Written by
Joyce Kilmer |
I
Serene and beautiful and very wise,
Most erudite in curious Grecian lore,
You lay and read your learned books, and bore
A weight of unshed tears and silent sighs.
The song within your heart could never rise
Until love bade it spread its wings and soar.
Nor could you look on Beauty's face before
A poet's burning mouth had touched your eyes.
Love is made out of ecstasy and wonder;
Love is a poignant and accustomed pain.
It is a burst of Heaven-shaking thunder;
It is a linnet's fluting after rain.
Love's voice is through your song; above and under
And in each note to echo and remain.
II
Because Mankind is glad and brave and young,
Full of gay flames that white and scarlet glow,
All joys and passions that Mankind may know
By you were nobly felt and nobly sung.
Because Mankind's heart every day is wrung
By Fate's wild hands that twist and tear it so,
Therefore you echoed Man's undying woe,
A harp Aeolian on Life's branches hung.
So did the ghosts of toiling children hover
About the piteous portals of your mind;
Your eyes, that looked on glory, could discover
The angry scar to which the world was blind:
And it was grief that made Mankind your lover,
And it was grief that made you love Mankind.
III
Before Christ left the Citadel of Light,
To tread the dreadful way of human birth,
His shadow sometimes fell upon the earth
And those who saw it wept with joy and fright.
"Thou art Apollo, than the sun more bright!"
They cried. "Our music is of little worth,
But thrill our blood with thy creative mirth
Thou god of song, thou lord of lyric might!"
O singing pilgrim! who could love and follow
Your lover Christ, through even love's despair,
You knew within the cypress-darkened hollow
The feet that on the mountain are so fair.
For it was Christ that was your own Apollo,
And thorns were in the laurel on your hair.
|
Written by
Sidney Lanier |
For ever wave, for ever float and shine
Before my yearning eyes, oh! dream of mine
Wherein I dreamed that time was like a vine,
A creeping rose, that clomb a height of dread
Out of the sea of Birth, all filled with dead,
Up to the brilliant cloud of Death o'erhead.
This vine bore many blossoms, which were years.
Their petals, red with joy, or bleached by tears,
Waved to and fro i' the winds of hopes and fears.
Here all men clung, each hanging by his spray.
Anon, one dropped; his neighbor 'gan to pray;
And so they clung and dropped and prayed, alway.
But I did mark one lately-opened bloom,
Wherefrom arose a visible perfume
That wrapped me in a cloud of dainty gloom.
And rose -- an odor by a spirit haunted --
And drew me upward with a speed enchanted,
Swift floating, by wild sea or sky undaunted,
Straight through the cloud of death, where men are free.
I gained a height, and stayed and bent my knee.
Then glowed my cloud, and broke and unveiled thee.
"O flower-born and flower-souled!" I said,
"Be the year-bloom that breathed thee ever red,
Nor wither, yellow, down among the dead.
"May all that cling to sprays of time, like me,
Be sweetly wafted over sky and sea
By rose-breaths shrining maidens like to thee!"
Then while we sat upon the height afar
Came twilight, like a lover late from war,
With soft winds fluting to his evening star.
And the shy stars grew bold and scattered gold,
And chanting voices ancient secrets told,
And an acclaim of angels earthward rolled.
|
Written by
Amy Lowell |
Bath
The day is fresh-washed and fair, and there is
a smell of tulips and narcissus
in the air.
The sunshine pours in at the bath-room window and
bores through the water
in the bath-tub in lathes and planes of greenish-white. It
cleaves the water
into flaws like a jewel, and cracks it to bright light.
Little spots of sunshine lie on the surface of
the water and dance, dance,
and their reflections wobble deliciously over the ceiling; a stir
of my finger
sets them whirring, reeling. I move a foot, and the planes
of light
in the water jar. I lie back and laugh, and let the green-white
water,
the sun-flawed beryl water, flow over me. The day is
almost
too bright to bear, the green water covers me from the too bright
day.
I will lie here awhile and play with the water and the sun spots.
The sky is blue and high. A crow flaps
by the window, and there is
a whiff of tulips and narcissus in the air.
Breakfast Table
In the fresh-washed sunlight, the breakfast table
is decked and white.
It offers itself in flat surrender, tendering tastes, and smells,
and colours, and metals, and grains, and the white cloth falls over
its side,
draped and wide. Wheels of white glitter in the silver
coffee-pot,
hot and spinning like catherine-wheels, they whirl, and twirl --
and my eyes
begin to smart, the little white, dazzling wheels prick them like
darts.
Placid and peaceful, the rolls of bread spread themselves in the
sun to bask.
A stack of butter-pats, pyramidal, shout orange through the white,
scream,
flutter, call: "Yellow! Yellow! Yellow!" Coffee
steam rises in a stream,
clouds the silver tea-service with mist, and twists up into the
sunlight,
revolved, involuted, suspiring higher and higher, fluting in a thin
spiral
up the high blue sky. A crow flies by and croaks at the
coffee steam.
The day is new and fair with good smells in the air.
Walk
Over the street the white clouds meet, and sheer
away without touching.
On the sidewalks, boys are playing marbles. Glass
marbles,
with amber and blue hearts, roll together and part with a sweet
clashing noise. The boys strike them with black and red
striped agates.
The glass marbles spit crimson when they are hit, and slip into
the gutters
under rushing brown water. I smell tulips and narcissus
in the air,
but there are no flowers anywhere, only white dust whipping up the
street,
and a girl with a gay Spring hat and blowing skirts. The
dust and the wind
flirt at her ankles and her neat, high-heeled patent leather shoes. Tap,
tap,
the little heels pat the pavement, and the wind rustles among the
flowers
on her hat.
A water-cart crawls slowly on the other side of
the way. It is green and gay
with new paint, and rumbles contentedly, sprinkling clear water
over
the white dust. Clear zigzagging water, which smells
of tulips and narcissus.
The thickening branches make a pink `grisaille'
against the blue sky.
Whoop! The clouds go dashing at each
other and sheer away just in time.
Whoop! And a man's hat careers down the street in front
of the white dust,
leaps into the branches of a tree, veers away and trundles ahead
of the wind,
jarring the sunlight into spokes of rose-colour and green.
A motor-car cuts a swathe through the bright air,
sharp-beaked, irresistible,
shouting to the wind to make way. A glare of dust and
sunshine
tosses together behind it, and settles down. The sky
is quiet and high,
and the morning is fair with fresh-washed air.
Midday and Afternoon
Swirl of crowded streets. Shock and
recoil of traffic. The stock-still
brick facade of an old church, against which the waves of people
lurch and withdraw. Flare of sunshine down side-streets. Eddies
of light
in the windows of chemists' shops, with their blue, gold, purple
jars,
darting colours far into the crowd. Loud bangs and tremors,
murmurings out of high windows, whirring of machine belts,
blurring of horses and motors. A quick spin and shudder
of brakes
on an electric car, and the jar of a church-bell knocking against
the metal blue of the sky. I am a piece of the town,
a bit of blown dust,
thrust along with the crowd. Proud to feel the pavement
under me,
reeling with feet. Feet tripping, skipping, lagging,
dragging,
plodding doggedly, or springing up and advancing on firm elastic
insteps.
A boy is selling papers, I smell them clean and new from the press.
They are fresh like the air, and pungent as tulips and narcissus.
The blue sky pales to lemon, and great tongues
of gold blind the shop-windows,
putting out their contents in a flood of flame.
Night and Sleep
The day takes her ease in slippered yellow. Electric
signs gleam out
along the shop fronts, following each other. They grow,
and grow,
and blow into patterns of fire-flowers as the sky fades. Trades
scream
in spots of light at the unruffled night. Twinkle, jab,
snap, that means
a new play; and over the way: plop, drop, quiver, is
the sidelong
sliver of a watchmaker's sign with its length on another street.
A gigantic mug of beer effervesces to the atmosphere over a tall
building,
but the sky is high and has her own stars, why should she heed ours?
I leave the city with speed. Wheels
whirl to take me back to my trees
and my quietness. The breeze which blows with me is fresh-washed
and clean,
it has come but recently from the high sky. There are
no flowers
in bloom yet, but the earth of my garden smells of tulips and narcissus.
My room is tranquil and friendly. Out
of the window I can see
the distant city, a band of twinkling gems, little flower-heads
with no stems.
I cannot see the beer-glass, nor the letters of the restaurants
and shops
I passed, now the signs blur and all together make the city,
glowing on a night of fine weather, like a garden stirring and blowing
for the Spring.
The night is fresh-washed and fair and there is
a whiff of flowers in the air.
Wrap me close, sheets of lavender. Pour
your blue and purple dreams
into my ears. The breeze whispers at the shutters and
mutters
***** tales of old days, and cobbled streets, and youths leaping
their horses
down marble stairways. Pale blue lavender, you are the
colour of the sky
when it is fresh-washed and fair . . . I smell the stars . . . they
are like
tulips and narcissus . . . I smell them in the air.
|
Written by
Claude McKay |
So much have I forgotten in ten years,
So much in ten brief years! I have forgot
What time the purple apples come to juice,
And what month brings the shy forget-me-not.
I have forgot the special, startling season
Of the pimento's flowering and fruiting;
What time of year the ground doves brown the fields
And fill the noonday with their curious fluting.
I have forgotten much, but still remember
The poinsettia's red, blood-red in warm December.
I still recall the honey-fever grass,
But cannot recollect the high days when
We rooted them out of the ping-wing path
To stop the mad bees in the rabbit pen.
I often try to think in what sweet month
The languid painted ladies used to dapple
The yellow by-road mazing from the main,
Sweet with the golden threads of the rose-apple.
I have forgotten--strange--but quite remember
The poinsettia's red, blood-red in warm December.
What weeks, what months, what time of the mild year
We cheated school to have our fling at tops?
What days our wine-thrilled bodies pulsed with joy
Feasting upon blackberries in the copse?
Oh some I know! I have embalmed the days,
Even the sacred moments when we played,
All innocent of passion, uncorrupt,
At noon and evening in the flame-heart's shade.
We were so happy, happy, I remember,
Beneath the poinsettia's red in warm December.
|
Written by
James Whitcomb Riley |
I
But yesterday
I looked away
O'er happy lands, where sunshine lay
In golden blots,
Inlaid with spots
Of shade and wild forget-me-nots.
My head was fair
With flaxen hair,
And fragrant breezes, faint and rare,
And, warm with drouth
From out the south,
Blew all my curls across my mouth.
And, cool and sweet,
My naked feet
Found dewy pathways through the wheat;
And out again
Where, down the lane,
The dust was dimpled with the rain.
II
But yesterday! --
Adream, astray,
From morning's red to evening's dray,
O'er dales and hills
Of daffodils
And lorn sweet-fluting whippoorwills.
I knew nor cares
Nor tears nor prayers --
A mortal god, crowned unawares
With sunset -- and
A scepter-wand
Of apple-blossoms in my hand!
The dewy blue
Of twilight grew
To purple, with a star or two
Whose lisping rays
Failed in the blaze
Of sudden fireflies through the haze.
III
But yesterday
I heard the lay
Of summer birds, when I, as they
With breast and wing,
All quivering
With life and love, could only sing.
My head was leant
Where, with it, blent
A maiden's, o'er her instrument;
While all the night,
From vale to height,
Was filled with echoes of delight.
And all our dreams
Were lit with gleams
Of that lost land of reedy streams,
Along whose brim
Forever swim
Pan's lilies, laughing up at him.
IV
But yesterday! . . .
O blooms of May,
And summer roses -- where away?
O stars above;
And lips of love,
And all the honeyed sweets thereof! --
O lad and lass,
And orchard pass,
And briered lane, and daisied grass!
O gleam and gloom,
And woodland bloom,
And breezy breaths of all perfume! --
No more for me
Or mine shall be
Thy raptures -- save in memory, --
No more -- no more --
Till through the Door
Of Glory gleam the days of yore.
|
Written by
Vachel Lindsay |
SECTION ONE
"Give the engines room,
Give the engines room."
Louder, faster
The little band-master
Whips up the fluting,
Hurries up the tooting.
He thinks that he stands,
[*] The reins in his hands,
In the fire-chief's place
In the night alarm chase.
The cymbals whang,
The kettledrums bang: —
"Clear the street,
Clear the street,
Clear the street — Boom, boom.
In the evening gloom,
In the evening gloom,
Give the engines room,
Give the engines room.
Lest souls be trapped
In a terrible tomb."
The sparks and the pine-brands
Whirl on high
From the black and reeking alleys
To the wide red sky.
Hear the hot glass crashing,
Hear the stone steps hissing.
Coal black streams
Down the gutters pour.
There are cries for help
From a far fifth floor.
For a longer ladder
Hear the fire-chief call.
Listen to the music
Of the firemen's ball.
Listen to the music
Of the firemen's ball.
"'Tis the
NIGHT
Of doom,"
Say the ding-dong doom-bells.
"NIGHT
Of doom,"
Say the ding-dong doom-bells.
Faster, faster
The red flames come.
"Hum grum," say the engines,
"Hum grum grum."
"Buzz, buzz,"
Says the crowd.
"See, see,"
Calls the crowd.
And the high walls fall:—
Listen to the music
Of the firemen's ball
"'Tis the
NIGHT
Of doom,"
Say the ding-dong doom-bells.
NIGHT
Of doom,
Say the ding-dong doom-bells.
Whangaranga, whangaranga,
Whang, whang, whang,
Clang, clang, clangaranga,
Clang, clang, clang.
Clang—a—ranga—
Clang—a—ranga—
Clang,
Clang,
Clang.
Listen—to—the—music—
Of the firemen's ball—
SECTION TWO
"Many's the heart that's breaking
If we could read them all
After the ball is over."
(An old song.)
Scornfully, gaily
The bandmaster sways,
Changing the strain
That the wild band plays.
With a red and royal intoxication,
A tangle of sounds
And a syncopation,
Sweeping and bending
From side to side,
Master of dreams,
With a peacock pride.
A lord of the delicate flowers of delight
He drives compunction
Back through the night.
Dreams he's a soldier
Plumed and spurred,
And valiant lads
Arise at his word,
Flaying the sober
Thoughts he hates,
Driving them back
From the dream-town gates.
How can the languorous
Dancers know
The red dreams come
When the good dreams go?
'"Tis the
NIGHT
Of love,"
Call the silver joy-bells,
"NIGHT
Of love,"
Call the silver joy-bells.
"Honey and wine,
Honey and wine.
Sing low, now, violins,
Sing, sing low,
Blow gently, wood-wind,
Mellow and slow.
Like midnight poppies
The sweethearts bloom.
Their eyes flash power,
Their lips are dumb.
Faster and faster
Their pulses come,
Though softer now
The drum-beats fall.
Honey and wine,
Honey and wine.
'Tis the firemen's ball,
'Tis the firemen's ball.
"I am slain,"
Cries true-love
There in the shadow.
"And I die,"
Cries true-love,
There laid low.
"When the fire-dreams come,
The wise dreams go."
BUT HIS CRY IS DROWNED
BY THE PROUD BAND-MASTER.
And now great gongs whang,
Sharper, faster,
And kettledrums rattle
And hide the shame
With a swish and a swirk
In dead love's name.
Red and crimson
And scarlet and rose
Magical poppies
The sweethearts bloom.
The scarlet stays
When the rose-flush goes,
And love lies low
In a marble tomb.
"'Tis the
NIGHT
Of doom,"
Call the ding-dong doom-bells.
"NIGHT
Of Doom,"
Call the ding-dong doom-bells.
Hark how the piccolos still make cheer.
'Tis a moonlight night in the spring of the year."
CLANGARANGA, CLANGARANGA,
CLANG . . . CLANG . . . CLANG.
CLANG . . . A . . . RANGA . . .
CLANG . . . A . . . RANGA . . .
CLANG . . . CLANG . . . CLANG . . .
LISTEN . . . TO . . . THE . . . MUSIC . . .
OF . . . THE . . . FIREMEN'S BALL . . .
LISTEN . . . TO . . . THE . . . MUSIC . . .
OF . . . THE . . . FIREMEN'S . . . BALL . . .
SECTION THREE
In Which, contrary to Artistic Custom, the moral of the piece is placed before the reader.
(From the first Khandaka of the Mahavagga: "There Buddha thus addressed his disciples: 'Everything, O mendicants, is burning. With what fire is it burning? I declare unto you it is burning with the fire of passion, with the fire of anger, with the fire of ignorance. It is burning with the anxieties of birth, decay and death, grief, lamentation, suffering and despair. . . . A disciple, . . . becoming weary of all that, divests himself of passion. By absence of passion, he is made free.'")
I once knew a teacher,
Who turned from desire,
Who said to the young men
"Wine is a fire."
Who said to the merchants:—
"Gold is a flame
That sears and tortures
If you play at the game."
I once knew a teacher
Who turned from desire
Who said to the soldiers,
"Hate is a fire."
Who said to the statesmen:—
"Power is a flame
That flays and blisters
If you play at the game."
I once knew a teacher
Who turned from desire,
Who said to the lordly,
"Pride is a fire."
Who thus warned the revellers:—
"Life is a flame.
Be cold as the dew
Would you win at the game
With hearts like the stars,
With hearts like the stars."
SO BEWARE,
SO BEWARE,
SO BEWARE OF THE FIRE.
Clear the streets,
BOOM, BOOM,
Clear the streets,
BOOM, BOOM,
GIVE THE ENGINES ROOM,
GIVE THE ENGINES ROOM,
LEST SOULS BE TRAPPED
IN A TERRIBLE TOMB.
SAYS THE SWIFT WHITE HORSE
TO THE SWIFT BLACK HORSE:—
"THERE GOES THE ALARM,
THERE GOES THE ALARM.
THEY ARE HITCHED, THEY ARE OFF,
THEY ARE GONE IN A FLASH,
AND THEY STRAIN AT THE DRIVER'S IRON ARM."
CLANG . . . A . . . RANGA, . . . CLANG.. A . . . RANGA. . . .
CLANG . . . CLANG . . . CLANG. . . .
CLANG . . . A . . . RANGA. . . . CLANG . . . A . . . RANGA. . . .
CLANG . . . CLANG . . . CLANG. . . .
CLANG . . . A . . . RANGA. . . . CLANG . . . A . . . RANGA. . . .
CLANG . . . CLANG . . . CLANG . . . .
|
Written by
Claude McKay |
I must not gaze at them although
Your eyes are dawning day;
I must not watch you as you go
Your sun-illumined way;
I hear but I must never heed
The fascinating note,
Which, fluting like a river reed,
Comes from your trembing throat;
I must not see upon your face
Love's softly glowing spark;
For there's the barrier of race,
You're fair and I am dark.
|
Written by
A S J Tessimond |
The birds' shrill fluting
Beats on the pink blind,
Pierces the pink blind
At whose edge fumble the sun's
Fingers till one obtrudes
And stirs the thick motes.
The room is a close box of pink warmth.
The minutes click.
A man picks across the street
With a metal-pointed stick.
Three clocks drop each twelve pennies
On the drom of noon.
The birds end.
A child's cry pricks the hush.
The wind plucks at a leaf.
The birds rebegin.
|