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Best Famous Florida Poems

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Written by Philip Levine | Create an image from this poem

The Negatives

 On March 1, 1958, four deserters from the French Army of North Africa, 
August Rein, Henri Bruette, Jack Dauville, & Thomas Delain, robbed a 
government pay station at Orleansville.
Because of the subsequent confession of Dauville the other three were captured or shot.
Dauville was given his freedom and returned to the land of his birth, the U.
S.
A.
AUGUST REIN: from a last camp near St.
Remy I dig in the soft earth all afternoon, spacing the holes a foot or so from the wall.
Tonight we eat potatoes, tomorrow rice and carrots.
The earth here is like the earth nowhere, ancient with wood rot.
How can anything come forth, I wonder; and the days are all alike, if there is more than one day.
If there is more of this I will not endure.
I have grown so used to being watched I can no longer sleep without my watcher.
The thing I fought against, the dark cape, crimsoned with terror that I so hated comforts me now.
Thomas is dead; insanity, prison, cowardice, or slow inner capitulation has found us all, and all men turn from us, knowing our pain is not theirs or caused by them.
HENRI BRUETTE: from a hospital in Algiers Dear Suzanne: this letter will not reach you because I can't write it; I have no pencil, no paper, only the blunt end of my anger.
My dear, if I had words how could I report the imperfect failure for which I began to die? I might begin by saying that it was for clarity, though I did not find it in terror: dubiously entered each act, unsure of who I was and what I did, touching my face for fear I was another inside my head I played back pictures of my childhood, of my wife even, for it was in her I found myself beaten, safe, and furthest from the present.
It is her face I see now though all I say is meant for you, her face in the slow agony of sexual release.
I cannot see you.
The dark wall ribbed with spittle on which I play my childhood brings me to this bed, mastered by what I was, betrayed by those I trusted.
The one word my mouth must open to is why.
JACK DAUVILLE: from a hotel in Tampa, Florida From Orleansville we drove south until we reached the hills, then east until the road stopped.
I was nervous and couldn't eat.
Thomas took over, told us when to think and when to ****.
We turned north and reached Blida by first dawn and the City by morning, having dumped our weapons beside an empty road.
We were free.
We parted, and to this hour I haven't seen them, except in photographs: the black hair and torn features of Thomas Delain captured a moment before his death on the pages of the world, smeared in the act.
I tortured myself with their betrayal: alone I hurled them into freedom, inner freedom which I can't find nor ever will until they are dead.
In my mind Delain stands against the wall precise in detail, steadied for the betrayal.
"La France C'Est Moi," he cried, but the irony was lost.
Since I returned to the U.
S.
nothing goes well.
I stay up too late, don't sleep, and am losing weight.
Thomas, I say, is dead, but what use telling myself what I won't believe.
The hotel quiets early at night, the aged brace themselves for another sleep, and offshore the sea quickens its pace.
I am suddenly old, caught in a strange country for which no man would die.
THOMAS DELAIN: from a journal found on his person At night wakened by the freight trains boring through the suburbs of Lyon, I watched first light corrode the darkness, disturb what little wildlife was left in the alleys: birds moved from branch to branch, and the dogs leapt at the garbage.
Winter numbed even the hearts of the young who had only their hearts.
We heard the war coming; the long wait was over, and we moved along the crowded roads south not looking for what lost loves fell by the roadsides.
To flee at all cost, that was my youth.
Here in the African night wakened by what I do not know and shivering in the heat, listen as the men fight with sleep.
Loosed from their weapons they cry out, frightened and young, who have never been children.
Once merely to be strong, to live, was moral.
Within these uniforms we accept the evil we were chosen to deliver, and no act human or benign can free us from ourselves.
Wait, sleep, blind soldiers of a blind will, and listen for that old command dreaming of authority.


Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?
Written by William Vaughn Moody | Create an image from this poem

An Ode in Time of Hesitation

 After seeing at Boston the statue of Robert Gould Shaw, killed while storming Fort Wagner, July 18, 1863, at the head of the first enlisted ***** regiment, the Fifty-fourth Massachusetts.
I Before the solemn bronze Saint Gaudens made To thrill the heedless passer's heart with awe, And set here in the city's talk and trade To the good memory of Robert Shaw, This bright March morn I stand, And hear the distant spring come up the land; Knowing that what I hear is not unheard Of this boy soldier and his ***** band, For all their gaze is fixed so stern ahead, For all the fatal rhythm of their tread.
The land they died to save from death and shame Trembles and waits, hearing the spring's great name, And by her pangs these resolute ghosts are stirred.
II Through street and mall the tides of people go Heedless; the trees upon the Common show No hint of green; but to my listening heart The still earth doth impart Assurance of her jubilant emprise, And it is clear to my long-searching eyes That love at last has might upon the skies.
The ice is runneled on the little pond; A telltale patter drips from off the trees; The air is touched with southland spiceries, As if but yesterday it tossed the frond Of pendant mosses where the live-oaks grow Beyond Virginia and the Carolines, Or had its will among the fruits and vines Of aromatic isles asleep beyond Florida and the Gulf of Mexico.
III Soon shall the Cape Ann children shout in glee, Spying the arbutus, spring's dear recluse; Hill lads at dawn shall hearken the wild goose Go honking northward over Tennessee; West from Oswego to Sault Sainte-Marie, And on to where the Pictured Rocks are hung, And yonder where, gigantic, wilful, young, Chicago sitteth at the northwest gates, With restless violent hands and casual tongue Moulding her mighty fates, The Lakes shall robe them in ethereal sheen; And like a larger sea, the vital green Of springing wheat shall vastly be outflung Over Dakota and the prairie states.
By desert people immemorial On Arizonan mesas shall be done Dim rites unto the thunder and the sun; Nor shall the primal gods lack sacrifice More splendid, when the white Sierras call Unto the Rockies straightway to arise And dance before the unveiled ark of the year, Sounding their windy cedars as for shawms, Unrolling rivers clear For flutter of broad phylacteries; While Shasta signals to Alaskan seas That watch old sluggish glaciers downward creep To fling their icebergs thundering from the steep, And Mariposa through the purple calms Gazes at far Hawaii crowned with palms Where East and West are met, -- A rich seal on the ocean's bosom set To say that East and West are twain, With different loss and gain: The Lord hath sundered them; let them be sundered yet.
IV Alas! what sounds are these that come Sullenly over the Pacific seas, -- Sounds of ignoble battle, striking dumb The season's half-awakened ecstasies? Must I be humble, then, Now when my heart hath need of pride? Wild love falls on me from these sculptured men; By loving much the land for which they died I would be justified.
My spirit was away on pinions wide To soothe in praise of her its passionate mood And ease it of its ache of gratitude.
Too sorely heavy is the debt they lay On me and the companions of my day.
I would remember now My country's goodliness, make sweet her name.
Alas! what shade art thou Of sorrow or of blame Liftest the lyric leafage from her brow, And pointest a slow finger at her shame? V Lies! lies! It cannot be! The wars we wage Are noble, and our battles still are won By justice for us, ere we lift the gage.
We have not sold our loftiest heritage.
The proud republic hath not stooped to cheat And scramble in the market-place of war; Her forehead weareth yet its solemn star.
Here is her witness: this, her perfect son, This delicate and proud New England soul Who leads despisèd men, with just-unshackled feet, Up the large ways where death and glory meet, To show all peoples that our shame is done, That once more we are clean and spirit-whole.
VI Crouched in the sea fog on the moaning sand All night he lay, speaking some simple word From hour to hour to the slow minds that heard, Holding each poor life gently in his hand And breathing on the base rejected clay Till each dark face shone mystical and grand Against the breaking day; And lo, the shard the potter cast away Was grown a fiery chalice crystal-fine Fulfilled of the divine Great wine of battle wrath by God's ring-finger stirred.
Then upward, where the shadowy bastion loomed Huge on the mountain in the wet sea light, Whence now, and now, infernal flowerage bloomed, Bloomed, burst, and scattered down its deadly seed, -- They swept, and died like freemen on the height, Like freemen, and like men of noble breed; And when the battle fell away at night By hasty and contemptuous hands were thrust Obscurely in a common grave with him The fair-haired keeper of their love and trust.
Now limb doth mingle with dissolvèd limb In nature's busy old democracy To flush the mountain laurel when she blows Sweet by the southern sea, And heart with crumbled heart climbs in the rose: -- The untaught hearts with the high heart that knew This mountain fortress for no earthly hold Of temporal quarrel, but the bastion old Of spiritual wrong, Built by an unjust nation sheer and strong, Expugnable but by a nation's rue And bowing down before that equal shrine By all men held divine, Whereof his band and he were the most holy sign.
VII O bitter, bitter shade! Wilt thou not put the scorn And instant tragic question from thine eye? Do thy dark brows yet crave That swift and angry stave -- Unmeet for this desirous morn -- That I have striven, striven to evade? Gazing on him, must I not deem they err Whose careless lips in street and shop aver As common tidings, deeds to make his cheek Flush from the bronze, and his dead throat to speak? Surely some elder singer would arise, Whose harp hath leave to threaten and to mourn Above this people when they go astray.
Is Whitman, the strong spirit, overworn? Has Whittier put his yearning wrath away? I will not and I dare not yet believe! Though furtively the sunlight seems to grieve, And the spring-laden breeze Out of the gladdening west is sinister With sounds of nameless battle overseas; Though when we turn and question in suspense If these things be indeed after these ways, And what things are to follow after these, Our fluent men of place and consequence Fumble and fill their mouths with hollow phrase, Or for the end-all of deep arguments Intone their dull commercial liturgies -- I dare not yet believe! My ears are shut! I will not hear the thin satiric praise And muffled laughter of our enemies, Bidding us never sheathe our valiant sword Till we have changed our birthright for a gourd Of wild pulse stolen from a barbarian's hut; Showing how wise it is to cast away The symbols of our spiritual sway, That so our hands with better ease May wield the driver's whip and grasp the jailer's keys.
VIII Was it for this our fathers kept the law? This crown shall crown their struggle and their ruth? Are we the eagle nation Milton saw Mewing its mighty youth, Soon to possess the mountain winds of truth, And be a swift familiar of the sun Where aye before God's face his trumpets run? Or have we but the talons and the maw, And for the abject likeness of our heart Shall some less lordly bird be set apart? -- Some gross-billed wader where the swamps are fat? Some gorger in the sun? Some prowler with the bat? IX Ah no! We have not fallen so.
We are our fathers' sons: let those who lead us know! 'T was only yesterday sick Cuba's cry Came up the tropic wind, "Now help us, for we die!" Then Alabama heard, And rising, pale, to Maine and Idaho Shouted a burning word.
Proud state with proud impassioned state conferred, And at the lifting of a hand sprang forth, East, west, and south, and north, Beautiful armies.
Oh, by the sweet blood and young Shed on the awful hill slope at San Juan, By the unforgotten names of eager boys Who might have tasted girls' love and been stung With the old mystic joys And starry griefs, now the spring nights come on, But that the heart of youth is generous, -- We charge you, ye who lead us, Breathe on their chivalry no hint of stain! Turn not their new-world victories to gain! One least leaf plucked for chaffer from the bays Of their dear praise, One jot of their pure conquest put to hire, The implacable republic will require; With clamor, in the glare and gaze of noon, Or subtly, coming as a thief at night, But surely, very surely, slow or soon That insult deep we deeply will requite.
Tempt not our weakness, our cupidity! For save we let the island men go free, Those baffled and dislaureled ghosts Will curse us from the lamentable coasts Where walk the frustrate dead.
The cup of trembling shall be drainèd quite, Eaten the sour bread of astonishment, With ashes of the hearth shall be made white Our hair, and wailing shall be in the tent; Then on your guiltier head Shall our intolerable self-disdain Wreak suddenly its anger and its pain; For manifest in that disastrous light We shall discern the right And do it, tardily.
-- O ye who lead, Take heed! Blindness we may forgive, but baseness we will smite.
Written by Marge Piercy | Create an image from this poem

My Mothers Body

 1.
The dark socket of the year the pit, the cave where the sun lies down and threatens never to rise, when despair descends softly as the snow covering all paths and choking roads: then hawkfaced pain seized you threw you so you fell with a sharp cry, a knife tearing a bolt of silk.
My father heard the crash but paid no mind, napping after lunch yet fifteen hundred miles north I heard and dropped a dish.
Your pain sunk talons in my skull and crouched there cawing, heavy as a great vessel filled with water, oil or blood, till suddenly next day the weight lifted and I knew your mind had guttered out like the Chanukah candles that burn so fast, weeping veils of wax down the chanukiya.
Those candles were laid out, friends invited, ingredients bought for latkes and apple pancakes, that holiday for liberation and the winter solstice when tops turn like little planets.
Shall you have all or nothing take half or pass by untouched? Nothing you got, Nun said the dreydl as the room stopped spinning.
The angel folded you up like laundry your body thin as an empty dress.
Your clothes were curtains hanging on the window of what had been your flesh and now was glass.
Outside in Florida shopping plazas loudspeakers blared Christmas carols and palm trees were decked with blinking lights.
Except by the tourist hotels, the beaches were empty.
Pelicans with pregnant pouches flapped overhead like pterodactyls.
In my mind I felt you die.
First the pain lifted and then you flickered and went out.
2.
I walk through the rooms of memory.
Sometimes everything is shrouded in dropcloths, every chair ghostly and muted.
Other times memory lights up from within bustling scenes acted just the other side of a scrim through which surely I could reach my fingers tearing at the flimsy curtain of time which is and isn't and will be the stuff of which we're made and unmade.
In sleep the other night I met you, seventeen your first nasty marriage just annulled, thin from your abortion, clutching a book against your cheek and trying to look older, trying to took middle class, trying for a job at Wanamaker's, dressing for parties in cast off stage costumes of your sisters.
Your eyes were hazy with dreams.
You did not notice me waving as you wandered past and I saw your slip was showing.
You stood still while I fixed your clothes, as if I were your mother.
Remember me combing your springy black hair, ringlets that seemed metallic, glittering; remember me dressing you, my seventy year old mother who was my last dollbaby, giving you too late what your youth had wanted.
3.
What is this mask of skin we wear, what is this dress of flesh, this coat of few colors and little hair? This voluptuous seething heap of desires and fears, squeaking mice turned up in a steaming haystack with their babies? This coat has been handed down, an heirloom this coat of black hair and ample flesh, this coat of pale slightly ruddy skin.
This set of hips and thighs, these buttocks they provided cushioning for my grandmother Hannah, for my mother Bert and for me and we all sat on them in turn, those major muscles on which we walk and walk and walk over the earth in search of peace and plenty.
My mother is my mirror and I am hers.
What do we see? Our face grown young again, our breasts grown firm, legs lean and elegant.
Our arms quivering with fat, eyes set in the bark of wrinkles, hands puffy, our belly seamed with childbearing, Give me your dress that I might try it on.
Oh it will not fit you mother, you are too fat.
I will not fit you mother.
I will not be the bride you can dress, the obedient dutiful daughter you would chew, a dog's leather bone to sharpen your teeth.
You strike me sometimes just to hear the sound.
Loneliness turns your fingers into hooks barbed and drawing blood with their caress.
My twin, my sister, my lost love, I carry you in me like an embryo as once you carried me.
4.
What is it we turn from, what is it we fear? Did I truly think you could put me back inside? Did I think I would fall into you as into a molten furnace and be recast, that I would become you? What did you fear in me, the child who wore your hair, the woman who let that black hair grow long as a banner of darkness, when you a proper flapper wore yours cropped? You pushed and you pulled on my rubbery flesh, you kneaded me like a ball of dough.
Rise, rise, and then you pounded me flat.
Secretly the bones formed in the bread.
I became willful, private as a cat.
You never knew what alleys I had wandered.
You called me bad and I posed like a gutter queen in a dress sewn of knives.
All I feared was being stuck in a box with a lid.
A good woman appeared to me indistinguishable from a dead one except that she worked all the time.
Your payday never came.
Your dreams ran with bright colors like Mexican cottons that bled onto the drab sheets of the day and would not bleach with scrubbing.
My dear, what you said was one thing but what you sang was another, sweetly subversive and dark as blackberries and I became the daughter of your dream.
This body is your body, ashes now and roses, but alive in my eyes, my breasts, my throat, my thighs.
You run in me a tang of salt in the creek waters of my blood, you sing in my mind like wine.
What you did not dare in your life you dare in mine.
Written by Robert Hayden | Create an image from this poem

Middle Passage

 I 

Jesús, Estrella, Esperanza, Mercy: 

Sails flashing to the wind like weapons, 
sharks following the moans the fever and the dying; 
horror the corposant and compass rose.
Middle Passage: voyage through death to life upon these shores.
"10 April 1800-- Blacks rebellious.
Crew uneasy.
Our linguist says their moaning is a prayer for death, our and their own.
Some try to starve themselves.
Lost three this morning leaped with crazy laughter to the waiting sharks, sang as they went under.
" Desire, Adventure, Tartar, Ann: Standing to America, bringing home black gold, black ivory, black seed.
Deep in the festering hold thy father lies, of his bones New England pews are made, those are altar lights that were his eyes.
Jesus Saviour Pilot Me Over Life's Tempestuous Sea We pray that Thou wilt grant, O Lord, safe passage to our vessels bringing heathen souls unto Thy chastening.
Jesus Saviour "8 bells.
I cannot sleep, for I am sick with fear, but writing eases fear a little since still my eyes can see these words take shape upon the page & so I write, as one would turn to exorcism.
4 days scudding, but now the sea is calm again.
Misfortune follows in our wake like sharks (our grinning tutelary gods).
Which one of us has killed an albatross? A plague among our blacks--Ophthalmia: blindness--& we have jettisoned the blind to no avail.
It spreads, the terrifying sickness spreads.
Its claws have scratched sight from the Capt.
's eyes & there is blindness in the fo'c'sle & we must sail 3 weeks before we come to port.
" What port awaits us, Davy Jones' or home? I've heard of slavers drifting, drifting, playthings of wind and storm and chance, their crews gone blind, the jungle hatred crawling up on deck.
Thou Who Walked On Galilee "Deponent further sayeth The Bella J left the Guinea Coast with cargo of five hundred blacks and odd for the barracoons of Florida: "That there was hardly room 'tween-decks for half the sweltering cattle stowed spoon-fashion there; that some went mad of thirst and tore their flesh and sucked the blood: "That Crew and Captain lusted with the comeliest of the savage girls kept naked in the cabins; that there was one they called The Guinea Rose and they cast lots and fought to lie with her: "That when the Bo's'n piped all hands, the flames spreading from starboard already were beyond control, the ******* howling and their chains entangled with the flames: "That the burning blacks could not be reached, that the Crew abandoned ship, leaving their shrieking negresses behind, that the Captain perished drunken with the wenches: "Further Deponent sayeth not.
" Pilot Oh Pilot Me II Aye, lad, and I have seen those factories, Gambia, Rio Pongo, Calabar; have watched the artful mongos baiting traps of war wherein the victor and the vanquished Were caught as prizes for our barracoons.
Have seen the ****** kings whose vanity and greed turned wild black hides of Fellatah, Mandingo, Ibo, Kru to gold for us.
And there was one--King Anthracite we named him-- fetish face beneath French parasols of brass and orange velvet, impudent mouth whose cups were carven skulls of enemies: He'd honor us with drum and feast and conjo and palm-oil-glistening wenches deft in love, and for tin crowns that shone with paste, red calico and German-silver trinkets Would have the drums talk war and send his warriors to burn the sleeping villages and kill the sick and old and lead the young in coffles to our factories.
Twenty years a trader, twenty years, for there was wealth aplenty to be harvested from those black fields, and I'd be trading still but for the fevers melting down my bones.
III Shuttles in the rocking loom of history, the dark ships move, the dark ships move, their bright ironical names like jests of kindness on a murderer's mouth; plough through thrashing glister toward fata morgana's lucent melting shore, weave toward New World littorals that are mirage and myth and actual shore.
Voyage through death, voyage whose chartings are unlove.
A charnel stench, effluvium of living death spreads outward from the hold, where the living and the dead, the horribly dying, lie interlocked, lie foul with blood and excrement.
Deep in the festering hold thy father lies, the corpse of mercy rots with him, rats eat love's rotten gelid eyes.
But, oh, the living look at you with human eyes whose suffering accuses you, whose hatred reaches through the swill of dark to strike you like a leper's claw.
You cannot stare that hatred down or chain the fear that stalks the watches and breathes on you its fetid scorching breath; cannot kill the deep immortal human wish, the timeless will.
"But for the storm that flung up barriers of wind and wave, The Amistad, señores, would have reached the port of Príncipe in two, three days at most; but for the storm we should have been prepared for what befell.
Swift as a puma's leap it came.
There was that interval of moonless calm filled only with the water's and the rigging's usual sounds, then sudden movement, blows and snarling cries and they had fallen on us with machete and marlinspike.
It was as though the very air, the night itself were striking us.
Exhausted by the rigors of the storm, we were no match for them.
Our men went down before the murderous Africans.
Our loyal Celestino ran from below with gun and lantern and I saw, before the cane- knife's wounding flash, Cinquez, that surly brute who calls himself a prince, directing, urging on the ghastly work.
He hacked the poor mulatto down, and then he turned on me.
The decks were slippery when daylight finally came.
It sickens me to think of what I saw, of how these apes threw overboard the butchered bodies of our men, true Christians all, like so much jetsam.
Enough, enough.
The rest is quickly told: Cinquez was forced to spare the two of us you see to steer the ship to Africa, and we like phantoms doomed to rove the sea voyaged east by day and west by night, deceiving them, hoping for rescue, prisoners on our own vessel, till at length we drifted to the shores of this your land, America, where we were freed from our unspeakable misery.
Now we demand, good sirs, the extradition of Cinquez and his accomplices to La Havana.
And it distresses us to know there are so many here who seem inclined to justify the mutiny of these blacks.
We find it paradoxical indeed that you whose wealth, whose tree of liberty are rooted in the labor of your slaves should suffer the august John Quincey Adams to speak with so much passion of the right of chattel slaves to kill their lawful masters and with his Roman rhetoric weave a hero's garland for Cinquez.
I tell you that we are determined to return to Cuba with our slaves and there see justice done.
Cinquez-- or let us say 'the Prince'--Cinquez shall die.
" The deep immortal human wish, the timeless will: Cinquez its deathless primaveral image, life that transfigures many lives.
Voyage through death to life upon these shores.


Written by David Lehman | Create an image from this poem

The Gift

 "He gave her class.
She gave him sex.
" -- Katharine Hepburn on Fred Astaire and Ginger Rogers He gave her money.
She gave him head.
He gave her tips on "aggressive growth" mutual funds.
She gave him a red rose and a little statue of eros.
He gave her Genesis 2 (21-23).
She gave him Genesis 1 (26-28).
He gave her a square peg.
She gave him a round hole.
He gave her Long Beach on a late Sunday in September.
She gave him zinnias and cosmos in the plenitude of July.
He gave her a camisole and a brooch.
She gave him a cover and a break.
He gave her Venice, Florida.
She gave him Rome, New York.
He gave her a false sense of security.
She gave him a true sense of uncertainty.
He gave her the finger.
She gave him what for.
He gave her a black eye.
She gave him a divorce.
He gave her a steak for her black eye.
She gave him his money back.
He gave her what she had never had before.
She gave him what he had had and lost.
He gave her nastiness in children.
She gave him prudery in adults.
He gave her Panic Hill.
She gave him Mirror Lake.
He gave her an anthology of drum solos.
She gave him the rattle of leaves in the wind.
Written by Ogden Nash | Create an image from this poem

Oh To Be Odd!

 Hypochondriacs
Spend the winter at the bottom of Florida and the summer on top of
the Adirondriacs.
You go to Paris and live on champagne wine and cognac If you're dipsomognac.
If you're a manic-depressive You don't go anywhere where you won't be cheered up, and people say "There, there!" if your bills are excessive.
But you stick around and work day and night and night and day with your nose to the sawmill.
If you're nawmill.
Note: Dipsomaniac -- alcoholic
Written by Elizabeth Bishop | Create an image from this poem

Florida

 The state with the prettiest name,
the state that floats in brackish water,
held together by mangrave roots
that bear while living oysters in clusters, 
and when dead strew white swamps with skeletons, 
dotted as if bombarded, with green hummocks
like ancient cannon-balls sprouting grass.
The state full of long S-shaped birds, blue and white, and unseen hysterical birds who rush up the scale every time in a tantrum.
Tanagers embarrassed by their flashiness, and pelicans whose delight it is to clown; who coast for fun on the strong tidal currents in and out among the mangrove islands and stand on the sand-bars drying their damp gold wings on sun-lit evenings.
Enormous turtles, helpless and mild, die and leave their barnacled shells on the beaches, and their large white skulls with round eye-sockets twice the size of a man's.
The palm trees clatter in the stiff breeze like the bills of the pelicans.
The tropical rain comes down to freshen the tide-looped strings of fading shells: Job's Tear, the Chinese Alphabet, the scarce Junonia, parti-colored pectins and Ladies' Ears, arranged as on a gray rag of rotted calico, the buried Indian Princess's skirt; with these the monotonous, endless, sagging coast-line is delicately ornamented.
Thirty or more buzzards are drifting down, down, down, over something they have spotted in the swamp, in circles like stirred-up flakes of sediment sinking through water.
Smoke from woods-fires filters fine blue solvents.
On stumps and dead trees the charring is like black velvet.
The mosquitoes go hunting to the tune of their ferocious obbligatos.
After dark, the fireflies map the heavens in the marsh until the moon rises.
Cold white, not bright, the moonlight is coarse-meshed, and the careless, corrupt state is all black specks too far apart, and ugly whites; the poorest post-card of itself.
After dark, the pools seem to have slipped away.
The alligator, who has five distinct calls: friendliness, love, mating, war, and a warning-- whimpers and speaks in the throat of the Indian Princess.
Written by Walt Whitman | Create an image from this poem

States!

 STATES! 
Were you looking to be held together by the lawyers? 
By an agreement on a paper? Or by arms? 

Away! 
I arrive, bringing these, beyond all the forces of courts and arms,
These! to hold you together as firmly as the earth itself is held together.
The old breath of life, ever new, Here! I pass it by contact to you, America.
O mother! have you done much for me? Behold, there shall from me be much done for you.
There shall from me be a new friendship—It shall be called after my name, It shall circulate through The States, indifferent of place, It shall twist and intertwist them through and around each other—Compact shall they be, showing new signs, Affection shall solve every one of the problems of freedom, Those who love each other shall be invincible, They shall finally make America completely victorious, in my name.
One from Massachusetts shall be comrade to a Missourian, One from Maine or Vermont, and a Carolinian and an Oregonese, shall be friends triune, more precious to each other than all the riches of the earth.
To Michigan shall be wafted perfume from Florida, To the Mannahatta from Cuba or Mexico, Not the perfume of flowers, but sweeter, and wafted beyond death.
No danger shall balk Columbia’s lovers, If need be, a thousand shall sternly immolate themselves for one, The Kanuck shall be willing to lay down his life for the Kansian, and the Kansian for the Kanuck, on due need.
It shall be customary in all directions, in the houses and streets, to see manly affection, The departing brother or friend shall salute the remaining brother or friend with a kiss.
There shall be innovations, There shall be countless linked hands—namely, the Northeasterner’s, and the Northwesterner’s, and the Southwesterner’s, and those of the interior, and all their brood, These shall be masters of the world under a new power, They shall laugh to scorn the attacks of all the remainder of the world.
The most dauntless and rude shall touch face to face lightly, The dependence of Liberty shall be lovers, The continuance of Equality shall be comrades.
These shall tie and band stronger than hoops of iron, I, extatic, O partners! O lands! henceforth with the love of lovers tie you.
Written by Sidney Lanier | Create an image from this poem

A Florida Sunday

 From cold Norse caves or buccaneer Southern seas
Oft come repenting tempests here to die;
Bewailing old-time wrecks and robberies,
They shrive to priestly pines with many a sigh,
Breathe salutary balms through lank-lock'd hair
Of sick men's heads, and soon -- this world outworn --
Sink into saintly heavens of stirless air,
Clean from confessional.
One died, this morn, And willed the world to wise Queen Tranquil: she, Sweet sovereign Lady of all souls that bide In contemplation, tames the too bright skies Like that faint agate film, far down descried, Restraining suns in sudden thoughtful eyes Which flashed but now.
Blest distillation rare Of o'er-rank brightness filtered waterwise Through all the earths in heaven -- thou always fair, Still virgin bride of e'er-creating thought -- Dream-worker, in whose dream the Future's wrought -- Healer of hurts, free balm for bitter wrongs -- Most silent mother of all sounding songs -- Thou that dissolvest hells to make thy heaven -- Thou tempest's heir, that keep'st no tempest leaven -- But after winds' and thunders' wide mischance Dost brood, and better thine inheritance -- Thou privacy of space, where each grave Star As in his own still chamber sits afar To meditate, yet, by thy walls unpent, Shines to his fellows o'er the firmament -- Oh! as thou liv'st in all this sky and sea That likewise lovingly do live in thee, So melt my soul in thee, and thine in me, Divine Tranquillity! Gray Pelican, poised where yon broad shallows shine, Know'st thou, that finny foison all is mine In the bag below thy beak -- yet thine, not less? For God, of His most gracious friendliness, Hath wrought that every soul, this loving morn, Into all things may be new-corporate born, And each live whole in all: I sail with thee, Thy Pelican's self is mine; yea, silver Sea, In this large moment all thy fishes, ripples, bights, Pale in-shore greens and distant blue delights, White visionary sails, long reaches fair By moon-horn'd strands that film the far-off air, Bright sparkle-revelations, secret majesties, Shells, wrecks and wealths, are mine; yea, Orange-trees, That lift your small world-systems in the light, Rich sets of round green heavens studded bright With globes of fruit that like still planets shine, Mine is your green-gold universe; yea, mine, White slender Lighthouse fainting to the eye That wait'st on yon keen cape-point wistfully, Like to some maiden spirit pausing pale, New-wing'd, yet fain to sail Above the serene Gulf to where a bridegroom soul Calls o'er the soft horizon -- mine thy dole Of shut undaring wings and wan desire -- Mine, too, thy later hope and heavenly fire Of kindling expectation; yea, all sights, All sounds, that make this morn -- quick flights Of pea-green paroquets 'twixt neighbor trees, Like missives and sweet morning inquiries From green to green, in green -- live oaks' round heads, Busy with jays for thoughts -- grays, whites and reds Of pranked woodpeckers that ne'er gossip out, But alway tap at doors and gad about -- Robins and mocking-birds that all day long Athwart straight sunshine weave cross-threads of song, Shuttles of music -- clouds of mosses gray That rain me rains of pleasant thoughts alway From a low sky of leaves -- faint yearning psalms Of endless metre breathing through the palms That crowd and lean and gaze from off the shore Ever for one that cometh nevermore -- Palmettos ranked, with childish spear-points set Against no enemy -- rich cones that fret High roofs of temples shafted tall with pines -- Green, grateful mangroves where the sand-beach shines -- Long lissome coast that in and outward swerves, The grace of God made manifest in curves -- All riches, goods and braveries never told Of earth, sun, air and heaven -- now I hold Your being in my being; I am ye, And ye myself; yea, lastly, Thee, God, whom my roads all reach, howe'er they run, My Father, Friend, Beloved, dear All-One, Thee in my soul, my soul in Thee, I feel, Self of my self.
Lo, through my sense doth steal Clear cognizance of all selves and qualities, Of all existence that hath been or is, Of all strange haps that men miscall of chance, And all the works of tireless circumstance: Each borders each, like mutual sea and shore, Nor aught misfits his neighbor that's before, Nor him that's after -- nay, through this still air, Out of the North come quarrels, and keen blare Of challenge by the hot-breath'd parties blown; Yet break they not this peace with alien tone, Fray not my heart, nor fright me for my land, -- I hear from all-wards, allwise understand, The great bird Purpose bears me twixt her wings, And I am one with all the kinsmen things That e'er my Father fathered.
Oh, to me All questions solve in this tranquillity: E'en this dark matter, once so dim, so drear, Now shines upon my spirit heavenly-clear: Thou, Father, without logic, tellest me How this divine denial true may be, -- How `All's in each, yet every one of all Maintains his Self complete and several.
'

Book: Shattered Sighs