simic | Create an image from this poem

The Bather

 Where the path to the lake twists out of sight,
A puff of dust, the kind bare feet make running,
Is what I saw in the dying light,
Night swooping down everywhere else.

A low branch heavy with leaves
Swaying momentarily where the shade
Lay thickest, some late bather
Disrobing right there for a quick dip--

(Or my solitude playing a trick on me?)
Pinned hair coming undone, soon to float
As she turns on her back, letting
The dozy current take her as it wishes

Beyond the last drooping branch
To where the sky opens
Black as the water under her white arms,
In the deepening night, deepening hush,

The treetops like charred paper edges,
Even the insects oddly reclusive
While I strained to hear a splash,
Or glimpse her running back to her clothes . . .

And when I did not; I just sat there.
The rare rush of wind in the leaves
Still fooling me now and then,
Until the chill made me go in.
Written by Carl Sandburg | Create an image from this poem

Laughing Corn

 THERE was a high majestic fooling
Day before yesterday in the yellow corn.

And day after to-morrow in the yellow corn
There will be high majestic fooling.

The ears ripen in late summer
And come on with a conquering laughter,
Come on with a high and conquering laughter.

The long-tailed blackbirds are hoarse.
One of the smaller blackbirds chitters on a stalk
And a spot of red is on its shoulder
And I never heard its name in my life.

Some of the ears are bursting.
A white juice works inside.
Cornsilk creeps in the end and dangles in the wind.
Always—I never knew it any other way—
The wind and the corn talk things over together.
And the rain and the corn and the sun and the corn
Talk things over together.

Over the road is the farmhouse.
The siding is white and a green blind is slung loose.
It will not be fixed till the corn is husked.
The farmer and his wife talk things over together.
Written by Robert William Service | Create an image from this poem

The Reckoning

 It's fine to have a blow-out in a fancy restaurant,
With terrapin and canvas-back and all the wine you want;
To enjoy the flowers and music, watch the pretty women pass,
Smoke a choice cigar, and sip the wealthy water in your glass.
It's bully in a high-toned joint to eat and drink your fill,
But it's quite another matter when you

 Pay the bill.

It's great to go out every night on fun or pleasure bent;
To wear your glad rags always and to never save a cent;
To drift along regardless, have a good time every trip;
To hit the high spots sometimes, and to let your chances slip;
To know you're acting foolish, yet to go on fooling still,
Till Nature calls a show-down, and you

 Pay the bill.

Time has got a little bill -- get wise while yet you may,
For the debit side's increasing in a most alarming way;
The things you had no right to do, the things you should have done,
They're all put down; it's up to you to pay for every one.
So eat, drink and be merry, have a good time if you will,
But God help you when the time comes, and you

 Foot the bill.

Book: Reflection on the Important Things