Get Your Premium Membership

Best Famous Flush It Poems

Here is a collection of the all-time best famous Flush It poems. This is a select list of the best famous Flush It poetry. Reading, writing, and enjoying famous Flush It poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of flush it poems.

Search and read the best famous Flush It poems, articles about Flush It poems, poetry blogs, or anything else Flush It poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Maya Angelou | Create an image from this poem

Touched by An Angel

We, unaccustomed to courage
exiles from delight
live coiled in shells of loneliness
until love leaves its high holy temple
and comes into our sight
to liberate us into life.

Love arrives
and in its train come ecstasies
old memories of pleasure
ancient histories of pain.
Yet if we are bold,
love strikes away the chains of fear
from our souls.

We are weaned from our timidity
In the flush of love's light
we dare be brave
And suddenly we see
that love costs all we are
and will ever be.
Yet it is only love
which sets us free.


Written by Walt Whitman | Create an image from this poem

Song at Sunset

 SPLENDOR of ended day, floating and filling me! 
Hour prophetic—hour resuming the past! 
Inflating my throat—you, divine average! 
You, Earth and Life, till the last ray gleams, I sing. 

Open mouth of my Soul, uttering gladness,
Eyes of my Soul, seeing perfection, 
Natural life of me, faithfully praising things; 
Corroborating forever the triumph of things. 

Illustrious every one! 
Illustrious what we name space—sphere of unnumber’d spirits;
Illustrious the mystery of motion, in all beings, even the tiniest insect; 
Illustrious the attribute of speech—the senses—the body; 
Illustrious the passing light! Illustrious the pale reflection on the new moon in the
 western
 sky! 
Illustrious whatever I see, or hear, or touch, to the last. 

Good in all,
In the satisfaction and aplomb of animals, 
In the annual return of the seasons, 
In the hilarity of youth, 
In the strength and flush of manhood, 
In the grandeur and exquisiteness of old age,
In the superb vistas of Death. 

Wonderful to depart; 
Wonderful to be here! 
The heart, to jet the all-alike and innocent blood! 
To breathe the air, how delicious!
To speak! to walk! to seize something by the hand! 
To prepare for sleep, for bed—to look on my rose-color’d flesh; 
To be conscious of my body, so satisfied, so large; 
To be this incredible God I am; 
To have gone forth among other Gods—these men and women I love.

Wonderful how I celebrate you and myself! 
How my thoughts play subtly at the spectacles around! 
How the clouds pass silently overhead! 
How the earth darts on and on! and how the sun, moon, stars, dart on and on! 
How the water sports and sings! (Surely it is alive!)
How the trees rise and stand up—with strong trunks—with branches and leaves! 
(Surely there is something more in each of the tree—some living Soul.) 

O amazement of things! even the least particle! 
O spirituality of things! 
O strain musical, flowing through ages and continents—now reaching me and America!
I take your strong chords—I intersperse them, and cheerfully pass them forward. 

I too carol the sun, usher’d, or at noon, or, as now, setting, 
I too throb to the brain and beauty of the earth, and of all the growths of the earth, 
I too have felt the resistless call of myself. 

As I sail’d down the Mississippi,
As I wander’d over the prairies, 
As I have lived—As I have look’d through my windows, my eyes, 
As I went forth in the morning—As I beheld the light breaking in the east; 
As I bathed on the beach of the Eastern Sea, and again on the beach of the Western Sea; 
As I roam’d the streets of inland Chicago—whatever streets I have roam’d;
Or cities, or silent woods, or peace, or even amid the sights of war; 
Wherever I have been, I have charged myself with contentment and triumph. 

I sing the Equalities, modern or old, 
I sing the endless finales of things; 
I say Nature continues—Glory continues;
I praise with electric voice; 
For I do not see one imperfection in the universe; 
And I do not see one cause or result lamentable at last in the universe. 

O setting sun! though the time has come, 
I still warble under you, if none else does, unmitigated adoration.
Written by Walt Whitman | Create an image from this poem

To Think of Time

 1
TO think of time—of all that retrospection! 
To think of to-day, and the ages continued henceforward! 

Have you guess’d you yourself would not continue? 
Have you dreaded these earth-beetles? 
Have you fear’d the future would be nothing to you?

Is to-day nothing? Is the beginningless past nothing? 
If the future is nothing, they are just as surely nothing. 

To think that the sun rose in the east! that men and women were flexible, real, alive!
 that
 everything was alive! 
To think that you and I did not see, feel, think, nor bear our part! 
To think that we are now here, and bear our part!

2
Not a day passes—not a minute or second, without an accouchement! 
Not a day passes—not a minute or second, without a corpse! 

The dull nights go over, and the dull days also, 
The soreness of lying so much in bed goes over, 
The physician, after long putting off, gives the silent and terrible look for an answer,
The children come hurried and weeping, and the brothers and sisters are sent for, 
Medicines stand unused on the shelf—(the camphor-smell has long pervaded the rooms,) 
The faithful hand of the living does not desert the hand of the dying, 
The twitching lips press lightly on the forehead of the dying, 
The breath ceases, and the pulse of the heart ceases,
The corpse stretches on the bed, and the living look upon it, 
It is palpable as the living are palpable. 

The living look upon the corpse with their eye-sight, 
But without eye-sight lingers a different living, and looks curiously on the corpse. 

3
To think the thought of Death, merged in the thought of materials!
To think that the rivers will flow, and the snow fall, and fruits ripen, and act upon
 others as
 upon us now—yet not act upon us! 
To think of all these wonders of city and country, and others taking great interest in
 them—and we taking no interest in them! 

To think how eager we are in building our houses! 
To think others shall be just as eager, and we quite indifferent! 

(I see one building the house that serves him a few years, or seventy or eighty years at
 most,
I see one building the house that serves him longer than that.) 

Slow-moving and black lines creep over the whole earth—they never cease—they are
 the
 burial lines, 
He that was President was buried, and he that is now President shall surely be buried. 

4
A reminiscence of the vulgar fate, 
A frequent sample of the life and death of workmen,
Each after his kind: 
Cold dash of waves at the ferry-wharf—posh and ice in the river, half-frozen mud in
 the
 streets, a gray, discouraged sky overhead, the short, last daylight of Twelfth-month, 
A hearse and stages—other vehicles give place—the funeral of an old Broadway
 stage-driver, the cortege mostly drivers. 

Steady the trot to the cemetery, duly rattles the death-bell, the gate is pass’d, the
 new-dug grave is halted at, the living alight, the hearse uncloses, 
The coffin is pass’d out, lower’d and settled, the whip is laid on the coffin,
 the
 earth is swiftly shovel’d in,
The mound above is flatted with the spades—silence, 
A minute—no one moves or speaks—it is done, 
He is decently put away—is there anything more? 

He was a good fellow, free-mouth’d, quick-temper’d, not bad-looking, able to
 take his
 own part, witty, sensitive to a slight, ready with life or death for a friend, fond of
 women,
 gambled, ate hearty, drank hearty, had known what it was to be flush, grew low-spirited
 toward
 the last, sicken’d, was help’d by a contribution, died, aged forty-one
 years—and
 that was his funeral. 

Thumb extended, finger uplifted, apron, cape, gloves, strap, wet-weather clothes, whip
 carefully chosen, boss, spotter, starter, hostler, somebody loafing on you, you loafing
 on
 somebody, headway, man before and man behind, good day’s work, bad day’s work,
 pet
 stock, mean stock, first out, last out, turning-in at night;
To think that these are so much and so nigh to other drivers—and he there takes no
 interest in them! 

5
The markets, the government, the working-man’s wages—to think what account they
 are
 through our nights and days! 
To think that other working-men will make just as great account of them—yet we make
 little
 or no account! 

The vulgar and the refined—what you call sin, and what you call goodness—to
 think how
 wide a difference! 
To think the difference will still continue to others, yet we lie beyond the difference.

To think how much pleasure there is! 
Have you pleasure from looking at the sky? have you pleasure from poems? 
Do you enjoy yourself in the city? or engaged in business? or planning a nomination and
 election? or with your wife and family? 
Or with your mother and sisters? or in womanly housework? or the beautiful maternal cares?

—These also flow onward to others—you and I flow onward,
But in due time, you and I shall take less interest in them. 

Your farm, profits, crops,—to think how engross’d you are! 
To think there will still be farms, profits, crops—yet for you, of what avail? 

6
What will be, will be well—for what is, is well, 
To take interest is well, and not to take interest shall be well.

The sky continues beautiful, 
The pleasure of men with women shall never be sated, nor the pleasure of women with men,
 nor
 the pleasure from poems, 
The domestic joys, the daily housework or business, the building of houses—these are
 not
 phantasms—they have weight, form, location; 
Farms, profits, crops, markets, wages, government, are none of them phantasms, 
The difference between sin and goodness is no delusion,
The earth is not an echo—man and his life, and all the things of his life, are
 well-consider’d. 

You are not thrown to the winds—you gather certainly and safely around yourself; 
Yourself! Yourself! Yourself, forever and ever! 

7
It is not to diffuse you that you were born of your mother and father—it is to
 identify
 you; 
It is not that you should be undecided, but that you should be decided;
Something long preparing and formless is arrived and form’d in you, 
You are henceforth secure, whatever comes or goes. 

The threads that were spun are gather’d, the weft crosses the warp, the pattern is
 systematic. 

The preparations have every one been justified, 
The orchestra have sufficiently tuned their instruments—the baton has given the
 signal.

The guest that was coming—he waited long, for reasons—he is now housed, 
He is one of those who are beautiful and happy—he is one of those that to look upon
 and be
 with is enough. 

The law of the past cannot be eluded, 
The law of the present and future cannot be eluded, 
The law of the living cannot be eluded—it is eternal,
The law of promotion and transformation cannot be eluded, 
The law of heroes and good-doers cannot be eluded, 
The law of drunkards, informers, mean persons—not one iota thereof can be eluded. 

8
Slow moving and black lines go ceaselessly over the earth, 
Northerner goes carried, and Southerner goes carried, and they on the Atlantic side, and
 they
 on the Pacific, and they between, and all through the Mississippi country, and all over
 the
 earth.

The great masters and kosmos are well as they go—the heroes and good-doers are well, 
The known leaders and inventors, and the rich owners and pious and distinguish’d, may
 be
 well, 
But there is more account than that—there is strict account of all. 

The interminable hordes of the ignorant and wicked are not nothing, 
The barbarians of Africa and Asia are not nothing,
The common people of Europe are not nothing—the American aborigines are not nothing, 
The infected in the immigrant hospital are not nothing—the murderer or mean person is
 not
 nothing, 
The perpetual successions of shallow people are not nothing as they go, 
The lowest prostitute is not nothing—the mocker of religion is not nothing as he
 goes. 

9
Of and in all these things,
I have dream’d that we are not to be changed so much, nor the law of us changed, 
I have dream’d that heroes and good-doers shall be under the present and past law, 
And that murderers, drunkards, liars, shall be under the present and past law, 
For I have dream’d that the law they are under now is enough. 

If otherwise, all came but to ashes of dung,
If maggots and rats ended us, then Alarum! for we are betray’d! 
Then indeed suspicion of death. 

Do you suspect death? If I were to suspect death, I should die now, 
Do you think I could walk pleasantly and well-suited toward annihilation? 

10
Pleasantly and well-suited I walk,
Whither I walk I cannot define, but I know it is good, 
The whole universe indicates that it is good, 
The past and the present indicate that it is good. 

How beautiful and perfect are the animals! 
How perfect the earth, and the minutest thing upon it!

What is called good is perfect, and what is called bad is just as perfect, 
The vegetables and minerals are all perfect, and the imponderable fluids are perfect; 
Slowly and surely they have pass’d on to this, and slowly and surely they yet pass
 on. 

11
I swear I think now that everything without exception has an eternal Soul! 
The trees have, rooted in the ground! the weeds of the sea have! the animals!

I swear I think there is nothing but immortality! 
That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is
 for
 it; 
And all preparation is for it! and identity is for it! and life and materials are
 altogether
 for it
Written by Charlotte Bronte | Create an image from this poem

Mementos

 ARRANGING long-locked drawers and shelves 
Of cabinets, shut up for years, 
What a strange task we've set ourselves ! 
How still the lonely room appears ! 
How strange this mass of ancient treasures, 
Mementos of past pains and pleasures; 
These volumes, clasped with costly stone, 
With print all faded, gilding gone; 

These fans of leaves, from Indian trees­ 
These crimson shells, from Indian seas­ 
These tiny portraits, set in rings­ 
Once, doubtless, deemed such precious things; 
Keepsakes bestowed by Love on Faith, 
And worn till the receiver's death, 
Now stored with cameos, china, shells, 
In this old closet's dusty cells. 

I scarcely think, for ten long years, 
A hand has touched these relics old; 
And, coating each, slow-formed, appears, 
The growth of green and antique mould. 

All in this house is mossing over; 
All is unused, and dim, and damp; 
Nor light, nor warmth, the rooms discover­ 
Bereft for years of fire and lamp. 

The sun, sometimes in summer, enters 
The casements, with reviving ray; 
But the long rains of many winters 
Moulder the very walls away. 

And outside all is ivy, clinging 
To chimney, lattice, gable grey; 
Scarcely one little red rose springing 
Through the green moss can force its way. 

Unscared, the daw, and starling nestle, 
Where the tall turret rises high, 
And winds alone come near to rustle 
The thick leaves where their cradles lie. 

I sometimes think, when late at even 
I climb the stair reluctantly, 
Some shape that should be well in heaven, 
Or ill elsewhere, will pass by me. 

I fear to see the very faces, 
Familiar thirty years ago, 
Even in the old accustomed places 
Which look so cold and gloomy now. 

I've come, to close the window, hither, 
At twilight, when the sun was down, 
And Fear, my very soul would wither, 
Lest something should be dimly shown. 

Too much the buried form resembling, 
Of her who once was mistress here; 
Lest doubtful shade, or moonbeam trembling, 
Might take her aspect, once so dear. 

Hers was this chamber; in her time 
It seemed to me a pleasant room, 
For then no cloud of grief or crime 
Had cursed it with a settled gloom; 

I had not seen death's image laid 
In shroud and sheet, on yonder bed. 
Before she married, she was blest­ 
Blest in her youth, blest in her worth; 
Her mind was calm, its sunny rest 
Shone in her eyes more clear than mirth. 

And when attired in rich array, 
Light, lustrous hair about her brow, 
She yonder sat­a kind of day 
Lit up­what seems so gloomy now. 
These grim oak walls, even then were grim; 
That old carved chair, was then antique; 
But what around looked dusk and dim 
Served as a foil to her fresh cheek; 
Her neck, and arms, of hue so fair, 
Eyes of unclouded, smiling, light; 
Her soft, and curled, and floating hair, 
Gems and attire, as rainbow bright. 

Reclined in yonder deep recess, 
Ofttimes she would, at evening, lie 
Watching the sun; she seemed to bless 
With happy glance the glorious sky. 
She loved such scenes, and as she gazed, 
Her face evinced her spirit's mood; 
Beauty or grandeur ever raised 
In her, a deep-felt gratitude. 

But of all lovely things, she loved 
A cloudless moon, on summer night; 
Full oft have I impatience proved 
To see how long, her still delight 
Would find a theme in reverie. 
Out on the lawn, or where the trees 
Let in the lustre fitfully, 
As their boughs parted momently, 
To the soft, languid, summer breeze. 
Alas ! that she should e'er have flung 
Those pure, though lonely joys away­ 
Deceived by false and guileful tongue, 
She gave her hand, then suffered wrong; 
Oppressed, ill-used, she faded young, 
And died of grief by slow decay. 

Open that casket­look how bright 
Those jewels flash upon the sight; 
The brilliants have not lost a ray 
Of lustre, since her wedding day. 
But see­upon that pearly chain­ 
How dim lies time's discolouring stain ! 
I've seen that by her daughter worn: 
For, e'er she died, a child was born; 
A child that ne'er its mother knew, 
That lone, and almost friendless grew; 
For, ever, when its step drew nigh, 
Averted was the father's eye; 
And then, a life impure and wild 
Made him a stranger to his child; 
Absorbed in vice, he little cared 
On what she did, or how she fared. 
The love withheld, she never sought, 
She grew uncherished­learnt untaught; 
To her the inward life of thought 
Full soon was open laid. 
I know not if her friendlessness 
Did sometimes on her spirit press, 
But plaint she never made. 

The book-shelves were her darling treasure, 
She rarely seemed the time to measure 
While she could read alone. 
And she too loved the twilight wood, 
And often, in her mother's mood, 
Away to yonder hill would hie, 
Like her, to watch the setting sun, 
Or see the stars born, one by one, 
Out of the darkening sky. 
Nor would she leave that hill till night 
Trembled from pole to pole with light; 
Even then, upon her homeward way, 
Long­long her wandering steps delayed 
To quit the sombre forest shade, 
Through which her eerie pathway lay. 

You ask if she had beauty's grace ? 
I know not­but a nobler face 
My eyes have seldom seen; 
A keen and fine intelligence, 
And, better still, the truest sense 
Were in her speaking mien. 
But bloom or lustre was there none, 
Only at moments, fitful shone 
An ardour in her eye, 
That kindled on her cheek a flush, 
Warm as a red sky's passing blush 
And quick with energy. 
Her speech, too, was not common speech, 
No wish to shine, or aim to teach, 
Was in her words displayed: 
She still began with quiet sense, 
But oft the force of eloquence 
Came to her lips in aid; 
Language and voice unconscious changed, 
And thoughts, in other words arranged, 
Her fervid soul transfused 
Into the hearts of those who heard, 
And transient strength and ardour stirred, 
In minds to strength unused. 
Yet in gay crowd or festal glare, 
Grave and retiring was her air; 
'Twas seldom, save with me alone, 
That fire of feeling freely shone; 
She loved not awe's nor wonder's gaze, 
Nor even exaggerated praise, 
Nor even notice, if too keen 
The curious gazer searched her mien. 
Nature's own green expanse revealed 
The world, the pleasures, she could prize; 
On free hill-side, in sunny field, 
In quiet spots by woods concealed, 
Grew wild and fresh her chosen joys, 
Yet Nature's feelings deeply lay 
In that endowed and youthful frame; 
Shrined in her heart and hid from day, 
They burned unseen with silent flame; 
In youth's first search for mental light, 
She lived but to reflect and learn, 
But soon her mind's maturer might 
For stronger task did pant and yearn; 
And stronger task did fate assign, 
Task that a giant's strength might strain; 
To suffer long and ne'er repine, 
Be calm in frenzy, smile at pain. 

Pale with the secret war of feeling, 
Sustained with courage, mute, yet high; 
The wounds at which she bled, revealing 
Only by altered cheek and eye; 

She bore in silence­but when passion 
Surged in her soul with ceaseless foam, 
The storm at last brought desolation, 
And drove her exiled from her home. 

And silent still, she straight assembled 
The wrecks of strength her soul retained; 
For though the wasted body trembled, 
The unconquered mind, to quail, disdained. 

She crossed the sea­now lone she wanders 
By Seine's, or Rhine's, or Arno's flow; 
Fain would I know if distance renders 
Relief or comfort to her woe. 

Fain would I know if, henceforth, ever, 
These eyes shall read in hers again, 
That light of love which faded never, 
Though dimmed so long with secret pain. 

She will return, but cold and altered, 
Like all whose hopes too soon depart; 
Like all on whom have beat, unsheltered, 
The bitter blasts that blight the heart. 

No more shall I behold her lying 
Calm on a pillow, smoothed by me; 
No more that spirit, worn with sighing, 
Will know the rest of infancy. 

If still the paths of lore she follow, 
'Twill be with tired and goaded will; 
She'll only toil, the aching hollow, 
The joyless blank of life to fill. 

And oh ! full oft, quite spent and weary, 
Her hand will pause, her head decline; 
That labour seems so hard and dreary, 
On which no ray of hope may shine. 

Thus the pale blight of time and sorrow 
Will shade with grey her soft, dark hair 
Then comes the day that knows no morrow, 
And death succeeds to long despair. 

So speaks experience, sage and hoary; 
I see it plainly, know it well, 
Like one who, having read a story, 
Each incident therein can tell. 

Touch not that ring, 'twas his, the sire 
Of that forsaken child; 
And nought his relics can inspire 
Save memories, sin-defiled. 

I, who sat by his wife's death-bed, 
I, who his daughter loved, 
Could almost curse the guilty dead, 
For woes, the guiltless proved. 

And heaven did curse­they found him laid, 
When crime for wrath was rife, 
Cold­with the suicidal blade 
Clutched in his desperate gripe. 

'Twas near that long deserted hut, 
Which in the wood decays, 
Death's axe, self-wielded, struck his root, 
And lopped his desperate days. 

You know the spot, where three black trees, 
Lift up their branches fell, 
And moaning, ceaseless as the seas, 
Still seem, in every passing breeze, 
The deed of blood to tell. 

They named him mad, and laid his bones 
Where holier ashes lie; 
Yet doubt not that his spirit groans, 
In hell's eternity. 

But, lo ! night, closing o'er the earth, 
Infects our thoughts with gloom; 
Come, let us strive to rally mirth, 
Where glows a clear and tranquil hearth 
In some more cheerful room.
Written by William Vaughn Moody | Create an image from this poem

An Ode in Time of Hesitation

 After seeing at Boston the statue of Robert Gould Shaw, killed while storming Fort Wagner, July 18, 1863, at the head of the first enlisted ***** regiment, the Fifty-fourth Massachusetts.


I 

Before the solemn bronze Saint Gaudens made 
To thrill the heedless passer's heart with awe, 
And set here in the city's talk and trade 
To the good memory of Robert Shaw, 
This bright March morn I stand, 
And hear the distant spring come up the land; 
Knowing that what I hear is not unheard 
Of this boy soldier and his ***** band, 
For all their gaze is fixed so stern ahead, 
For all the fatal rhythm of their tread. 
The land they died to save from death and shame 
Trembles and waits, hearing the spring's great name, 
And by her pangs these resolute ghosts are stirred. 


II 

Through street and mall the tides of people go 
Heedless; the trees upon the Common show 
No hint of green; but to my listening heart 
The still earth doth impart 
Assurance of her jubilant emprise, 
And it is clear to my long-searching eyes 
That love at last has might upon the skies. 
The ice is runneled on the little pond; 
A telltale patter drips from off the trees; 
The air is touched with southland spiceries, 
As if but yesterday it tossed the frond 
Of pendant mosses where the live-oaks grow 
Beyond Virginia and the Carolines, 
Or had its will among the fruits and vines 
Of aromatic isles asleep beyond 
Florida and the Gulf of Mexico. 


III 

Soon shall the Cape Ann children shout in glee, 
Spying the arbutus, spring's dear recluse; 
Hill lads at dawn shall hearken the wild goose 
Go honking northward over Tennessee; 
West from Oswego to Sault Sainte-Marie, 
And on to where the Pictured Rocks are hung, 
And yonder where, gigantic, wilful, young, 
Chicago sitteth at the northwest gates, 
With restless violent hands and casual tongue 
Moulding her mighty fates, 
The Lakes shall robe them in ethereal sheen; 
And like a larger sea, the vital green 
Of springing wheat shall vastly be outflung 
Over Dakota and the prairie states. 
By desert people immemorial 
On Arizonan mesas shall be done 
Dim rites unto the thunder and the sun; 
Nor shall the primal gods lack sacrifice 
More splendid, when the white Sierras call 
Unto the Rockies straightway to arise 
And dance before the unveiled ark of the year, 
Sounding their windy cedars as for shawms, 
Unrolling rivers clear 
For flutter of broad phylacteries; 
While Shasta signals to Alaskan seas 
That watch old sluggish glaciers downward creep 
To fling their icebergs thundering from the steep, 
And Mariposa through the purple calms 
Gazes at far Hawaii crowned with palms 
Where East and West are met, -- 
A rich seal on the ocean's bosom set 
To say that East and West are twain, 
With different loss and gain: 
The Lord hath sundered them; let them be sundered yet. 


IV 

Alas! what sounds are these that come 
Sullenly over the Pacific seas, -- 
Sounds of ignoble battle, striking dumb 
The season's half-awakened ecstasies? 
Must I be humble, then, 
Now when my heart hath need of pride? 
Wild love falls on me from these sculptured men; 
By loving much the land for which they died 
I would be justified. 
My spirit was away on pinions wide 
To soothe in praise of her its passionate mood 
And ease it of its ache of gratitude. 
Too sorely heavy is the debt they lay 
On me and the companions of my day. 
I would remember now 
My country's goodliness, make sweet her name. 
Alas! what shade art thou 
Of sorrow or of blame 
Liftest the lyric leafage from her brow, 
And pointest a slow finger at her shame? 


V 

Lies! lies! It cannot be! The wars we wage 
Are noble, and our battles still are won 
By justice for us, ere we lift the gage. 
We have not sold our loftiest heritage. 
The proud republic hath not stooped to cheat 
And scramble in the market-place of war; 
Her forehead weareth yet its solemn star. 
Here is her witness: this, her perfect son, 
This delicate and proud New England soul 
Who leads despisèd men, with just-unshackled feet, 
Up the large ways where death and glory meet, 
To show all peoples that our shame is done, 
That once more we are clean and spirit-whole. 


VI 

Crouched in the sea fog on the moaning sand 
All night he lay, speaking some simple word 
From hour to hour to the slow minds that heard, 
Holding each poor life gently in his hand 
And breathing on the base rejected clay 
Till each dark face shone mystical and grand 
Against the breaking day; 
And lo, the shard the potter cast away 
Was grown a fiery chalice crystal-fine 
Fulfilled of the divine 
Great wine of battle wrath by God's ring-finger stirred. 
Then upward, where the shadowy bastion loomed 
Huge on the mountain in the wet sea light, 
Whence now, and now, infernal flowerage bloomed, 
Bloomed, burst, and scattered down its deadly seed, -- 
They swept, and died like freemen on the height, 
Like freemen, and like men of noble breed; 
And when the battle fell away at night 
By hasty and contemptuous hands were thrust 
Obscurely in a common grave with him 
The fair-haired keeper of their love and trust. 
Now limb doth mingle with dissolvèd limb 
In nature's busy old democracy 
To flush the mountain laurel when she blows 
Sweet by the southern sea, 
And heart with crumbled heart climbs in the rose: -- 
The untaught hearts with the high heart that knew 
This mountain fortress for no earthly hold 
Of temporal quarrel, but the bastion old 
Of spiritual wrong, 
Built by an unjust nation sheer and strong, 
Expugnable but by a nation's rue 
And bowing down before that equal shrine 
By all men held divine, 
Whereof his band and he were the most holy sign. 


VII 

O bitter, bitter shade! 
Wilt thou not put the scorn 
And instant tragic question from thine eye? 
Do thy dark brows yet crave 
That swift and angry stave -- 
Unmeet for this desirous morn -- 
That I have striven, striven to evade? 
Gazing on him, must I not deem they err 
Whose careless lips in street and shop aver 
As common tidings, deeds to make his cheek 
Flush from the bronze, and his dead throat to speak? 
Surely some elder singer would arise, 
Whose harp hath leave to threaten and to mourn 
Above this people when they go astray. 
Is Whitman, the strong spirit, overworn? 
Has Whittier put his yearning wrath away? 
I will not and I dare not yet believe! 
Though furtively the sunlight seems to grieve, 
And the spring-laden breeze 
Out of the gladdening west is sinister 
With sounds of nameless battle overseas; 
Though when we turn and question in suspense 
If these things be indeed after these ways, 
And what things are to follow after these, 
Our fluent men of place and consequence 
Fumble and fill their mouths with hollow phrase, 
Or for the end-all of deep arguments 
Intone their dull commercial liturgies -- 
I dare not yet believe! My ears are shut! 
I will not hear the thin satiric praise 
And muffled laughter of our enemies, 
Bidding us never sheathe our valiant sword 
Till we have changed our birthright for a gourd 
Of wild pulse stolen from a barbarian's hut; 
Showing how wise it is to cast away 
The symbols of our spiritual sway, 
That so our hands with better ease 
May wield the driver's whip and grasp the jailer's keys. 


VIII 

Was it for this our fathers kept the law? 
This crown shall crown their struggle and their ruth? 
Are we the eagle nation Milton saw 
Mewing its mighty youth, 
Soon to possess the mountain winds of truth, 
And be a swift familiar of the sun 
Where aye before God's face his trumpets run? 
Or have we but the talons and the maw, 
And for the abject likeness of our heart 
Shall some less lordly bird be set apart? -- 
Some gross-billed wader where the swamps are fat? 
Some gorger in the sun? Some prowler with the bat? 


IX 

Ah no! 
We have not fallen so. 
We are our fathers' sons: let those who lead us know! 
'T was only yesterday sick Cuba's cry 
Came up the tropic wind, "Now help us, for we die!" 
Then Alabama heard, 
And rising, pale, to Maine and Idaho 
Shouted a burning word. 
Proud state with proud impassioned state conferred, 
And at the lifting of a hand sprang forth, 
East, west, and south, and north, 
Beautiful armies. Oh, by the sweet blood and young 
Shed on the awful hill slope at San Juan, 
By the unforgotten names of eager boys 
Who might have tasted girls' love and been stung 
With the old mystic joys 
And starry griefs, now the spring nights come on, 
But that the heart of youth is generous, -- 
We charge you, ye who lead us, 
Breathe on their chivalry no hint of stain! 
Turn not their new-world victories to gain! 
One least leaf plucked for chaffer from the bays 
Of their dear praise, 
One jot of their pure conquest put to hire, 
The implacable republic will require; 
With clamor, in the glare and gaze of noon, 
Or subtly, coming as a thief at night, 
But surely, very surely, slow or soon 
That insult deep we deeply will requite. 
Tempt not our weakness, our cupidity! 
For save we let the island men go free, 
Those baffled and dislaureled ghosts 
Will curse us from the lamentable coasts 
Where walk the frustrate dead. 
The cup of trembling shall be drainèd quite, 
Eaten the sour bread of astonishment, 
With ashes of the hearth shall be made white 
Our hair, and wailing shall be in the tent; 
Then on your guiltier head 
Shall our intolerable self-disdain 
Wreak suddenly its anger and its pain; 
For manifest in that disastrous light 
We shall discern the right 
And do it, tardily. -- O ye who lead, 
Take heed! 
Blindness we may forgive, but baseness we will smite.


Written by Edward Estlin (E E) Cummings | Create an image from this poem

Humanity i love you

Humanity i love you
because you would rather black the boots of
success than enquire whose soul dangles from his
watch-chain which would be embarrassing for both

parties and because you 
unflinchingly applaud all
songs containing the words country home and
mother when sung at the old howard

Humanity i love you because
when you're hard up you pawn your
intelligence to buy a drink and when
you're flush pride keeps 

you from the pawn shops and
because you are continually committing
nuisances but more
especially in your own house

Humanity i love you because you 
are perpetually putting the secret of
life in your pants and forgetting
it's there and sitting down

on it
and because you are 
forever making poems in the lap
of death Humanity

i hate you
Written by Robert Browning | Create an image from this poem

My Last Duchess

That's my last duchess painted on the wall,
Looking as if she were alive.  I call 
That piece a wonder, now: Frà Pandolf's hands 
Worked busily a day, and there she stands. 
Will't please you sit and look at her?  I said 
"Frà Pandolf" by design, for never read 
Strangers like you that pictured countenance, 
The depth and passion of its earnest glance, 
But to myself they turned (since none puts by 
The curtain I have drawn for you, but I) 
And seemed as they would ask me, if they durst, 
How such a glance came there; so, not the first 
Are you to turn and ask thus.  Sir, 'twas not 
Her husband's presence only, called that spot 
Of joy into the Duchess' cheek: perhaps 
Frà Pandolf chanced to say "Her mantle laps 
Over my lady's wrist too much," or "Paint 
Must never hope to reproduce the faint 
Half-flush that dies along her throat": such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart—how shall I say?—too soon made glad,
Too easily impressed; she liked whate'er
She looked on, and her looks went everywhere.
Sir, 'twas all one!  My favor at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace—all and each
Would draw from her alike the approving speech,
Or blush, at least.  She thanked men—good! but thanked
Somehow—I know not how—as if she ranked
My gift of a nine-hundred-years-old name
With anybody's gift.  Who'd stoop to blame
This sort of trifling?  Even had you skill
In speech—which I have not—to make your will
Quite clear to such an one, and say, "Just this
Or that in you disgusts me; here you miss,
Or there exceed the mark"—and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and made excuse,
—E'en then would be some stooping; and I choose
Never to stoop.  Oh sir, she smiled, no doubt,
Whene'er I passed her; but who passed without
Much the same smile?  This grew; I gave commands;
Then all smiles stopped together.  There she stands
As if alive.  Will't please you rise?  We'll meet
The company below, then.  I repeat,
The Count your master's known munificence
Is ample warrant that no just pretense
Of mine for dowry will be disallowed;
Though his fair daughter's self as I avowed
At starting, is my object.  Nay, we'll go
Together down, sir.  Notice Neptune, though,
Taming a sea horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!
Written by Walt Whitman | Create an image from this poem

Great are the Myths

 1
GREAT are the myths—I too delight in them; 
Great are Adam and Eve—I too look back and accept them; 
Great the risen and fallen nations, and their poets, women, sages, inventors, rulers,
 warriors,
 and priests. 
Great is Liberty! great is Equality! I am their follower; 
Helmsmen of nations, choose your craft! where you sail, I sail,
I weather it out with you, or sink with you. 

Great is Youth—equally great is Old Age—great are the Day and Night; 
Great is Wealth—great is Poverty—great is Expression—great is Silence. 

Youth, large, lusty, loving—Youth, full of grace, force, fascination! 
Do you know that Old Age may come after you, with equal grace, force, fascination?

Day, full-blown and splendid—Day of the immense sun, action, ambition, laughter, 
The Night follows close, with millions of suns, and sleep, and restoring darkness. 

Wealth, with the flush hand, fine clothes, hospitality; 
But then the Soul’s wealth, which is candor, knowledge, pride, enfolding love; 
(Who goes for men and women showing Poverty richer than wealth?)

Expression of speech! in what is written or said, forget not that Silence is also
 expressive, 
That anguish as hot as the hottest, and contempt as cold as the coldest, may be without
 words. 

2
Great is the Earth, and the way it became what it is; 
Do you imagine it has stopt at this? the increase abandon’d? 
Understand then that it goes as far onward from this, as this is from the times when it
 lay in
 covering waters and gases, before man had appear’d.

Great is the quality of Truth in man; 
The quality of truth in man supports itself through all changes, 
It is inevitably in the man—he and it are in love, and never leave each other. 

The truth in man is no dictum, it is vital as eyesight; 
If there be any Soul, there is truth—if there be man or woman there is truth—if
 there
 be physical or moral, there is truth;
If there be equilibrium or volition, there is truth—if there be things at all upon
 the
 earth, there is truth. 

O truth of the earth! I am determin’d to press my way toward you; 
Sound your voice! I scale mountains, or dive in the sea after you. 

3
Great is Language—it is the mightiest of the sciences, 
It is the fulness, color, form, diversity of the earth, and of men and women, and of all
 qualities and processes;
It is greater than wealth—it is greater than buildings, ships, religions, paintings,
 music. 

Great is the English speech—what speech is so great as the English? 
Great is the English brood—what brood has so vast a destiny as the English? 
It is the mother of the brood that must rule the earth with the new rule; 
The new rule shall rule as the Soul rules, and as the love, justice, equality in the Soul
 rule.

Great is Law—great are the few old land-marks of the law, 
They are the same in all times, and shall not be disturb’d. 

4
Great is Justice! 
Justice is not settled by legislators and laws—it is in the Soul; 
It cannot be varied by statutes, any more than love, pride, the attraction of gravity,
 can;
It is immutable—it does not depend on majorities—majorities or what not, come at
 last
 before the same passionless and exact tribunal. 

For justice are the grand natural lawyers, and perfect judges—is it in their Souls; 
It is well assorted—they have not studied for nothing—the great includes the
 less; 
They rule on the highest grounds—they oversee all eras, states, administrations. 

The perfect judge fears nothing—he could go front to front before God;
Before the perfect judge all shall stand back—life and death shall stand
 back—heaven
 and hell shall stand back. 

5
Great is Life, real and mystical, wherever and whoever; 
Great is Death—sure as life holds all parts together, Death holds all parts together.


Has Life much purport?—Ah, Death has the greatest purport.
Written by Edgar Allan Poe | Create an image from this poem

Tamerlane

 Kind solace in a dying hour!
Such, father, is not (now) my theme-
I will not madly deem that power
Of Earth may shrive me of the sin
Unearthly pride hath revell'd in-
I have no time to dote or dream:
You call it hope- that fire of fire!
It is but agony of desire:
If I can hope- Oh God! I can-
Its fount is holier- more divine-
I would not call thee fool, old man,
But such is not a gift of thine.

Know thou the secret of a spirit
Bow'd from its wild pride into shame.
O yearning heart! I did inherit
Thy withering portion with the fame,
The searing glory which hath shone
Amid the jewels of my throne,
Halo of Hell! and with a pain
Not Hell shall make me fear again-
O craving heart, for the lost flowers
And sunshine of my summer hours!
The undying voice of that dead time,
With its interminable chime,
Rings, in the spirit of a spell,
Upon thy emptiness- a knell.

I have not always been as now:
The fever'd diadem on my brow
I claim'd and won usurpingly-
Hath not the same fierce heirdom given
Rome to the Caesar- this to me?
The heritage of a kingly mind,
And a proud spirit which hath striven
Triumphantly with human kind.

On mountain soil I first drew life:
The mists of the Taglay have shed
Nightly their dews upon my head,
And, I believe, the winged strife
And tumult of the headlong air
Have nestled in my very hair.

So late from Heaven- that dew- it fell
(Mid dreams of an unholy night)
Upon me with the touch of Hell,
While the red flashing of the light
From clouds that hung, like banners, o'er,
Appeared to my half-closing eye
The pageantry of monarchy,
And the deep trumpet-thunder's roar
Came hurriedly upon me, telling
Of human battle, where my voice,
My own voice, silly child!- was swelling
(O! how my spirit would rejoice,
And leap within me at the cry)
The battle-cry of Victory!

The rain came down upon my head
Unshelter'd- and the heavy wind
Rendered me mad and deaf and blind.
It was but man, I thought, who shed
Laurels upon me: and the rush-
The torrent of the chilly air
Gurgled within my ear the crush
Of empires- with the captive's prayer-
The hum of suitors- and the tone
Of flattery 'round a sovereign's throne.

My passions, from that hapless hour,
Usurp'd a tyranny which men
Have deem'd, since I have reach'd to power,
My innate nature- be it so:
But father, there liv'd one who, then,
Then- in my boyhood- when their fire
Burn'd with a still intenser glow,
(For passion must, with youth, expire)
E'en then who knew this iron heart
In woman's weakness had a part.

I have no words- alas!- to tell
The loveliness of loving well!
Nor would I now attempt to trace
The more than beauty of a face
Whose lineaments, upon my mind,
Are- shadows on th' unstable wind:
Thus I remember having dwelt
Some page of early lore upon,
With loitering eye, till I have felt
The letters- with their meaning- melt
To fantasies- with none.

O, she was worthy of all love!
Love- as in infancy was mine-
'Twas such as angel minds above
Might envy; her young heart the shrine
On which my every hope and thought
Were incense- then a goodly gift,
For they were childish and upright-
Pure- as her young example taught:
Why did I leave it, and, adrift,
Trust to the fire within, for light?

We grew in age- and love- together,
Roaming the forest, and the wild;
My breast her shield in wintry weather-
And when the friendly sunshine smil'd,
And she would mark the opening skies,
I saw no Heaven- but in her eyes.

Young Love's first lesson is- the heart:
For 'mid that sunshine, and those smiles,
When, from our little cares apart,
And laughing at her girlish wiles,
I'd throw me on her throbbing breast,
And pour my spirit out in tears-
There was no need to speak the rest-
No need to quiet any fears
Of her- who ask'd no reason why,
But turn'd on me her quiet eye!

Yet more than worthy of the love
My spirit struggled with, and strove,
When, on the mountain peak, alone,
Ambition lent it a new tone-
I had no being- but in thee:
The world, and all it did contain
In the earth- the air- the sea-
Its joy- its little lot of pain
That was new pleasure- the ideal,
Dim vanities of dreams by night-

And dimmer nothings which were real-
(Shadows- and a more shadowy light!)
Parted upon their misty wings,
And, so, confusedly, became
Thine image, and- a name- a name!
Two separate- yet most intimate things.

I was ambitious- have you known
The passion, father? You have not:
A cottager, I mark'd a throne
Of half the world as all my own,
And murmur'd at such lowly lot-
But, just like any other dream,
Upon the vapour of the dew
My own had past, did not the beam
Of beauty which did while it thro'
The minute- the hour- the day- oppress
My mind with double loveliness.

We walk'd together on the crown
Of a high mountain which look'd down
Afar from its proud natural towers
Of rock and forest, on the hills-
The dwindled hills! begirt with bowers,
And shouting with a thousand rills.

I spoke to her of power and pride,
But mystically- in such guise
That she might deem it nought beside
The moment's converse; in her eyes
I read, perhaps too carelessly-
A mingled feeling with my own-
The flush on her bright cheek, to me
Seem'd to become a queenly throne
Too well that I should let it be
Light in the wilderness alone.

I wrapp'd myself in grandeur then,
And donn'd a visionary crown-
Yet it was not that Fantasy
Had thrown her mantle over me-
But that, among the rabble- men,
Lion ambition is chained down-
And crouches to a keeper's hand-
Not so in deserts where the grand-
The wild- the terrible conspire
With their own breath to fan his fire.

Look 'round thee now on Samarcand!
Is not she queen of Earth? her pride
Above all cities? in her hand
Their destinies? in all beside
Of glory which the world hath known
Stands she not nobly and alone?
Falling- her veriest stepping-stone
Shall form the pedestal of a throne-
And who her sovereign? Timour- he
Whom the astonished people saw
Striding o'er empires haughtily
A diadem'd outlaw!

O, human love! thou spirit given
On Earth, of all we hope in Heaven!
Which fall'st into the soul like rain
Upon the Siroc-wither'd plain,
And, failing in thy power to bless,
But leav'st the heart a wilderness!
Idea! which bindest life around
With music of so strange a sound,
And beauty of so wild a birth-
Farewell! for I have won the Earth.

When Hope, the eagle that tower'd, could see
No cliff beyond him in the sky,
His pinions were bent droopingly-
And homeward turn'd his soften'd eye.
'Twas sunset: when the sun will part
There comes a sullenness of heart
To him who still would look upon
The glory of the summer sun.
That soul will hate the ev'ning mist,
So often lovely, and will list
To the sound of the coming darkness (known
To those whose spirits hearken) as one
Who, in a dream of night, would fly
But cannot from a danger nigh.

What tho' the moon- the white moon
Shed all the splendour of her noon,
Her smile is chilly, and her beam,
In that time of dreariness, will seem
(So like you gather in your breath)
A portrait taken after death.
And boyhood is a summer sun
Whose waning is the dreariest one-
For all we live to know is known,
And all we seek to keep hath flown-
Let life, then, as the day-flower, fall
With the noon-day beauty- which is all.

I reach'd my home- my home no more
For all had flown who made it so.
I pass'd from out its mossy door,
And, tho' my tread was soft and low,
A voice came from the threshold stone
Of one whom I had earlier known-
O, I defy thee, Hell, to show
On beds of fire that burn below,
A humbler heart- a deeper woe.

Father, I firmly do believe-
I know- for Death, who comes for me
From regions of the blest afar,
Where there is nothing to deceive,
Hath left his iron gate ajar,
And rays of truth you cannot see
Are flashing thro' Eternity-
I do believe that Eblis hath
A snare in every human path-
Else how, when in the holy grove
I wandered of the idol, Love,
Who daily scents his snowy wings
With incense of burnt offerings
From the most unpolluted things,
Whose pleasant bowers are yet so riven
Above with trellis'd rays from Heaven,
No mote may shun- no tiniest fly-
The lightning of his eagle eye-
How was it that Ambition crept,
Unseen, amid the revels there,
Till growing bold, he laughed and leapt
In the tangles of Love's very hair?
Written by Anne Sexton | Create an image from this poem

All My Pretty Ones

 Father, this year's jinx rides us apart 
where you followed our mother to her cold slumber; 
a second shock boiling its stone to your heart,
leaving me here to shuffle and disencumber
you from the residence you could not afford:
a gold key, your half of a woolen mill,
twenty suits from Dunne's, an English Ford,
the love and legal verbiage of another will, 
boxes of pictures of people I do not know. 
I touch their cardboard faces. They must go. 

But the eyes, as thick as wood in this album,
hold me. I stop here, where a small boy
waits in a ruffled dress for someone to come...
for this soldier who holds his bugle like a toy 
or for this velvet lady who cannot smile.
Is this your father's father, this Commodore 
in a mailman suit? My father, time meanwhile
has made it unimportant who you are looking for. 
I'll never know what these faces are all about. 
I lock them into their book and throw them out. 

Tlis is the yellow scrapbook that you began
the year I was born; as crackling now and wrinkly
as tobacco leaves: clippings where Hoover outran 
the Democrats, wiggling his dry finger at me 
and Prohibition; news where the Hindenburg went 
down and recent years where you went flush 
on war. This year, solvent but sick, you meant
to marry that pretty widow in a one-month rush. 
But before you had that second chance, I cried 
on your fat shoulder. Three days later you died. 

These are the snapshots of marriage, stopped in places. 
Side by side at the rail toward Nassau now; 
here, with the winner's cup at the speedboat races, 
here, in tails at the Cotillion, you take a bow,


here, by our kennel of dogs with their pink eyes, 
running like show-bred pigs in their chain-link pen; 
here, at the horseshow where my sister wins a prize; 
Now I fold you down, my drunkard, my navigator, 
my first lost keeper, to love or look at later.


I hold a five-year diary that my mother kept 
for three years, telling all she does not say 
of your alcoholic tendency. You overslept, 
she writes. My God, father, each Christmas Day 
with your blood, will I drink down your glass 
of wine? The diary of your hurly-burly years 
goes to my shelf to wait for my age to pass. 
Only in this hoarded span will love persevere. 
Whether you are pretty or not, I outlive you, 
bend down my strange face to yours and forgive you.

Book: Radiant Verses: A Journey Through Inspiring Poetry