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Best Famous Floss Poems

Here is a collection of the all-time best famous Floss poems. This is a select list of the best famous Floss poetry. Reading, writing, and enjoying famous Floss poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of floss poems.

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Written by Adrienne Rich | Create an image from this poem

Diving into the Wreck

 First having read the book of myths,
and loaded the camera,
and checked the edge of the knife-blade,
I put on
the body-armor of black rubber
the absurd flippers
the grave and awkward mask.
I am having to do this
not like Cousteau with his
assiduous team
aboard the sun-flooded schooner
but here alone.

There is a ladder.
The ladder is always there
hanging innocently
close to the side of the schooner.
We know what it is for,
we who have used it.
Otherwise
it is a piece of maritime floss
some sundry equipment.

I go down.
Rung after rung and still
the oxygen immerses me
the blue light
the clear atoms
of our human air.
I go down.
My flippers cripple me,
I crawl like an insect down the ladder
and there is no one
to tell me when the ocean
will begin.

First the air is blue and then
it is bluer and then green and then
black I am blacking out and yet
my mask is powerful
it pumps my blood with power
the sea is another story
the sea is not a question of power
I have to learn alone
to turn my body without force
in the deep element.

And now: it is easy to forget
what I came for
among so many who have always
lived here
swaying their crenellated fans
between the reefs
and besides
you breathe differently down here.

I came to explore the wreck.
The words are purposes.
The words are maps.
I came to see the damage that was done
and the treasures that prevail.
I stroke the beam of my lamp
slowly along the flank
of something more permanent
than fish or weed

the thing I came for:
the wreck and not the story of the wreck
the thing itself and not the myth
the drowned face always staring
toward the sun
the evidence of damage
worn by salt and away into this threadbare beauty
the ribs of the disaster
curving their assertion
among the tentative haunters.

This is the place.
And I am here, the mermaid whose dark hair
streams black, the merman in his armored body.
We circle silently
about the wreck
we dive into the hold.
I am she: I am he

whose drowned face sleeps with open eyes
whose breasts still bear the stress
whose silver, copper, vermeil cargo lies
obscurely inside barrels
half-wedged and left to rot
we are the half-destroyed instruments
that once held to a course
the water-eaten log
the fouled compass

We are, I am, you are
by cowardice or courage
the one who find our way
back to this scene
carrying a knife, a camera
a book of myths
in which
our names do not appear.


Written by Emily Dickinson | Create an image from this poem

He parts Himself -- like Leaves --

 He parts Himself -- like Leaves --
And then -- He closes up --
Then stands upon the Bonnet
Of Any Buttercup --

And then He runs against
And oversets a Rose --
And then does Nothing --
Then away upon a Jib -- He goes --

And dangles like a Mote
Suspended in the Noon --
Uncertain -- to return Below --
Or settle in the Moon --

What come of Him -- at Night --
The privilege to say
Be limited by Ignorance --
What come of Him -- That Day --

The Frost -- possess the World --
In Cabinets -- be shown --
A Sepulchre of quaintest Floss --
An Abbey -- a Cocoon --
Written by Mary Darby Robinson | Create an image from this poem

Pastoral Stanzas

 WHEN AURORA'S soft blushes o'erspread the blue hill,
And the mist dies away at the glances of morn;
When the birds join the music that floats on the rill,
And the beauties of spring the young woodlands adorn. 

To breathe the pure air and enliven my soul,
I bound from my cottage exulting and gay;
No care to molest me, no pow'r to controul,
I sport with my lambkins, as thoughtless as they. 

Yet, the bright tear of pity bedews my fond eyes,
When I think that for MAN the dear victims must fall,
While nature such stores of provision supplies,
And the bounties of Heaven are common to all. 

Ah! tell me, Reflection, why custom decreed
That the sweet feather'd songsters so slaughter'd should be?
For the board of the rich the poor minstrels may bleed,
But the fruits of the field are sufficient for me. 

When I view the proud palace, so pompously gay,
Whose high gilded turrets peep over the trees;
I pity its greatness and mournfully say,
Can mortals delight in such trifles as these! 

Can a pillow of down sooth the woe-stricken mind,
Can the sweets of Arabia calm sickness and pain;
Can fetters of gold Love's true votaries bind,
Or the gems of Peru Time's light pinions restrain? 

Can those limbs which bow down beneath sorrow and age,
From the floss of the silk-worm fresh vigour receive;
Can the pomp of the proud, death's grim tyrant assuage,
Can it teach you to die, or instruct you to live? 

Ah, no! then sweet PEACE, lovely offspring of Heav'n,
Come dwell in my cottage, thy handmaid I'll be;
Thus my youth shall pass on, unmolested and even,
And the winter of age be enliven'd by thee!
Written by Robert William Service | Create an image from this poem

Julot The Apache

 You've heard of Julot the apache, and Gigolette, his mome. . . .
Montmartre was their hunting-ground, but Belville was their home.
A little chap just like a boy, with smudgy black mustache, --
Yet there was nothing juvenile in Julot the apache.
From head to heel as tough as steel, as nimble as a cat,
With every trick of twist and kick, a master of savate.
And Gigolette was tall and fair, as stupid as a cow,
With three combs in the greasy hair she banged upon her brow.
You'd see her on the Place Pigalle on any afternoon,
A primitive and strapping wench as brazen as the moon.
And yet there is a tale that's told of Clichy after dark,
And two gendarmes who swung their arms with Julot for a mark.
And oh, but they'd have got him too; they banged and blazed away,
When like a flash a woman leapt between them and their prey.
She took the medicine meant for him; she came down with a crash . . .
"Quick now, and make your get-away, O Julot the apache!" . . .
But no! He turned, ran swiftly back, his arms around her met;
They nabbed him sobbing like a kid, and kissing Gigolette.

Now I'm a reckless painter chap who loves a jamboree,
And one night in Cyrano's bar I got upon a spree;
And there were trollops all about, and crooks of every kind,
But though the place was reeling round I didn't seem to mind.
Till down I sank, and all was blank when in the bleary dawn
I woke up in my studio to find -- my money gone;
Three hundred francs I'd scraped and squeezed to pay my quarter's rent.
"Some one has pinched my wad," I wailed; "it never has been spent."
And as I racked my brains to seek how I could raise some more,
Before my cruel landlord kicked me cowering from the door:
A knock . . . "Come in," I gruffly groaned; I did not raise my head,
Then lo! I heard a husky voice, a swift and silky tread:
"You got so blind, last night, mon vieux, I collared all your cash --
Three hundred francs. . . . There! Nom de Dieu," said Julot the apache.

And that was how I came to know Julot and Gigolette,
And we would talk and drink a bock, and smoke a cigarette.
And I would meditate upon the artistry of crime,
And he would tell of cracking cribs and cops and doing time;
Or else when he was flush of funds he'd carelessly explain
He'd biffed some bloated bourgeois on the border of the Seine.
So gentle and polite he was, just like a man of peace,
And not a desperado and the terror of the police.

Now one day in a bistro that's behind the Place Vendôme
I came on Julot the apache, and Gigolette his mome.
And as they looked so very grave, says I to them, says I,
"Come on and have a little glass, it's good to rinse the eye.
You both look mighty serious; you've something on the heart."
"Ah, yes," said Julot the apache, "we've something to impart.
When such things come to folks like us, it isn't very gay . . .
It's Gigolette -- she tells me that a gosse is on the way."
Then Gigolette, she looked at me with eyes like stones of gall:
"If we were honest folks," said she, "I wouldn't mind at all.
But then . . . you know the life we lead; well, anyway I mean
(That is, providing it's a girl) to call her Angeline."
"Cheer up," said I; "it's all in life. There's gold within the dross.
Come on, we'll drink another verre to Angeline the gosse."
And so the weary winter passed, and then one April morn
The worthy Julot came at last to say the babe was born.
"I'd like to chuck it in the Seine," he sourly snarled, "and yet
I guess I'll have to let it live, because of Gigolette."
I only laughed, for sure I saw his spite was all a bluff,
And he was prouder than a prince behind his manner gruff.
Yet every day he'd blast the brat with curses deep and grim,
And swear to me that Gigolette no longer thought of him.
And then one night he dropped the mask; his eyes were sick with dread,
And when I offered him a smoke he groaned and shook his head:
"I'm all upset; it's Angeline . . . she's covered with a rash . . .
She'll maybe die, my little gosse," cried Julot the apache.

But Angeline, I joy to say, came through the test all right,
Though Julot, so they tell me, watched beside her day and night.
And when I saw him next, says he: "Come up and dine with me.
We'll buy a beefsteak on the way, a bottle and some brie."
And so I had a merry night within his humble home,
And laughed with Angeline the gosse and Gigolette the mome.
And every time that Julot used a word the least obscene,
How Gigolette would frown at him and point to Angeline:
Oh, such a little innocent, with hair of silken floss,
I do not wonder they were proud of Angeline the gosse.
And when her arms were round his neck, then Julot says to me:
"I must work harder now, mon vieux, since I've to work for three."
He worked so very hard indeed, the police dropped in one day,
And for a year behind the bars they put him safe away.

So dark and silent now, their home; they'd gone -- I wondered where,
Till in a laundry near I saw a child with shining hair;
And o'er the tub a strapping wench, her arms in soapy foam;
Lo! it was Angeline the gosse, and Gigolette the mome.
And so I kept an eye on them and saw that all went right,
Until at last came Julot home, half crazy with delight.
And when he'd kissed them both, says he: "I've had my fill this time.
I'm on the honest now, I am; I'm all fed up with crime.
You mark my words, the page I turn is going to be clean,
I swear it on the head of her, my little Angeline."

And so, to finish up my tale, this morning as I strolled
Along the boulevard I heard a voice I knew of old.
I saw a rosy little man with walrus-like mustache . . .
I stopped, I stared. . . . By all the gods! 'twas Julot the apache.
"I'm in the garden way," he said, "and doing mighty well;
I've half an acre under glass, and heaps of truck to sell.
Come out and see. Oh come, my friend, on Sunday, wet or shine . . .
Say! -- it's the First Communion of that little girl of mine."
Written by Robert William Service | Create an image from this poem

Miss Mischievous

 Miss Don't-do-this and Don't-do-that
 Has such a sunny smile
You cannot help but chuckle at
 Her cuteness and her guile.
Her locks are silken floss of gold,
 Her eyes are pansy blue:
Maybe of years to eighty old
 The best is two.

Miss Don't-do-this and Don't-do-that
 To roguishness is fain;
To guard that laughter-loving brat
 Is quite a strain;
But when she tires of prank and play
 And says good-night,
I'm longing for another day
 Of child delight.

Miss Don't-do-this and Don't-do-that
 Will grow up soon.
I hope she'll never throw her hat
 Athwart the moon.
Yet I'll be sorrowful indeed,
 Remembering a day
Before she learned to humbly heed
 The word OBEY.


Written by Emily Dickinson | Create an image from this poem

Floss wont save you from an Abyss

 Floss won't save you from an Abyss
But a Rope will --
Notwithstanding a Rope for a Souvenir
Is not beautiful --

But I tell you every step is a Trough --
And every stop a Well --
Now will you have the Rope or the Floss?
Prices reasonable --

Book: Radiant Verses: A Journey Through Inspiring Poetry