Written by
Elizabeth Bishop |
From Brooklyn, over the Brooklyn Bridge, on this fine morning,
please come flying.
In a cloud of fiery pale chemicals,
please come flying,
to the rapid rolling of thousands of small blue drums
descending out of the mackerel sky
over the glittering grandstand of harbor-water,
please come flying.
Whistles, pennants and smoke are blowing.
The ships
are signaling cordially with multitudes of flags
rising and falling like birds all over the harbor.
Enter: two rivers, gracefully bearing
countless little pellucid jellies
in cut-glass epergnes dragging with silver chains.
The flight is safe; the weather is all arranged.
The waves are running in verses this fine morning.
Please come flying.
Come with the pointed toe of each black shoe
trailing a sapphire highlight,
with a black capeful of butterfly wings and bon-mots,
with heaven knows how many angels all riding
on the broad black brim of your hat,
please come flying.
Bearing a musical inaudible abacus,
a slight censorious frown, and blue ribbons,
please come flying.
Facts and skyscrapers glint in the tide; Manhattan
is all awash with morals this fine morning,
so please come flying.
Mounting the sky with natural heroism,
above the accidents, above the malignant movies,
the taxicabs and injustices at large,
while horns are resounding in your beautiful ears
that simultaneously listen to
a soft uninvented music, fit for the musk deer,
please come flying.
For whom the grim museums will behave
like courteous male bower-birds,
for whom the agreeable lions lie in wait
on the steps of the Public Library,
eager to rise and follow through the doors
up into the reading rooms,
please come flying.
We can sit down and weep; we can go shopping,
or play at a game of constantly being wrong
with a priceless set of vocabularies,
or we can bravely deplore, but please
please come flying.
With dynasties of negative constructions
darkening and dying around you,
with grammar that suddenly turns and shines
like flocks of sandpipers flying,
please come flying.
Come like a light in the white mackerel sky,
come like a daytime comet
with a long unnebulous train of words,
from Brooklyn, over the Brooklyn Bridge, on this fine morning,
please come flying.
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Written by
Francesco Petrarch |
[Pg 34] SESTINA II Giovane donna sott' un verde lauro.
THOUGH DESPAIRING OF PITY, HE VOWS TO LOVE HER UNTO DEATH.
A youthful lady 'neath a laurel green
Was seated, fairer, colder than the snow
On which no sun has shone for many years:
Her sweet speech, her bright face, and flowing hair
So pleased, she yet is present to my eyes,
And aye must be, whatever fate prevail.
These my fond thoughts of her shall fade and fail
When foliage ceases on the laurel green;
Nor calm can be my heart, nor check'd these eyes
Until the fire shall freeze, or burns the snow:
Easier upon my head to count each hair
Than, ere that day shall dawn, the parting years.
But, since time flies, and roll the rapid years,
And death may, in the midst, of life, assail,
With full brown locks, or scant and silver hair,
I still the shade of that sweet laurel green
Follow, through fiercest sun and deepest snow,
Till the last day shall close my weary eyes.
Oh! never sure were seen such brilliant eyes,
In this our age or in the older years,
Which mould and melt me, as the sun melts snow,
Into a stream of tears adown the vale,
Watering the hard roots of that laurel green,
Whose boughs are diamonds and gold whose hair.
I fear that Time my mien may change and hair,
Ere, with true pity touch'd, shall greet my eyes
My idol imaged in that laurel green:
For, unless memory err, through seven long years
Till now, full many a shore has heard my wail,
By night, at noon, in summer and in snow.
Thus fire within, without the cold, cold snow,
Alone, with these my thoughts and her bright hair,
Alway and everywhere I bear my ail,
Haply to find some mercy in the eyes
Of unborn nations and far future years,
If so long flourishes our laurel green.
[Pg 35]The gold and topaz of the sun on snow
Are shamed by the bright hair above those eyes,
Searing the short green of my life's vain years.
Macgregor.
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Written by
Anne Kingsmill Finch |
'Tis true I write and tell me by what Rule
I am alone forbid to play the fool
To follow through the Groves a wand'ring Muse
And fain'd Idea's for my pleasures chuse
Why shou'd it in my Pen be held a fault
Whilst Mira paints her face, to paint a thought
Whilst Lamia to the manly Bumper flys
And borrow'd Spiritts sparkle in her Eyes
Why shou'd itt be in me a thing so vain
To heat with Poetry my colder Brain?
But I write ill and there-fore shou'd forbear
Does Flavia cease now at her fortieth year
In ev'ry Place to lett that face be seen
Which all the Town rejected at fifteen
Each Woman has her weaknesse; mind [sic] indeed
Is still to write tho' hopelesse to succeed
Nor to the Men is this so easy found
Ev'n in most Works with which the Witts abound
(So weak are all since our first breach with Heav'n)
Ther's lesse to be Applauded than forgiven.
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Written by
Edgar Albert Guest |
I've trod the links with many a man,
And played him club for club;
'Tis scarce a year since I began
And I am still a dub.
But this I've noticed as we strayed
Along the bunkered way,
No one with me has ever played
As he did yesterday.
It makes no difference what the drive,
Together as we walk,
Till we up to the ball arrive,
I get the same old talk:
"To-day there's something wrong with me,
Just what I cannot say.
Would you believe I got a three
For this hole--yesterday?"
I see them top and slice a shot,
And fail to follow through,
And with their brassies plough the lot,
The very way I do.
To six and seven their figures run,
And then they sadly say:
"I neither dubbed nor foozled one
When I played--yesterday!"
I have no yesterdays to count,
No good work to recall;
Each morning sees hope proudly mount,
Each evening sees it fall.
And in the locker room at night,
When men discuss their play,
I hear them and I wish I might
Have seen them--yesterday.
Oh, dear old yesterday! What store
Of joys for men you hold!
I'm sure there is no day that's more
Remembered or extolled.
I'm off my task myself a bit,
My mind has run astray;
I think, perhaps, I should have writ
These verses--yesterday.
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