Written by
Ernest Lawrence Thayer |
The outlook wasn't brilliant for the Mudville nine that day,
The score stood four to two, with but one inning more to play.
And then when Cooney died at first, and Barrows did the same,
A pall-like silence fell upon the patrons of the game.
A straggling few got up to go in deep despair.
The rest clung to that hope which springs eternal in the human breast.
They thought, "if only Casey could but get a whack at that.
We'd put up even money now, with Casey at the bat.
"
But Flynn preceded Casey, as did also Jimmy Blake;
and the former was a hoodoo, while the latter was a cake.
So upon that stricken multitude, grim melancholy sat;
for there seemed but little chance of Casey getting to the bat.
But Flynn let drive a single, to the wonderment of all.
And Blake, the much despised, tore the cover off the ball.
And when the dust had lifted,
and men saw what had occurred,
there was Jimmy safe at second and Flynn a-hugging third.
Then from five thousand throats and more there rose a lusty yell;
it rumbled through the valley, it rattled in the dell;
it pounded through on the mountain and recoiled upon the flat;
for Casey, mighty Casey, was advancing to the bat.
There was ease in Casey's manner as he stepped into his place,
there was pride in Casey's bearing and a smile lit Casey's face.
And when, responding to the cheers, he lightly doffed his hat,
no stranger in the crowd could doubt t'was Casey at the bat.
Ten thousand eyes were on him as he rubbed his hands with dirt.
Five thousand tongues applauded when he wiped them on his shirt.
Then, while the writhing pitcher ground the ball into his hip,
defiance flashed in Casey's eye, a sneer curled Casey's lip.
And now the leather-covered sphere came hurtling through the air,
and Casey stood a-watching it in haughty grandeur there.
Close by the sturdy batsman the ball unheeded sped --
"That ain't my style," said Casey.
"Strike one!" the umpire said.
From the benches, black with people, there went up a muffled roar,
like the beating of the storm waves on a stern and distant shore.
"Kill him! Kill the umpire!" shouted someone on the stand,
and it's likely they'd have killed him had not Casey raised his hand.
With a smile of Christian charity, great Casey's visage shone,
he stilled the rising tumult, he bade the game go on.
He signaled to the pitcher, and once more the dun sphere flew,
but Casey still ignored it, and the umpire said, "Strike two!"
"Fraud!" cried the maddened thousands, and echo answered "Fraud!"
But one scornful look from Casey and the audience was awed.
They saw his face grow stern and cold, they saw his muscles strain,
and they knew that Casey wouldn't let that ball go by again.
The sneer has fled from Casey's lip, the teeth are clenched in hate.
He pounds, with cruel violence, his bat upon the plate.
And now the pitcher holds the ball, and now he lets it go,
and now the air is shattered by the force of Casey's blow.
Oh, somewhere in this favored land the sun is shining bright.
The band is playing somewhere, and somewhere hearts are light.
And, somewhere men are laughing, and little children shout,
but there is no joy in Mudville
mighty Casey has struck out.
|
Written by
Nick Flynn |
He reads my latest attempt at a poem
and is silent for a long time, until it feels
like that night we waited for Apollo,
my mother wandering in and out of her bedroom, asking,
Haven't they landed yet? At last
Dugan throws it on the table and says,
This reads like a cheap detective novel
and I've got nothing to say about it.
It sits,
naked and white, with everyone's eyes
running over it.
The week before
he'd said I had a problem with time,
that in my poems everything
kept happening at once.
In 1969,
the voice of Mission Control
told a man named Buzz
that there was a bunch of guys turning blue
down here on Earth, and now I can understand
it was with anticipation, not sickness.
Next,
Dugan says, Let's move on.
The attempted poem
was about butterflies and my recurring desire
to return to a place I've never been.
It was inspired by reading this
in a National Geographic: monarchs
stream northward from winter roosts in Mexico,
laying their eggs atop milkweed
to foster new generations along the way.
With the old monarchs gone (I took this line as the title)
and all ties to the past ostensibly cut
the unimaginable happens--butterflies
that have never been to that plateau in Mexico
roost there the next winter.
.
.
.
I saw this
as a metaphor for a childhood I never had,
until Dugan pointed out
that metaphor has been dead for a hundred years.
A woman, new to the workshop, leans
behind his back and whispers, I like it,
but the silence is seamless, as deep
as outer space.
That night in 1969
I could turn my head from the television and see
the moon
filling the one pane over the bed completely
as we waited for Neil Armstrong
to leave his footprints all over it.
|
Written by
Robert William Service |
Now Fireman Flynn met Hank the Finn where lights of Lust-land glow;
"Let's leave," says he, "the lousy sea, and give the land a show.
I'm fed up to the molar mark with wallopin' the brine;
I feel the bloody barnacles a-carkin' on me spine.
Let's hit the hard-boiled North a crack, where creeks are paved with gold.
"
"You count me in," says Hank the Finn.
"Ay do as Ay ban told.
"
And so they sought the Lonely Land and drifted down its stream,
Where sunny silence round them spanned, as dopey as a dream.
But to the spell of flood and fell their gold-grimed eyes were blind;
By pine and peak they paused to seek, but nothing did they find;
No yellow glint of dust to mint, just mud and mocking sand,
And a hateful hush that seemed to crush them down on every hand.
Till Fireman Flynn grew mean as sin, and cursed his comrade cold,
But Hank the Finn would only grin, and .
.
.
do as he was told.
Now Fireman Flynn had pieces ten of yellow Yankee gold,
Which every night he would invite his partner to behold.
"Look hard," says he; "It's all you'll see in this god-blasted land;
But you fret, I'm gonna let you hold them i your hand.
Yeah! Watch 'em gleam, then go and dream they're yours to have and hold.
"
Then Hank the Finn would scratch his chin and .
.
.
do as he was told.
But every night by camp-fire light, he'd incubate his woes,
And fan the hate of mate for mate, the evil Artic knows.
In dreams the Lapland withes gloomed like gargoyles overhead,
While the devils three of Helsinkee came cowering by his bed.
"Go take," said they, "the yellow loot he's clinking in his belt,
And leave the sneaking wolverines to snout around his pelt.
Last night he called you Swedish scum, from out the glory-hole;
To-day he said you were a bum, and damned your mother's soul.
Go, plug with lead his scurvy head, and grab his greasy gold .
.
.
"
Then Hank the Finn saw red within, and .
.
.
did as he was told.
So in due course the famous Force of Men Who Get Their Man,
Swooped down on sleeping Hank the Finn, and popped him in the can.
And in due time his grievous crime was judged without a plea,
And he was dated up to swing upon the gallows tree.
Then Sheriff gave a party in the Law's almighty name,
He gave a neck-tie party, and he asked me to the same.
There was no hooch a-flowin' and his party wasn't gay,
For O our hearts were heavy at the dawning of the day.
There was no band a-playin' and the only dancin' there
Was Hank the Fin interpretin' his solo in the air.
We climbed the scaffold steps and stood beside the knotted rope.
We watched the hooded hangman and his eyes were dazed with dope.
The Sheriff was in evening dress; a bell began to toll,
A beastly bell that struck a knell of horror to the soul.
As if the doomed one was myself, I shuddered, waiting there.
I spoke no word, then .
.
.
then I heard his step upon the stair;
His halting foot, moccasin clad .
.
.
and then I saw him stand
Between a weeping warder and a priest with Cross in hand.
And at the sight a murmur rose of terror and of awe,
And all them hardened gallows fans were sick at what they saw:
For as he towered above the mob, his limbs with leather triced,
By all that's wonderful, I swear, his face was that of Christ.
Now I ain't no blaspheming cuss, so don't you start to shout.
You see, his beard had grown so long it framed his face about.
His rippling hair was long and fair, his cheeks were spirit-pale,
His face was bright with holy light that made us wince and quail.
He looked at us with eyes a-shine, and sore were we confused,
As if he were the Judge divine, and we were the accused.
Aye, as serene he stood between the hangman and the cord,
You would have sworn, with anguish torn, he was the Blessed Lord.
The priest was wet with icy sweat, the Sheriff's lips were dry,
And we were staring starkly at the man who had to die.
"Lo! I am raised above you all," his pale lips seemed to say,
"For in a moment I shall leap to God's Eternal Day.
Am I not happy! I forgive you each for what you do;
Redeemed and penitent I go, with heart of love for you.
"
So there he stood in mystic mood, with scorn sublime of death.
I saw him gently kiss the Cross, and then I held by breath.
That blessed smile was blotted out; they dropped the hood of black;
They fixed the noose around his neck, the rope was hanging slack.
I heard him pray, I saw him sway, then .
.
.
then he was not there;
A rope, a ghastly yellow rope was jerking in the air;
A jigging rope that soon was still; a hush as of the tomb,
And Hank the Finn, that man of sin, had met his rightful doom.
His rightful doom! Now that's the point.
I'm wondering, because
I hold a man is what he is, and never what he was.
You see, the priest had filled that guy so full of holy dope,
That at the last he came to die as pious as the Pope.
A gentle ray of sunshine made a halo round his head.
I thought to see a sinner - lo! I saw a Saint instead.
Aye, as he stood as martyrs stand, clean-cleansed of mortal dross,
I think he might have gloried had .
.
.
WE NAILED HIM TO A CROSS.
|
Written by
Nick Flynn |
I want to erase your footprints
from my walls.
Each pillow
is thick with your reasons.
Omens
fill the sidewalk below my window: a woman
in a party hat, clinging
to a tin-foil balloon.
Shadows
creep slowly across the tar, someone yells, "Stop!"
and I close my eyes.
I can't watch
as this town slowly empties, leaving me
strung between bon-voyages, like so many clothes
on a line, the white handkerchief
stuck in my throat.
You know the way Jesus
rips open his shirt
to show us his heart, all flaming and thorny,
the way he points to it.
I'm afraid
the way I'll miss you will be this obvious.
I have a friend who everyone warns me
is dangerous, he hides
bloody images of Jesus
around my house, for me to find
when I come home; Jesus
behind the cupboard door, Jesus tucked
into the mirror.
He wants to save me
but we disagree from what.
My version of hell
is someone ripping open his shirt
and saying, Look what I did for you.
.
.
|
Written by
Nick Flynn |
I go back to the scene where the two men embrace
& grapple a handgun at stomach level between them.
They jerk around the apartment like that
holding on to each other, their cheeks
almost touching.
One is shirtless, the other
wears a suit, the one in the suit came in through a window
to steal documents or diamonds, it doesn't matter anymore
which, what's important is he was found
& someone pulled a gun, and now they are holding on,
awkwardly dancing through the room, upending
a table of small framed photographs.
A chair
topples, Sinatra's band punches the air with horns, I
lean forward, into the screen, they are eye-to-eye,
as stiff as my brother & me when we attempt
to hug.
Soon, the gun fires and the music
quiets, the camera stops tracking and they
relax, shoulders drop, their jaws go slack
& we are all suspended in that perfect moment
when no one knows who took the bullet--
the earth spins below our feet, a blanket of swallows
changes direction suddenly above us, folding
into the rafters of a barn, and the two men
no longer struggle, they simply stand in their wreckage
propped in each other's arms.
|
Written by
Nick Flynn |
Children under, say, ten, shouldn't know
that the universe is ever-expanding,
inexorably pushing into the vacuum, galaxies
swallowed by galaxies, whole
solar systems collapsing, all of it
acted out in silence.
At ten we are still learning
the rules of cartoon animation,
that if a man draws a door on a rock
only he can pass through it.
Anyone else who tries
will crash into the rock.
Ten-year-olds
should stick with burning houses, car wrecks,
ships going down -- earthbound, tangible
disasters, arenas
where they can be heroes.
You can run
back into a burning house, sinking ships
have lifeboats, the trucks will come
with their ladders, if you jump
you will be saved.
A child
places her hand on the roof of a schoolbus,
& drives across a city of sand.
She knows
the exact spot it will skid, at which point
the bridge will give, who will swim to safety
& who will be pulled under by sharks.
She will learn
that if a man runs off the edge of a cliff
he will not fall
until he notices his mistake.
|
Written by
Nick Flynn |
At the end there were straws
in her glove compartment, I'd split them open
to taste the familiar bitter residue, near the end
I ate all her Percodans, hungry to know
how far they could take me.
A bottle of red wine each night moved her along
as she wrote, I feel too much, again and again.
You asked how and I said, Suicide, and you asked
how and I said, An overdose, and then
she shot herself, and your eyes filled
with wonder, so I added, In the chest, so you
wouldn't think
her face was gone, and it mattered, somehow,
that you knew this.
.
.
Every year I'm eight years old and the world
is no longer safe.
Our phone becomes unlisted, our mail
is kept in a box at the post office,
and my mother tells me always
leave a light on so it seems
someone is home.
She finds a cop
for her next boyfriend, his hair
greasy, pushed back with his fingers.
He lets me play
with his service revolver while they kiss
on the couch.
Cars slowly fill the windows, and I aim,
making the noise with my mouth, in case it's them,
and when his back is hunched over her I aim
between his shoulder blades, silently,
in case it's him.
|
Written by
Nick Flynn |
I dreamt your suicide note
was scrawled in pencil on a brown paperbag,
& in the bag were six baby mice.
The bag
opened into darkness,
smoldering
from the top down.
The mice,
huddled at the bottom, scurried the bag
across a shorn field.
I stood over it
& as the burning reached each carbon letter
of what you'd written
your voice released into the night
like a song, & the mice
grew wilder.
|
Written by
Nick Flynn |
Hover
the imagined center, our tongues
grew long to please it, licking
the walls, a chamber built of scent,
a moment followed by a lesser moment
& a hunger to return.
It couldn't last.
Resin
flowed glacially from wounds in the bark
pinned us in our entering
as the orchids opened wider.
First,
liquid, so we swam until we couldn't.
Then it felt like sleep, the taste of nectar
still inside us.
Sometimes a flower
became submerged with us.
A million years
went by.
A hundred.
Swarm of hoverflies,
cockroach, assassin bug, all
trapped, suspended
in that moment of fullness,
a Pompeii, the mother
covering her child's head forever.
|
Written by
Nick Flynn |
Bees may be trusted, always,
to discover the best, nay, the only
human, solution.
Let me cite
an instance; an event, that,
though occurring in nature, is still
in itself wholly abnormal.
I refer
to the manner in which the bees
will dispose of a mouse
or a slug
that may happen to have found its way
into the hive.
The intruder killed,
they have to deal with
the body,
which will very soon poison
their dwelling.
If it be impossible
for them to expel or dismember it,
they will proceed methodically
& hermetically
to enclose it in a veritable sepulcher
of propolis & wax,
which will tower fantastically
above the ordinary monuments
of the city.
*
When we die
our bodies powder, our bodies
the vessel & the vessel
empties.
Our dying does not fill
the hive with the stench
of dying.
But outside
the world hungers.
A cockroach, stung,
can be dragged back out.
A careless child
forced a snail inside with a stick once.
We waxed over the orifice of its shell
sealing the creature in.
And here,
the bottom of the comb,
a mouse,
driven in by winter & lack.
Its pawing woke us.
We stung it
dead.
Even before it died it reeked - worse
the moment it ceased
twitching.
Now everyday
we crawl over it
to pass outside,
the wax form of what was
staring out, its airless sleep,
the mouse we built
to warn the rest from us.
|