Written by
Sor Juana Inés de la Cruz |
My Lady (Español)
Perdite, señora, quiero
de mi silencio perdón,
si lo que ha sido atención
le hace parecer grosero.
Y no me podrás culpar
si hasta aquí mi proceder,
por ocuparse en querer,
se ha olvidado de explicar.
Que en mi amorosa pasión
no fue desuido, ni mengua,
quitar el uso a la lengua
por dárselo al corazón.
Ni de explicarme dejaba:
que, como la pasión mía
acá en el alma te vía,
acá en el alma te hablaba.
Y en esta idea notable
dichosamenta vivía,
porque en mi mano tenia
el fingirte favorable.
Con traza tan peregrina
vivió mi esperanza vana,
pues te pudo hacer humana
concibiéndote divina.
¡Oh, cuán loca llegué a verme
en tus dichosos amores,
que, aun fingidos, tus favroes
pudieron enloquecerme!
¡Oh, cómo, en tu sol hermoso
mi ardiente afecto encendido,
por cebarse en lo lucido,
olvidó lo peligroso!
Perdona, si atrevimiento
fue atreverme a tu ardor puro;
que no hay sagrado seguro
de culpas de pensamiento.
De esta manera engañaba
la loca esperanza mía,
y dentro de mí tenía
todo el bien que deseaba.
Mas ya tu precepto grave
rompe mi silencio mudo;
que él solamente ser pudo
de mi respeto la llave.
Y aunque el amar tu belleza
es delito sin disculpa
castígueseme la culpa
primero que la tibieza.
No quieras, pues, rigurosa,
que, estando ya declarada,
sea de veras desdichada
quien fue de burlas dichosa.
Si culpas mi desacato,
culpa también tu licencia;
que si es mala mi obediencia,
no fue justo tu mandato
Y si es culpable mi intento,
será mi afecto precito,
porque es amarte un delito
de que nunca me arrepiento.
Esto en mis afectos hallo,
y más, que explicar no sé;
mas tú, de lo que callé,
inferirás lo que callo.
Top of page
My Lady (English)
My lady, I must implore
forgiveness for keeping still,
if what I meant as tribute
ran contrary to your will.
Please do not reproach me
if the course I have maintained
in the eagerness of my love
left my silence unexplained.
I love you with so much passion,
neither rudeness nor neglect
can explain why I tied my tongue,
yet left my heart unchecked.
The matter to me was simple:
love for you was so strong,
I could see you in my soul
and talk to you all day long.
With this idea in mind,
I lived in utter delight,
pretending my subterfuge
found favor in your sight.
In this strange, ingenious fashion,
I allowed the hope to be mine
that I still might see as human
what I really conceived as divine.
Oh, how mad I became
in my blissful love of you,
for even though feigned, your favor
made all my madness seem true!
How unwisely my ardent love,
which your glorious sun inflamed,
sought to feed upon your brightness,
though the risk of your fire was plain!
Forgive me if, thus emboldened,
I made bold with that sacred fire:
there's no sanctuary secure
when thought's transgressions conspire.
Thus it was I kept indulging
these foolhardy hopes of mine,
enjoying within myself
a happiness sublime.
But now, at your solemn bidding,
this silence I herewith suspend,
for your summons unlocks in me
a respect no time can end.
And, although loving your beauty
is a crime beyond repair,
rather the crime be chastised
than my fervor cease to dare.
With this confession in hand,
I pray, be less stern with me.
Do not condemn to distress
one who fancied bliss so free.
If you blame me for disrespect,
remember, you gave me leave;
thus, if obedience was wrong,
your commanding must be my reprieve.
Let my love be ever doomed
if guilty in its intent,
for loving you is a crime
of which I will never repent.
This much I descry in my feelings--
and more that I cannot explain;
but you, from what I've not said,
may infer what words won't contain.
|
Written by
Amy Lowell |
Good ev'nin', Mis' Priest.
I jest stepped in to tell you Good-bye.
Yes, it's all over.
All my things is packed
An' every last one o' them boxes
Is on Bradley's team
Bein' hauled over to th' depot.
No, I ain't goin' back agin.
I'm stoppin' over to French's fer to-night,
And goin' down first train in th' mornin'.
Yes, it do seem kinder *****
Not to be goin' to see Cherry's Orchard no more,
But Land Sakes! When a change's comin',
Why, I al'ays say it can't come too quick.
Now, that's real kind o' you,
Your doughnuts is always so tasty.
Yes, I'm goin' to Chicago,
To my niece,
She's married to a fine man, hardware business,
An' doin' real well, she tells me.
Lizzie's be'n at me to go out ther for the longest while.
She ain't got no kith nor kin to Chicago, you know
She's rented me a real nice little flat,
Same house as hers,
An' I'm goin' to try that city livin' folks say's so pleasant.
Oh, yes, he was real generous,
Paid me a sight o' money fer the Orchard;
I told him 'twouldn't yield nothin' but stones,
But he ain't farmin' it.
Lor', no, Mis' Priest,
He's jest took it to set and look at the view.
Mebbe he wouldn't be so stuck on the view
Ef he'd seed it every mornin' and night for forty year
Same's as I have.
I dessay it's pretty enough,
But it's so pressed into me
I c'n see't with my eyes shut.
No.
I ain't cold, Mis' Priest,
Don't shut th' door.
I'll be all right in a minit.
But I ain't a mite sorry to leave that view.
Well, mebbe 'tis ***** to feel so,
An' mebbe 'taint.
My! But that tea's revivin'.
Old things ain't always pleasant things, Mis' Priest.
No, no, I don't cal'late on comin' back,
That's why I'd ruther be to Chicago,
Boston's too near.
It ain't cold, Mis' Priest,
It's jest my thoughts.
I ain't sick, only --
Mis' Priest, ef you've nothin' ter take yer time,
An' have a mind to listen,
Ther's somethin' I'd like ter speak about
I ain't never mentioned it,
But I'd like to tell yer 'fore I go.
Would you mind lowerin' them shades,
Fall twilight's awful grey,
An' that fire's real cosy with the shades drawed.
Well, I guess folks about here think I've be'n dret'ful onsociable.
You needn't say 'taint so, 'cause I know diff'rent.
An' what's more, it's true.
Well, the reason is I've be'n scared out o' my life.
Scared ev'ry minit o' th' time, fer eight year.
Eight mortal year 'tis, come next June.
'Twas on the eighteenth o' June,
Six months after I'd buried my husband,
That somethin' happened ter me.
Mebbe you'll mind that afore that
I was a cheery body.
Hiram was too,
Al'ays liked to ask a neighbor in,
An' ev'n when he died,
Barrin' low sperrits, I warn't averse to seein' nobody.
But that eighteenth o' June changed ev'rythin'.
I was doin' most o' th' farmwork myself,
With jest a hired boy, Clarence King, 'twas,
Comin' in fer an hour or two.
Well, that eighteenth o' June
I was goin' round,
Lockin' up and seein' to things 'fore I went to bed.
I was jest steppin' out t' th' barn,
Goin' round outside 'stead o' through the shed,
'Cause there was such a sight o' moonlight
Somehow or another I thought 'twould be pretty outdoors.
I got settled for pretty things that night, I guess.
I ain't stuck on 'em no more.
Well, them laylock bushes side o' th' house
Was real lovely.
Glitt'rin' and shakin' in the moonlight,
An' the smell o' them rose right up
An' most took my breath away.
The colour o' the spikes was all faded out,
They never keep their colour when the moon's on 'em,
But the smell fair 'toxicated me.
I was al'ays partial to a sweet scent,
An' I went close up t' th' bushes
So's to put my face right into a flower.
Mis' Priest, jest's I got breathin' in that laylock bloom
I saw, layin' right at my feet,
A man's hand!
It was as white's the side o' th' house,
And sparklin' like that lum'nous paint they put on gate-posts.
I screamed right out,
I couldn't help it,
An' I could hear my scream
Goin' over an' over
In that echo be'ind th' barn.
Hearin' it agin an' agin like that
Scared me so, I dar'sn't scream any more.
I jest stood ther,
And looked at that hand.
I thought the echo'd begin to hammer like my heart,
But it didn't.
There was only th' wind,
Sighin' through the laylock leaves,
An' slappin' 'em up agin the house.
Well, I guess I looked at that hand
Most ten minits,
An' it never moved,
Jest lay there white as white.
After a while I got to thinkin' that o' course
'Twas some drunken tramp over from Redfield.
That calmed me some,
An' I commenced to think I'd better git him out
From under them laylocks.
I planned to drag him in t' th' barn
An' lock him in ther till Clarence come in th' mornin'.
I got so mad thinkin' o' that all-fired brazen tramp
Asleep in my laylocks,
I jest stooped down and grabbed th' hand and give it an awful pull.
Then I bumped right down settin' on the ground.
Mis' Priest, ther warn't no body come with the hand.
No, it ain't cold, it's jest that I can't abear thinkin' of it,
Ev'n now.
I'll take a sip o' tea.
Thank you, Mis' Priest, that's better.
I'd ruther finish now I've begun.
Thank you, jest the same.
I dropped the hand's ef it'd be'n red hot
'Stead o' ice cold.
Fer a minit or two I jest laid on that grass
Pantin'.
Then I up and run to them laylocks
An' pulled 'em every which way.
True es I'm settin' here, Mis' Priest,
Ther warn't nothin' ther.
I peeked an' pryed all about 'em,
But ther warn't no man ther
Neither livin' nor dead.
But the hand was ther all right,
Upside down, the way I'd dropped it,
And glist'nin' fit to dazzle yer.
I don't know how I done it,
An' I don't know why I done it,
But I wanted to git that dret'ful hand out o' sight
I got in t' th' barn, somehow,
An' felt roun' till I got a spade.
I couldn't stop fer a lantern,
Besides, the moonlight was bright enough in all conscience.
Then I scooped that awful thing up in th' spade.
I had a sight o' trouble doin' it.
It slid off, and tipped over, and I couldn't bear
Ev'n to touch it with my foot to prop it,
But I done it somehow.
Then I carried it off be'ind the barn,
Clost to an old apple-tree
Where you couldn't see from the house,
An' I buried it,
Good an' deep.
I don't rec'lect nothin' more o' that night.
Clarence woke me up in th' mornin',
Hollerin' fer me to come down and set th' milk.
When he'd gone,
I stole roun' to the apple-tree
And seed the earth all new turned
Where I left it in my hurry.
I did a heap o' gardenin'
That mornin'.
I couldn't cut no big sods
Fear Clarence would notice and ask me what I wanted 'em fer,
So I got teeny bits o' turf here and ther,
And no one couldn't tell ther'd be'n any diggin'
When I got through.
They was awful days after that, Mis' Priest,
I used ter go every mornin' and poke about them bushes,
An' up and down the fence,
Ter find the body that hand come off of.
But I couldn't never find nothin'.
I'd lay awake nights
Hearin' them laylocks blowin' and whiskin'.
At last I had Clarence cut 'em down
An' make a big bonfire of 'em.
I told him the smell made me sick,
An' that warn't no lie,
I can't abear the smell on 'em now;
An' no wonder, es you say.
I fretted somethin' awful 'bout that hand
I wondered, could it be Hiram's,
But folks don't rob graveyards hereabouts.
Besides, Hiram's hands warn't that awful, starin' white.
I give up seein' people,
I was afeared I'd say somethin'.
You know what folks thought o' me
Better'n I do, I dessay,
But mebbe now you'll see I couldn't do nothin' diff'rent.
But I stuck it out,
I warn't goin' to be downed
By no loose hand, no matter how it come ther
But that ain't the worst, Mis' Priest,
Not by a long ways.
Two year ago, Mr.
Densmore made me an offer for Cherry's Orchard.
Well, I'd got used to th' thought o' bein' sort o' blighted,
An' I warn't scared no more.
Lived down my fear, I guess.
I'd kinder got used to th' thought o' that awful night,
And I didn't mope much about it.
Only I never went out o' doors by moonlight;
That stuck.
Well, when Mr.
Densmore's offer come,
I started thinkin' 'bout the place
An' all the things that had gone on ther.
Thinks I, I guess I'll go and see where I put the hand.
I was foolhardy with the long time that had gone by.
I know'd the place real well,
Fer I'd put it right in between two o' the apple roots.
I don't know what possessed me, Mis' Priest,
But I kinder wanted to know
That the hand had been flesh and bone, anyway.
It had sorter bothered me, thinkin' I might ha' imagined it.
I took a mornin' when the sun was real pleasant and warm;
I guessed I wouldn't jump for a few old bones.
But I did jump, somethin' wicked.
Ther warn't no bones!
Ther warn't nothin'!
Not ev'n the gold ring I'd minded bein' on the little finger.
I don't know ef ther ever was anythin'.
I've worried myself sick over it.
I be'n diggin' and diggin' day in and day out
Till Clarence ketched me at it.
Oh, I know'd real well what you all thought,
An' I ain't sayin' you're not right,
But I ain't goin' to end in no county 'sylum
If I c'n help it.
The shiv'rin' fits come on me sudden like.
I know 'em, don't you trouble.
I've fretted considerable about the 'sylum,
I guess I be'n frettin' all the time I ain't be'n diggin'.
But anyhow I can't dig to Chicago, can I?
Thank you, Mis' Priest,
I'm better now.
I only dropped in in passin'.
I'll jest be steppin' along down to French's.
No, I won't be seein' nobody in the mornin',
It's a pretty early start.
Don't you stand ther, Mis' Priest,
The wind'll blow yer lamp out,
An' I c'n see easy, I got aholt o' the gate now.
I ain't a mite tired, thank you.
Good-night.
|
Written by
Johann Wolfgang von Goethe |
[This Ballad is introduced in the Wanderjahre,
in a tale called The Foolish Pilgrim.
]
WHENCE comes our friend so hastily,
When scarce the Eastern sky is grey?
Hath he just ceased, though cold it be,
In yonder holy spot to pray?
The brook appears to hem his path,
Would he barefooted o'er it go?
Why curse his orisons in wrath,
Across those heights beclad with snow?
Alas! his warm bed he bath left,
Where he had look'd for bliss, I ween;
And if his cloak too, had been reft,
How fearful his disgrace had been!
By yonder villain sorely press'd,
His wallet from him has been torn;
Our hapless friend has been undress'd,
Left well nigh naked as when born.
The reason why he came this road,
Is that he sought a pair of eyes,
Which, at the mill, as brightly glow'd
As those that are in Paradise.
He will not soon again be there;
From out the house he quickly hied,
And when he gain'd the open air,
Thus bitterly and loudly cried
"Within her gaze, so dazzling bright,
No word of treachery I could read;
She seem'd to see me with delight,
Yet plann'd e'en then this cruel deed!
Could I, when basking in her smile,
Dream of the treason in her breast?
She bade kind Cupid stay awhile,
And he was there, to make us blest.
"To taste of love's sweet ecstasy
Throughout the night, that endless seem'd,
And for her mother's help to cry
Only when morning sunlight beam'd!
A dozen of her kith and kin,
A very human flood, in-press'd
Her cousins came, her aunts peer'd in,
And uncles, brothers, and the rest.
"Then what a tumult, fierce and loud!
Each seem'd a beast of prey to be;
The maiden's honour all the crowd,
With fearful shout, demand of me.
Why should they, madmen-like, begin
To fall upon a guiltless youth?
For he who such a prize would win,
Far nimbler needs must be, in truth.
"The way to follow up with skill
His freaks, by love betimes is known:
He ne'er will leave, within a mill,
Sweet flowers for sixteen years alone.
--
They stole my clothes away,--yes, all!
And tried my cloak besides to steal.
How strange that any house so small
So many rascals could conceal!
"Then I sprang up, and raved, and swore,
To force a passage through them there.
I saw the treacherous maid once more,
And she was still, alas, so fair
They all gave way before my wrath,
Wild outcries flew about pell-mell;
At length I managed to rush forth,
With voice of thunder, from that hell.
"As maidens of the town we fly,
We'll shun you maidens of the village;
Leave it to those of quality
Their humble worshippers to pillage.
Yet if ye are of practised skill,
And of all tender ties afraid,
Exchange your lovers, if ye will,
But never let them be betray'd.
"
Thus sings he in the winter-night,
While not a blade of grass was green.
I laugh'd to see his piteous plight,
For it was well-deserved, I ween.
And may this be the fate of all,
Who treat by day their true loves ill,
And, with foolhardy daring, crawl
By night to Cupid's treacherous mill!
1798.
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